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Techno
Techno is a Music genre, genre of electronic dance music (EDM) which is generally music production, produced for use in a continuous DJ set, with tempo often varying between 120 and 150 beats per minute (bpm). The central Drum beat, rhythm is typically in common time (4/4) and often characterized by a repetitive four on the floor (music), four on the floor beat. Artists may use electronic instruments such as drum machines, sequencer (musical instrument), sequencers, and synthesizers, as well as digital audio workstations. Drum machines from the 1980s such as Roland Corporation, Roland's TR-808 and TR-909 are highly prized, and softsynth, software emulations of such retro instruments are popular. Much of the instrumentation in techno emphasizes the role of rhythm over other musical parameters. Techno tracks mainly progress over manipulation of timbre, timbral characteristics of synthesizer presets and, unlike forms of EDM that tend to be produced with synthesizer keyboards, techno ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Detroit Techno
Detroit techno is a type of techno music that generally includes the first techno productions by Detroit-based artists during the 1980s and early 1990s. Prominent Detroit techno artists include Juan Atkins, Eddie Fowlkes, Derrick May, Jeff Mills, Kevin Saunderson, Blake Baxter, Drexciya, Mike Banks, and Robert Hood. The Belleville Three The three individuals most closely associated with the birth of Detroit techno as a genre are Juan Atkins, Kevin Saunderson and Derrick May, also known as the "Belleville Three".Hanf, Mathias Kilian. ''Detroit Techno: Transfer of the Soul through the Machine'' VDM Verlag Dr. Müller, 2010. The three, who were high school friends from Belleville, Michigan, created electronic music tracks in their basement(s). Derrick May once described Detroit techno music as being a "complete mistake ... like George Clinton and Kraftwerk caught in an elevator, with only a sequencer to keep them company." While attending Washtenaw Community College, A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Intelligent Dance Music
Intelligent dance music (commonly abbreviated as IDM) is a style of electronic music originating in the early 1990s, defined by idiosyncratic experimentation rather than specific genre constraints.''"…the label 'IDM' (for avant-garde, 'intelligent dance music') seems to be based more on an association with individualistic experimentation than on a particular set of musical characteristics."'' Butler, M.J., ''Unlocking the Groove: Rhythm, Meter, and Musical Design in Electronic Dance Music'', Indiana University Press, 2006, (p. 80). It emerged from the culture and sound palette of electronic and rave music styles such as ambient techno, acid house, Detroit techno and breakbeat;''"The electronic listening music of the nineties is a prime example of an art form derived from and stimulated by countless influences. Partisan analyses of this music claim a baffling variety of prime sources (Detroit techno, New York electro + Chicago acid, Eno + Bowie, Cage + Reich, Gary Numan + Tan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Minimal Techno
Minimal techno is a subgenre of techno music. It is characterized by a stripped-down aesthetic that exploits the use of repetition and understated development. Minimal techno is thought to have been originally developed in the early 1990s by Detroit-based producers Robert Hood and Daniel Bell.Sicko, D., ''Techno Rebels: The Renegades of Electronic Funk'', Billboard Books, 1999, (pp. 199–200). By the early 2000s the term 'minimal' generally described a style of techno that was popularized in Germany by labels such as Kompakt, Perlon, and Richie Hawtin's M-nus, among others. Origins Minimal techno first emerged in the early 1990s. The development of the style is often attributed to a so-called "second wave" of American producers associated with Detroit techno. According to Derrick May, "while the first-wave artists were enjoying their early global success, techno also inspired many up-and-coming DJs and bedroom producers in Detroit". This younger generation included pr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ambient Techno
