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Dead Can Dance
Dead Can Dance are an Australian music duo first established in Melbourne. Currently composed of Lisa Gerrard and Brendan Perry, the group formed in 1981. They relocated to London the following year. Australian music historian Ian McFarlane described Dead Can Dance's style as "constructed soundscapes of mesmerising grandeur and solemn beauty; African polyrhythms, Gaelic folk, Gregorian chant, Middle Eastern music, mantras, and art rock." Having disbanded in 1998, they reunited briefly in 2005 for a world tour and reformed in 2011 when they released and toured a new album, '' Anastasis''. They released a new album in 2018 called ''Dionysus'' and toured Europe in 2022. Career Formation and early years Dead Can Dance was formed in Melbourne, Australia, in August 1981 with Paul Erikson on bass guitar, Lisa Gerrard (ex-Microfilm) on vocals and percussion, Simon Monroe (Marching Girls) on drums and Brendan Perry (also of Marching Girls) on vocals and guitar. Gerrard and Perry were ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anastasis (album)
''Anastasis'' is a 2012 studio album by the British-Australian band Dead Can Dance. It is the eighth studio album by the band and the first after Brendan Perry and Lisa Gerrard disbanded in 1998. It was officially released on 13 August 2012 by PIAS Recordings, 16 years after the group's last album, '' Spiritchaser''. It is also the band's first album since it left 4AD. "Anastasis" is the Greek word for "resurrection". To date, ''Anastasis'' sold over 150,000 copies worldwide. In 2014, it was awarded a double gold certification from the Independent Music Companies Association, which indicated sales of at least 150,000 copies throughout Europe. Reception ''Anastasis'' received generally favorable reviews based on 16 critics at Metacritic. Track listing ;LP track listing Personnel ;Dead Can Dance * Brendan Perry * Lisa Gerrard Lisa Germaine Gerrard (; born 12 April 1961) is an Australian musician, singer and composer who rose to prominence as part of the music grou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Scavengers
The Scavengers were a New Zealand punk rock band that formed in 1977. They moved to Melbourne, Australia, in November 1978 and became Marching Girls. History The band was formed in 1976 at Auckland Technical Institute by graphic design students Ken Cooke, Simon Monroe, Mike Simons and Marlon Hart, under the name The 1B Darlings. They were heavily influenced by British R&B, glam rock and 1960s US garage rock. In 1977, they renamed themselves the Scavengers and gave themselves punk stage names (Cooke as Johnny Volume, Monroe as Des Truction, Simons as Mike Lezbian and Hart as Mal Icious). Their style mutated in the direction of the US punk rock and proto-punk acts. Through much of 1977, they and Suburban Reptiles were the only punk bands in Auckland. In June 1977 they, along with Suburban Reptiles and the Masochists, played New Zealand's first major punk gig, at the University of Auckland. Their repertoire during this time was mostly covers, but by early 1978, they had writt ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Encyclopedia Of Australian Rock And Pop
''The Encyclopedia of Australian Rock and Pop'' or ''Rock and Pop'' by Australian music journalist Ian McFarlane is a guide to Australian popular music from the 1950s to the late 1990s. The book has a similar title to the 1978 work by Noel McGrath, ''Australian Encyclopaedia of Rock and Pop'', but is not otherwise related. Publishers, Allen & Unwin described McFarlane's encyclopedia as containing over 870 entries and an "essential reference to the bands and artists who molded the shape of Australian popular music ..in an A-to-Z encyclopedia format complete with biographical and historical details. Each entry also includes listings of original band lineups and subsequent changes, record releases, career highlights, and cross-references with related bands and artists." The first edition is out of print, but was for a time available on the whammo.com.au online record store, and is still in the Internet Archive. In 2017 a second edition was published by Third Stone Press. Reviews ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Art Rock
Art rock is a subgenre of rock music that generally reflects a challenging or avant-garde approach to rock, or which makes use of modernist, experimental, or unconventional elements. Art rock aspires to elevate rock from entertainment to an artistic statement, opting for a more experimental and conceptual outlook on music."Art Rock" Encyclopædia Britannica. Retrieved 15 December 2011. Influences may be drawn from genres such as , avant-garde music, |
Mantra
A mantra (Pali: ''manta'') or mantram (मन्त्रम्) is a sacred utterance, a numinous sound, a syllable, word or phonemes, or group of words in Sanskrit, Pali and other languages believed by practitioners to have religious, magical or spiritual powers. Feuerstein, Georg (2003), ''The Deeper Dimension of Yoga''. Shambala Publications, Boston, MA Some mantras have a syntactic structure and literal meaning, while others do not. The earliest mantras were composed in Vedic Sanskrit in India. At its simplest, the word ॐ (Aum, Om) serves as a mantra, it is believed to be the first sound which was originated on earth. Aum sound when produced creates a reverberation in the body which helps the body and mind to be calm. In more sophisticated forms, mantras are melodic phrases with spiritual interpretations such as a human longing for truth, reality, light, immortality, peace, love, knowledge, and action. Some mantras without literal meaning are musically uplifting an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Middle Eastern Music
The various nations of the region include the Arabic-speaking countries of the Middle East, the Iranian traditions of Persia, the Jewish music of Israel and the diaspora, Armenian music, Kurdish music, Azeri Music, the varied traditions of Cypriot music, the music of Turkey, traditional Assyrian music, Coptic ritual music in Egypt as well as other genres of Egyptian music in general, and the Andalusian (Muslim Spain) music very much alive in the greater Middle East (North Africa), all maintain their own traditions. It is widely regarded that some Middle-Eastern musical styles have influenced Central Asia, as well as Spain, and the Balkans. Throughout the region, religion has been a common factor in uniting peoples of different languages, cultures and nations. The predominance of Islam allowed a great deal of Arabic, and Byzantine influence to spread through the region rapidly from the 7th century onward. The Arabic scale is strongly melodic, based on various maqamat (sing. maq ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gregorian Chant
