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Feeling So Real
"Feeling So Real" is a song by American electronica musician Moby, released on October 17, 1994 as the second single from his third studio album, '' Everything Is Wrong'' (1995). The song features the phrases "sound system rocking my....." (the full sample saying "sound system rocking my seat") and "set it up DJ!" spoken by Kochie Banton, who also appears in Moby's following single, " Everytime You Touch Me". The guest vocalist for the song is Rozz Morehead. It peaked at number 30 on the UK Singles Chart and at number nine on the US ''Billboard'' Dance Club Songs chart. Release The single's B-side is Moby's take on the Joy Division song "New Dawn Fades". It would later be included on the Joy Division tribute album '' A Means to an End: The Music of Joy Division'', and Moby would go on to perform it live with New Order. The remix CD contains all the separate parts (vocals, strings, drums, etc.) for " Everytime You Touch Me". Mute Records and Elektra held a competition where one ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Moby
Richard Melville Hall (born September 11, 1965), known professionally as Moby, is an American musician, songwriter, singer, producer, and animal rights activist. He has sold 20 million records worldwide. AllMusic considers him to be "among the most important dance music figures of the early 1990s, helping bring dance music to a mainstream audience both in the United States and the United Kingdom". After taking up guitar and piano at age nine, he played in several underground punk rock bands through the 1980s before turning to electronic dance music. In 1989, he moved to New York City and became a prolific figure as a DJ, producer and remixer. His 1991 single " Go" was his mainstream breakthrough, especially in Europe, where it peaked within the top ten of the charts in the Netherlands and the United Kingdom. Between 1992 and 1997 he scored eight top 10 hits on the ''Billboard'' Dance Club Songs chart including " Move (You Make Me Feel So Good)", " Feeling So Real", and " James ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Larry Flick
Larry Flick is an American journalist, former dance music columnist, single reviewer, and Senior Talent Editor for ''Billboard'' magazine, where he worked for 14 years. Now he produces and hosts Sirius XM radio shows. Flick started in the music business at 21 as a college radio rep at a company called Gold Mountain. He went on the road as a touring assistant to the Power Station and KISS during their 1980s heyday, before starting as a part-time assistant/mail sorter at Billboard. He later became the dance music/single reviews editor of the magazine. Flick also worked as a music consultant for Prince A prince is a male ruler (ranked below a king, grand prince, and grand duke) or a male member of a monarch's or former monarch's family. ''Prince'' is also a title of nobility (often highest), often hereditary, in some European states. T .... References External linksLarry Flick on Sirius XM [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
James Hamilton (DJ And Journalist)
James Hamilton (25 December 1942 – 17 June 1996) was a British DJ and dance music columnist for ''Record Mirror'', and later for ''Music Week'', where he worked until his death in 1996. He is recognised as a pioneering advocate of disco mixing in the UK and the addition of beats per minute (bpm) calculations to record reviews. Hamilton started as a DJ in his early 20s, playing rhythm & blues in a nightclubs in London. He then headed to New York to work for Seltaeb, the US company who’d acquired the merchandising rights for The Beatles, becoming a talent scout for their newly formed music division. After returning to the UK, he adopted the DJ name Doctor Soul, and also compiled an album with this title for Sue Records. He set up as one of the first mobile DJs, and began writing US reviews for ''Record Mirror'' in 1964. In 1975, he began the magazine's weekly ‘Disco’ column, named ''James Hamilton's Disco Page''. He pioneered several features that was copied by other ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Record Mirror
''Record Mirror'' was a British weekly music newspaper between 1954 and 1991 for pop fans and record collectors. Launched two years after the ''NME'', it never attained the circulation of its rival. The first UK album chart was published in ''Record Mirror'' in 1956, and during the 1980s it was the only consumer music paper to carry the official UK singles and UK albums charts used by the BBC for Radio 1 and ''Top of the Pops'', as well as the US ''Billboard'' charts. The title ceased to be a stand-alone publication in April 1991 when United Newspapers closed or sold most of their consumer magazines, including ''Record Mirror'' and its sister music magazine ''Sounds'', to concentrate on trade papers like ''Music Week''. In 2010 Giovanni di Stefano bought the name ''Record Mirror'' and relaunched it as an online music gossip website in 2011. The website became inactive in 2013 following di Stefano's jailing for fraud. Early years, 1954–1963 ''Record Mirror'' was founded by for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Week
''Music Week'' is a trade publication for the UK record industry distributed via a website and a monthly print magazine. It is published by Future. History Founded in 1959 as '' Record Retailer'', it relaunched on 18 March 1972 as ''Music Week''. On 17 January 1981, the title again changed, owing to the increasing importance of sell-through videos, to ''Music & Video Week''. The rival ''Record Business'', founded in 1978 by Brian Mulligan and Norman Garrod, was absorbed into Music Week in February 1983. Later that year, the offshoot ''Video Week'' launched and the title of the parent publication reverted to ''Music Week''. Since April 1991, ''Music Week'' has incorporated ''Record Mirror'', initially as a 4 or 8-page chart supplement, later as a dance supplement of articles, reviews and charts. In the 1990s, several magazines and newsletters become part of the Music Week family: ''Music Business International (MBI)'', ''Promo'', ''MIRO Future Hits'', ''Tours Report'', ''Fono ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pop Music
