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Friederike Sailer
Friederike Sailer (20 February 1920 – June 1994) was a German soprano in opera and concert. She was a member of the Stuttgart Opera, later a voice teacher at the Musikhochschule Stuttgart. She performed at International festivals and recorded with conductors such as Marcel Couraud. Career Born in Regensburg, Sailer initially lived and worked in Ansbach as a kindergarten teacher after her marriage. Her talent at singing was discovered by chance and she began her career singing in operettas in the late 1940s. Her first performances of opera roles were for radio broadcasts by the Nürnberger Studio of the Bayerischer Rundfunk. These performances led to her engagement as a resident artist at the Stuttgart Opera in 1952. She toured to Paris with the company in 1954 and 1955, performing at the Paris Opera roles such as Marzelline in Beethoven's ''Fidelio''. She took part in the premiere of Werner Egk's ''Der Revisor'' in May 1957 at the Schwetzingen Festival, performing the part of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Regensburg
Regensburg or is a city in eastern Bavaria, at the confluence of the Danube, Naab and Regen rivers. It is capital of the Upper Palatinate subregion of the state in the south of Germany. With more than 150,000 inhabitants, Regensburg is the fourth-largest city in the State of Bavaria after Munich, Nuremberg and Augsburg. From its foundation as an imperial Roman river fort, the city has been the political, economic and cultural centre of the surrounding region; it is still known in the Romance languages by a cognate of its Latin name of "Ratisbona" (the version "Ratisbon" was long current in English). Later, under the rule of the Holy Roman Empire, it housed the Perpetual Diet of Regensburg. The medieval centre of the city was made a UNESCO World Heritage Site in 2006 because of its well-preserved architecture and the city's historical importance for assemblies during the Holy Roman Empire. In 2014, Regensburg was among the top sights and travel attractions in Germany. Histor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Glyndebourne Festival
Glyndebourne Festival Opera is an annual opera festival held at Glyndebourne, an English country house near Lewes, in East Sussex, England. History Under the supervision of the Christie family, the festival has been held annually since 1934, except in 1941–45 during World War II and 1993 when the theatre was being rebuilt, for a 1994 reopening. Gus Christie, son of Sir George Christie and grandson of festival founder John Christie, became festival chairman in 2000. Since the company's inception, Glyndebourne has been particularly celebrated for its productions of Mozart operas. Recordings of Glyndebourne's past historic Mozart productions have been reissued. Other notable productions included their 1980s production of George Gershwin's ''Porgy and Bess'', directed by Trevor Nunn, and later expanded from the Glyndebourne stage and videotaped in 1993 for television, with Nunn again directing. While Mozart operas have continued to be the mainstay of its repertory, the co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fritz Werner
Fritz Werner (15 December 1898 – 22 December 1977) was a German choral conductor, church music director, conductor, organist and composer. He founded the Heinrich-Schütz-Chor Heilbronn in 1947 and conducted it until 1973. Career Born in Berlin, Werner studied at the Berliner Akademie für Kirchen- und Schulmusik, the University in Berlin and at the Preußische Akademie der Künste. His teachers were Wolfgang Reimann, Arthur Egidi, Fritz Heitmann, Richard Münnich, Carl Stumpf and Georg Schumann (composition, organ), Kurt Schubert (piano), Max Seiffert and Johannes Wolf (history of music), Richard Hagel (conducting). In 1935 he became organist at the Bethlehem Church in Potsdam-Babelsberg and a school teacher. In 1936 he became organist and cantor at St. Nicholas' Church in Potsdam, promoted to Kirchenmusikdirektor (director of church music) in 1938. In 1939 he became music director at Radio Paris. After World War II he was organist and cantor at St. Kilian's Church in Heilb ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hans Grischkat
Hans Adolf Karl Wilhelm Grischkat (29 August 1903 – 10 January 1977) was a German conductor, especially a choral conductor, also a church musician and academic teacher. He founded the choir for pioneering concerts and recordings of works by Bach and Monteverdi in the spirit of historically informed performance. He was the church musician of the in Reutlingen, published Bach cantatas for Hänssler, and was from 1950 a professor of choral conducting at the Musikhochschule Stuttgart. Career Grischkat was born in Hamburg. He studied at the University of Tübingen, first natural sciences, then musicology. He studied at the Musikhochschule Stuttgart with Hermann Keller. Grischkat was active in the . He founded in 1924 the ''Reutlinger Singkreis'', in 1931 the and in 1936 in Stuttgart the ''Grischkat-Singkreis''. In 1945, he founded the orchestra ''Schwäbisches Symphonie-Orchester Reutlingen'' which is now known as the ', serving as the conductor until 1950. Grischkat was in 192 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mass In B Minor
The Mass in B minor (), BWV 232, is an extended setting of the Mass ordinary by Johann Sebastian Bach. The composition was completed in 1749, the year before the composer's death, and was to a large extent based on earlier work, such as a Sanctus Bach had composed in 1724. Sections that were specifically composed to complete the Mass in the late 1740s include the "Et incarnatus est" part of the Credo. As usual for its time, the composition is formatted as a Neapolitan mass, consisting of a succession of choral movements with a broad orchestral accompaniment, and sections in which a more limited group of instrumentalists accompanies one or more vocal soloists. Among the more unusual characteristics of the composition is its scale: a total performance time of around two hours, [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Easter Oratorio
