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Georg Benda
Georg Anton Benda ( cz, Jiří Antonín Benda, italic=no, link=no; 30 June 17226 November 1795) was a composer, violinist and Kapellmeister of the classical period from the Kingdom of Bohemia. Biography Born into a family of notable musicians in Old Benatek (today Benátky nad Jizerou), Bohemia, he studied at the Piarist Gymnasium (grammar school) in Kosmanos and at the Jesuit Gymnasium in Gitschin from 1735 to 1742. Benda was 19 when Frederick the Great bestowed upon him in 1741 the position of second violinist in the chapel of Berlin. The following year Benda was summoned to Potsdam as a composer and arranger for his older brother Franz, himself an illustrious composer and violinist. Seven years later, in 1749, he entered the service of the Duke of Gotha as '' Kapellmeister,'' where he constantly cultivated his talents for composition, specializing in religious music. A stipend from the duke allowed Benda to take a study trip to Italy in 1764. He returned to Got ...
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Georg Anton Benda 1751
Georg may refer to: * Georg (film), ''Georg'' (film), 1997 *Georg (musical), Estonian musical * Georg (given name) * Georg (surname) * , a Kriegsmarine coastal tanker See also

* George (other) {{disambiguation ...
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Arrangement
In music, an arrangement is a musical adaptation of an existing composition. Differences from the original composition may include reharmonization, melodic paraphrasing, orchestration, or formal development. Arranging differs from orchestration in that the latter process is limited to the assignment of notes to instruments for performance by an orchestra, concert band, or other musical ensemble. Arranging "involves adding compositional techniques, such as new thematic material for introductions, transitions, or modulations, and endings. Arranging is the art of giving an existing melody musical variety".(Corozine 2002, p. 3) In jazz, a memorized (unwritten) arrangement of a new or pre-existing composition is known as a ''head arrangement''. Classical music Arrangement and transcriptions of classical and serious music go back to the early history of this genre. Eighteenth century J.S. Bach frequently made arrangements of his own and other composers' piec ...
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Abel Seyler
Abel Seyler (23 August 1730, Liestal – 25 April 1800, Rellingen) was a Swiss-born theatre director and former merchant banker, who was regarded as one of the great theatre principals of 18th century Europe. He played a pivotal role in the development of German theatre and was considered "the leading patron of German theatre" in his lifetime.Wilhelm Kosch, "Seyler, Abel", in '' Dictionary of German Biography'', eds. Walther Killy and Rudolf Vierhaus, Vol. 9, Walter de Gruyter, 2005, , p. 308 He supported the development of new works and experimental productions, helping to establish Hamburg as a center of theatrical innovation and to establish a publicly-funded theater system in Germany. He is credited with introducing Shakespeare to a German language audience, and with promoting the concept of a national theatre in the tradition of Ludvig Holberg, the ''Sturm und Drang'' playwrights, and serious German opera. Already in his lifetime, he was described as "one of German art's ...
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Wolfgang Amadeus Mozart
Wolfgang Amadeus Mozart (27 January 17565 December 1791), baptised as Joannes Chrysostomus Wolfgangus Theophilus Mozart, was a prolific and influential composer of the Classical period. Despite his short life, his rapid pace of composition resulted in more than 800 works of virtually every genre of his time. Many of these compositions are acknowledged as pinnacles of the symphonic, concertante, chamber, operatic, and choral repertoire. Mozart is widely regarded as among the greatest composers in the history of Western music, with his music admired for its "melodic beauty, its formal elegance and its richness of harmony and texture". Born in Salzburg, in the Holy Roman Empire, Mozart showed prodigious ability from his earliest childhood. Already competent on keyboard and violin, he composed from the age of five and performed before European royalty. His father took him on a grand tour of Europe and then three trips to Italy. At 17, he was a musician at the Salzburg court ...
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Bad Köstritz
Bad Köstritz is a town in the district of Greiz, in Thuringia, Germany. It is situated on the White Elster river, 7 km northwest of Gera. Bad Köstritz is known for the Köstritzer brewery and its Schwarzbier (black beer). History The settlement was first mentioned in 1364 as ''Kostricz'', a place of Slavic foundation. There has been a castle since the middle of the 13th century. The city has emerged from two medieval manors. Within the German Empire (1871–1918), Köstritz was part of the Principality of Reuss-Gera. Köstritz Castle, a four-winged building around a courtyard built between 1687 and 1704, was the seat of a side wing of the ruling House of Reuss, named counts and (from 1806) princes Reuss-Köstritz. The castle was demolished in 1972 under the government of East Germany, with only the gatehouse left. Today, a modern hotel has been built on the site. In January 2023 Bad Köstritz absorbed the former municipality Hartmannsdorf. Local council Election in ...
