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Francesca Da Rimini
Francesca da Rimini or Francesca da Polenta (died between 1283 and 1286) was a medieval noblewoman of Ravenna, who was murdered by her husband, Giovanni Malatesta, upon his discovery of her affair with his brother, Paolo Malatesta. She was a contemporary of Dante Alighieri, who portrayed her as a character in the ''Divine Comedy''. Life and death Daughter of Guido I da Polenta of Ravenna, Francesca was wedded in or around 1275 to the brave, yet crippled Giovanni Malatesta (also called Gianciotto or "Giovanni the Lame"), son of Malatesta da Verucchio, lord of Rimini. The marriage was a political one; Guido had been at war with the Malatesta family, and the marriage of his daughter to Giovanni was a way to secure the peace that had been negotiated between the Malatesta and the Polenta families. While in Rimini, she fell in love with Giovanni's younger brother, Paolo. Though Paolo, too, was married, they managed to carry on an affair for some ten years, until Giovanni ultimately s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dante Gabriel Rossetti - Paolo And Francesca Da Rimini (1862)
Dante Alighieri (; – 14 September 1321), probably baptized Durante di Alighiero degli Alighieri and often referred to as Dante (, ), was an Italian people, Italian Italian poetry, poet, writer and philosopher. His ''Divine Comedy'', originally called (modern Italian: ''Commedia'') and later christened by Giovanni Boccaccio, is widely considered one of the most important poems of the Middle Ages and the greatest literary work in the Italian language. Dante is known for establishing the use of the vernacular in literature at a time when most poetry was written in Latin, which was accessible only to the most educated readers. His ''De vulgari eloquentia'' (''On Eloquence in the Vernacular'') was one of the first scholarly defenses of the vernacular. His use of the Florentine dialect for works such as ''La Vita Nuova, The New Life'' (1295) and ''Divine Comedy'' helped establish the modern-day standardized Italian language. His work set a precedent that important Italian write ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guinevere
Guinevere ( ; cy, Gwenhwyfar ; br, Gwenivar, kw, Gwynnever), also often written in Modern English as Guenevere or Guenever, was, according to Arthurian legend, an early-medieval queen of Great Britain and the wife of King Arthur. First mentioned in popular literature in the early 12th century, nearly 700 years after the purported times of Arthur, Guinevere has since been portrayed as everything from a villainous and opportunistic traitor to a fatally flawed but noble and virtuous lady. Many records of the legend also feature the variably recounted story of her abduction and rescue as a major part of the tale. The earliest datable appearance of Guinevere is in Geoffrey of Monmouth's pseudo-historical British chronicle ''Historia Regum Britanniae'', in which she is seduced by Mordred during his ill-fated rebellion against Arthur. In a later medieval Arthurian romance tradition from France, a prominent story arc is the queen's tragic love affair with her husband's chief knight ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carcassonne
Carcassonne (, also , , ; ; la, Carcaso) is a French fortified city in the department of Aude, in the region of Occitanie. It is the prefecture of the department. Inhabited since the Neolithic, Carcassonne is located in the plain of the Aude between historic trade routes, linking the Atlantic to the Mediterranean Sea and the Massif Central to the Pyrénées. Its strategic importance was quickly recognized by the Romans, who occupied its hilltop until the demise of the Western Roman Empire. In the fifth century, it was taken over by the Visigoths, who founded the city. Within three centuries, it briefly came under Islamic rule. Its strategic location led successive rulers to expand its fortifications until the Treaty of the Pyrenees in 1659. Its citadel, known as the Cité de Carcassonne, is a medieval fortress dating back to the Gallo-Roman period and restored by the theorist and architect Eugène Viollet-le-Duc in 1853. It was added to the UNESCO list of World Heritage S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henri-Jean Guillaume Martin