Ambient techno is a subgenre of techno that incorporates the atmospheric textures of ambient music with the rhythmic elements and production of techno. It was pioneered by 1990s electronic artists such as Aphex Twin, Carl Craig, the Black Dog, Pete Namlook and Biosphere. Characteristics and influences AllMusic states that ambient techno, building off the ambient house scene, blended the "soaring, layered, aquatic atmospheres of beatless and experimental ambient" with techno's "well-produced, thin-sounding electronics." Artists fused the "environmentalist" work of Brian Eno, Jon Hassell, and Wendy Carlos with the rhythms of urban dance styles such as techno and acid house. Ambient techno artists returned to the instruments of the Detroit techno and Chicago house scenes, including analogue synthesizers, the Roland TB-303 bass machine, and the TR-909 drum machine. Common elements included heavily reverbed string pads and subtle drum programming that moved beyond the simple p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
House Music
House is a music genre characterized by a repetitive four-on-the-floor beat and a typical tempo of 120 beats per minute. It was created by DJs and music producers from Chicago's underground club culture in the late 1970s, as DJs began altering disco songs to give them a more mechanical beat. House was pioneered by African American DJs and producers in Chicago such as Frankie Knuckles, Ron Hardy, Jesse Saunders, Chip E., Steve "Silk" Hurley, Farley "Jackmaster" Funk, Marshall Jefferson, Phuture, and others. House music expanded to other American cities such as New York City and became a worldwide phenomenon. House has had a large effect on pop music, especially dance music. It was incorporated by major international pop artists including Whitney Houston, Janet Jackson (" Together Again"), Kylie Minogue, Pet Shop Boys and Madonna ("Vogue"), but also produced some mainstream hits on its own, such as "French Kiss" by Lil Louis, " Show Me Love" by Robin S. or "Push the Feeling On" ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Synth-pop
Synth-pop (short for synthesizer pop; also called techno-pop; ) is a subgenre of new wave music that first became prominent in the late 1970s and features the synthesizer as the dominant musical instrument. It was prefigured in the 1960s and early 1970s by the use of synthesizers in progressive rock, electronic, art rock, disco, and particularly the Krautrock of bands like Kraftwerk. It arose as a distinct genre in Japan and the United Kingdom in the post-punk era as part of the new wave movement of the late 1970s to the mid-1980s. Electronic musical synthesizers that could be used practically in a recording studio became available in the mid-1960s, and the mid-1970s saw the rise of electronic art musicians. After the breakthrough of Gary Numan in the UK Singles Chart in 1979, large numbers of artists began to enjoy success with a synthesizer-based sound in the early 1980s. In Japan, Yellow Magic Orchestra introduced the TR-808 rhythm machine to popular music, and t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hardcore Techno
Hardcore (also known as hardcore techno or hardcore house) is a genre of electronic dance music that originated in the United Kingdom, the Netherlands, Belgium and Germany in the early 1990s. It is distinguished by faster tempos and a distorted sawtooth kick (160 to 200 BPM or more), the intensity of the kicks and the synthesized bass (in some subgenres), the rhythm and the atmosphere of the themes (sometimes violent), the usage of saturation and experimentation close to that of industrial dance music. It would spawn subgenres such as gabber. History Early 1970s to early 1980s Hardcore is rooted in the 1970s and early 1980s industrial music, specifically the elements of hard electronic dance music. Groups such as Throbbing Gristle, Coil, Cabaret Voltaire, SPK, Foetus and Einstürzende Neubauten produced music using a wide range of electronic instruments. The message diffused by industrial was then very provocative. Some of the musical sounds and experimentation of ind ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kuduro
Kuduro (or kuduru) is a type of music and dance from Angola. It is characterized as uptempo, energetic, and danceable. Kuduro was developed in Luanda, Angola in the late 1980s. Producers sampled traditional carnival music like soca and zouk béton ("hard" zouk) from the Caribbean to Angola, techno and accordion playing from Europe and laid this around a fast 4/4 beat. The kuduro is similar to the kizomba rhythm. Origins The roots of kuduro can be traced to the late 1980s when producers in Luanda, Angola started mixing African percussion samples with zouk béton ("hard" zouk) and soca to create a style of music then known as Batida ("Beat"). European and American electronic music had begun appearing in the market, which attracted Angolan musicians and inspired them to incorporate their own musical styles. Young producers began adding heavy African percussion to both European and American beats. In Europe, western house and techno producers mixed it with house and techno. K ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dub Techno
