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Farruca
''Farruca'' () is a form of flamenco music developed in the late 19th century. Classified as a cante chico, it is traditionally sung and danced by men. Its origin is traditionally associated with Galicia, a region in northern Spain. An instrumental adaptation of the farruca was developed by guitarist Ramón Montoya and flamenco dancer Faíco in the 20th century. Others who stylized and expanded farruca include Antonio de Bilbao, Manolito la Rosa and El Batato.Claus, p 102 Although there are female flamenco dancers who exclusively danced farruca too (such as Rafaela Valverde "La Tanguera"), these female dancers originally danced the farruca wearing male clothing. Women dancers such as Carmen Amaya and Sara Baras have also created well-known versions of the dance. History Farruco is a way of calling the Franciscos and the Asturians in Andalusia. Farruco was also the name that people from Andalusia used to denominate people from Galicia, from where this song likely originates. In ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Flamenco
Flamenco (), in its strictest sense, is an art form based on the various folkloric music traditions of southern Spain, developed within the gitano subculture of the region of Andalusia, and also having historical presence in Extremadura and Murcia. In a wider sense, it is a portmanteau term used to refer to a variety of both contemporary and traditional musical styles typical of southern Spain. Flamenco is closely associated to the gitanos of the Romani ethnicity who have contributed significantly to its origination and professionalization. However, its style is uniquely Andalusian and flamenco artists have historically included Spaniards of both gitano and non-gitano heritage. The oldest record of flamenco music dates to 1774 in the book ''Las Cartas Marruecas'' by José Cadalso. The development of flamenco over the past two centuries is well documented: "the theatre movement of sainetes (one-act plays) and tonadillas, popular song books and song sheets, customs, stud ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Flamenco
Flamenco (), in its strictest sense, is an art form based on the various folkloric music traditions of southern Spain, developed within the gitano subculture of the region of Andalusia, and also having historical presence in Extremadura and Murcia. In a wider sense, it is a portmanteau term used to refer to a variety of both contemporary and traditional musical styles typical of southern Spain. Flamenco is closely associated to the gitanos of the Romani ethnicity who have contributed significantly to its origination and professionalization. However, its style is uniquely Andalusian and flamenco artists have historically included Spaniards of both gitano and non-gitano heritage. The oldest record of flamenco music dates to 1774 in the book ''Las Cartas Marruecas'' by José Cadalso. The development of flamenco over the past two centuries is well documented: "the theatre movement of sainetes (one-act plays) and tonadillas, popular song books and song sheets, customs, stud ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Flamenco Styles
Flamenco (), in its strictest sense, is an art form based on the various folkloric music traditions of southern Spain, developed within the gitano subculture of the region of Andalusia, and also having historical presence in Extremadura and Murcia. In a wider sense, it is a portmanteau term used to refer to a variety of both contemporary and traditional musical styles typical of southern Spain. Flamenco is closely associated to the gitanos of the Romani ethnicity who have contributed significantly to its origination and professionalization. However, its style is uniquely Andalusian and flamenco artists have historically included Spaniards of both gitano and non-gitano heritage. The oldest record of flamenco music dates to 1774 in the book ''Las Cartas Marruecas'' by José Cadalso. The development of flamenco over the past two centuries is well documented: "the theatre movement of sainetes (one-act plays) and tonadillas, popular song books and song sheets, customs, studies of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cante Chico
The cante flamenco (), meaning "flamenco singing", is one of the three main components of flamenco, along with ''toque'' (playing the guitar) and ''baile'' (dance). Because the dancer is front and center in a flamenco performance, foreigners often assume the dance is the most important aspect of the art form — in fact, it is the ''cante'' which is the heart and soul of the genre. A ''cante'' singer is a ''cantaor'' or ''cantaora''. The cante flamenco is part of musical tradition in the Andalusian region of Spain. Its origins are uncertain but scholars see many influences in the cante flamenco including: The traditional song of the gitanos (Spanish Gypsies), the Perso-Arab Zyriab song form, the classical Andalusian orchestras of the Islamic Empire, the Jewish synagogue chants, Mozarabic forms such as zarchyas and zambra, Arabic zayal (the foundation for the Fandango), and Andalusian regional folk forms, as well as West African and South American influences as seen in the '' cante ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Palo (flamenco)
A ''palo'' () or cante is the name given in flamenco for the different traditional musical forms. The word ''palo'', in Spanish, has several meanings, the main one being "stick", "pole" "rod" or "Tree", but in this case it has the sense of " suit of cards" i.e. category or classification. Identifying palos Each ''palo'' is identified by a variety of musical features such as its rhythmic pattern, its mode, its characteristic motifs, the type of stanza used for the lyrics, and its origin. The concept of ''palo'' is not straightforward or rigorous. It is a popular, sometimes inconsistent way of classifying songs according to similar characteristics. For example, to determine that a song belongs to the ''palo'' called Bulerías, only the rhythm is taken into consideration, no matter its mode or stanza. Fandangos, on the other hand, include a variety of forms in or , but later it developed "free" forms (that is, with no determined rhythm). Most ''palos'' include dozens of t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Galicia (Spain)
