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Fabula (magazine)
Fabula may refer to: *''Fabula'', Latin word for a fable *''Fabula'', Latin word for a play (see Theatre of ancient Rome) ** '' Fabula atellana'', Attelan farce ** ''Fabula palliata'', Roman comedy in a Greek setting ** ''Fabula togata'', Roman comedy in a Roman setting ** ''Fabula crepidata'', Roman tragedy in a Greek setting ** '' Fabula praetexta'', Roman tragedy in a Roman setting ** '' Fabula saltata'', Roman pantomime (dancer accompanied by song) *''Fabula'', Law Latin for a contract or covenant * Fabula and syuzhet, terms in Russian formalism *Fabula (moth), genus of moths *Fabula Award Fabula is a literary award in Slovenia awarded each year for the best collection of short prose in Slovene published in the previous two years. It has been bestowed since 2006 by the national newspaper house Dnevnik at the Fabula World Literature ..., Slovenian literary award * ''Fabula'' (journal), a multilingual journal in folkloristics {{disambiguation ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fable
Fable is a literary genre: a succinct fictional story, in prose or verse, that features animals, legendary creatures, plants, inanimate objects, or forces of nature that are anthropomorphized, and that illustrates or leads to a particular moral lesson (a "moral"), which may at the end be added explicitly as a concise maxim or saying. A fable differs from a parable in that the latter ''excludes'' animals, plants, inanimate objects, and forces of nature as actors that assume speech or other powers of humankind. Conversely, an animal tale specifically includes talking animals as characters. Usage has not always been so clearly distinguished. In the King James Version of the New Testament, "" ("''mythos''") was rendered by the translators as "fable" in the First Epistle to Timothy, the Second Epistle to Timothy, the Epistle to Titus and the First Epistle of Peter. A person who writes fables is a fabulist. History The fable is one of the most enduring forms of folk literat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theatre Of Ancient Rome
The architectural form of theatre in Rome has been linked to later, more well-known examples from the 1st century BC to the 3rd Century AD. The theatre of ancient Rome referred to as a period of time in which theatrical practice and performance took place in Rome has been linked back even further to the 4th century BC, following the state’s transition from monarchy to republic. Theatre during this era is generally separated into genres of tragedy and comedy, which are represented by a particular style of architecture and stage play, and conveyed to an audience purely as a form of entertainment and control. When it came to the audience, Romans favored entertainment and performance over tragedy and drama, displaying a more modern form of theatre that is still used in contemporary times. 'Spectacle' became an essential part of an everyday Romans expectations when it came to theatre. Some works by Plautus, Terence, and Seneca the Younger that survive to this day, highlight the diff ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fabula Atellana
The Atellan Farce (Latin: ''Atellanae Fabulae'' or ''Fabulae Atellanae'', "favola atellana"; ''Atellanicum exhodium'', "Atella comedies"), also known as the Oscan Games (Latin: ''ludi Osci'', "Oscan plays"), were masked improvised farces in Ancient Rome. The Oscan athletic games were very popular, and usually preceded by longer pantomime plays. The origin of the Atellan Farce is uncertain, but the farces are similar to other forms of ancient theatre such as the South Italian Phlyakes, the plays of Plautus and Terence, and Roman mime. Most historians believe the name is derived from Atella, an Oscan town in Campania. The farces were written in Oscan and imported to Rome in 391 BC. In later Roman versions, only the ridiculous characters speak their lines in Oscan, while the others speak in Latin. History and surviving evidence The Atellan Farce was a masked farce that originated in Italy by 300 B.C.and remained popular for more than 500 years. Originally, the farces were improvised ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fabula Palliata
''Fabula palliata'' is a genre of Roman drama that consists largely of Romanized versions of Greek plays.''OCD'', sv. palliata The name ''palliata'' comes from ''pallium'', the Latin word for a Greek-style cloak. It is possible that the term ''fabula palliata'' indicates that the actors who performed wore such cloaks. Another possibility is that the ''fabula'' itself is metaphorically "cloaked" in a Greek style.''OCD'', sv palliata As in all Roman drama, the actors wore masks that easily identified which of the stock characters they represented. Style The only complete, extant ''fabulae palliatae'' are the comedies of Terence and Plautus. Plautus introduced Roman manners and customs to the plays and filled the plays with boisterous humour and musical performances, while Terence kept his plays close to their Greek originals and sometimes combined two plays into one. Consequently, a common misconception is that the genre is inherently comedic. In fact, any Roman play that is based o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fabula Togata
A ''fabula togata'' is a Latin comedy in a Roman setting, in existence since at least the second century BC. Lucius Afranius and Titus Quinctius Atta are known to have written ''fabulas togatas''. It is also treated as an expression that functioned as the overall description of all Roman types of drama in accordance with a distinction between Roman ''toga'' and ''pallium''. There are recorded sources that cite how this drama could be obscene and moralistic. By mid-second century BC the ''fabula togata'' had become one of the two types of drama that constituted a bifurcated Roman comedy along with ''fabula palliata''. The ''fabula togata'' was distinguished from the ''palliata'' primarily by its use of Roman or Italian characters, transferring the comic situations of the bourgeois ''palliata'' to the lower-class citizens of the country towns of Italy. The ''palliata'' was based on originals of Greek New Comedy, tragedies from Attic sources as well as the grand dramatization of Rom ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fabula Crepidata
