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Gaudairença
Raimon de Miraval(h) (c. 1135/1160 – c. 1220) was a troubadour (fl. 1180–1220) and, according to his ''vida'', "a poor knight from Carcassonne who owned less than a quarter of the castle of Miraval."Graham-Leigh, 28. Favoured by Raymond VI of Toulouse, he was also later associated with Peter II of Aragon and Alfonso VIII of Castile. His senhal for Raymond VI was Audiart. Raimon has been identified with a person of the same name who undersigned a charter of 1151, which led some to place his birth date as early as c. 1135, while others reject the identification with the Raimon de Miraval of the charter and estimate his birth date at 1160 based on the height of his career c. 1200. That Raimon owned only a quarter of his family's ancestral castle is an indication either of partible inheritance or clan structure. Miraval was captured by Simon de Montfort during the Albigensian Crusade. After the Battle of Muret in 1213 Raimon probably fled to Spain, after swearing never to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Troubadour
A troubadour (, ; oc, trobador ) was a composer and performer of Old Occitan lyric poetry during the High Middle Ages (1100–1350). Since the word ''troubadour'' is etymologically masculine, a female troubadour is usually called a ''trobairitz''. The troubadour school or tradition began in the late 11th century in Occitania, but it subsequently spread to the Italian and Iberian Peninsulas. Under the influence of the troubadours, related movements sprang up throughout Europe: the Minnesang in Germany, ''trovadorismo'' in Galicia and Portugal, and that of the trouvères in northern France. Dante Alighieri in his ''De vulgari eloquentia'' defined the troubadour lyric as ''fictio rethorica musicaque poita'': rhetorical, musical, and poetical fiction. After the "classical" period around the turn of the 13th century and a mid-century resurgence, the art of the troubadours declined in the 14th century and around the time of the Black Death (1348) it died out. The texts of troubadou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
12th-century Births
1 (one, unit, unity) is a number representing a single or the only entity. 1 is also a numerical digit and represents a single unit of counting or measurement. For example, a line segment of ''unit length'' is a line segment of length 1. In conventions of sign where zero is considered neither positive nor negative, 1 is the first and smallest positive integer. It is also sometimes considered the first of the infinite sequence of natural numbers, followed by 2, although by other definitions 1 is the second natural number, following 0. The fundamental mathematical property of 1 is to be a multiplicative identity, meaning that any number multiplied by 1 equals the same number. Most if not all properties of 1 can be deduced from this. In advanced mathematics, a multiplicative identity is often denoted 1, even if it is not a number. 1 is by convention not considered a prime number; this was not universally accepted until the mid-20th century. Additionally, 1 is the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
12th-century French Troubadours
1 (one, unit, unity) is a number representing a single or the only entity. 1 is also a numerical digit and represents a single unit of counting or measurement. For example, a line segment of ''unit length'' is a line segment of length 1. In conventions of sign where zero is considered neither positive nor negative, 1 is the first and smallest positive integer. It is also sometimes considered the first of the infinite sequence of natural numbers, followed by 2, although by other definitions 1 is the second natural number, following 0. The fundamental mathematical property of 1 is to be a multiplicative identity, meaning that any number multiplied by 1 equals the same number. Most if not all properties of 1 can be deduced from this. In advanced mathematics, a multiplicative identity is often denoted 1, even if it is not a number. 1 is by convention not considered a prime number; this was not universally accepted until the mid-20th century. Additionally, 1 is the s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Canso (song)
The ''canso'' or ''canson'' or ''canzo'' () was a song style used by the troubadours. It was, by far, the most common genre used, especially by early troubadours, and only in the second half of the 13th century was its dominance challenged by a growing number of poets writing ''coblas esparsas''. The ''canso'' became, in Old French, the ''grand chant'' and, in Italian, the ''canzone''. Structure A ''canso'' usually consists of three parts. The first stanza is the ''exordium'', where the composer explains his purpose. The main body of the song occurs in the following stanzas, and usually draw out a variety of relationships with the ''exordium''; formally, aside from the ''envoi''(''s''), which are not always present, a ''canso'' is made of stanzas all having the same sequence of verses, in the sense that each verse has the same number of metrical syllables. This makes it possible to use the same melody for every stanza. The sequence can be extremely simple, as in ''Can vei la ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Courtly Love
Courtly love ( oc, fin'amor ; french: amour courtois ) was a medieval European literary conception of love that emphasized nobility and chivalry. Medieval literature is filled with examples of knights setting out on adventures and performing various deeds or services for ladies because of their "courtly love". This kind of love is originally a literary fiction created for the entertainment of the nobility, but as time passed, these ideas about love changed and attracted a larger audience. In the high Middle Ages, a "game of love" developed around these ideas as a set of social practices. "Loving nobly" was considered to be an enriching and improving practice. Courtly love began in the ducal and princely courts of Aquitaine, Provence, Champagne, ducal Burgundy and the Norman Kingdom of Sicily at the end of the eleventh century. In essence, courtly love was an experience between erotic desire and spiritual attainment, "a love at once illicit and morally elevating, passionate and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Raymond Roger Trencavel