Galicia (; gl, Galicia or ; es, Galicia}; pt, Galiza) is an autonomous community of Spain and historic nationality under Spanish law. Located in the northwest Iberian Peninsula, it includes the provinces of A Coruña, Lugo, Ourense, and Pontevedra. Galicia is located in Atlantic Europe. It is bordered by Portugal to the south, the Spanish autonomous communities of Castile and León and Asturias to the east, the Atlantic Ocean to the west, and the Cantabrian Sea to the north. It had a population of 2,701,743 in 2018 and a total area of . Galicia has over of coastline, including its offshore islands and islets, among them Cíes Islands, Ons, Sálvora, Cortegada Island, which together form the Atlantic Islands of Galicia National Park, and the largest and most populated, A Illa de Arousa. The area now called Galicia was first inhabited by humans during the Middle Paleolithic period, and takes its name from the Gallaeci, the Celtic people living north of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Spain
, image_flag = Bandera de España.svg , image_coat = Escudo de España (mazonado).svg , national_motto = '' Plus ultra'' ( Latin)(English: "Further Beyond") , national_anthem = (English: "Royal March") , image_map = , map_caption = , image_map2 = , capital = Madrid , coordinates = , largest_city = Madrid , languages_type = Official language , languages = Spanish , ethnic_groups = , ethnic_groups_year = , ethnic_groups_ref = , religion = , religion_ref = , religion_year = 2020 , demonym = , government_type = Unitary parliamentary constitutional monarchy , leader_title1 = Monarch , leader_name1 = Felipe VI , leader_title2 = Prime Minister , leader_name2 = Pedro Sánchez , legislature = ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ramón Montoya
Ramón Montoya (November 2, 1879, Madrid, Spain – July 20, 1949, Madrid, Spain), Flamenco guitarist and composer. Born into a family of Gitano (Romani) cattle traders, Ramón Montoya used earnings from working in the trade to purchase his first guitar. He began playing in the cafés de cante before he was twenty years of age. He formed a partnership with the great flamenco cantaor (singer) Antonio Chacón that started in 1912 and lasted more than a decade. Both participated in the Concurso de Cante Jondo of 1922 held in Granada. These two were largely responsible for establishing the form of the various traditional flamenco cantes that are recognized today. In traditional flamenco, the guitar was relegated to a supporting role. Cante (singing) and baile (dance) were the main performers whom the guitarist supported. Montoya was one of the first to challenge this role. His strong playing often overpowered the singer whom he accompanied. He eventually took the next logical step and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carmen Amaya
Carmen Amaya Amaya (2 November 1913/1915 – 19 November 1963) was a Spanish Romani flamenco dancer and singer, born in the Somorrostro district of Barcelona, Catalonia, Spain. She has been called "the greatest Flamenco dancer ever Clarke, Mary & Crisp, Clement 1981. ''The history of dance''. Orbis, London. p60 and "the most extraordinary personality of all time in flamenco dance."Clarke, Mary & Vaughan, David 1977. ''The encyclopedia of dance & ballet.'' Pitman, London. p316 She was the first female flamenco dancer to master footwork previously reserved for the best male dancers, due to its speed and intensity. She sometimes danced in high-waisted trousers as a symbol of her strong character. Biography She was born to a Spanish Romani family, to José Amaya Amaya (aka "El Chino", "The Chinaman"), a guitar player, and Micaela Amaya Moreno. Carmen was the second of eleven children, although only six (three sisters and two brothers) survived to adulthood. Her date of birth is dis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sara Baras
Sara Pereyra Baras (born April 25, 1971) is a Spanish flamenco dancer and choreographer born in San Fernando (Cádiz) who has established her own dance company. Biography Sara was born in San Fernando, in the province of Cádiz, in 1971, where she began her dance studies at her mother’s school, Concha Baras. Shortly after, she joined the company Los Niños de la Tertulia Flamenca, with which she toured the flamenco festivals of Barcelona. When she was 24 she entered Manuel Morao’s company and performed at the festival Teatro Flamenco Alhambra 89 in Granada. That same year, she was awarded the first prize in "Gente Joven" Spanish television contest. In 1991, with Manuel Morao’s company, she acted for two months at the Edouard VII Theater in Paris. In 1992, she performed at the "Bienal de Danza" (Lyon), the Palais des Congrès (Paris) and then with her dance partner Javier Barón. During the worldwide exposition of Seville Expo 92, she performed at the Auditorio de la Ca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Glossolalia
Speaking in tongues, also known as glossolalia, is a practice in which people utter words or speech-like sounds, often thought by believers to be languages unknown to the speaker. One definition used by linguists is the fluid vocalizing of speech-like syllables that lack any readily comprehended meaning, in some cases as part of religious practice in which some believe it to be a divine language unknown to the speaker."Glossolalian", ''A Dictionary of Psychology''. Edited by Andrew M. Colman. Oxford University Press 2009Oxford Reference Online Retrieved 5 August 2011. Glossolalia is practiced in Pentecostal and charismatic Christianity, as well as in other religions. Sometimes a distinction is made between "glossolalia" and "xenolalia" or " xenoglossy", which specifically relates to the belief that the language being spoken is a natural language previously unknown to the speaker. Etymology ''Glossolalia'' is a borrowing of the grc-gre, γλωσσολαλία, glossolalía, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paco Peña
Paco Peña (born 1 June 1942) is a Spanish flamenco composer and guitarist. He is regarded as one of the world's foremost traditional flamenco players. Biography Born in Córdoba, Spain, as Francisco Peña Pérez, Paco Peña began learning to play the guitar from his brother at age six and made his first professional appearance at twelve. Encouraged by his family, he left home and began performing throughout Spain as part of a government-sponsored folk music and dance program. This led to calls from professional flamenco companies in Madrid and the Costa Brava, where Peña established himself as a highly regarded accompanist to flamenco dance and singing. However, dissatisfied with life on the coast and seeking a new challenge, he moved to London in the late 1960s to become a soloist. Initially the star attraction in the Restaurante Antonio in Covent Garden, Peña generated so much interest among a British public previously uninitiated in flamenco that he soon found himself shari ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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