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François Le Roux
François Le Roux (born 30 October 1955) is a French baritone. Le Roux began vocal studies at 19 with François Loup, winning prizes in Barcelona and Rio de Janeiro. He was a member of the Lyon Opera Company from 1980 to 1985, before appearing in many international houses, making his Paris Opéra debut in 1988 as Valentin in Gounod's '' Faust''. He is most renowned for his portrayal of Pelléas in Debussy's opera, first singing the role in 1985 and being hailed by critics as "the greatest Pelléas of his generation". Since 1998 he has also sung Golaud in the same opera to similar acclaim. It was as Golaud he sang in the centenary performance at the Opéra-Comique, and also in the Russian national premiere. He voiced Gaston, the villainous hunter in the European French dub of Disney's " Beauty and the Beast. As well as a vast operatic repertory, he has released many recitals of French song, which have earned him the distinction as Gérard Souzay's natural successor. He is consid ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baritone
A baritone is a type of classical male singing voice whose vocal range lies between the bass and the tenor voice-types. The term originates from the Greek (), meaning "heavy sounding". Composers typically write music for this voice in the range from the second F below middle C to the F above middle C (i.e. F2–F4) in choral music, and from the second A below middle C to the A above middle C (A2 to A4) in operatic music, but the range can extend at either end. Subtypes of baritone include the baryton-Martin baritone (light baritone), lyric baritone, ''Kavalierbariton'', Verdi baritone, dramatic baritone, ''baryton-noble'' baritone, and the bass-baritone. History The first use of the term "baritone" emerged as ''baritonans'', late in the 15th century, usually in French sacred polyphonic music. At this early stage it was frequently used as the lowest of the voices (including the bass), but in 17th-century Italy the term was all-encompassing and used to describe the averag ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Palais Garnier
The Palais Garnier (, Garnier Palace), also known as Opéra Garnier (, Garnier Opera), is a 1,979-seatBeauvert 1996, p. 102. opera house at the Place de l'Opéra in the 9th arrondissement of Paris, France. It was built for the Paris Opera from 1861 to 1875 at the behest of Emperor Napoleon III. Initially referred to as ''le nouvel Opéra de Paris'' (the new Paris Opera), it soon became known as the Palais Garnier, "in acknowledgment of its extraordinary opulence" and the architect Charles Garnier's plans and designs, which are representative of the Napoleon III style. It was the primary theatre of the Paris Opera and its associated Paris Opera Ballet until 1989, when a new opera house, the Opéra Bastille, opened at the Place de la Bastille. The company now uses the Palais Garnier mainly for ballet. The theatre has been a ''monument historique'' of France since 1923. The Palais Garnier has been called "probably the most famous opera house in the world, a symbol of Paris like No ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gounod
Charles-François Gounod (; ; 17 June 181818 October 1893), usually known as Charles Gounod, was a French composer. He wrote twelve operas, of which the most popular has always been ''Faust (opera), Faust'' (1859); his ''Roméo et Juliette'' (1867) also remains in the international repertory. He composed a large amount of church music, many songs, and popular short pieces including his Ave Maria (Bach/Gounod), Ave Maria (an elaboration of a Johann Sebastian Bach, Bach piece), and ''Funeral March of a Marionette''. Born in Paris into an artistic and musical family Gounod was a student at the Conservatoire de Paris and won France's most prestigious musical prize, the Prix de Rome. His studies took him to Italy, Austria and then Prussia, where he met Felix Mendelssohn, whose advocacy of the music of Bach was an early influence on him. He was deeply religious, and after his return to Paris, he briefly considered becoming a priest. He composed prolifically, writing church music, songs ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Faust (opera)
