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Fioretta Gorini
Fioretta Gorini (1453/60 – possibly 1478) was the mistress of Giuliano de' Medici and the probable mother of Giulio de' Medici, the future Pope Clement VII. Gorini was the daughter of a professor, Antonio Gorini. Her actual name was Antonia or Antonietta, while Fioretta was a nickname given to her. On 26 May 1478, a month after the assassination of Giuliano in the Pazzi conspiracy, Fioretta gave birth to his illegitimate son, Giulio. Not much of Gorini's life after her son's birth is known, and some records have her dying that same year. Giulio spent the first seven years of life with his godfather, architect Antonio da Sangallo the Elder. The female figure of Fioretta may be represented in '' Ritratto di giovane donna'' (1475), of Sandro Botticelli, which is preserved in Palazzo Pitti, although it may equally represent Simonetta Vespucci, Clarice Orsini, Alfonsina Orsini or Lucrezia Tornabuoni. The woman sculpted on '' Dama col mazzolino'' (1475), of Andrea del Verrocchio, w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ritratto Di Giovane Donna
A portrait is a painting, photograph, sculpture, or other artistic representation of a person, in which the face and its expressions are predominant. The intent is to display the likeness, personality, and even the mood of the person. For this reason, in photography a portrait is generally not a snapshot, but a composed image of a person in a still position. A portrait often shows a person looking directly at the painter or photographer, in order to most successfully engage the subject with the viewer. History Prehistorical portraiture Plastered human skulls were reconstructed human skulls that were made in the ancient Levant between 9000 and 6000 BC in the Pre-Pottery Neolithic B period. They represent some of the oldest forms of art in the Middle East and demonstrate that the prehistoric population took great care in burying their ancestors below their homes. The skulls denote some of the earliest sculptural examples of portraiture in the history of art. Historical portraitur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Clarice Orsini
Clarice Orsini (1453–1488) was the daughter of Iacopo Orsini, and his wife and cousin Maddalena Orsini both from the Orsini family, a great Roman noble house and was the wife of Lorenzo de' Medici. Life Clarice and Lorenzo married 4 June 1469, with a four-day celebration. The marriage was arranged by Lorenzo's mother Lucrezia Tornabuoni, who wanted her eldest son to marry a woman from a noble family to enhance the social status of the Medicis. Their marriage was unusual for Florence at the time in that they were nearly the same age. Clarice's dowry was 6,000 florins. The political nature of her marriage meant that she was often called upon by each side of her family to influence the other. This included Lorenzo helping her brother Rinaldo get selected as Archbishop of Florence. She was also called on by others throughout the area to support their requests to her husband. People sought her support in the easing of taxes and releasing family members from exile or priso ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
15th-century Deaths
The 15th century was the century which spans the Julian dates from 1 January 1401 ( MCDI) to 31 December 1500 ( MD). In Europe, the 15th century includes parts of the Late Middle Ages, the Early Renaissance, and the early modern period. Many technological, social and cultural developments of the 15th century can in retrospect be seen as heralding the "European miracle" of the following centuries. The architectural perspective, and the modern fields which are known today as banking and accounting were founded in Italy. The Hundred Years' War ended with a decisive Kingdom of France, French victory over the Kingdom of England, English in the Battle of Castillon. Financial troubles in England following the conflict resulted in the Wars of the Roses, a series of dynastic wars for the throne of England. The conflicts ended with the defeat of Richard III by Henry VII of England, Henry VII at the Battle of Bosworth Field, establishing the House of Tudor, Tudor dynasty in the later ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
15th-century Births
The 15th century was the century which spans the Julian dates from 1 January 1401 ( MCDI) to 31 December 1500 ( MD). In Europe, the 15th century includes parts of the Late Middle Ages, the Early Renaissance, and the early modern period. Many technological, social and cultural developments of the 15th century can in retrospect be seen as heralding the "European miracle" of the following centuries. The architectural perspective, and the modern fields which are known today as banking and accounting were founded in Italy. The Hundred Years' War ended with a decisive French victory over the English in the Battle of Castillon. Financial troubles in England following the conflict resulted in the Wars of the Roses, a series of dynastic wars for the throne of England. The conflicts ended with the defeat of Richard III by Henry VII at the Battle of Bosworth Field, establishing the Tudor dynasty in the later part of the century. Constantinople, known as the capital of the wo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Magnificent
The Magnificent may refer to: * "The Magnificent" (song), a 1995 song by the One World Orchestra * ''The Magnificent'' (DJ Jazzy Jeff album), 2002 * ''The Magnificent'' (Keith Sweat album), 2009 * ''The Magnificent'' (Beenie Man album) * List of people known as the Magnificent See also * Magnificent (other) * The Magnificents (other) The Magnificents may refer to: * Johnny Keyes and the Magnificents, a 1950s doo-wop vocal group * The Magnificents (Scottish band), a Scottish electro rock band ** ''The Magnificents'' (album), their debut album See also * Magnificent (disambigua ... * Magnificence (other) {{DEFAULTSORT:Magnificent, The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mona Lisa
The ''Mona Lisa'' ( ; it, Gioconda or ; french: Joconde ) is a half-length portrait painting by Italian artist Leonardo da Vinci. Considered an archetypal masterpiece of the Italian Renaissance, it has been described as "the best known, the most visited, the most written about, the most sung about, the most parodied work of art in the world". The painting's novel qualities include the subject's enigmatic expression, the monumentality of the composition, the subtle modelling of forms, and the atmospheric illusionism. The painting has been definitively identified to depict Italian noblewoman Lisa Gherardini, the wife of Francesco del Giocondo. It is painted in oil on a white Lombardy poplar panel. Leonardo never gave the painting to the Giocondo family, and later it is believed he left it in his will to his favored apprentice Salaì. It had been believed to have been painted between 1503 and 1506; however, Leonardo may have continued working on it as late as 1517. It was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Museo Nazionale Del Bargello
