|
Francesco Hayez
Francesco Hayez (; 10 February 1791 – 12 February 1882) was an Italian painter. He is considered one of the leading artists of Romanticism in mid-19th-century Milan, and is renowned for his grand historical paintings, political allegories, and portraits. Biography Francesco Hayez was from a relatively poor family from Venice. His father, Giovanni, was of French origin while his mother, Chiara Torcella, was from Murano. Francesco was the youngest of five sons. He was brought up by his mother's sister, who had married Giovanni Binasco, a well-off shipowner and art collector. Hayez displayed a predisposition for drawing since childhood. His uncle, having noticed his precocious talent, apprenticed him to an art restorer in Venice. Hayez would later become a pupil of the painter Francesco Maggiotto with whom he continued his studies for three years. He was admitted to the painting course of the New Academy of Fine Arts in Venice in 1806, where he studied under Teodoro Matteini. I ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Venice
Venice ( ; it, Venezia ; vec, Venesia or ) is a city in northeastern Italy and the capital of the Veneto Regions of Italy, region. It is built on a group of 118 small islands that are separated by canals and linked by over 400 bridges. The islands are in the shallow Venetian Lagoon, an enclosed bay lying between the mouths of the Po River, Po and the Piave River, Piave rivers (more exactly between the Brenta (river), Brenta and the Sile (river), Sile). In 2020, around 258,685 people resided in greater Venice or the ''Comune di Venezia'', of whom around 55,000 live in the historical island city of Venice (''centro storico'') and the rest on the mainland (''terraferma''). Together with the cities of Padua, Italy, Padua and Treviso, Italy, Treviso, Venice is included in the Padua-Treviso-Venice Metropolitan Area (PATREVE), which is considered a statistical metropolitan area, with a total population of 2.6 million. The name is derived from the ancient Adri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alcinous
In Greek mythology, Alcinous (; Ancient Greek: Ἀλκίνους or Ἀλκίνοος ''Alkínoös'' means "mighty mind") was a son of Nausithous and brother of Rhexenor. After the latter's death, he married his brother's daughter Arete who bore him Nausicaa, Halius, Clytoneus and Laodamas. In some accounts, Alcinous' father was Phaeax, son of Poseidon and Corcyra, and brother of Locrus.Conon, ''Narrations'' 3 Mythology Argonautica In the myth of Jason and the Argonauts, Alcinous is represented as living with his wife Arete on Drépané island. The Argonauts, on their return from Colchis, came to his island, and were hospitably received. When the Colchians, in their pursuit of the Argonauts, likewise arrived in Drépané, and demanded that Jason's lover Medea should be delivered up to them, Alcinous declared that if she was still a virgin she should be restored to them, but if she was already the wife of Jason, he would protect her and her husband against the Colchia ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alessandro Focosi
Alessandro Focosi (June 14, 1836 – February 1, 1869) was an Italian painter born in Milan. Biography The son of the painter and illustrator Roberto Focosi, Alessandro completed his artistic training at the Brera Academy of Fine Arts, where Francesco Hayez was his master. Focosi won numerous academic prizes, and received a grant from the Brera that enabled him to visit Florence, Rome and Turin for study purposes during the period 1858–60. He returned to Milan by 1866, and specialised in Romantic treatments of historical and literary subjects that were widely praised and received official recognition. In 1866, he painted a ''Catherine de' Medici induces Charles IX to exile the Huguenots'' and in 1868, ''Carlo Emanuele of Savoy confronts the Ambassador of Spain''. The latter painting won the first prize, 10,000 lire, in a national contest instituted in 1866 by minister Broglio. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Kiss (Hayez)
''Il bacio'' (; ''The Kiss'') is an 1859 painting by the Italian artist Francesco Hayez. It is possibly his best known work. This painting conveys the main features of Italian Romanticism and has come to represent the spirit of the Risorgimento. It was commissioned by Alfonso Maria Visconti di Saliceto, who donated it to the Pinacoteca di Brera after his death. Historical context After the defeat of Napoleonic France in the 19th century, the Congress of Vienna was held in 1815 to redraw the map of Europe. Italy had a very marginal role compared to other European countries and was slated to be divided into several states. Every state was either ruled directly, or strongly influenced, by the Habsburgs of the Austrian Empire. That fragmentation went against the growing nationalist sentiment for Italy's unification, and caused the creation of secret societies with democratic-radical orientations, such as the Carboneria and Young Italy. Although those associations were unsuccessful ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mary Magdalene
Mary Magdalene (sometimes called Mary of Magdala, or simply the Magdalene or the Madeleine) was a woman who, according to the four canonical gospels, traveled with Jesus as one of his followers and was a witness to crucifixion of Jesus, his crucifixion and Resurrection of Jesus, resurrection. She is mentioned by name twelve times in the canonical gospels, more than most of the Apostles in the New Testament, apostles and more than any other woman in the gospels, other than Jesus' family. Mary's epithet ''Magdalene'' may mean that she came from the town of Magdala, a fishing town on the western shore of the Sea of Galilee in Roman Judea. The Gospel of Luke Luke 8, chapter 8 lists Mary Magdalene as one of the women who traveled with Jesus and helped support his ministry "out of their resources", indicating that she was probably wealthy. The same passage also states that seven demons Exorcism, had been driven out of her, a statement which is repeated in Mark 16. In all the four can ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harem