Pop music is a genre of popular music that originated in its modern form during the mid-1950s in the United States and the United Kingdom. The terms ''popular music'' and ''pop music'' are often used interchangeably, although the former describes all music that is popular and includes many disparate styles. During the 1950s and 1960s, pop music encompassed rock and roll and the youth-oriented styles it influenced. ''Rock'' and ''pop'' music remained roughly synonymous until the late 1960s, after which ''pop'' became associated with music that was more commercial, ephemeral, and accessible. Although much of the music that appears on record charts is considered to be pop music, the genre is distinguished from chart music. Identifying factors usually include repeated choruses and hooks, short to medium-length songs written in a basic format (often the verse-chorus structure), and rhythms or tempos that can be easily danced to. Much pop music also borrows elements from other styles ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jungle Music
Jungle is a genre of dance music that developed out of the UK rave scene and sound system culture in the 1990s. Emerging from breakbeat hardcore, the style is characterised by rapid breakbeats, heavily syncopated percussive loops, samples, and synthesised effects, combined with the deep basslines, melodies, and vocal samples found in dub, reggae and dancehall, as well as hip hop and funk. Many producers frequently sampled the " Amen break" or other breakbeats from funk and jazz recordings.Archived aGhostarchiveand thWayback Machine Jungle was a direct precursor to the drum and bass genre which emerged in the mid-1990s. Origin The breakbeat hardcore scene of the early 1990s was beginning to fragment by 1992/1993, with different influences becoming less common together in tracks. The piano and uplifting vocal style that was prevalent in breakbeat hardcore started to lay down the foundations of 4-beat/happy hardcore, whilst tracks with dark-themed samples and industrial style s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Twin Peaks
''Twin Peaks'' is an American Mystery fiction, mystery serial drama television series created by Mark Frost and David Lynch. It premiered on American Broadcasting Company, ABC on April 8, 1990, and originally ran for two seasons until its cancellation in 1991. The show returned in 2017 for a Twin Peaks (season 3), third season on Showtime (TV network), Showtime. The series follows an investigation, headed by FBI Special Agent Dale Cooper (Kyle MacLachlan) and local Sheriff Harry S. Truman (Michael Ontkean), into the murder of homecoming queen Laura Palmer (Sheryl Lee) in the fictional town of Twin Peaks, Washington (state), Washington. The show's narrative draws on elements of detective fiction, but its uncanny tone, supernatural elements, and Camp (style), campy, melodramatic portrayal of eccentric characters also draws from American soap opera and horror film, horror tropes. Like much of Lynch's work, it is distinguished by surrealism, offbeat humor, and distinctive cinem ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Go (Moby Song)
"Go" is a song by American electronica musician Moby, released in March 1991 by record label Instinct as the first single from his self-titled debut album (1992). It peaked within the top ten of the charts in the Netherlands and the United Kingdom. Background "Go", in its original form, was first released as the B-side to Moby's debut single "Mobility" in November 1990. Moby later composed an alternate mix of the song, built around string samples from Angelo Badalamenti's "Laura Palmer's Theme" from the television series '' Twin Peaks'', which was released as a single in its own right in March 1991. The title of the single version, "Woodtick Mix", is a reference to episode seven of ''Twin Peaks'', when special agent Dale Cooper gets shot three times after folding up his bulletproof vest while chasing a wood tick as revealed in episode eight. Moby himself admitted so in his book. "Go" samples the titular vocal from Tones on Tail's song " Go!". The "yeah" vocal which fe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music & Media
''Music & Media'' was a pan-European magazine for radio, music and entertainment. It was published for the first time in 1984 as ''Eurotipsheet'', but in 1986 it changed name to ''Music & Media''. It was originally based in Amsterdam, but later moved to London. The magazine focused specifically on radio, TV, music, charts and related areas of entertainment such as music festivals and events. ''Music & Media'' ceased in August 2003. ''Music & Media'' was the sister publication of '' Billboard'' magazine. Record charts Main charts *European Top 100 Albums (sales) *European Hot 100 Singles The European Hot 100 Singles was compiled by '' Billboard'' and '' Music & Media'' magazine from March 1984 until December 2010. The chart was based on national singles sales charts in 17 European countries: Austria, Belgium (two charts separately ... (sales) *European Airplay Top 50 (airplay) (previously called European Hit Radio Top 40) *European Border Breakers (airplay of European songs brea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Techno
Techno is a genre of electronic dance music (EDM) which is generally produced for use in a continuous DJ set, with tempo often varying between 120 and 150 beats per minute (bpm). The central rhythm is typically in common time (4/4) and often characterized by a repetitive four on the floor beat. Artists may use electronic instruments such as drum machines, sequencers, and synthesizers, as well as digital audio workstations. Drum machines from the 1980s such as Roland's TR-808 and TR-909 are highly prized, and software emulations of such retro instruments are popular. Much of the instrumentation in techno emphasizes the role of rhythm over other musical parameters. Techno tracks mainly progress over manipulation of timbral characteristics of synthesizer presets and, unlike forms of EDM that tend to be produced with synthesizer keyboards, techno does not always strictly adhere to the harmonic practice of Western music and such structures are often ignored in favor of timbr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
