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Fallacy Of Accent
The fallacy of accent (also referred to as ''accentus'', from its Latin denomination, and misleading accent) is a type of ambiguity that arises when the meaning of a sentence is changed by placing an unusual prosodic stress, or when, in a written passage, it is left unclear which word the emphasis was supposed to fall on. Later writers have extended the fallacy to ambiguity caused in sentences due to grammar as well. History Among the thirteen types of fallacies in his book ''Sophistical Refutations'', Aristotle lists a fallacy he calls (''prosody''), later translated in Latin as ''accentus''. While the passage is considered obscure, it is commonly interpreted as referring to the ambiguity that emerges when a word can be mistaken for another by changing suprasegmental phonemes, which in Ancient Greek correspond to diacritics (accents and breathings). Since words stripped from their diacritics do not exist in the Ancient Greek language, this notion of ''accent'' was troublesome f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ambiguity
Ambiguity is the type of meaning in which a phrase, statement or resolution is not explicitly defined, making several interpretations plausible. A common aspect of ambiguity is uncertainty. It is thus an attribute of any idea or statement whose intended meaning cannot be definitively resolved according to a rule or process with a finite number of steps. (The '' ambi-'' part of the term reflects an idea of "two", as in "two meanings".) The concept of ambiguity is generally contrasted with vagueness. In ambiguity, specific and distinct interpretations are permitted (although some may not be immediately obvious), whereas with information that is vague, it is difficult to form any interpretation at the desired level of specificity. Linguistic forms Lexical ambiguity is contrasted with semantic ambiguity. The former represents a choice between a finite number of known and meaningful context-dependent interpretations. The latter represents a choice between any number of possi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prosodic Stress
In linguistics, and particularly phonology, stress or accent is the relative emphasis or prominence given to a certain syllable in a word or to a certain word in a phrase or sentence. That emphasis is typically caused by such properties as increased loudness and vowel length, full articulation of the vowel, and changes in tone. The terms ''stress'' and ''accent'' are often used synonymously in that context but are sometimes distinguished. For example, when emphasis is produced through pitch alone, it is called ''pitch accent'', and when produced through length alone, it is called ''quantitative accent''. When caused by a combination of various intensified properties, it is called ''stress accent'' or ''dynamic accent''; English uses what is called ''variable stress accent''. Since stress can be realised through a wide range of phonetic properties, such as loudness, vowel length, and pitch (which are also used for other linguistic functions), it is difficult to define stress ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sophistical Refutations
''Sophistical Refutations'' ( el, Σοφιστικοὶ Ἔλεγχοι, Sophistikoi Elenchoi; la, De Sophisticis Elenchis) is a text in Aristotle's ''Organon'' in which he identified thirteen fallacies.Sometimes listed as twelve. According to Aristotle, this is the first work to treat the subject of deductive reasoning in ancient Greece (''Soph. Ref.'', 34, 183b34 ff.). Overview ''On Sophistical Refutations'' consists of 34 chapters. The book naturally falls in two parts: chapters concerned with tactics for the Questioner (3–8 and 12–15) and chapters concerned with tactics for the Answerer (16–32). Besides, there is an introduction (1–2), an interlude (9–11), and a conclusion (33–34). Fallacies identified The fallacies Aristotle identifies in Chapter 4 (formal fallacies) and 5 (informal fallacies) of this book are the following: :Fallacies in the language or formal fallacies (''in dictionem'') # Equivocation # Amphibology # Composition # Division # Accent # Fig ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aristotle
Aristotle (; grc-gre, Ἀριστοτέλης ''Aristotélēs'', ; 384–322 BC) was a Greek philosopher and polymath during the Classical period in Ancient Greece. Taught by Plato, he was the founder of the Peripatetic school of philosophy within the Lyceum and the wider Aristotelian tradition. His writings cover many subjects including physics, biology, zoology, metaphysics, logic, ethics, aesthetics, poetry, theatre, music, rhetoric, psychology, linguistics, economics, politics, meteorology, geology, and government. Aristotle provided a complex synthesis of the various philosophies existing prior to him. It was above all from his teachings that the West inherited its intellectual lexicon, as well as problems and methods of inquiry. As a result, his philosophy has exerted a unique influence on almost every form of knowledge in the West and it continues to be a subject of contemporary philosophical discussion. Little is known about his life. Aristotle was born in th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Accentus
Accentus (or Accentus Ecclesiasticus; Ecclesiastical accent) is a style of church music that emphasizes spoken word. It is often contrasted with ''concentus'', an alternative style that emphasizes harmony. The terms ''accentus'' and ''concentus'' were probably introduced by Andreas Ornithoparchus in his ''Musicae Activae Micrologus'', Leipzig, 1517. "''Concentus'' might be chief ruler over all things that are sung...and ''Accentus'' over all things that are read," according to Ornithoparchus. The style is also known as liturgical recitative, though it differs in some important ways from other types of recitative. In the medieval church, all that portion of the liturgical song which was performed by the entire choir, or by sections of it, was called ''concentus''; thus hymns, psalms, mass ordinary, and alleluias were, generally speaking, included under this term, as well as anything with more complex or distinctive melodic contours. On the other hand, such parts of the liturgy whic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Segment (linguistics)