Harem (Persian: حرمسرا ''haramsarā'', ar, حَرِيمٌ ''ḥarīm'', "a sacred inviolable place; harem; female members of the family") refers to domestic spaces that are reserved for the women of the house in a Muslim family. A harem may house a man's wife or wives, their pre-pubescent male children, unmarried daughters, female domestic servants, and other unmarried female relatives. In harems of the past, slave concubines were also housed in the harem. In former times some harems were guarded by eunuchs who were allowed inside. The structure of the harem and the extent of monogamy or polygamy has varied depending on the family's personalities, socio-economic status, and local customs. Similar institutions have been common in other Mediterranean and Middle Eastern civilizations, especially among royal and upper-class families, and the term is sometimes used in other contexts. In traditional Persian residential architecture the women's quarters were known as ''andar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grande Odalisque
''Grande Odalisque'', also known as ''Une Odalisque'' or ''La Grande Odalisque'', is an oil painting of 1814 by Jean-Auguste-Dominique Ingres depicting an odalisque, or concubine. Ingres' contemporaries considered the work to signify Ingres' break from Neoclassicism, indicating a shift toward exotic Romanticism. ''Grande Odalisque'' attracted wide criticism when it was first shown. It is renowned for the elongated proportions and lack of anatomical realism. The work is owned by the Louvre Museum, Paris which purchased the work in 1899. __TOC__ History The painting was commissioned by Napoleon's sister, Queen Caroline Murat of Naples, and finished in 1814. Ingres drew upon works such as ''Dresden Venus'' by Giorgione, and Titian's ''Venus of Urbino'' as inspiration for his reclining nude figure, though the actual pose of a reclining figure looking back over her shoulder is directly drawn from the 1800 ''Portrait of Madame Récamier'' by Jacques-Louis David. Ingres portrays a c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Odalisque
An odalisque (, tr, odalık) was a chambermaid or a female attendant in a Turkish seraglio, particularly the court ladies in the household of the Ottoman sultan. In western usage, the term came to mean the harem concubine, and refers to the eroticized artistic genre in which a woman is represented mostly or completely nude in a reclining position, often in the setting of a harem. Etymology The word "odalisque" is French in form and originates from the Turkish ''odalık'', meaning " chambermaid", from ''oda'', "chamber" or "room". It can also be transliterated ''odahlic'', ''odalisk'', and ''odaliq''. Joan DelPlato has described the term's shift in meaning from Turkish to English and French: The English and French term odalisque (rarely odalique) derives from the Turkish 'oda', meaning "chamber"; thus an odalisque originally meant a chamber girl or attendant. In western usage, the term has come to refer specifically to the harem concubine. By the eighteenth century the t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nazarene Movement
The epithet Nazarene was adopted by a group of early 19th-century German Romantic painters who aimed to revive spirituality in art. The name Nazarene came from a term of derision used against them for their affectation of a biblical manner of clothing and hair style. History In 1809, six students at the Vienna Academy formed an artistic cooperative in Vienna called the Brotherhood of St. Luke or ''Lukasbund'', following a common name for medieval guilds of painters. In 1810 four of them, Johann Friedrich Overbeck, Franz Pforr, Ludwig Vogel and Johann Konrad Hottinger (1788-1827) moved to Rome, where they occupied the abandoned monastery of San Isidoro. They were joined by Philipp Veit, Peter von Cornelius, Julius Schnorr von Carolsfeld, Friedrich Wilhelm Schadow and a loose grouping of other German-speaking artists. They met up with Austrian romantic landscape artist Joseph Anton Koch (1768–1839) who became an unofficial tutor to the group. In 1827 they were joined by Jose ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean Auguste Dominique Ingres
Jean-Auguste-Dominique Ingres ( , ; 29 August 1780 – 14 January 1867) was a French Neoclassical painter. Ingres was profoundly influenced by past artistic traditions and aspired to become the guardian of academic orthodoxy against the ascendant Romantic style. Although he considered himself a painter of history in the tradition of Nicolas Poussin and Jacques-Louis David, it is his portraits, both painted and drawn, that are recognized as his greatest legacy. His expressive distortions of form and space made him an important precursor of modern art, influencing Picasso, Matisse and other modernists. Born into a modest family in Montauban, he travelled to Paris to study in the studio of David. In 1802 he made his Salon debut, and won the Prix de Rome for his painting '' The Ambassadors of Agamemnon in the tent of Achilles''. By the time he departed in 1806 for his residency in Rome, his style—revealing his close study of Italian and Flemish Renaissance masters— ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
El Beso (Pinacoteca De Brera, Milán, 1859)
{{dab ...
El Beso may refer to: * El Beso (sculpture), a sculpture in the Miraflores district of Lima, Peru * El Beso (Mon Laferte song) * El Beso (Pablo Alborán song) "El Beso" ( en, "The Kiss") is a song recorded by the Spanish singer-songwriter Pablo Alborán. The song was released as the second single from his second studio album '' Tanto'' (2012). It was released in December 2012 as a digital download in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Neoclassicism
Neoclassicism (also spelled Neo-classicism) was a Western cultural movement in the decorative and visual arts, literature, theatre, music, and architecture that drew inspiration from the art and culture of classical antiquity. Neoclassicism was born in Rome largely thanks to the writings of Johann Joachim Winckelmann, at the time of the rediscovery of Pompeii and Herculaneum, but its popularity spread all over Europe as a generation of European art students finished their Grand Tour and returned from Italy to their home countries with newly rediscovered Greco-Roman ideals. The main Neoclassical movement coincided with the 18th-century Age of Enlightenment, and continued into the early 19th century, laterally competing with Romanticism. In architecture, the style continued throughout the 19th, 20th and up to the 21st century. European Neoclassicism in the visual arts began c. 1760 in opposition to the then-dominant Rococo style. Rococo architecture emphasizes grace, ornamentati ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.jpg "Click for more on -> Venice")
