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Gamelan Gambuh
''Gambuh'' ( ban, ᬕᬫ᭄ᬩᬸᬄ) is an ancient form of Balinese dance-drama. It is accompanied by musicians in a gamelan ''gambuh'' ensemble. History ''Gambuh'' is one of the oldest surviving forms in Balinese performing arts, dating to the late Majapahit era (ca. 15th century) with very little known change since this time. Emiko Susilo writes, "when the dance-dramas of Majapahit came to Bali, they had the new task of ''preserving'' the tradition of a fallen dynasty" (emphasis in original). It also introduced a new element of narrative to Balinese performing arts that influenced other forms of dance-drama on the island, such as ''topeng'' masked dance and '' arja'' opera. For centuries it was supported by patronage at the royal courts of Bali's aristocracy, during which it achieved its greatest heights of sophistication. As the courts fell apart in the bloody wars with the Dutch, this support evaporated and much of the art of ''gambuh'' was lost. Like the many othe ...
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Gamelan
Gamelan () ( jv, ꦒꦩꦼꦭꦤ꧀, su, ᮌᮙᮨᮜᮔ᮪, ban, ᬕᬫᭂᬮᬦ᭄) is the traditional ensemble music of the Javanese, Sundanese, and Balinese peoples of Indonesia, made up predominantly of percussive instruments. The most common instruments used are metallophones played by mallets and a set of hand-played drums called '' kendhang/Kendang'', which register the beat. The kemanak (a banana-shaped idiophone) and gangsa (another metallophone) are commonly used gamelan instruments in Bali. Other instruments include xylophones, bamboo flutes, a bowed instrument called a ''rebab'', a zither-like instrument ''siter'' (in Javanese ensemble) and vocalists named '' sindhen'' (female) or ''gerong'' (male).Sumarsam (1998)''Introduction to Javanese Gamelan'' Middletown. Although the popularity of gamelan has declined since the introduction of pop music, gamelan is still commonly played in many traditional ceremonies and other modern activities in Indonesia, b ...
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History Of Bali
The History of Bali covers a period from the Paleolithic to the present, and is characterized by migrations of people and cultures from other parts of Asia. In the 16th century, the history of Bali started to be marked by Western influence with the arrival of Europeans, to become, after a long and difficult colonial period under the Dutch, an example of the preservation of traditional cultures and a key tourist destination. Geological formation The island of Bali, like most of the islands of the Indonesian archipelago, is the result of the tectonic subduction of the Indo-Australian plate under the Eurasian plate. The tertiary ocean floor, made of ancient marine deposits including accumulation of coral reefs, was lifted above the sea level by the subduction. Layers of Tertiary limestone lifted from the ocean floor are still visible in areas such as the Bukit peninsula with the huge limestone cliffs of Uluwatu, or in the northwest of the island at Prapat Agung. The local deformatio ...
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Kendang
Kendang or Gendang ( jv, ꦏꦼꦤ꧀ꦝꦁ, translit=Kendhang, su, ᮊᮨᮔ᮪ᮓᮀ, translit=Kendang, ban, ᬓᬾᬦ᭄ᬤᬂ, translit=Kendang, Tausug/Bajau Maranao: ''Gandang'', Bugis: ''Gendrang'' and Makassar: ''Gandrang'' or ''Ganrang'' ) is a two-headed drum used by people from the Indonesian Archipelago. Kendang is one of the primary instruments used in the Gamelan ensembles of Javanese, Sundanese, and Balinese, the Kendang ensemble as well as various Kulintang ensembles in Indonesia, Brunei, Malaysia, Singapore, and the Philippines. It is constructed in a variety of ways by different ethnic groups. It is a relation to the Indian mridangam double-headed drum. Overview The typical double-sided membrane drums are known throughout Maritime Southeast Asia and India. One of the oldest image of kendang can be found in ancient temples in Indonesia, especially the ninth century Borobudur and Prambanan temple. Among the Javanese, Sundanese, and Balinese, the has one ...
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Kajar (instrument)
Qajar Iran was an Iranian empire ruled by the Qajar dynasty. There are some derived meanings: * Qajar dynasty in Iran ** Qajar art * Qajars (tribe), also spelled Ghajars, Kadjars, Kajars, Kadzhars, Cadzhars, Qachars and so on; in Azerbaijani: ''Qacar'', an Oghuz Turkic people Geography Qəcər, Qacar, Qajar, Kajar or Kadzhar may refer to the following: Azerbaijan * Bala Qəcər * Böyük Qəcər * Kadzhar, Agsu * Qacar, Fizuli * Qacar Zeyid Iran * Qajar, Khuzestan, Iran * Qajar, Zanjan, Iran * Qajar-e Takht Rostam, Iran Vehicles * Renault Kadjar The Renault Kadjar is a compact crossover SUV (C-segment) manufactured and marketed by Renault, developed with the second generation Nissan Qashqai/Rogue Sport and revealed at the 2015 Geneva Motor Show, with sales starting in April 2015 in Euro ...