The Bargello, also known as the Palazzo del Bargello, Museo Nazionale del Bargello, or Palazzo del Popolo (Palace of the People), was a former barracks and prison, now an art museum, in Florence, Italy. Terminology The word ''bargello'' appears to come from the late Latin ''bargillus'' (from Gothic ''bargi'' and German ''burg''), meaning "castle" or "fortified tower". During the Italian Middle Ages it was the name given to a military captain in charge of keeping peace and justice (hence "Captain of justice") during riots and uproars. In Florence he was usually hired from a foreign city to prevent any appearance of favoritism on the part of the Captain. The position could be compared with that of a current Chief of police. The name Bargello was extended to the building which was the office of the captain. The palace Construction began in 1255. The palace was built to house first the Capitano del Popolo and later, in 1261, the 'podestà', the highest magistrate of the Florence ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Andrea Del Verrocchio
Andrea del Verrocchio (, , ; – 1488), born Andrea di Michele di Francesco de' Cioni, was a sculptor, Italian painter and goldsmith who was a master of an important workshop in Florence. He apparently became known as ''Verrocchio'' after the surname of his master, a goldsmith. Few paintings are attributed to him with certainty, but a number of important painters were trained at his workshop. His pupils included Leonardo da Vinci, Pietro Perugino and Lorenzo di Credi. His greatest importance was as a sculptor and his last work, the Equestrian statue of Bartolomeo Colleoni in Venice, is generally accepted as a masterpiece. Life Verrocchio was born in Florence in around 1435. His father, Michele di Francesco Cioni, initially worked as a tile and brick maker, then later as a tax collector. Verrocchio never married, and had to provide financial support for some members of his family. He was at first apprenticed to a goldsmith. It has been suggested that he was later apprenticed to D ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dama Col Mazzolino
''Woman with Flowers'' ( it, Dama col mazzolino or it, Gentildonna dalle belle mani) is a marble sculpture in height executed by Andrea del Verrocchio between 1475 and 1480. It is in the Bargello Museum in Florence. The identity of the woman could be Fioretta Gorini, mistress of Giuliano de' Medici, Lucrezia Donati, platonic love of Lorenzo il Magnifico Lorenzo di Piero de' Medici (; 1 January 1449 – 8 April 1492) was an Italian statesman, banker, ''de facto'' ruler of the Florentine Republic and the most powerful and enthusiastic patron of Renaissance culture in Italy. Also known as Lorenzo ..., or Ginevra d'Amerigo Benci, also portrayed in a painting by Leonardo da Vinci. ''Dama col mazzolino'' influenced Leonardo's ''Studies of hands''. It stands out for having the hands on the chest. References Bibliography * * {{Andrea del Verrocchio Sculptures by Andrea del Verrocchio Marble sculptures in Italy Busts in Italy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lucrezia Tornabuoni
Lucrezia Tornabuoni (22 June 1427 – 25 March 1482) was an influential Italian political adviser and author during the 15th century. She was a member of one of the most powerful Italian families of the time and married Piero di Cosimo de' Medici, de facto Lord of Florence. Lucrezia had significant political influence during the rule of her husband and then of her son Lorenzo the Magnificent, investing in several institutions and improving relationships to support the needs of the poor. She was a patron of the arts who wrote several poems and plays. Early life Lucrezia was born in Florence, Italy on 22 June 1427. Her parents Francesco di Simone Tornabuoni, member of a noble family that could trace its lineage back 500 years, and Francesca Pitti, his third wife and a daughter of another powerful local family. Her brother Giovanni became a banker and diplomat. Lucrezia was well-educated for a woman of her time. She was very capable in mathematics and finances, well-versed in li ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alfonsina Orsini
Alfonsina Orsini (1472 – 7 February 1520) was a Regent of Florence. She governed the Republic of Florence during the absences of her son in the period of 1515–1519. Her rule was feared as a sign of the end of republican government there. She was born from a noble family and raised in the royal court of Naples. She was the spouse of Piero di Lorenzo de' Medici from 1488 and the mother of Lorenzo II de' Medici. She helped restore the Medicis to power after they had been exiled. She worked to secure a French royal marriage for her son, and was also influential at the court of Pope Leo X, her brother-in-law. Throughout her life, she used her wealth, position, and connections to help the poor and underrepresented. She also used them to further her family's power and wealth. She was a patron of the arts and architecture, both in Florence and in Rome. This included renovation of religious buildings as well as construction of palaces for the family. Early life and family B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Simonetta Vespucci
Simonetta Vespucci (née Cattaneo; 1453 – 26 April 1476), nicknamed ''la bella Simonetta'', was an Italian noblewoman from Genoa, the wife of Marco Vespucci of Florence and the cousin-in-law of Amerigo Vespucci. She was known as the greatest beauty of her age in Italy, and was allegedly the model for many paintings by Sandro Botticelli, Piero di Cosimo, and other Florentine painters. Some art historians have taken issue with these attributions, which the Victorian critic John Ruskin has been blamed for promulgating. Biography Early life and marriage Simonetta Vespucci was born Simonetta Cattaneo 1453 in a part of the Republic of Genoa that is now in the Italian region of Liguria. A more precise location for her birthplace is unknown: possibly the city of Genoa, or perhaps either Portovenere or Fezzano. The Florentine poet Politian wrote that her home was "in that stern Ligurian district up above the seacoast, where angry Neptune beats against the rocks ... There, like ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
