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FSOLdigital.com (website)
The Future Sound of London (often abbreviated FSOL) is a British electronic music duo composed of Garry Cobain and Brian Dougans. They have been described as a "boundary-pushing" electronic act, covering techno, ambient, house music, trip hop, psychedelia, and dub. While keeping an enigmatic image and releasing music under many aliases, the band found commercial success with singles " Papua New Guinea" (1991), "Cascade" (1993), and albums ''Lifeforms'' (1994) and '' Dead Cities'' (1996). In recent years, the duo has become more candid with their fanbase online. History Formation Garry Cobain and Brian Dougans met in the mid-1980s while studying electronics at university in Manchester, England. Dougans had already been making electronic music, working between Glasgow and Manchester, when the pair first began working together in local clubs. In 1988, Dougans embarked on a project for a graphic studio ''Stakker'', which resulted with a single " Stakker Humanoid" th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gogolfest
GOGOLFEST ( uk, Гогольфест) is an annual multidisciplinary international festival of contemporary art and cinema in Kyiv, Ukraine, dedicated to the famous writer Mykola Gogol. The festival showcases theater, music, film, literature, and visual art. Background GOGOLFEST was founded in 2007 on the private initiative of Vladislav Troitsky, director and producer of the DAKh Center for Contemporary Art. The co-founder of the Festival and Chairman of its Board of Trustees is Evgeni Utkin, a prominent Ukrainian IT entrepreneur. Ukrainian-Russian writer Nikolai Gogol is the festival’s namesake. In accordance with contemporary trends, the festival is held in venues unaccommodated for traditional art. The festival emphasizes five types of art: theater, music, film, literature, and visual art. There is also a history of collaboration between artistic mediums at the festival; for instance, audiovisual presentations are especially common, as well as collaborations with s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cascade (song)
"Cascade" is the first single from Future Sound of London's 1994 album ''Lifeforms Life form (also spelled life-form or lifeform) is an entity that is living, such as plants (flora) and animals (fauna). It is estimated that more than 99% of all species that ever existed on Earth, amounting to over five billion species, are ext ...''. It is a series of variations on the song "Cascade", all different from the album's version as is customary for most FSOL singles. Track listing # "Cascade: Part 1" (7:22) # "Cascade: Part 2" (9:38) # "Cascade: Part 3" (4:24) # "Cascade: Part 4" (4:39) # "Cascade: Part 5" (6:12) # "Cascade: Shortform" (4:16) Crew *Written, produced, performed by FSOL *Artwork by Buggy G. Riphead. *The first sleeve to feature The Electronic Brain, the model by Olaf Wendt. *Part 3 is essentially an extended version of "Elaborate Burn", another song on ''Lifeforms''. Chart Position References External links * {{authority control 1993 songs 1994 singles ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Meat Beat Manifesto
Meat Beat Manifesto, often shortened as Meat Beat, Manifesto or MBM, is an electronic music group originally consisting of Jack Dangers and Jonny Stephens that was formed in 1987 in Swindon, United Kingdom. The band, fronted by Dangers (the only permanent member), has proven versatile over the years, experimenting with techno, breakbeat, industrial, dub and jazz fusion while touring the world and influencing major acts such as Nine Inch Nails, the Chemical Brothers and the Prodigy. Some of the band's earlier work has been credited with influencing the rise of the trip hop, big beat, and drum and bass genres. History Early years Dangers and Stephens had formed the English pop group Perennial Divide in 1986 with Paul Freeguard and released the first few Meat Beat Manifesto singles as a side project. The first release under the Meat Beat name was 1987's ''Suck Hard'' EP on Sweat Box Records. They left Perennial Divide in 1988 to record a full Meat Beat album. The tapes of what wou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dead Can Dance
