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Garcia Live Volume 14
''Garcia Live Volume 14'' is an album by Jerry Garcia and John Kahn. It contains the complete concert recorded at The Ritz in Manhattan on January 27, 1986. It was released as a CD on July 24, 2020, and as a two-disc LP on August 14, 2020. Some copies of the CD include a bonus disc containing the complete concert recorded at the same venue on the following night. In January and February 1986 Garcia and Kahn, long-time collaborators in the Jerry Garcia Band and other groups, performed a number of concerts as a duo. Garcia sang and played acoustic guitar and Kahn played double bass. Another album recorded on this concert tour is '' Pure Jerry: Marin Veterans Memorial Auditorium, San Rafael, California, February 28, 1986''. Track listing ''Garcia Live Volume 14'' – recorded January 27, 1986 :''First set:'' #" Deep Elem Blues" ( Joe Shelton, Robert Shelton) – 5:37 #" Little Sadie" (traditional) – 4:31 #" Friend of the Devil" (Jerry Garcia, Robert Hunter, John Dawson ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jerry Garcia
Jerome John Garcia (August 1, 1942 – August 9, 1995) was an American musician best known for being the principal songwriter, lead guitarist, and a vocalist with the rock band Grateful Dead, which he co-founded and which came to prominence during the counterculture of the 1960s. Although he disavowed the role, Garcia was viewed by many as the leader of the band. He was inducted into the Rock and Roll Hall of Fame in 1994 as a member of the Grateful Dead. As one of its founders, Garcia performed with the Grateful Dead for the band's entire 30-year career (1965–1995). Garcia also founded and participated in a variety of side projects, including the Saunders–Garcia Band (with longtime friend Merl Saunders), the Jerry Garcia Band, Old & In the Way, the Garcia/ Grisman and Garcia/Kahn acoustic duos, Legion of Mary, and New Riders of the Purple Sage (which he co-founded with John Dawson and David Nelson). He also released several solo albums, and contributed to a number of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Little Sadie
"Little Sadie" is a 20th-century American folk ballad written in Dorian mode. It is also known variously as "Bad Lee Brown", "Cocaine Blues", "Transfusion Blues", "East St. Louis Blues", "Late One Night", "Penitentiary Blues" and other titles. It tells the story of a man who is apprehended after shooting a woman, in some versions his wife or girlfriend. He is then sentenced by a judge. Earliest transcription The earliest written record of the song dates from 1922. This lyric fragment, transcribed in Joplin, Missouri, is noted in the 1948 book ''Ozark Folksongs, Vol. II''. "Bad Lee Brown" Last night I was a-makin' my rounds, Met my old woman an' I blowed her down, I went on home to go to bed, Put my old cannon right under my head. Jury says murder in the first degree, I says oh Lord, have mercy on me! Old Judge White picks up his pen, Says you'll never kill no woman ag'in. Carolina to Mexico Some versions refer to the Sheriff of Thomasville, North Carolina apprehending the murde ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Lomax
John Avery Lomax (September 23, 1867 – January 26, 1948) was an American teacher, a pioneering musicologist, and a folklorist who did much for the preservation of American folk music. He was the father of Alan Lomax, John Lomax Jr. and Bess Lomax Hawes, also distinguished collectors of folk music. Early life The Lomax family originally came from England with William Lomax, who settled in Rockingham County in what was then "the colony of North Carolina." John Lomax was born in Goodman in Holmes County in central Mississippi, to James Avery Lomax and the former Susan Frances Cooper. In December 1869, the Lomax family traveled by ox cart from Mississippi to Texas. John Lomax grew up in central Texas, just north of Meridian in rural Bosque County.Porterfield, p. 10. His father raised horses and cattle and grew cotton and corn on the of bottomland that he had purchased near the Bosque River.Porterfield, p. 12. He was exposed to cowboy songs as a child.Porterfield, p. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Huddie Ledbetter