The ''Easter Oratorio'' (), 249, is an oratorio by Johann Sebastian Bach, beginning with ("Come, hasten and run"). Bach composed it in Leipzig and first performed it on 1 April 1725. History The first version of the work was completed as a cantata for Easter Sunday in Leipzig on 1 April 1725, then under the title .Alfred Dürr. 1971. ''Die Kantaten von Johann Sebastian Bach'', Bärenreiter (in German) It was named "oratorio" and given the new title only in a version revised in 1735. In a later version in the 1740s the third movement was expanded from a duet to a four-part chorus. The work is based on a secular cantata, the so-called ''Shepherd Cantata'' , which is now lost, although the libretto survives. Its author is Picander who is also likely the author of the oratorio's text. The work is opened by two instrumental movements that are probably taken from a concerto of the Köthen period. It seems possible that the third movement is based on the concerto's finale. Structu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Magnificat (Bach)
Johann Sebastian Bach's Magnificat, BWV 243, is a musical setting of the biblical canticle Magnificat. It is scored for five vocal parts (two sopranos, alto, tenor and bass), and a Baroque orchestra including trumpets and timpani. It is the first major liturgical composition on a Latin text by Bach. In 1723, after taking up his post as Thomaskantor in Leipzig, Bach set the text of the Magnificat in a twelve movement composition in the key of E-flat major. For a performance at Christmas he inserted four hymns ('' laudes'') related to that feast. This version, including the Christmas interpolations, was given the number 243.1 (previously 243a) in the catalogue of Bach's works. Likely for the feast of Visitation of 1733, or another feast in or around that year, Bach produced a new version of his Latin Magnificat, without the Christmas hymns: instrumentation of some movements was altered or expanded, and the key changed from E-flat major to D major, for perf ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bach Cantatas
This is a sortable list of Bach cantatas, the cantatas composed by Johann Sebastian Bach. His almost 200 extant cantatas are among his important vocal compositions. Many are known to be lost. Bach composed both church cantatas, most of them for specific occasions of the liturgical year of the Lutheran Church, and secular cantatas. Bach's earliest cantatas were written possibly from 1707, the year he moved to Mühlhausen, although he may have begun composing them at his previous post in Arnstadt. He began regular composition of church cantatas in Weimar between 1708 and 1717, writing one cantata per month. In his next position in Köthen, he composed no church cantatas, but secular cantatas for the court. Most of Bach's church cantatas date from his first years as and director of church music in Leipzig, a position which he took up in 1723. Working for Leipzig's and , it was part of Bach's job to perform a church cantata every Sunday and holiday, conducting soloists, the Thom ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lied
In Western classical music tradition, (, plural ; , plural , ) is a term for setting poetry to classical music to create a piece of polyphonic music. The term is used for any kind of song in contemporary German, but among English and French speakers, is often used interchangeably with " art song" to encompass works that the tradition has inspired in other languages as well. The poems that have been made into lieder often center on pastoral themes or themes of romantic love. The earliest lied date from the late fourteenth or early fifteenth centuries, and can even refer to from as early as the 12th and 13th centuries. It later came especially to refer to settings of Romantic poetry during the late eighteenth and nineteenth centuries, and into the early twentieth century. Examples include settings by Joseph Haydn, Wolfgang Amadeus Mozart, Ludwig van Beethoven, Franz Schubert, Robert Schumann, Johannes Brahms, Hugo Wolf, Gustav Mahler or Richard Strauss. History For Ger ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bavarian State Opera
The Bayerische Staatsoper is a German opera company based in Munich. Its main venue is the Nationaltheater München, and its orchestra the Bayerische Staatsorchester. History The parent ensemble of the company was founded in 1653, under Electress consort Princess Henriette Adelaide of Savoy, when Giovanni Battista Maccioni's ''L'arpa festante'' was performed in the court theatre. In 1753, the Residence Theatre (Cuvilliés Theatre) was opened as a major stage. While opera performances were also held in the Prinzregententheater (completed in 1901), the company's home base is the Nationaltheater München on Max-Joseph-Platz. In 1875, the Munich Opera Festival took place for the first time. Sir Peter Jonas became the general manager in 1993, the first British general manager of any major German-speaking opera house. In 2008, Nikolaus Bachler became Intendant (general manager) of the opera company, and Kirill Petrenko became Generalmusikdirektor (GMD) in 2013. In 2014, the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lyric Soprano
A lyric soprano is a type of operatic soprano voice that has a warm quality with a bright, full timbre that can be heard over an orchestra. The lyric soprano voice generally has a higher tessitura than a soubrette and usually plays ingenues and other sympathetic characters in opera. Lyric sopranos have a range from approximately middle C ( C4) to "high D" (D6). This is the most common female singing voice. There is a tendency to divide lyric sopranos into two groups: light and full. Light lyric soprano A light-lyric soprano has a bigger voice than a soubrette but still possesses a youthful quality.Nashville Opera There are a wide variety of roles written for this voice, and they may sing |
Der Tod Des Empedokles
''The Death of Empedocles'' (german: Der Tod des Empedokles) is an unfinished drama by Friedrich Hölderlin. It exists in three versions written from 1797 to 1800, the first of which is the most complete. The third version was published by itself in 1826, but all three did not appear in print together until 1846, three years after Hölderlin's death. The play is about the final days of pre-Socratic Greek philosopher Empedocles, who, according to legend, threw himself into Mount Etna. Hölderlin's main source of the story was Diogenes Laërtius's ''Lives and Opinions of Eminent Philosophers''. The first act sees Empedocles take leave of Agrigentum, and the second is set entirely at Etna. In popular culture In the 1979 film "A Little Romance" Daniel and Lauren discuss the philosopher Martin Heidegger's fascination with Hölderlin's drama, decrying it as "terrible in any language." Scottish musician Momus wrote and sung the song "The Death of Empedokles" for his 2016 album ''Scob ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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