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Medea (Benda)
''Medea'' is a melodrama in one act with five scenes by Bohemian composer Georg Benda with a German libretto by Friedrich Wilhelm Gotter. The work was first performed in Leipzig at the Theater am Rannstädtertor on 1 May 1775. Historical impact and musical analysis ''Medea'' is considered to be one of Benda's best works and the composition had a significant impact on other composers of the late 18th century by popularizing the emerging genre of melodrama. Among those inspired by the work are Carl Philipp Emanuel Bach and Wolfgang Amadeus Mozart. Mozart in a letter to his father dated November 12, 1778 wrote, "The piece I saw was Benda’s ''Medea''. He has composed another one, '' Ariadne auf Naxos'', and both are really excellent. You know that of all the Lutheran Kapellmeisters Benda has always been my favorite, and I like those two works of his so much that I carry them about with me." Although Mozart never wrote a full melodrama, he did create a miniature melodrama within his ...
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Ariadne Auf Naxos (Benda)
(''Ariadne on Naxos''), Op. 60, is a 1912 opera by Richard Strauss with a German libretto by Hugo von Hofmannsthal. The opera's unusual combination of elements of low commedia dell'arte with those of high opera seria points up one of the work's principal themes: the competition between high and low art for the public's attention. First version (1912) The opera was originally conceived as a 30-minute divertissement to be performed at the end of Hofmannsthal's adaptation of Molière's play '' Le Bourgeois gentilhomme.'' Besides the opera, Strauss provided incidental music to be performed during the play. In the end, the opera occupied ninety minutes, and the performance of play plus opera occupied over six hours. It was first performed at the Hoftheater Stuttgart on 25 October 1912, directed by Max Reinhardt. The combination of the play and opera proved to be unsatisfactory to the audience: those who had come to hear the opera resented having to wait until the play finished. ...
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Melodrama
A modern melodrama is a dramatic work in which the plot, typically sensationalized and for a strong emotional appeal, takes precedence over detailed characterization. Melodramas typically concentrate on dialogue that is often bombastic or excessively sentimental, rather than action. Characters are often flat, and written to fulfill stereotypes. Melodramas are typically set in the private sphere of the home, focusing on morality and family issues, love, and marriage, often with challenges from an outside source, such as a "temptress", a scoundrel, or an aristocratic villain. A melodrama on stage, filmed, or on television is usually accompanied by dramatic and suggestive music that offers cues to the audience of the drama being presented. In scholarly and historical musical contexts, ''melodramas'' are Victorian dramas in which orchestral music or song was used to accompany the action. The term is now also applied to stage performances without incidental music, novels, films, t ...
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Operetta
Operetta is a form of theatre and a genre of light opera. It includes spoken dialogue, songs, and dances. It is lighter than opera in terms of its music, orchestral size, length of the work, and at face value, subject matter. Apart from its shorter length, the operetta is usually of a light and amusing character. It sometimes also includes satirical commentaries. "Operetta" is the Italian diminutive of "opera" and was used originally to describe a shorter, perhaps less ambitious work than an opera. Operetta provides an alternative to operatic performances in an accessible form targeting a different audience. Operetta became a recognizable form in the mid-19th century in France, and its popularity led to the development of many national styles of operetta. Distinctive styles emerged across countries including Austria-Hungary, Germany, England, Spain, the Philippines, Mexico, Cuba, and the United States. Through the transfer of operetta among different countries, cultural cosmo ...
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Opera
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as '' Singspiel'' and '' Opéra comique''. In traditional number opera, singers employ two st ...
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Gotha
Gotha () is the fifth-largest city in Thuringia, Germany, west of Erfurt and east of Eisenach with a population of 44,000. The city is the capital of the Gotha (district), district of Gotha and was also a residence of the Ernestine House of Wettin, Wettins from 1640 until the end of monarchy in Germany in 1918. The House of Saxe-Coburg and Gotha originating here spawned many European rulers, including the royal houses of the United Kingdom, Belgium, Portugal (until 1910) and Bulgaria (until 1946). In the Middle Ages, Gotha was a rich trading town on the trade route ''Via Regia'' and between 1650 and 1850, Gotha saw a cultural heyday as a centre of sciences and arts, fostered by the dukes of Saxe-Gotha. The first duke, Ernest I, Duke of Saxe-Gotha, Ernest the Pious, was famous for his wise rule. In the 18th century, the ''Almanach de Gotha'' was first published in the city. The publisher Justus Perthes (publishing company), Justus Perthes and the encyclopedist Joseph Meyer (publ ...
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Stipend
A stipend is a regular fixed sum of money paid for services or to defray expenses, such as for scholarship, internship, or apprenticeship. It is often distinct from an income or a salary because it does not necessarily represent payment for work performed; instead it represents a payment that enables somebody to be exempt partly or wholly from waged or salaried employment in order to undertake a role that is normally unpaid or voluntary, or which cannot be measured in terms of a task (e.g. members of the clergy). A paid judge in an English magistrates' court was formerly termed a "stipendiary magistrate", as distinct from the unpaid "lay magistrates". In 2000, these were respectively renamed " district judge (magistrates courts)" and "magistrate". Stipends are usually lower than would be expected as a permanent salary for similar work. This is because the stipend is complemented by other benefits such as accreditation, instruction, food, and/or accommodation. Some graduate schools ...
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