Huddie William Ledbetter (; January 20, 1888 – December 6, 1949), better known by the stage name Lead Belly, was an American folk and blues singer notable for his strong vocals, virtuosity on the twelve-string guitar, and the folk standards he introduced, including his renditions of "In the Pines", "Goodnight, Irene", " Midnight Special", "Cotton Fields", and "Boll Weevil". Lead Belly usually played a twelve-string guitar, but he also played the piano, mandolin, harmonica, violin, and windjammer. In some of his recordings, he sang while clapping his hands or stomping his foot. Lead Belly's songs covered a wide range of genres, including gospel music, blues, and folk music, as well as a number of topics, including women, liquor, prison life, racism, cowboys, work, sailors, cattle herding, and dancing. He also wrote songs about people in the news, such as Franklin D. Roosevelt, Adolf Hitler, Jean Harlow, Jack Johnson, the Scottsboro Boys and Howard Hughes. Lead Belly was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Goodnight, Irene
"Goodnight, Irene" or "Irene, Goodnight," is a 20th-century American folk standard, written in time, first recorded by American blues musician Huddie 'Lead Belly' Ledbetter in 1933. A version recorded by the Weavers was a #1 hit in 1950. The lyrics tell of the singer's troubled past with his love, Irene, and express his sadness and frustration. Several verses refer explicitly to suicidal fantasies, most famously in the line "sometimes I take a great notion to jump in the river and drown," which was the inspiration for the title of the 1964 Ken Kesey novel ''Sometimes a Great Notion'' and a song of the same name from John Mellencamp's 1989 album, '' Big Daddy'', itself strongly informed by traditional American folk music. Origin In 1886, Gussie Lord Davis published a song called "Irene, Goodnight". The lyrics of the song have some similarities to "Goodnight, Irene" to suggest that Huddie Ledbetter's song was based on Davis' lyrics. There is also a degree of resemblance in the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ripple (song)
"Ripple" is the sixth song on the Grateful Dead album '' American Beauty''. It was released as the B-side to the single "Truckin'". Background Robert Hunter wrote this song in 1970 in London on the same afternoon he wrote "Brokedown Palace" and "To Lay Me Down" (reputedly drinking half a bottle of retsina in the process ). The song debuted August 18, 1970 at Fillmore West in San Francisco. Jerry Garcia wrote the music to this song. "Ripple" has a similar melody to the gospel hymn "Because He Lives," which was published a year later. Both songs are similar to " Any Dream Will Do" from the Andrew Lloyd Webber-Tim Rice musical ''Joseph and the Amazing Technicolor Dreamcoat''. However, in his book ''The Grateful Dead FAQ'', writer Tony Sclafani points out that even though "Any Dream Will Do" was written in 1968, Garcia is unlikely to have heard it, because no recording was released until 1970. In popular culture A number of essays have been written analyzing and annotating this so ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mississippi John Hurt
John Smith Hurt (March 8, 1893 – November 2, 1966), better known as Mississippi John Hurt, was an American country blues singer and guitarist. Raised in Avalon, Mississippi, Hurt taught himself to play the guitar around the age of nine. He worked as a sharecropper and began playing at dances and parties, singing to a melodious fingerpicked accompaniment. His first recordings, made for Okeh Records in 1928, were commercial failures, and he continued to work as a farmer. Dick Spottswood and Tom Hoskins, a blues enthusiast, located Hurt in 1963 and persuaded him to move to Washington, D.C. He was recorded by the Library of Congress in 1964. This helped further the American folk music revival, which led to the rediscovery of many other bluesmen of Hurt's era. Hurt performed on the university and coffeehouse concert circuit with other Delta blues musicians who were brought out of retirement. He also recorded several albums for Vanguard Records. Hurt returned to Grenada in 1966, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Simple Twist Of Fate
"Simple Twist of Fate", a song by American singer-songwriter Bob Dylan, was recorded on September 19, 1974, and was released in 1975 as the second song on his 15th studio album ''Blood on the Tracks''. Background and composition "Simple Twist of Fate" is a narrative song about a romantic relationship destined not to work out. Like "Tangled Up in Blue", which it immediately follows on "Blood on the Tracks", it is unusual in that it begins in the third person before shifting into the first. The song has been interpreted variously as being inspired by Suze Rotolo, Joan Baez and Sara Dylan. Dylan has continually revised the lyrics in live performance over the decades (through to its most recent outing in 2021 on the Rough and Rowdy Ways World Wide Tour). The song was written in the key of E major and features a descending melody line, with a chord structure almost identical to the verses of "Can't Take My Eyes Off You", Frankie Valli's 1967 hit by Bob Crewe and Bob Gaudio. Dyla ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dire Wolf (song)