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Gong
A gongFrom Indonesian and ms, gong; jv, ꦒꦺꦴꦁ ; zh, c=鑼, p=luó; ja, , dora; km, គង ; th, ฆ้อง ; vi, cồng chiêng; as, কাঁহ is a percussion instrument originating in East Asia and Southeast Asia. Gongs are a flat, circular metal disc that is typically struck with a mallet. They can be small or large in size, and tuned or can require tuning. The earliest mention of gongs can be found in sixth century Chinese records, which mentioned the instrument to have come from a country between Tibet and Burma. The term ''gong'' ( jv, ꦒꦺꦴꦁ) originated in the Indonesian island of Java. Scientific and archaeological research has established that Burma, China, Java and Annam were the four main gong manufacturing centres of the ancient world. The gong found its way into the Western World in the 18th century, when it was also used in the percussion section of a Western-style symphony orchestra. A form of bronze cauldron gong known as a resting ...
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Rebab
The ''rebab'' ( ar, ربابة, ''rabāba'', variously spelled ''rebap'', ''rubob'', ''rebeb'', ''rababa'', ''rabeba'', ''robab'', ''rubab'', ''rebob'', etc) is the name of several related string instruments that independently spread via Islamic trading routes over much of North Africa, Southeast Asia, the Middle East, and parts of Europe. The instrument is typically bowed, but is sometimes plucked. It is one of the earliest known bowed instruments, named no later than the 8th century, and is the parent of many bowed and stringed instruments. Variants There are chiefly 3 main types: A long-necked bowed variety that often has a spike at the bottom to rest on the ground (see first image to the right); thus this is called a spike fiddle in certain areas. Some of the instruments developing from this have vestigial spikes. A short-necked double-chested or "boat-shaped" variant; here plucked versions like the ''Maghreb rebab'' and the ''kabuli rebab'' (sometimes referred to a ...
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Suling
The suling or seruling (Sundanese: ) is a musical instrument of the Sundanese people in western Java, Indonesia. It is used in the Degung ensemble. Bamboo ring flute can also be found in Southeast Asian, especially in Brunei, Indonesia, Malaysia, the Philippines and Singapore. Construction Sulings are made mainly of "tamiang" bamboo (''Schizostachyum blumei'', Nees), a long, thin-walled bamboo tube. The mouthpiece of the suling is circled with a thin band made of rattan near a small hole. Playing method There are two factors that affect a fine suling's tone: #Fingering position. #Speed of the airflow blown by the mouth. The fingering position changes the wavelength of sound resonance inside the suling's body. Depending on the distance of nearest hole to the suling's head, different notes can be produced. The airflow speed also can modify the tone's frequency. A note with twice frequency can be produced mostly by blowing the air into suling's head's hole with twice speed. ...
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Balinese Language
Balinese is a Malayo-Polynesian language spoken by 3.3 million people () on the Indonesian island of Bali as well as Northern Nusa Penida, Western Lombok, Eastern Java, Southern Sumatra, and Sulawesi. Most Balinese speakers also know Indonesian. The Bali Cultural Agency estimated in 2011 that the number of people still using the Balinese language in their daily lives on the Bali Island is under 1 million. The language has been classified as "not endangered" by '' Glottolog''. The higher registers of the language borrow extensively from Javanese: an old form of classical Javanese, Kawi, is used in Bali as a religious and ceremonial language. Classification Balinese is an Austronesian language belonging to the Malayo-Polynesian branch of the family. Within Malayo-Polynesian, it is part of the Bali–Sasak–Sumbawa subgroup. Internally, Balinese has three distinct varieties; Highland Bali, Lowland Bali and Nusa Penida. Demographics According to the 2000 census, ...
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Panji (prince)
The Panji tales (formerly spelled Pandji) are a cycle of Javanese stories, centred around the legendary prince of the same name from East Java, Indonesia. Along with the Ramayana and Mahabharata, the tales are the basis of various poems and a genre of wayang (shadow puppetry) known in East Java as ''wayang gedhog'' (the meaning here is unclear, as "gedhog" means "a thumping sound"). Panji tales have been the inspiration of Indonesian traditional dances, most notably the topeng (mask) dances of Cirebon and Malang, as well as gambuh dance-drama in Bali. Especially in the environs of Kediri, the suggested homeland of the tales of Panji, local stories grew and were connected with the obscure legendary figure of Totok Kerot. Panji tales have spread from East Java (Indonesia) to be a fertile source for literature and drama throughout Indochina Peninsula (a region that includes modern-day Thailand, Cambodia, Laos, Myanmar, South Vietnam) and Malay World as well. Origin In these ro ...
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Wisnu
Vishnu ( ; , ), also known as Narayana and Hari, is one of the principal deities of Hinduism. He is the supreme being within Vaishnavism, one of the major traditions within contemporary Hinduism. Vishnu is known as "The Preserver" within the Trimurti, the triple deity of supreme divinity that includes Brahma and Shiva.Gavin Flood, An Introduction to Hinduism' (1996), p. 17. In Vaishnavism, Vishnu is the supreme being who creates, protects, and transforms the universe. In the Shaktism tradition, the Goddess, or Adi Shakti, is described as the supreme Para Brahman, yet Vishnu is revered along with Shiva and Brahma. Tridevi is stated to be the energy and creative power (Shakti) of each, with Lakshmi being the equal complementary partner of Vishnu. He is one of the five equivalent deities in Panchayatana puja of the Smarta tradition of Hinduism. According to Vaishnavism, the highest form of Ishvara is with qualities (Saguna), and have certain form, but is limitless, transcende ...
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