Henri-Jean Guillaume "Henri" Martin (; 5 August 1860 – 12 November 1943) was a French painter. Elected to the Académie des Beaux-Arts in 1917, he is known for his early 1920s work on the walls of the Salle de l'Assemblée générale, where the members of the Conseil d'État meet in the Palais-Royal in Paris. Other notable institutions that have featured his Post-Impressionist paintings in their halls through public procurement include the Élysée Palace, Sorbonne, Hôtel de Ville de Paris, Palais de Justice de Paris, as well as Capitole de Toulouse, although the Musée des Beaux-Arts de Bordeaux and Musée des Augustins also have sizeable public collections. Life and career Early years Born at 127 Grande-Rue Saint-Michel in Toulouse to a French cabinet maker and a mother of Italian descent, Martin successfully persuaded his father to permit him to become an artist. He began his career in 1877 at the Toulouse School of the Fine Arts, where he was under the tutelage of Jules ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Galleria D'Arte Moderna, Milan
The Galleria d'Arte Moderna is a modern art museum in Milan, in Lombardy in northern Italy. It is housed in the Villa Reale, at Via Palestro 16, opposite the Giardini Pubblici Indro Montanelli. The collection consists largely of Italian and European works from the eighteenth to the twentieth centuries. The museum has works by Francesco Filippini, Giuseppe Ferrari, Giovanni Fattori, Silvestro Lega, Giovanni Boldini, Vincent van Gogh, Édouard Manet, Paul Gauguin, Paul Cézanne, Pablo Picasso, Giacomo Balla, Umberto Boccioni, Francesco Hayez, Giovanni Segantini, Giuseppe Pellizza da Volpedo and Antonio Canova, among others. Works have been donated by Milanese families including the Treves, Ponti, Grassi and Vismara. After the Second World War the twentieth-century works in the collection were moved to the Padiglione d'Arte Contemporanea, built in 1955 on the site of the former stables of the palace, which had been destroyed by wartime bombing. In 2011 some works were moved to t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mosè Bianchi
Mosè Bianchi (1840–1904) was an Italian painter and printmaker. Biography Bianchi was born in Monza. His family moved to Milan and he enrolled at the Brera Academy. Having interrupted his studies to serve in the second war of independence, he returned to attend the school of painting directed by Giuseppe Bertini. The award of a grant in 1867 enabled him to visit Venice and then Paris in 1869. He took part with some success at the Brera exhibitions and the Vienna Exhibition of 1873. It was in this period that he began to paint genre scenes in 18th-century settings and numerous portraits, soon becoming one of the artists most in demand with the Milanese middle classes. He returned to Venice in 1879 and visited Chioggia for the first time. Both places were to be featured also in later years in a series of intense views exhibited at exhibitions in Milan and Venice alongside genre scenes, views of Milan and landscapes of the countryside around Gignese. Among his main works were a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Watts Gallery
Watts Gallery – Artists' Village is an art gallery in the village of Compton, near Guildford in Surrey. It is dedicated to the work of the Victorian-era painter and sculptor George Frederic Watts. The gallery has been Grade II* listed on the National Heritage List for England since June 1975. History Watts moved to "Limnerslease" in Compton in 1891, and with his artist wife, Mary Fraser-Tytler, planned a museum devoted to his work, which opened in April 1904, just before his death. The architect of the Gallery was Christopher Hatton Turnor, an admirer of Edwin Lutyens and C.F.A. Voysey. Inspired by the Arts and Crafts movement, the building contains top-lit galleries that allow Watts's work to be displayed under natural light. It is one of only a few galleries in the UK devoted to a single artist, and is often hailed as a national gallery in the heart of a village. The present director is Alistair Burtenshaw and the curator is Dr Cicely Robinson. Former curators include ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Frederic Watts
George Frederic Watts (23 February 1817, in London – 1 July 1904) was a British painter and sculptor associated with the Symbolist movement. He said "I paint ideas, not things." Watts became famous in his lifetime for his allegorical works, such as ''Hope'' and ''Love and Life''. These paintings were intended to form part of an epic symbolic cycle called the "House of Life", in which the emotions and aspirations of life would all be represented in a universal symbolic language. Early life and education Watts was born in Marylebone in central London on the birthday of George Frederic Handel (after whom he was named), to the second wife of a poor piano-maker. Delicate in health and with his mother dying while he was still young, he was home-schooled by his father in a conservative interpretation of Christianity as well as via the classics such as the ''Iliad.'' The former put him off conventional religion for life, while the latter was a continual influence on his art. He s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gustave Doré
