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Gavaudan
GavaudanHis Occitan name is also found as ''Gavaudas'' in the accusative and, by extension, ''Gavauda'' in the nominative. Eighteenth- and nineteenth-century French scholarship used to call him ''le Vieux'' (the Old), but there is no basis for this. ( 11951215, known in 1212–1213) was a troubadour and hired soldier () at the courts of both Raymond V and Raymond VI of Toulouse and later on in Castile. He was from Gévaudan, as his name (probably a nickname) implies. He wrote moralising lyrics, either religious or political, and ten of his works survive, including five ''sirventes'', two ''pastorelas'', one ''canso'', one ''planh'' for an anonymous ''domna'' (lady), and one Crusade song. He is sometimes clumped in a primitive Marcabrunian "school" of poetry alongside Bernart Marti, Bernart de Venzac, and Peire d'Alvernhe. He developed a hermetic style, combining elements of the ''trobar ric'' and ''trobar clus.'' Pastorelas Gavaudan composed two customarily dated to aroun ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pastorela
The ''pastorela'' (, "little/young shepherdess") was an Occitan lyric genre used by the troubadours. It gave rise to the Old French ''pastourelle''. The central topic was always the meeting of a knight with a shepherdess, which could lead to any of a number of possible conclusions. They were usually humorous pieces. The genre was allegedly invented by Cercamon, whose examples do not survive, and was most famously taken up by his (alleged) pupil Marcabru Marcabru (; floruit, fl. 1130–1150) is one of the earliest troubadours whose poems are known. There is no certain information about him; the two ''vida (Occitan literary form), vidas'' attached to his poems tell different stories, and both are e .... Table of ''pastorelas'' Only a few pastorelas have survived; Audiau counts 24 "true" Old Occitan examples, mentioning 10 others which resemble them but belong to other genres and one which is a translation from French. Zemp reduces this number further, to 17. Notes References ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gévaudan
Gévaudan (; oc, Gavaudan, Gevaudan) is a historical area of France in Lozère ''département''. It took its name from the Gabali, a Gallic tribe subordinate to the Arverni. History After the conquest of Gaul, the Romans preserved the capital city of the Gabali, ''Anderitum'', which they renamed ''Gabalum'', since called Javols. Middle Ages In the early Middle Ages Gévaudan was known as ''Pagus Gabalum'' and was placed under the rule of the Count of Toulouse. In the beginning of the 10th century, Mende had supplanted Javols as religious and administrative capital of the Gévaudan. The western part of Gévaudan constituted the Viscounty of Grèzes. In 1096 the Count of Toulouse, leaving for the Crusade, transmitted his rights on the eastern part of Gévaudan to the Bishop of Mende. It was inherited in 1166 by Alfonso II of Aragon. In the 12th century, Adalbert, Bishop of Mende, decided to take advantage of the lack of interest of the nominal rulers of Gévaudan to inc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Troubadour
A troubadour (, ; oc, trobador ) was a composer and performer of Old Occitan lyric poetry during the High Middle Ages (1100–1350). Since the word ''troubadour'' is etymologically masculine, a female troubadour is usually called a ''trobairitz''. The troubadour school or tradition began in the late 11th century in Occitania, but it subsequently spread to the Italian and Iberian Peninsulas. Under the influence of the troubadours, related movements sprang up throughout Europe: the Minnesang in Germany, ''trovadorismo'' in Galicia and Portugal, and that of the trouvères in northern France. Dante Alighieri in his ''De vulgari eloquentia'' defined the troubadour lyric as ''fictio rethorica musicaque poita'': rhetorical, musical, and poetical fiction. After the "classical" period around the turn of the 13th century and a mid-century resurgence, the art of the troubadours declined in the 14th century and around the time of the Black Death (1348) it died out. The texts of troubadou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Peire D'Alvernhe