''Faust'' is an opera in five acts by Charles Gounod to a French libretto by Jules Barbier and Michel Carré from Carré's play ''Faust et Marguerite'', in turn loosely based on Johann Wolfgang von Goethe's ''Faust, Part One''. It debuted at the Théâtre Lyrique on the Boulevard du Temple in Paris on 19 March 1859, with influential sets designed by Charles-Antoine Cambon and Joseph Thierry, Jean Émile Daran, Édouard Desplechin, and Philippe Chaperon. Performance history The original version of Faust employed spoken dialogue, and it was in this form that the work was first performed. The manager of the Théâtre Lyrique, Léon Carvalho cast his wife Caroline Miolan-Carvalho as Marguerite and there were various changes during production, including the removal and contraction of several numbers. The tenor Hector Gruyer was originally cast as Faust but was found to be inadequate during rehearsals, being eventually replaced by a principal of the Opéra-Comique, Joseph-Théodore ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pelléas Et Mélisande (opera)
''Pelléas et Mélisande'' (''Pelléas and Mélisande'') is an opera in five acts with music by Claude Debussy. The French libretto was adapted from Maurice Maeterlinck's symbolist play of the same name. It premiered at the Salle Favart in Paris by the Opéra-Comique on 30 April 1902; Jean Périer was Pelléas and Mary Garden was Mélisande, conducted by André Messager, who was instrumental in getting the Opéra-Comique to stage the work. The only opera Debussy ever completed, it is considered a landmark in 20th-century music. The plot concerns a love triangle. Prince Golaud finds Mélisande, a mysterious young woman, lost in a forest. He marries her and brings her back to the castle of his grandfather, King Arkel of Allemonde. Here Mélisande becomes increasingly attached to Golaud's younger half-brother Pelléas, arousing Golaud's jealousy. Golaud goes to excessive lengths to find out the truth about Pelléas and Mélisande's relationship, even forcing his own child, Yniold ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opéra-Comique
The Opéra-Comique is a Paris opera company which was founded around 1714 by some of the popular theatres of the Parisian fairs. In 1762 the company was merged with – and for a time took the name of – its chief rival, the Comédie-Italienne at the Hôtel de Bourgogne. It was also called the Théâtre-Italien up to about 1793, when it again became most commonly known as the Opéra-Comique. Today the company's official name is Théâtre national de l'Opéra-Comique, and its theatre, with a capacity of around 1,248 seats, sometimes referred to as the Salle Favart (the third on this site), is located at Place Boïeldieu in the 2nd arrondissement of Paris, not far from the Palais Garnier, one of the theatres of the Paris Opéra. The musicians and others associated with the Opéra-Comique have made important contributions to operatic history and tradition in France and to French opera. Its current mission is to reconnect with its history and discover its unique repertoire to ensu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Beauty And The Beast (1991 Film)
''Beauty and the Beast'' is a 1991 American animated musical romantic fantasy film produced by Walt Disney Feature Animation and released by Walt Disney Pictures. The 30th Disney animated feature film and the third released during the Disney Renaissance period, it is based on the 1756 fairy tale of the same name by Jeanne-Marie Leprince de Beaumont (who was only credited in the French dub), while also containing ideas from the 1946 French film of the same name directed by Jean Cocteau. The film was directed by Gary Trousdale and Kirk Wise (in their feature directorial debuts) and produced by Don Hahn, from a screenplay by Linda Woolverton. ''Beauty and the Beast'' focuses on the relationship between the Beast (voice of Robby Benson), a prince who is magically transformed into a monster and his servants into household objects as punishment for his arrogance, and Belle (voice of Paige O'Hara), a young woman whom he imprisons in his castle in exchange for her father. To brea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gérard Souzay
Gérard Souzay (8 December 1918 – 17 August 2004) was a French baritone, regarded as one of the very finest interpreters of mélodie (French art song) in the generation after Charles Panzéra and Pierre Bernac. Background and education He was born Gérard Marcel Tisserand, but later adopted the stage name of Souzay from a village on the river Loire, now part of the commune Souzay-Champigny. He came from a musical family in Angers, France. His parents had met at one of the first performances of '' Pelléas et Mélisande'' in 1902; his mother and two brothers were singers, and his sister, 15 years older, was the soprano Geneviève Touraine, who gave the first performance of Poulenc's '' Fiançailles pour rire'' in 1942. After his schooling at the Collège Rabelais in Chinon, he went to the Sorbonne in Paris to study philosophy, and while there he met the singer Pierre Bernac, who encouraged him to study singing. Souzay entered the Paris Conservatoire in 1940, studying w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean-Pierre Thiollet