In linguistics, a segment is "any discrete unit that can be identified, either physically or auditorily, in the stream of speech". The term is most used in phonetics and phonology to refer to the smallest elements in a language, and this usage can be synonymous with the term phone. In spoken languages, segments will typically be grouped into consonants and vowels, but the term can be applied to any minimal unit of a linear sequence meaningful to the given field of analysis, such as a mora or a syllable in prosodic phonology, a morpheme in morphology, or a chereme in sign language analysis. Segments are called "discrete" because they are, at least at some analytical level, separate and individual, and temporally ordered. Segments are generally not completely discrete in speech production or perception, however. The articulatory, visual and acoustic cues that encode them often overlap. Examples of overlap for spoken languages can be found in discussions of phonological assimilati ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ancient Greek Grammar
Ancient Greek grammar is morphologically complex and preserves several features of Proto-Indo-European morphology. Nouns, adjectives, pronouns, articles, numerals and especially verbs are all highly inflected. A complication of Greek grammar is that different Greek authors wrote in different dialects, all of which have slightly different grammatical forms (see Ancient Greek dialects). For example, the history of Herodotus and medical works of Hippocrates are written in Ionic, the poems of Sappho in Aeolic, and the odes of Pindar in Doric; the poems of Homer are written in a mixed dialect, mostly Ionic, with many archaic and poetic forms. The grammar of Koine Greek (the Greek lingua franca spoken in the Hellenistic and later periods) also differs slightly from classical Greek. This article primarily discusses the morphology and syntax of Attic Greek, that is the Greek spoken at Athens in the century from 430 BC to 330 BC, as exemplified in the historical works of Thucydides and X ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lexical Stress
In linguistics, and particularly phonology, stress or accent is the relative emphasis or prominence given to a certain syllable in a word or to a certain word in a phrase or sentence. That emphasis is typically caused by such properties as increased loudness and vowel length, full articulation of the vowel, and changes in tone. The terms ''stress'' and ''accent'' are often used synonymously in that context but are sometimes distinguished. For example, when emphasis is produced through pitch alone, it is called ''pitch accent'', and when produced through length alone, it is called ''quantitative accent''. When caused by a combination of various intensified properties, it is called ''stress accent'' or ''dynamic accent''; English uses what is called ''variable stress accent''. Since stress can be realised through a wide range of phonetic properties, such as loudness, vowel length, and pitch (which are also used for other linguistic functions), it is difficult to define stress ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Innuendo
An innuendo is a hint, insinuation or intimation about a person or thing, especially of a denigrating or derogatory nature. It can also be a remark or question, typically disparaging (also called insinuation), that works obliquely by allusion. In the latter sense, the intention is often to insult or accuse someone in such a way that one's words, taken literally, are innocent. According to the '' Advanced Oxford Learner's Dictionary'', an innuendo is "an indirect remark about somebody or something, usually suggesting something bad, mean or rude", such as:'' "innuendos about her private life" ''or'' "The song is full of sexual innuendo".'' Sexual innuendo The term sexual innuendo has acquired a specific meaning, namely that of a "risqué" double entendre by playing on a possibly sexual interpretation of an otherwise innocent uttering. For example: "We need to go deeper" can be seen as either a request for further inquiry or allude to sexual penetration. In the context of def ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Quoting Out Of Context
Quoting out of context (sometimes referred to as contextomy or quote mining) is an informal fallacy in which a passage is removed from its surrounding matter in such a way as to distort its intended meaning. Contextomies may be either intentional or accidental if someone misunderstands the meaning and omits something essential to clarifying it, thinking it to be non-essential. As a fallacy, quoting out of context differs from false attribution, in that the out of context quote is still attributed to the correct source. Arguments based on this fallacy typically take two forms: #As a straw man argument, it involves quoting an opponent out of context in order to misrepresent their position (typically to make it seem more simplistic or extreme) in order to make it easier to refute. It is common in politics. #As an appeal to authority, it involves quoting an authority on the subject out of context, in order to misrepresent that authority as supporting some position. Contextomy Contexto ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Syntactic Ambiguity
Syntactic ambiguity, also called structural ambiguity, amphiboly or amphibology, is a situation where a sentence may be interpreted in more than one way due to ambiguous sentence structure. Syntactic ambiguity arises not from the range of meanings of single words, but from the relationship between the words and clauses of a sentence, and the sentence structure underlying the word order therein. In other words, a sentence is syntactically ambiguous when a reader or listener can reasonably interpret one sentence as having more than one possible structure. In legal disputes, courts may be asked to interpret the meaning of syntactic ambiguities in statutes or contracts. In some instances, arguments asserting highly unlikely interpretations have been deemed frivolous. A set of possible parse trees for an ambiguous sentence is called a ''parse forest''. The process of resolving syntactic ambiguity is called ''syntactic disambiguation.'' Different forms Globally ambiguous A globally ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