Dub techno is a subgenre of techno that combines the style with elements of dub music, including its sparse, delay-heavy production and prominent bass. Characteristics and history In the early 1990s, producers Moritz Von Oswald and Mark Ernestus formed Basic Channel, a duo credited for defining dub techno. In addition to making the presence of minimalism commonplace in the techno scene, they also incorporated delay effects that were recurrent in dub music.Baines, Josh (October 15, 2015)"A Bullshitter's Guide to Dub Techno" THUMP. Vice Media. Retrieved 21 October 2016. They then formed the label Chain Reaction; while still releasing the same type of dub-infused techno that Basic Channel created, such as the track "Cyan I" by Monolake, the label also distributed techno without dub elements, such as Continuous Mode's "Direct Out / Direct Drive". Regardless, what Thump writer Josh Baines described as a "thawing of ice as a sonic aesthetic" that was present in Basic Channel's works ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bleep Techno
Bleep techno (or simply bleep) is a regional subgenre of techno which developed in the late 1980s in Northern England, specifically Yorkshire. Named after its minimalistic synthesizer sounds, bleep techno combined influence from American techno and house with electro elements and heavy sub-bass inspired by reggae. The style was commercially successful between 1989 and 1991, and became associated with artists on the Sheffield label Warp Records. It has been characterized as the first uniquely British style of electronic dance music. Style Bleep techno is a sparse, cold subgenre of techno primarily defined by minimalistic electro-style synthesizer tones (the eponymous "bleeps") and heavy sub-bass inspired by dub and reggae sound systems. The genre's short, melodic synthesizer tones may resemble futuristic science fiction noises or pocket calculator sounds. In addition to aspects of Detroit techno and Chicago house, the style also commonly featured hip hop elements and breakbeat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
New Beat
New beat is a Belgian electronic dance music genre that fuses elements of new wave, hi-NRG,Simon Reynolds: ''Generation Ecstasy: Into the World of Techno and Rave Culture.'' Routledge 1999, , p. 124. EBM and hip hop (e.g. scratching).Timor Kaul: ''Electronic Body Music''. In: Thomas Hecken, Marcus S. Kleiner: ''Handbook Popculture.'' J.B. Metzler Verlag 2017, , pp. 102–103. It flourished in Western Europe during the late-1980s. New beat spawned a subgenre called "hard beat" (a blend of EBM, new beat and acid house)Nikki van Lierop: ''Hard Beat 1st Compilation.'', 1989."Hard Beat is the perfect link between Electronic Body Music and New Beat." and became a key influence on the evolution of European electronic dance music styles such as hardcore techno and gabber. History New beat originated in Belgium in 1987, and was popular in several music clubs across Western Europe. Sometimes described as "new wave disco beat"Philipp Anz, Arnold Meyer: ''New Beat.'' In: Philipp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eurodance
Euro-Dance (sometimes referred to as Euro-NRG, Euro-electronica or Euro) is a genre of electronic dance music that originated in the late 1980s in Europe. It combines many elements of hip hop, techno, Hi-NRG, house music, and Euro-Disco. This genre of music is heavily influenced by the use of rich vocals, sometimes with rapped verses. This, combined with cutting-edge synthesizers, strong bass rhythm and melodic hooks, establishes the core foundation of Euro-Dance music. History Background Euro-Dance music originated in the late 1980s in central Europe, especially in Germany, where rave parties were becoming popular. By 1987, a German party scene was started by Tauseef Alam, based on the well established Chicago house sound and Belgian new beat in Frankfurt. The following year saw acid house making a significant impact on popular consciousness in Germany and central Europe as it had in England. In 1989, German DJs Westbam and Dr. Motte established the Ufo Club, an ille ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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