Accentus
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Accentus
Accentus (or Accentus Ecclesiasticus; Ecclesiastical accent) is a style of church music that emphasizes spoken word. It is often contrasted with ''concentus'', an alternative style that emphasizes harmony. The terms ''accentus'' and ''concentus'' were probably introduced by Andreas Ornithoparchus in his ''Musicae Activae Micrologus'', Leipzig, 1517. "''Concentus'' might be chief ruler over all things that are sung...and ''Accentus'' over all things that are read," according to Ornithoparchus. The style is also known as liturgical recitative, though it differs in some important ways from other types of recitative. In the medieval church, all that portion of the liturgical song which was performed by the entire choir, or by sections of it, was called ''concentus''; thus hymns, psalms, mass ordinary, and alleluias were, generally speaking, included under this term, as well as anything with more complex or distinctive melodic contours. On the other hand, such parts of the liturgy whic ...
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Recitative
Recitative (, also known by its Italian name "''recitativo''" ()) is a style of delivery (much used in operas, oratorios, and cantatas) in which a singer is allowed to adopt the rhythms and delivery of ordinary speech. Recitative does not repeat lines as formally composed songs do. It resembles sung ordinary speech more than a formal musical composition. Recitative can be distinguished on a continuum from more speech-like to more musically sung, with more sustained melodic lines. The mostly syllabic ''recitativo secco'' ("dry", accompanied only by continuo, typically cello and harpsichord) is at one end of the spectrum, through ''recitativo accompagnato'' (using orchestra), the more melismatic arioso, and finally the full-blown aria or ensemble, where the pulse is entirely governed by the music. Secco recitatives can be more improvisatory and free for the singer, since the accompaniment is so sparse; in contrast, when recitative is accompanied by orchestra, the singer must per ...
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Missel Dominicain MG 2113
The mistle thrush (''Turdus viscivorus'') is a bird common to much of Europe, temperate Asia and North Africa. It is a year-round resident in a large part of its range, but northern and eastern populations migrate south for the winter, often in small flocks. It is a large thrush with pale grey-brown upper parts, a greyish-white chin and throat, and black spots on its pale yellow and off-white under parts. The sexes are similar in plumage, and its three subspecies show only minimal differences. The male has a loud, far-carrying song which is delivered even in wet and windy weather, earning the bird the old name of stormcock. Found in open woods, parks, hedges and cultivated land, the mistle thrush feeds on a wide variety of invertebrates, seeds and berries. Its preferred fruits include those of the mistletoe, holly and yew. Mistletoe is favoured where it is available, and this is reflected in the thrush's English and scientific names; the plant, a parasitic species, benef ...
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Acolyte
An acolyte is an assistant or follower assisting the celebrant in a religious service or procession. In many Christian denominations, an acolyte is anyone performing ceremonial duties such as lighting altar candles. In others, the term is used for one who has been inducted into a particular liturgical ministry, even when not performing those duties. Etymology The word ''acolyte'' is derived from the Greek word ἀκόλουθος (''akolouthos''), meaning an attendant, via Late Latin ''acolythus''. Eastern Christianity In the Eastern Orthodox and Byzantine Catholic churches, the nearest equivalent of acolyte is the altar server. At one time there was a rank of minor clergy called the ''taper-bearer'' (κηροφόρος) responsible for bearing lights during processions and liturgical entrances. However, this rank has long ago been subsumed by that of the reader and the service for the tonsure of a reader begins with the setting-aside of a taper-bearer. The functions of an ...
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Order Of Mass
Order of Mass is an outline of a Mass celebration, describing how and in what order liturgical texts and rituals are employed to constitute a Mass. The expression Order of Mass is particularly tied to the Roman Rite where the sections under that title in the Roman Missal also contain a set of liturgical texts that recur in most or in all Eucharistic liturgies (the so-called invariable texts, or '' ordinary'' of the Mass), while the rubrics indicate the rituals, and the insertion points of the variable texts known as the proper of the Mass. Having been virtually unchanged for many centuries, the Roman Catholic Order of Mass changed decisively after the Second Vatican Council. Other Christian denominations have comparable descriptions of their liturgical practices for the Eucharist, which are however usually not called Order of Mass. Sections of the Order of Mass The Order of Mass in Western liturgy generally consists of the following sections: 1. Liturgy of the Word # The Prayers ...
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Musical Instrument
A musical instrument is a device created or adapted to make musical sounds. In principle, any object that produces sound can be considered a musical instrument—it is through purpose that the object becomes a musical instrument. A person who plays a musical instrument is known as an instrumentalist. The history of musical instruments dates to the beginnings of human culture. Early musical instruments may have been used for rituals, such as a horn to signal success on the hunt, or a drum in a religious ceremony. Cultures eventually developed composition and performance of melodies for entertainment. Musical instruments evolved in step with changing applications and technologies. The date and origin of the first device considered a musical instrument is disputed. The oldest object that some scholars refer to as a musical instrument, a simple flute, dates back as far as 50,000 - 60,000 years. Some consensus dates early flutes to about 40,000 years ago. However, most historians be ...