Jean-Pierre Thiollet (; born 9 December 1956) is a French writer and journalist. Primarily living in Paris, he is the author of numerous books and one of the national leaders of the European Confederation of Independent Trade Unions (CEDI), a European employers' organization. Career He attended school in Châtellerault, before his studies in Poitiers classes préparatoires aux grandes écoles and his degrees in Parisian universities ( Pantheon-Sorbonne University, University of Paris III:Sorbonne Nouvelle, Paris-Sorbonne University). In 1978, he was admitted to Saint-Cyr (Coëtquidan). During the 1980s and till the mid-1990s, he was a member of a French Press organization for Music-hall, Circus, Dance and Arts presided by a well known journalist in France, Jacqueline Cartier, with authors or notable personalities as Pierre Cardin, Guy des Cars, and Francis Fehr. From 1982 to 1986, he was victim of illegal wiretaps (organized by the French President François Mitte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
René Dumesnil
René Dumesnil (19 June 1879 – 24 December 1967) was a French physician, literary critic and musicologist. Dumesnil studied literature at the Sorbonne and became a literary critic. Then he was music critic for ''Le Mercure de France The was originally a French gazette and literary magazine first published in the 17th century, but after several incarnations has evolved as a publisher, and is now part of the Éditions Gallimard publishing group. The gazette was published f ...'' and '' Le Monde''. He was elected a member of the Académie des beaux-arts in 1965. In addition to his publications in literature (numerous studies on Flaubert, Maupassant and realism, he has written a number of books on music. Dumesnil wofour prizes awarded by the Académie française Publications His writings were published in Paris (unless otherwise stated). Critics and literary history *1912: ''Autour de Flaubert'', (in collaboration with René Descharmes) *1928: ''En marge de Flaub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Académie Des Beaux Arts
An academy (Attic Greek: Ἀκαδήμεια; Koine Greek Ἀκαδημία) is an institution of secondary or tertiary higher learning (and generally also research or honorary membership). The name traces back to Plato's school of philosophy, founded approximately 385 BC at Akademia, a sanctuary of Athena, the goddess of wisdom and skill, north of Athens, Greece. Etymology The word comes from the ''Academy'' in ancient Greece, which derives from the Athenian hero, ''Akademos''. Outside the city walls of Athens, the gymnasium was made famous by Plato as a center of learning. The sacred space, dedicated to the goddess of wisdom, Athena, had formerly been an olive grove, hence the expression "the groves of Academe". In these gardens, the philosopher Plato conversed with followers. Plato developed his sessions into a method of teaching philosophy and in 387 BC, established what is known today as the Old Academy. By extension, ''academia'' has come to mean the accumulation, dev ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Knight
A knight is a person granted an honorary title of knighthood by a head of state (including the Pope) or representative for service to the monarch, the church or the country, especially in a military capacity. Knighthood finds origins in the Greek ''hippeis'' and '' hoplite'' (ἱππεῖς) and Roman '' eques'' and ''centurion'' of classical antiquity. In the Early Middle Ages in Europe, knighthood was conferred upon mounted warriors. During the High Middle Ages, knighthood was considered a class of lower nobility. By the Late Middle Ages, the rank had become associated with the ideals of chivalry, a code of conduct for the perfect courtly Christian warrior. Often, a knight was a vassal who served as an elite fighter or a bodyguard for a lord, with payment in the form of land holdings. The lords trusted the knights, who were skilled in battle on horseback. Knighthood in the Middle Ages was closely linked with horsemanship (and especially the joust) from its origins in th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