Dead Can Dance are an Australian music duo first established in Melbourne. Currently composed of Lisa Gerrard and Brendan Perry, the group formed in 1981. They relocated to London the following year. Australian music historian Ian McFarlane described Dead Can Dance's style as "constructed soundscapes of mesmerising grandeur and solemn beauty; African polyrhythms, Gaelic folk, Gregorian chant, Middle Eastern music, mantras, and art rock." Having disbanded in 1998, they reunited briefly in 2005 for a world tour and reformed in 2011 when they released and toured a new album, '' Anastasis''. They released a new album in 2018 called ''Dionysus'' and toured Europe in 2022. Career Formation and early years Dead Can Dance was formed in Melbourne, Australia, in August 1981 with Paul Erikson on bass guitar, Lisa Gerrard (ex-Microfilm) on vocals and percussion, Simon Monroe (Marching Girls) on drums and Brendan Perry (also of Marching Girls) on vocals and guitar. Gerrard and Perry were ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Within The Realm Of A Dying Sun
''Within the Realm of a Dying Sun'' is the third studio album by Australian band Dead Can Dance. It was released on 27 July 1987 by 4AD. Background By this time, Dead Can Dance were predominantly a duo of Lisa Gerrard and Brendan Perry, along with Peter Ulrich, after the departure of Scott Rodger and James Pinker in 1987. On the sound of the album, the group commented, "We realised we had been limiting our musical visions efore relying around guitar, bass and drums. These instruments weren't adequate to express a lot of the things we were hearing". On the making of the album, 4AD label owner Ivo Watts-Russell commented, "I think the relationship between them and roducerJohn Rivers was at its peak with 'Within the Realm of a Dying Sun'' It's probably my favourite record of theirs". Gerrard's vocals featured prominently on the second half of the album, and her singing style often had mellifluous, mystical overtones, especially on "Cantara". The cover's photograph was take ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sampling (music)
In sound and music, sampling is the reuse of a portion (or sample) of a sound recording in another recording. Samples may comprise elements such as rhythm, melody, speech, sounds or entire bars of music, and may be layered, equalized, sped up or slowed down, repitched, looped, or otherwise manipulated. They are usually integrated using hardware ( samplers) or software such as digital audio workstations. A process similar to sampling originated in the 1940s with '' musique concrète'', experimental music created by splicing and looping tape. The mid-20th century saw the introduction of keyboard instruments that played sounds recorded on tape, such as the Mellotron. The term ''sampling'' was coined in the late 1970s by the creators of the Fairlight CMI, a synthesizer with the ability to record and play back short sounds. As technology improved, cheaper standalone samplers with more memory emerged, such as the E-mu Emulator, Akai S950 and Akai MPC. Sampling is a foundation of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Accelerator (The Future Sound Of London Album)
''Accelerator'' is the debut studio album by British electronic group the Future Sound of London. It was released in April 1992 by the record label Jumpin' & Pumpin'. It includes the hit single "Papua New Guinea". Release ''Accelerator'' was released in the United Kingdom in 1992 by Jumpin' & Pumpin'. Following the commercial success of the single "Papua New Guinea", the album was re-released a year later with two additional remixes. Due to record label difficulties, it could not be released in the United States until 1996, where it contained a further remix. It was re-released, enhanced, in 2001 worldwide, with a bonus CD entitled ''Papua New Guinea Remix Anthology'', which contained both old and new remixes of "Papua New Guinea", several of which had already been released on previous singles by the group. ''Accelerator'' marked the first time that The Future Sound of London worked with artist and frequent collaborator Buggy G. Riphead, who created the album's cover art. Re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Metropolis (Metropolis Song)