Paul Gustave Louis Christophe Doré ( , , ; 6 January 1832 – 23 January 1883) was a French artist, as a printmaker, illustrator, painter, comics artist, caricaturist, and sculptor. He is best known for his prolific output of wood-engravings, especially those illustrating classic books, including 241 illustrating the Bible. These achieved great international success, and he is the best-known artist in this printmaking technique, although his role was normally as the designer only; at the height of his career some 40 block-cutters were employed to cut his drawings onto the wooden printing blocks, usually also signing the image. In all he created some 10,000 illustrations, the most important of which were "duplicated in electrotype shells that were printed ... on cylinder presses", allowing very large print runs as steel engravings, "hypnotizing the widest public ever captured by a major illustrator", and being published simultaneously in many countries. The drawings given to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bury Art Museum
Bury Art Museum and Sculpture Centre, formerly known as Bury Museum and Art Gallery, is a public museum, archives, and art gallery in the town of Bury, Greater Manchester, northern England, owned by Bury Council. Built in 1901, the Museum's buildings were restored and reopened in 2005. History Bury Art Museum's collection was established, in commemoration of Queen Victoria's Diamond Jubilee in 1897, with the gift of more than 200 oil paintings, watercolours, prints and ceramics accumulated by the Victorian paper manufacturer Thomas Wrigley (1808–1880), on the condition that suitable premises should be built to house the collection. The present building was designed by the Manchester firm of Woodhouse and Willoughby, and was opened by Frederick Stanley, 16th Earl of Derby on 9 October 1901. The town's Museum opened in the basement of the Art Gallery in 1907. Collections The museum's Wrigley Collection is an assemblage of more than two hundred oil paintings, watercolours, p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joseph Noel Paton
Sir Joseph Noel Paton (13 December 1821 – 26 December 1901) was a Scottish artist, illustrator and sculptor. He was also a poet and had an interest in, and knowledge of, Scottish folklore and Celtic legends. Early life He was born in Wooer's Alley, Dunfermline, Fife, on 13 December 1821 to Joseph Neil Paton and Catherine MacDiarmid, damask designers and weavers in the town. He was the brother of the sculptor Amelia Robertson Hill, and the landscape artist Waller Hugh Paton. He also had one brother, Archibald, and two sisters, Catherine and Alexia, who died in childhood. Later in his life, Paton erected a monument on the grave site of his parents and siblings. Their graves were probably originally unmarked; the monument lies on the north side of Dunfermline Abbey and—amongst nearby smaller, sandstone markers—is a distinctive red granite Celtic cross. Paton attended Dunfermline School and then Dunfermline Art Academy, further enhancing the talents he had developed as a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giuseppe Fraschieri
Giuseppe Fraschieri (1808–1886) was an Italian painter. He was born in Savona. He initially trained at the Accademia Ligustica of Genoa, but then, under a stipend of the city of Savona, he went to study in the studio of Giuseppe Bezzuoli in Florence. In 1829, his drawing of the invention of painting won a first prize at the Accademia of Florence. He moved back to Sestri Ponente after a few years in Florence, interrupted by stays in Rome and London. In 1838, he was named Academic of Merit and Regent of the Painting classes at the Ligurian Academy. In 1842, he became director. From 1852 to 1869, he taught painting and color. His style was Romantic and among his pupils were Giacomo Ulisse Borzino, genre painter and portraitist; Antonio Caorsi; Giuseppe Ferrari; and Biagio Torrielli. In London he gained a number of portrait commissions. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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