Peire d'Alvernhe or d'Alvernha (''Pèire'' in modern Occitan; b. c. 1130) was an Auvergnat troubadour (active 1149–1170) with twenty-oneGaunt and Kay, 287. or twenty-fourEgan, 72.Aubrey, ''The Music of the Troubadours'', 8. surviving works. He composed in an "esoteric" and "formally complex" style known as the ''trobar clus''. He stands out as the earliest troubadour mentioned by name in Dante's ''Divine Comedy''. Life According to his ''vida'', Peire was a burgher's son from the Diocese of Clermont.Egan, 71. As testified to by his ''vida'', his popularity was great within his lifetime and afterwards. Said to be handsome, charming, wise, and learned, he was "the first good inventor of poetry to go beyond the mountains" (i.e. the Pyrenees) and travel in Spain. He passed his time in Spain at the court of Alfonso VII of Castile and that of his son Sancho III in 1157–1158. It is possible that he was present at a meeting between Sancho of Castile, Sancho VI of Navarre and R ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bernart De Venzac
Bernart de Venzac (floruit, fl. 1180–1210) was an obscure troubadour from Venzac near Rodez in the Rouergue. He wrote in the Marcabrunian style, leaving behind five moralising pieces (two ''Canso (song), cansos'' and three ''sirventes'') and one religious ''alba (poetry), alba''. Two of his works were confused by copyists with those of Marcabru in some manuscripts. Bernart's career can be dated because of references in his poetry to his patron, Hugh II of Rodez. In his poem ''Iverns vay e.l temps tenebros'' he even prays to his recently deceased patron requesting him change any "false" words in his poem to right ones: ''Prec que.l mot fals en sian ras / Pel compte N'Uc, en qui es dos''. Whether this request was at all serious or merely a form of courtly flattery is not known, but the latter is suspected. Since Hugh died in 1208, this poem is usually dated to late that year or early 1209. Another reference, to the peace ''del bisb'e d'elh'' ("of the bishop and him [Hugh]"), p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bernart Marti
Bernart Marti was a troubadour, composing poems and satires in Occitan, in the mid-twelfth century. They show that he was influenced by his contemporaries Marcabru and knew Peire d'Alvernha, who, in one poem, he accused of abandoning holy orders. Along with Peire, Gavaudan and Bernart de Venzac Bernart de Venzac ( fl. 1180–1210) was an obscure troubadour from Venzac near Rodez in the Rouergue. He wrote in the Marcabrunian style, leaving behind five moralising pieces (two '' cansos'' and three '' sirventes'') and one religious ' ... he is sometimes placed in a hypothetical Marcabrunian school. His work is "enigmatic, ironic, and satiric", but has no following among later troubadours, according to Gaunt and Kay. Works Nine or ten of Marti's poems survive; the following have been attributed to him: *''A, senhors, qui so cuges '' *''Amar dei '' *''Belha m'es la flors d'aguilen'' *''Bel m'es lai latz la fontana '' *''Companho, per companhia '' *''D'entier vers far ieu non pes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Planh
A genre of the troubadours, the or (; "lament") is a funeral lament for "a great personage, a protector, a friend or relative, or a lady."Elisabeth Schulze-Busacker, "Topoi", in F. R. P. Akehurst and Judith M. Davis, eds., ''A Handbook of the Troubadours'' (Berkeley: University of California Press, 1995), pp. 421–440. Its main elements are expression of grief, praise of the deceased (eulogy) and prayer for his or her soul.Patricia Harris Stäblein, "New Views on an Old Problem: The Dynamics of Death in the ", ''Romance Philology'' 35, 1 (1981): 223–234. It is descended from the medieval Latin .William D. Paden, "Planh/Complainte", in W. W. Kibler and G. A. Zinn, eds., ''Medieval France: An Encyclopedia'' (New York: Garland, 1995), pp. 1400–1401. The is similar to the in that both were typically contrafacta. They made use of existing melodies, often imitating the original song even down to the rhymes. The most famous of all, however, Gaucelm Faidit's lament on the death ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Crusade Song
A Crusade song ( oc, canso de crozada, ca, cançó de croada, german: Kreuzlied) is any vernacular lyric poem about the Crusades. Crusade songs were popular in the High Middle Ages: 106 survive in Occitan, forty in Old French, thirty in Middle High German, two in Italian, and one in Old Castilian. The study of the Crusade song, which may be considered a genre of its own, was pioneered by Kurt Lewent. He provided a classification of Crusade songs and distinguished between songs which merely mentioned, in some form, a Crusade from songs which were "Crusade songs". Since Lewent, scholars have added several classifications and definitions of Crusade songs. Scholars have argued for three different classifications of Crusade songs which include songs of exhortation, love songs, and songs which criticize the Crusading movement. The Crusade song was not confined to the topic of the Latin East, but could concern the Reconquista in Spain, the Albigensian Crusade in Languedoc, or the politic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Troubadour