"Metropolis" is a single released in 1992 by The Future Sound of London under the alias 'Metropolis'. It has a distinctly house feel with a funky break-beat and baseline with a choppy, repeating electroriff. Its unique sound had a major impact on early nineties electronica Electronica is both a broad group of electronic-based music styles intended for listening rather than strictly for dancing and a music scene that started in the early 1990s in the United Kingdom. In the United States, the term is mostly used to r ... releases. It was made available to buy on their online shop in 2007, along with other rarities. It had a very big impact on house music at the time it was first released and set a standard for it and dance music in general. Track listing # "Metropolis (Original)" (5:47) # "Metropolis (Analog)" (3:59) # "Hyporeel" (5:01) # "Metropolis (Sueto Mix)" (5:35) Audio Below is a sample of the track. References External links * {{DEFAULTSORT:Metropolis (S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Q (song)
"Q" is a single released in 1990/1991 by Mental Cube (better known as Future Sound of London). It is a widely respected dance classic among DJs and has a distinctive bleeping, electronica feel reminiscent of work by Orbital Orbital may refer to: Sciences Chemistry and physics * Atomic orbital * Molecular orbital * Hybrid orbital Astronomy and space flight * Orbit ** Earth orbit Medicine and physiology * Orbit (anatomy), also known as the ''orbital bone'' * Orbito .... Track listings 1990 release # Q (Original) (4:10) # Q (Santa Monica Mix) (4:10)1991 release # Q (Remix) (4:51) # Q (Santa Monica Mix) (4:12) # Q (Original Mix) (4:15)Crew *Art ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Global (Humanoid Album)
''Global'' is the debut album by Brian Dougans, most famous for being part of the British electronica group The Future Sound of London. Unlike FSOL's ambient, breakbeat and trip hop styles, it is composed largely of US style vocal house, including Ben Ofoedu, most famous for his work with duo Phats & Small in the 1990s. Also contained is the breakthrough acid house single, "Stakker Humanoid", and industrial track "Sunshine & Brick", featuring FSOL's Gaz Cobain on vocals. Track listing # "Stakker Humanoid" # "Tonight" # "Dream" # "Technoid" # "Cry Baby" # "Sunshine & Brick" # "The Deep" # "Slam" # "Crystals A crystal or crystalline solid is a solid material whose constituents (such as atoms, molecules, or ions) are arranged in a highly ordered microscopic structure, forming a crystal lattice that extends in all directions. In addition, macrosc ..." # "Don't Stop" Crew *Written by Brian Dougans *Produced by Brian Dougans & John Laker *Executive Producer Morgan Khan *Mix ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Acid House
Acid house (also simply known as just "acid") is a subgenre of house music developed around the mid-1980s by DJs from Chicago. The style is defined primarily by the squelching sounds and basslines of the Roland TB-303 electronic bass synthesizer-sequencer, an innovation attributed to Chicago producers DJ Pierre of Phuture and Sleezy D. Acid house soon became popular in the United Kingdom and continental Europe, where it was played by DJs in the acid house and later rave scenes. By the late 1980s, acid house had moved into the British mainstream, where it had some influence on pop and dance styles. Acid house brought house music to a worldwide audience. The influence of acid house can be heard in later styles of dance music including trance, hardcore, jungle, big beat, techno and trip hop. Characteristics Acid house's minimalist sound combined house music's ubiquitous programmed four-on-the-floor 4/4 beat with the electronic squelch sound produced by the Roland TB-303 ele ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stakker Humanoid
"Stakker Humanoid" is an 1988 track by Humanoid released in 1988 on the London-based label Westside Records. It is described by ''The Guardian'' as "the first truly credible UK acid techno record to break into the mainstream." History The project behind the track started out with Stakker, a collaborative project by the video artists Mark McClean and Colin Scott. They needed music to support their video and contacted Brian Dougans. They sent a demo video tape containing graphics and some music to Morgan Khan who (although he didn't appreciate the video) invited Brian Dougans to record two demos at his Dance Studios in Ealing London. The sample "Humanoid", taken from the video game '' Berzerk'', provided the name of the track. The track was originally called "Humanoid" to be put out by Stakker through Morgan Khan's label Westside Records, though Morgan released it as "Stakker Humanoid" by 'Humanoid' to avoid copyright issues. A dispute had arisen between Brian Dougans and Colin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