"Dire Wolf" is a ballad by the Grateful Dead, released as the third track on their 1970 album ''Workingman's Dead''. The lyrics were written by Robert Hunter after watching a film adaptation of ''The Hound of the Baskervilles''. The music, containing elements of country and folk music, was composed by Jerry Garcia on the same day. The song tells the story of a man who plays cards with a "dire wolf" on a cold winter's night in "Fennario"; the lyrics have been variously interpreted. The piece became a staple of the Grateful Dead's performances, and was played more than two hundred times between 1969 and 1995. Background and composition A few months before the release of their album ''Aoxomoxoa'' in 1969, Grateful Dead lyricist Robert Hunter and his then-partner Christie Bourne began sharing a house with the band's guitarist Jerry Garcia, his wife, and his step-daughter. Living in close proximity gave an impetus to their collaborative song-writing: Hunter and Garcia wrote every son ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bob Dylan
Bob Dylan (legally Robert Dylan, born Robert Allen Zimmerman, May 24, 1941) is an American singer-songwriter. Often regarded as one of the greatest songwriters of all time, Dylan has been a major figure in popular culture during a career spanning more than 60 years. Much of his most celebrated work dates from the 1960s, when songs such as "Blowin' in the Wind" (1963) and " The Times They Are a-Changin' (1964) became anthems for the civil rights and antiwar movements. His lyrics during this period incorporated a range of political, social, philosophical, and literary influences, defying pop music conventions and appealing to the burgeoning counterculture. Following his self-titled debut album in 1962, which comprised mainly traditional folk songs, Dylan made his breakthrough as a songwriter with the release of ''The Freewheelin' Bob Dylan'' the following year. The album features "Blowin' in the Wind" and the thematically complex " A Hard Rain's a-Gonna Fall". Many of his s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
When I Paint My Masterpiece
"When I Paint My Masterpiece" is a 1971 song written by Bob Dylan. It was first released by The Band, who recorded the song for their album '' Cahoots'', released on September 15, 1971. Background Dylan himself first recorded the song at New York's Blue Rock Studio when he was backed by Leon Russell and session musicians, including Jesse Ed Davis on lead guitar. The recording sessions lasted from March 16 to 19, 1971, and also saw the recording of the 45 RPM single " Watching the River Flow", released by CBS Records on June 3, 1971. Both songs appeared on '' Bob Dylan's Greatest Hits Vol. II'', released November 17, 1971, with Russell credited as the producer of the two songs. During the March 1971 sessions at Blue Rock Studio, Dylan also recorded a solo version with slightly different lyrics, accompanying himself on piano. This version was released in 2013 on '' The Bootleg Series Vol. 10: Another Self Portrait (1969–1971)''. Dylan and The Band performed the song togeth ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Elizabeth Cotten
Elizabeth "Libba" Cotten ( Nevills; January 5, 1893 – June 29, 1987) was an American folk and blues musician. She was a self-taught left-handed guitarist who played a guitar strung for a right-handed player, but played it upside down. This position meant that she would play the bass lines with her fingers and the melody with her thumb. Her signature alternating bass style has become known as "Cotten picking". Early life Cotten was born in 1893U.S. Federal Census, Chapel Hill. 1870, 1880, 1900. to a musical family near Chapel Hill, North Carolina, in an area that would later be incorporated as Carrboro. Her parents were George Nevill (also spelled Nevills) and Louisa (or Louise) Price Nevill. Elizabeth was the youngest of five children. She named herself on her first day of school, when the teacher asked her name, because at home she was only called "Li'l Sis". By the age of eight, she was playing songs. At age nine, she was forced to quit school and began work as a domestic wo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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