A troubadour (, ; oc, trobador ) was a composer and performer of Old Occitan lyric poetry during the High Middle Ages (1100–1350). Since the word ''troubadour'' is etymologically masculine, a female troubadour is usually called a ''trobairitz''. The troubadour school or tradition began in the late 11th century in Occitania, but it subsequently spread to the Italian and Iberian Peninsulas. Under the influence of the troubadours, related movements sprang up throughout Europe: the Minnesang in Germany, ''trovadorismo'' in Galicia and Portugal, and that of the trouvères in northern France. Dante Alighieri in his ''De vulgari eloquentia'' defined the troubadour lyric as ''fictio rethorica musicaque poita'': rhetorical, musical, and poetical fiction. After the "classical" period around the turn of the 13th century and a mid-century resurgence, the art of the troubadours declined in the 14th century and around the time of the Black Death (1348) it died out. The texts of troubadou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hermeticism (poetry)
Hermeticism in poetry, or hermetic poetry, is a form of obscure and difficult poetry, as of the Symbolist school, wherein the language and imagery are subjective, and where the suggestive power of the sound of words is as important as their meaning. The name alludes to the mythical Hermes Trismegistus. Hermeticism was influential in the Renaissance, after the translation into Latin of a compilation of Greek Hermetic treatises called the ''Corpus Hermeticum'' by Marsilio Ficino (1433–1499). Within the Novecento Italiano, Hermetic poetry became an Italian literary movement in the 1920s and 1930s, developing between the two world wars. Major features of this movement were reduction to essentials, abolishment of punctuation, and brief, synthetic compositions, at times resulting in short works of only two or three verses. Terminology The term ''ermetismo'' was coined in Italian by literary critic Francesco Flora (although with a very generic and superficial connotation) in 1936 an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Almohad
The Almohad Caliphate (; ar, خِلَافَةُ ٱلْمُوَحِّدِينَ or or from ar, ٱلْمُوَحِّدُونَ, translit=al-Muwaḥḥidūn, lit=those who profess the Tawhid, unity of God) was a North African Berbers, Berber Muslim empire founded in the 12th century. At its height, it controlled much of the Iberian Peninsula (Al Andalus) and North Africa (the Maghreb). The Almohad movement was founded by Ibn Tumart among the Berber Masmuda tribes, but the Almohad caliphate and its ruling dynasty were founded after his death by Abd al-Mu'min, Abd al-Mu'min al-Gumi. Around 1120, Ibn Tumart first established a Berber state in Tinmel in the Atlas Mountains. Under Abd al-Mu'min (r. 1130–1163) they succeeded in overthrowing the ruling Almoravid dynasty governing Morocco in 1147, when he conquered Marrakesh and declared himself caliph. They then extended their power over all of the Maghreb by 1159. Al-Andalus soon followed, and all of Muslim Iberia was under Almohad ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alfonso VIII Of Castile
Alfonso VIII (11 November 11555 October 1214), called the Noble (''El Noble'') or the one of Las Navas (''el de las Navas''), was King of Castile from 1158 to his death and King of Toledo. After having suffered a great defeat with his own army at Alarcos against the Almohads in 1195, he led the coalition of Christian princes and foreign crusaders who broke the power of the Almohads in the Battle of Las Navas de Tolosa in 1212, an event which marked the arrival of a tide of Christian supremacy on the Iberian peninsula. His reign saw the domination of Castile over León and, by his alliance with Aragon, he drew those two spheres of Christian Iberia into close connection. Regency and civil war Alfonso was born to Sancho III of Castile and Blanche, in Soria on 11 November 1155. He was named after his grandfather Alfonso VII of León and Castile, who divided his kingdoms between his sons. This division set the stage for conflict in the family until the kingdoms were re-united by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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