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Pipe Organ
The pipe organ is a musical instrument that produces sound by driving pressurized air (called ''wind'') through the organ pipes selected from a keyboard. Because each pipe produces a single pitch, the pipes are provided in sets called ''ranks'', each of which has a common timbre and volume throughout the keyboard compass. Most organs have many ranks of pipes of differing timbre, pitch, and volume that the player can employ singly or in combination through the use of controls called stops. A pipe organ has one or more keyboards (called '' manuals'') played by the hands, and a pedal clavier played by the feet; each keyboard controls its own division, or group of stops. The keyboard(s), pedalboard, and stops are housed in the organ's ''console''. The organ's continuous supply of wind allows it to sustain notes for as long as the corresponding keys are pressed, unlike the piano and harpsichord whose sound begins to dissipate immediately after a key is depressed. The smallest po ...
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Gospel
Gospel originally meant the Christian message ("the gospel"), but in the 2nd century it came to be used also for the books in which the message was set out. In this sense a gospel can be defined as a loose-knit, episodic narrative of the words and deeds of Jesus, culminating in his trial and death and concluding with various reports of his post-resurrection appearances. Modern scholars are cautious of relying on the gospels uncritically, but nevertheless, they provide a good idea of the public career of Jesus, and critical study can attempt to distinguish the original ideas of Jesus from those of the later authors. The four canonical gospels were probably written between AD 66 and 110. All four were anonymous (with the modern names added in the 2nd century), almost certainly none were by eyewitnesses, and all are the end-products of long oral and written transmission. Mark was the first to be written, using a variety of sources. The authors of Matthew and Luke both independently ...
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Epistle
An epistle (; el, ἐπιστολή, ''epistolē,'' "letter") is a writing directed or sent to a person or group of people, usually an elegant and formal didactic letter. The epistle genre of letter-writing was common in ancient Egypt as part of the scribal-school writing curriculum. The letters in the New Testament from Apostles to Christians are usually referred to as epistles. Those traditionally attributed to Paul are known as Pauline epistles and the others as catholic (i.e., "general") epistles. Ancient Argon epistles The ancient Egyptians wrote epistles, most often for pedagogical reasons. Egyptologist Edward Wente (1990) speculates that the Fifth-dynasty Pharaoh Djedkare Isesi—in his many letters sent to his viziers—was a pioneer in the epistolary genre. Its existence is firmly attested during the Sixth Dynasty of the Old Kingdom, and is prominently featured in the educational guide ''The Book of Kemit'' written during the Eleventh Dynasty. A standardized fo ...
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Collect
The collect ( ) is a short general prayer of a particular structure used in Christian liturgy. Collects appear in the liturgies of Catholic, Eastern Orthodox, Oriental Orthodox, Anglican, Methodist, Lutheran, and Presbyterian churches, among others (in those of Eastern Christianity the Greek term '' éesissynapté'' is often used instead of the Latin term ''ratiocollecta'', both having the same meaning). Etymology The word comes from Latin ''collēcta'', the term used in Rome in the 5th centuryC. Frederick Barbee, Paul F.M. Zahl, ''The Collects of Thomas Cranmer''
(Eerdmans 1999 ), pp. ix-xi
and the 10th,
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Subdeacon
Subdeacon (or sub-deacon) is a minor order or ministry for men in various branches of Christianity. The subdeacon has a specific liturgical role and is placed between the acolyte (or reader) and the deacon in the order of precedence. Subdeacons in the Eastern Orthodox Church A subdeacon or hypodeacon is the highest of the minor orders of clergy in the Eastern Orthodox Church. This order is higher than the reader and lower than the deacon. Canonical discipline Like the reader, the clerical street-dress of the subdeacon is the cassock, which is usually black but only need be so if he is a monk. This is symbolic of his suppression of his own tastes, will, and desires, and his canonical obedience to God, his bishop, and the liturgical and canonical norms of the Church. As a concession in countries where Eastern Orthodoxy is little known, many only wear the cassock when attending liturgies or when moving about the faithful on church business. In some jurisdictions in the United Stat ...
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Church Music
Church music is Christian music written for performance in church, or any musical setting of ecclesiastical liturgy, or music set to words expressing propositions of a sacred nature, such as a hymn. History Early Christian music The only record of communal song in the Gospels is the last meeting of the disciples before the Crucifixion. Outside the Gospels, there is a reference to Paul the Apostle, St. Paul encouraging the Ephesians and Colossians to use psalms, hymns and spiritual songs. Later, there is a reference in Pliny the Younger who writes to the emperor Trajan (61–113) asking for advice about how to prosecute the Christians in Bithynia, and describing their practice of gathering before sunrise and repeating antiphonally "a hymn to Christ, as to God". Antiphonal psalmody is the singing or musical playing of psalms by alternating groups of performers. The peculiar mirror structure of the Hebrew psalms makes it likely that the antiphonal method originated in the s ...
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