|
Gabriel Bacquier
Gabriel Bacquier (; 17 May 1924 – 13 May 2020) was a French operatic baritone. One of the leading baritones of the 20th century and particularly associated with the French and Italian repertoires, he was considered a fine singing actor equally at home in dramatic or comic roles and gave regular song recitals. He was a long-term member of the Opéra-Comique and the Paris Opera, but forged a long career internationally at leading opera houses in Europe and the U.S. His large discography spans five decades, and he was considered as “the ambassador of French song”. Alain Pâris. ''Dictionnaire des interprètes et de l'interpretation musicale au XX siècle.'' Éditions Robert Laffont, Paris, 1995, p. 197. Early life and studies Born Gabriel Augustin-Raymond-Théodore-Louis Bacquier in Béziers, France, on 17 May 1924, he was the only child of railway employees. As a young boy, he was fascinated by everything to do with singing: records, broadcasts and photos of singers.Sega ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Béziers
Béziers (; oc, Besièrs) is a Subprefectures in France, subprefecture of the Hérault Departments of France, department in the Occitania (administrative region), Occitanie Regions of France, region of Southern France. Every August Béziers hosts the famous ''Feria de Béziers'', which is centred on bullfighting. A million visitors are attracted to the five-day event. The town is located on a small Cliff, bluff above the river Orb (river), Orb, about from the Mediterranean Sea, Mediterranean coast and southwest of Montpellier. At Béziers, the Canal du Midi passes over the river Orb by means of the ''Orb Aqueduct, Pont-canal de l'Orb'', an Navigable aqueduct, aqueduct claimed to be the first of its kind. History Béziers is one of the oldest cities in France. Research published in March 2013 shows that Béziers dates from 575 BC, making it older than Agde (Greek Agathe Tyche, founded in 525 BC) and a bit younger than Marseille (Greek Massalia, founded in 600 BC ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Régine Crespin
Régine Crespin (23 February 1927 – 5 July 2007) was a French singer who had a major international career in opera and on the concert stage between 1950 and 1989. She started her career singing roles in the dramatic soprano and spinto soprano repertoire, drawing particular acclaim singing Wagner and Strauss heroines. She went on to sing a wider repertoire that embraced Italian, French, German, and Russian opera from a variety of musical periods. In the early 1970s Crespin began experiencing vocal difficulties for the first time and ultimately began performing roles from the mezzo-soprano repertoire. Throughout her career she was widely admired for the elegance, warmth and subtlety of her singing, especially in the French and German operatic repertories. Crespin began her career in France, earning her first critical successes in the French provinces during the early 1950s and then becoming a fixture at the Opéra National de Paris in the mid-1950s. Her international career was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Operetta
Operetta is a form of theatre and a genre of light opera. It includes spoken dialogue, songs, and dances. It is lighter than opera in terms of its music, orchestral size, length of the work, and at face value, subject matter. Apart from its shorter length, the operetta is usually of a light and amusing character. It sometimes also includes satirical commentaries. "Operetta" is the Italian diminutive of "opera" and was used originally to describe a shorter, perhaps less ambitious work than an opera. Operetta provides an alternative to operatic performances in an accessible form targeting a different audience. Operetta became a recognizable form in the mid-19th century in France, and its popularity led to the development of many national styles of operetta. Distinctive styles emerged across countries including Austria-Hungary, Germany, England, Spain, the Philippines, Mexico, Cuba, and the United States. Through the transfer of operetta among different countries, cultural cosmop ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Werther
''Werther'' is an opera (''drame lyrique'') in four acts by Jules Massenet to a French libretto by Édouard Blau, Paul Milliet and Georges Hartmann (who used the pseudonym Henri Grémont). It is loosely based on Goethe's epistolary novel ''The Sorrows of Young Werther'', which was based both on fact and on Goethe's own early life. Earlier examples of operas using the story were made by Kreutzer (1792) and Pucitta (1802). Milnes R. Werther. In: ''The New Grove Dictionary of Opera''. Macmillan, London and New York, 1997. Performance history Massenet started composing ''Werther'' in 1885, completing it in 1887. He submitted it to Léon Carvalho, the director of the Paris Opéra-Comique, that year, but Carvalho declined to accept it on the grounds that the scenario was too serious. With the disruption of the fire at the Opéra-Comique and Massenet's work on other operatic projects (especially ''Esclarmonde''), it was put to one side, until the Vienna Opera, pleased with the succes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Manon
''Manon'' () is an ''opéra comique'' in five acts by Jules Massenet to a French libretto by Henri Meilhac and Philippe Gille, based on the 1731 novel '' L'histoire du chevalier des Grieux et de Manon Lescaut'' by the Abbé Prévost. It was first performed at the Opéra-Comique in Paris on 19 January 1884, with sets designed by Eugène Carpezat (act 1), Auguste Alfred Rubé and Philippe Chaperon (acts 2 and 3), and Jean-Baptiste Lavastre (act 4). Prior to Massenet's work, Halévy (''Manon Lescaut'', ballet, 1830) and Auber (''Manon Lescaut'', opéra comique, 1856) had used the subject for musical stage works. Massenet also wrote a one-act sequel to ''Manon'', ''Le portrait de Manon'' (1894), involving the Chevalier des Grieux as an older man. The composer worked at the score of ''Manon'' at his country home outside Paris and also at a house at The Hague once occupied by Prévost himself. ''Manon'' is Massenet's most popular and enduring opera and, having "quickly conquered th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lakmé