A ''fabula crepidata'' or ''fabula cothurnata'' is a Latin tragedy with Greek subjects. The genre probably originated in adaptations of Greek tragedy (hence the names, coming from ''crepida'' = ''sandal'' and ''cothurnus'') beginning in the early third century BC. Only nine have survived intact, all by Seneca. Of the plays written by Lucius Livius Andronicus, Gnaeus Naevius, Quintus Ennius, Marcus Pacuvius, Lucius Accius, and others, only titles, small fragments, and occasionally brief summaries are left. Ovid's ''Medea'' also did not survive. See also *''Fabula atellana'' *''Fabula palliata'' *''Fabula praetexta'' *''Fabula saltata'' *''Fabula togata'' *Theatre of ancient Rome The architectural form of theatre in Rome has been linked to later, more well-known examples from the 1st century BC to the 3rd Century AD. The theatre of ancient Rome referred to as a period of time in which theatrical practice and performance t ... Sources * Bernhard Zimmermann and Thomas Baier "Traged ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fabula Praetexta
The ''praetexta'' or ''fabula praetexta'' was a genre of Latin tragedy introduced at Rome by Gnaeus Naevius in the third century BC. It dealt with historical Roman figures, in place of the conventional Greek myths. Subsequent writers of ''praetextae'' included Ennius, Pacuvius and Lucius Accius. The name refers to the ''toga praetexta'', purple striped, that was the official dress of Roman magistrates and priests. It was mainly a Roman garment. The ''toga praetexta'' was also worn by Roman freeborn girls before they came of age. All Roman Republican tragedies are now lost. From the Imperial era only one play has survived, the ''Octavia''. See also *''Fabula atellana'' *''Fabula crepidata'' *''Fabula palliata'' *''Fabula saltata'' *''Fabula togata'' *Theatre of ancient Rome The architectural form of theatre in Rome has been linked to later, more well-known examples from the 1st century BC to the 3rd Century AD. The theatre of ancient Rome referred to as a period of time in whi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fabula Saltata
Pantomime (; informally panto) is a type of musical comedy stage production designed for family entertainment. It was developed in England and is performed throughout the United Kingdom, Ireland and (to a lesser extent) in other English-speaking countries, especially during the Christmas and New Year season. Modern pantomime includes songs, gags, slapstick comedy and dancing. It employs gender-crossing actors and combines topical humour with a story more or less based on a well-known fairy tale, fable or folk tale.Reid-Walsh, Jacqueline. "Pantomime", ''The Oxford Encyclopedia of Children's Literature'', Jack Zipes (ed.), Oxford University Press (2006), Pantomime is a participatory form of theatre, in which the audience is encouraged and expected to sing along with certain parts of the music and shout out phrases to the performers. Pantomime has a long theatrical history in Western culture dating back to the era of classical theatre. It developed partly from the 16th century com ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Contract
A contract is a legally enforceable agreement between two or more parties that creates, defines, and governs mutual rights and obligations between them. A contract typically involves the transfer of goods, services, money, or a promise to transfer any of those at a future date. In the event of a breach of contract, the injured party may seek judicial remedies such as damages or rescission. Contract law, the field of the law of obligations concerned with contracts, is based on the principle that agreements must be honoured. Contract law, like other areas of private law, varies between jurisdictions. The various systems of contract law can broadly be split between common law jurisdictions, civil law jurisdictions, and mixed law jurisdictions which combine elements of both common and civil law. Common law jurisdictions typically require contracts to include consideration in order to be valid, whereas civil and most mixed law jurisdictions solely require a meeting of the mind ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Covenant (law)
A covenant, in its most general sense and historical sense, is a solemn promise to engage in or refrain from a specified action. Under historical English common law, a covenant was distinguished from an ordinary contract by the presence of a seal. Because the presence of a seal indicated an unusual solemnity in the promises made in a covenant, the common law would enforce a covenant even in the absence of consideration. In United States contract law, an implied ''covenant'' of good faith is presumed. A covenant is an agreement like a contract. The covenantor makes a promise to a covenantee to perform an action ''(affirmative covenant'' in the United States or ''positive covenant'' in England and Wales) or to refrain from an action (negative covenant). In real property law, the term ''real covenants'' means that conditions are tied to the ownership or use of land. A "covenant running with the land", meeting tests of wording and circumstances laid down in precedent, imposes duti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fabula And Syuzhet
In narratology, fabula ( rus, фабула, p=ˈfabʊlə) equates to the thematic content of a narrative and syuzhet ( rus, сюжет, p=sʲʊˈʐɛt, a=Ru-сюжет.ogg) equates to the chronological structure of the events within the narrative. Vladimir Propp and Viktor Shklovsky originated the terminology as part of the Russian Formalism movement in the early 20th century. Narratologists have described fabula as "the raw material of a story", and syuzhet as "the way a story is organized".Cobley, Paul. "Narratology." The Johns Hopkins Guide to Literary Theory and Criticism. Baltimore: Johns Hopkins University Press, Web. Since Aristotle's ''Poetics'', narrative plots have been described as having a beginning, middle, and end. Classical narratives tend to have synchronous fabula and syuzhet, but they may be treated in an asynchronous manner according to a modern or postmodern style. An asynchronous effect is often achieved in postructuralist film and novels via flashbacks ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fabula (moth)
''Fabula'' is a genus of moths of the family Noctuidae The Noctuidae, commonly known as owlet moths, cutworms or armyworms, are a family of moths. They are considered the most controversial family in the superfamily Noctuoidea because many of the clades are constantly changing, along with the other f .... Species * '' Fabula zollikoferi'' (Freyer, 1836) ReferencesFabula at funet Xyleninae {{Xyleninae-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