Gregorian chant is the central tradition of Western plainchant, a form of monophonic, unaccompanied sacred song in Latin (and occasionally Greek) of the Roman Catholic Church. Gregorian chant developed mainly in western and central Europe during the 9th and 10th centuries, with later additions and redactions. Although popular legend credits Pope Gregory I with inventing Gregorian chant, scholars believe that it arose from a later Carolingian synthesis of the Old Roman chant and Gallican chant. Gregorian chants were organized initially into four, then eight, and finally 12 modes. Typical melodic features include a characteristic ambitus, and also characteristic intervallic patterns relative to a referential mode final, incipits and cadences, the use of reciting tones at a particular distance from the final, around which the other notes of the melody revolve, and a vocabulary of musical motifs woven together through a process called centonization to create families of related ch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Celtic Music
Celtic music is a broad grouping of music genres that evolved out of the folk music traditions of the Celtic people of Northwestern Europe. It refers to both orally-transmitted traditional music and recorded music and the styles vary considerably to include everything from traditional music to a wide range of hybrids. Description and definition ''Celtic music'' means two things mainly. First, it is the music of the people that identify themselves as Celts. Secondly, it refers to whatever qualities may be unique to the music of the Celtic nations. Many notable Celtic musicians such as Alan Stivell and Paddy Moloney claim that the different Celtic music genres have a lot in common. These following melodic practices may be used widely across the different variants of Celtic Music: *It is common for the melodic line to move up and down the primary chords in many Celtic songs. There are a number of possible reasons for this: **''Melodic variation'' can be easily introduced. Mel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Polyrhythm
Polyrhythm is the simultaneous use of two or more rhythms that are not readily perceived as deriving from one another, or as simple manifestations of the same meter. The rhythmic layers may be the basis of an entire piece of music (cross-rhythm), or a momentary section. Polyrhythms can be distinguished from irrational rhythms, which can occur within the context of a single part; polyrhythms require at least two rhythms to be played concurrently, one of which is typically an irrational rhythm. Concurrently in this context means within the same rhythmic cycle. The underlying pulse, whether explicit or implicit can be considered one of the concurrent rhythms. For example, the son clave is poly-rhythmic because its 3 section suggests a different meter from the pulse of the entire pattern. In western art music In some European art music, polyrhythm periodically contradicts the prevailing meter. For example, in Mozart's opera ''Don Giovanni'', two orchestras are heard playing toget ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Of Africa
Given the vastness of the African continent, its music is diverse, with regions and nations having many distinct musical traditions. African music includes the genres amapiano, Jùjú, Fuji, Afrobeat, Highlife, Makossa, Kizomba, and others. The music and dance of the African diaspora, formed to varying degrees on African musical traditions, include American music like Dixieland jazz, blues, jazz, and many Caribbean genres, such as calypso (see kaiso) and soca. Latin American music genres such as cumbia, conga, rumba, son cubano, salsa music, bomba, samba and zouk were founded on the music of enslaved Africans, and have in turn influenced African popular music. Like the music of Asia, India and the Middle East, it is a highly rhythmic music. The complex rhythmic patterns often involving one rhythm played against another to create a polyrhythm. The most common polyrhythm plays three beats on top of two, like a triplet played against straight notes. Sub-Saharan African mus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ian McFarlane
Ian McFarlane (born 1959) is an Australian music journalist, music historian and author, whose best known publication is the '' Encyclopedia of Australian Rock and Pop'' (1999), which was updated for a second edition in 2017. As a journalist he started in 1984 with '' Juke'', a rock music newspaper. During the early 1990s he worked for Roadrunner Records while he published a music guide, ''The Australian New Music Record Guide Volume 1: 1976–1980'' (1992). He followed with two fanzines, ''Freedom Train'' and ''Prehistoric Sounds'', both issued during 1994 to 1996. McFarlane's ''The Encyclopedia of Australian Rock and Pop'' is described by the ''Australian Music Guide'' as "the most exhaustive and wide-ranging encyclopedia of Australian music from the 1950s onwards". Subsequently, he was a writer for ''The Australian'' and worked for Raven Records, a reissue specialist label, preparing compilations, writing liner notes and providing research. He fulfilled a similar role at A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Peter Ulrich
Peter Lawrence Ulrich (born 29 August 1958 in Perivale, England) is a multi-instrumentalist songwriter, recording artist and author. Biography He was educated at Vaughan School in West Harrow, Cannon Lane School in Pinner, the John Lyon School in Harrow, and Hatfield Polytechnic, from which he graduated in humanities in 1979. A self-taught drummer, he began playing in blues-soul band Mischief on the East London pub and club circuit in the early 1980s. In 1982 he met Brendan Perry and Lisa Gerrard on the Isle of Dogs, London and joined Dead Can Dance on drums and percussion and, and the following year was signed with DCD to the 4AD label.Tenzin-Dolma, Lisa (2008) ''Mind & Motivation: The Spirit of Success'', Phoenix Rising Press, , p. 67Strong, Martin C. (2003) ''The Great Indie Discography'', Canongate, , p. 294 He played on Dead Can Dance's eponymous first album, the ''Garden of the Arcane Delights'' EP, albums ''Within the Realm of a Dying Sun'' and '' Spiritchaser'',Ph ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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