''Lakmé'' is an opera in three acts by Léo Delibes to a French libretto by Edmond Gondinet and Philippe Gille. The score, written from 1881 to 1882, was first performed on 14 April 1883 by the Opéra-Comique at the (second) Salle Favart in Paris, with stage decorations designed by Auguste Alfred Rubé and Philippe Chaperon (act 1), Eugène Carpezat and (Joseph-)Antoine Lavastre (act 2), and Jean-Baptiste Lavastre (act 3). Set in British India in the mid-19th century, ''Lakmé'' is based on Théodore Pavie's story "Les babouches du Brahmane" and the novel ' by Pierre Loti. Gondinet proposed it as a vehicle for the American soprano Marie van Zandt. The opera includes the popular Flower Duet ("Sous le dôme épais") for a soprano and mezzo-soprano, performed in act 1 by Lakmé, the daughter of a Brahmin priest, and her servant Mallika. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Faust (opera)
''Faust'' is an opera in five acts by Charles Gounod to a French libretto by Jules Barbier and Michel Carré from Carré's play ''Faust et Marguerite'', in turn loosely based on Johann Wolfgang von Goethe's ''Faust, Part One''. It debuted at the Théâtre Lyrique on the Boulevard du Temple in Paris on 19 March 1859, with influential sets designed by Charles-Antoine Cambon and Joseph Thierry, Jean Émile Daran, Édouard Desplechin, and Philippe Chaperon. Performance history The original version of Faust employed spoken dialogue, and it was in this form that the work was first performed. The manager of the Théâtre Lyrique, Léon Carvalho cast his wife Caroline Miolan-Carvalho as Marguerite and there were various changes during production, including the removal and contraction of several numbers. The tenor Hector Gruyer was originally cast as Faust but was found to be inadequate during rehearsals, being eventually replaced by a principal of the Opéra-Comique, Joseph-Théodore ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opera
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as '' Singspiel'' and '' Opéra comique''. In traditional number opera, singers employ two styles of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Barber Of Seville
''The Barber of Seville, or The Useless Precaution'' ( it, Il barbiere di Siviglia, ossia L'inutile precauzione ) is an ''opera buffa'' in two acts composed by Gioachino Rossini with an Italian libretto by Cesare Sterbini. The libretto was based on Pierre Beaumarchais's French comedy ''The Barber of Seville'' (1775). The première of Rossini's opera (under the title ''Almaviva, o sia L'inutile precauzione'') took place on 20 February 1816 at the Teatro Argentina, Rome, with designs by Angelo Toselli. Rossini's ''Barber of Seville'' has proven to be one of the greatest masterpieces of comedy within music, and has been described as the opera buffa of all "opere buffe". After two hundred years, it remains a popular work. Composition history Rossini's opera recounts the events of the first of the three plays by French playwright Pierre Beaumarchais that revolve around the clever and enterprising character named Figaro, the barber of the title. Mozart's opera ''The Marriage of Fi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Monnaie
The Royal Theatre of La Monnaie (french: Théâtre Royal de la Monnaie, italic=no, ; nl, Koninklijke Muntschouwburg, italic=no; both translating as the "Royal Theatre of the Mint") is an opera house in central Brussels, Belgium. The National Opera of Belgium, a federal institution, takes the name of this theatre in which it is housed—La Monnaie in French or De Munt in Dutch—referring both to the building as well as the opera company. As Belgium's leading opera house, it is one of the few cultural institutions which receive financial support from the Federal Government of Belgium. Other opera houses in Belgium, such as the Vlaamse Opera and the Opéra Royal de Wallonie, are funded by regional governments. La Monnaie is located on the Place de la Monnaie/Muntplein, not far from the Rue Neuve/Nieuwstraat and the Place de Brouckère/De Brouckèreplein. The current edifice is the third theatre on the site. The facade dates from 1818 with major alterations made in 1856 and 19 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opéra De Nice
The Opéra de Nice is the principal opera venue in Nice, France, which houses the Ballet Nice Méditerrannée and the Nice Philharmonic Orchestra. It offers three types of performances: operas, ballets and classical music concerts. History The “petit théâtre en bois” (wooden theatre) was first created in 1776 by Marquess Alli-Maccarani. Sold in 1787 to a group of gentry,Pâris, Alain. Opéra de Nice. In: ''Dictionnaire des interprètes''. Éditions Robert Laffont, Paris, 1995, p1152-53. it reopened in 1790 under the name “Théâtre Royal”. In 1826, the city of Nice, encouraged by King Charles Félix, bought it from its owners and had it demolished and rebuilt. It was inaugurated in 1828 with Giovanni Pacini's ''Il Barone di Bolsheim''. In 1856, a great ball was organized in the honour of King Victor Emmanuel II. In 1860, Napoleon III was invited to attend an evening at the Théâtre Royal. For this special occasion, Johann Strauss led the orchestra. The same year, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Claude Delvincourt
Claude Étienne Edmond Marie Pierre Delvincourt (12 January 1888 – 5 April 1954) was a French pianist and composer of classical music. Biography Delvincourt was born in Paris, the son of Pierre Delvincourt and Marguerite Fourès. He studied at the Conservatoire de Paris, first under Leon Boëllmann, then under the centenarian Henri Büsser. Also, he was taught counterpoint and fugue by Georges Caussade and composition by Charles-Marie Widor. A Prix de Rome winner in 1911 and again in 1913 (on the latter occasion he shared the award with Lili Boulanger), he was appointed Director of Conservatoire at Versailles in 1932 and Director of the Paris Conservatoire in 1940, following the resignation of Henri Rabaud. During the German occupation of France, Delvincourt was forced to apply the racial laws of the Vichy government to the Paris Conservatoire, excluding Jewish professors and students. But he managed, with the help of his former teacher's niece Marie-Louise Boëllmann, to p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.jpg "Click for more on -> Operetta")