Raymond Roger Trencavel (also Raimond, oc, Raimon Rogièr; 1185 – 10 November 1209) was a member of the noble Trencavel family. He was viscount of Béziers and Albi (and thus a vassal of the count of Toulouse), and viscount of Carcassonne and the Razès (and thus a vassal of the count of Barcelona, which was also ruling Aragon at this time). Raymond-Roger was the son of Roger II Trencavel (d. 1194), and of Azalais of Toulouse (also known as the "Countess of Burlats"), daughter of Raymond V of Toulouse and sister of Raymond VI. Raymond-Roger was married to Agnes of Montpellier. His aunt, Beatrice of Béziers, was the second wife of Raymond VI of Toulouse. Raymond-Roger lived in the Château Comtal in the fortified hill town of Carcassonne. The château was built by his ancestors in the 11th century. Raymond-Roger was not a Cathar, although many of his subjects were. He adopted a ''laissez-faire'' attitude to Catharism – and to other cultures and religions. He relied st ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trobar Leu
The ''trobar leu'' (), or light style of poetry, was the most popular style used by the troubadours. Its accessibility gave it a wide audience. See also *''Trobar ric'' *''Trobar clus ''Trobar clus'' (), or closed form, was a complex and obscure style of poetry used by troubadours for their more discerning audiences, and it was only truly appreciated by an elite few. It was developed extensively by Marcabru and Arnaut Daniel, bu ...'' Occitan literature Western medieval lyric forms {{Poetry-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Raymond-Roger, Count Of Foix
Raimond Roger (french: Raymond-Roger; Occitan language, Occitan: ''Ramon Roger'') (died 27 March 1223) was the sixth list of counts of Foix, count of Foix from the County of Foix#House of Foix, House of Foix. He was the son and successor of Roger-Bernard I of Foix, Roger Bernard I and his wife Cécilia Trencavel. When Raimond-Roger and Arnaud of Castelbon, Arnaud, viscount of Castelbon, wished to join their possessions, the Count Ermengol VIII of Urgell and Bernard de Villemur, bishop of Urgell, saw in this a threat and declared war. Overcome and captured, the count of Foix and Arnaud were imprisoned from February to September 1203. King Peter II of Aragón intervened, however, wishing to spare them for his fight to conquer Languedoc. Moreover, Peter II gave as a fief the castles of Trenton and Quérigut (1209) to Raimond-Roger, after having already given various other catalonia, Catalan seigniories (1208). Raimond Roger was a close relative of Raymond VI of Toulouse and a staunch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Spain
, image_flag = Bandera de España.svg , image_coat = Escudo de España (mazonado).svg , national_motto = ''Plus ultra'' (Latin)(English: "Further Beyond") , national_anthem = (English: "Royal March") , image_map = , map_caption = , image_map2 = , capital = Madrid , coordinates = , largest_city = Madrid , languages_type = Official language , languages = Spanish language, Spanish , ethnic_groups = , ethnic_groups_year = , ethnic_groups_ref = , religion = , religion_ref = , religion_year = 2020 , demonym = , government_type = Unitary state, Unitary Parliamentary system, parliamentary constitutional monarchy , leader_title1 = Monarchy of Spain, Monarch , leader_name1 = Felipe VI , leader_title2 = Prime Minister of Spain ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Battle Of Muret
The Battle of Muret (Occitan: Batalha de Murèth), fought on 12 September 1213 near Muret, 25 km south of Toulouse, was the last major battle of the Albigensian Crusade and one of the most notable pitched battles of the Middle Ages. Although estimates of the sizes of the respective armies vary considerably even among distinguished modern historians, it is most well known for a small force of French knights and crusaders commanded by Simon de Montfort the Elder defeating a much larger allied army led by King Peter II of Aragon and Count Raymond VI of Toulouse. Like Hastings and Bouvines, Muret is regarded as one of the most decisive tactical victories of the High Middle Ages and a much more complete victory than the first two. It showed Montfort had no equal as a battlefield commander, having now after his previous exploits defeated, against all odds, a man whose status as a sovereign king, general and crusader matched or exceeded the Frenchman's own reputation. Charles O ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Albigensian Crusade
The Albigensian Crusade or the Cathar Crusade (; 1209–1229) was a military and ideological campaign initiated by Pope Innocent III to eliminate Catharism in Languedoc, southern France. The Crusade was prosecuted primarily by the French crown and promptly took on a political aspect. It resulted in the significant reduction of practicing Cathars and a realignment of the County of Toulouse with the French crown. The distinct regional culture of Languedoc was also diminished. The Cathars originated from an anti-materialist reform movement within the Bogomil churches of the Balkans calling for what they saw as a return to the Christian message of perfection, poverty and preaching, combined with a rejection of the physical to the point of starvation. The reforms were a reaction against the often perceived scandalous and dissolute lifestyles of the Catholic clergy in southern France. Their theology, neo-Gnostic in many ways, was basically dualistic cosmology, dualist. Several of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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