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Global (Humanoid Album)
''Global'' is the debut album by Brian Dougans, most famous for being part of the British electronica group The Future Sound of London. Unlike FSOL's ambient, breakbeat and trip hop styles, it is composed largely of US style vocal house, including Ben Ofoedu, most famous for his work with duo Phats & Small in the 1990s. Also contained is the breakthrough acid house single, "Stakker Humanoid", and industrial track "Sunshine & Brick", featuring FSOL's Gaz Cobain on vocals. Track listing # "Stakker Humanoid" # "Tonight" # "Dream" # "Technoid" # "Cry Baby" # "Sunshine & Brick" # "The Deep" # "Slam" # "Crystals A crystal or crystalline solid is a solid material whose constituents (such as atoms, molecules, or ions) are arranged in a highly ordered microscopic structure, forming a crystal lattice that extends in all directions. In addition, macros ..." # "Don't Stop" Crew *Written by Brian Dougans *Produced by Brian Dougans & John Laker *Executive Producer Morgan Khan *Mi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brian Dougans
Brian Dougans (born 1968) is a British musician, and a member of the British electronic duo, the Future Sound of London (FSOL). He is the more technical member of FSOL, doing most of the programming, circuit bending et cetera and creating electronic instruments at his home studio in Glastonbury, Somerset. He is currently head of FSOLdigital (FSOL's record label) and co designer of the FSOL:Digitana SX-1 Synthesiser. Dougans' first releases were as "Humanoid", releasing the acid house single "Stakker Humanoid", which reached number 17 in the UK Singles Chart in 1988, and also charted in 1992 and 2001. "Stakker Humanoid" was No.1 for five weeks in the UK Dance Chart (December 1988) and has been cited as a major influence on early Aphex Twin releases. Dougans music as Humanoid is also part of the MOMA NY collection via Stakker Eurotechno. Dougans has always been the quiet, technical workhorse of FSOL whilst Garry Cobain brings in his melody and softness to balance Dougans' techni ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
House Music
House is a music genre characterized by a repetitive Four on the floor (music), four-on-the-floor beat and a typical tempo of 120 beats per minute. It was created by Disc jockey, DJs and music producers from Chicago metropolitan area, Chicago's underground Clubbing (subculture), club culture in the late 1970s, as DJs began altering disco songs to give them a more mechanical beat. House was pioneered by African Americans, African American DJs and producers in Chicago such as Frankie Knuckles, Ron Hardy, Jesse Saunders, Chip E., Steve "Silk" Hurley, Farley "Jackmaster" Funk, Marshall Jefferson, Phuture, and others. House music expanded to other American cities such as New York City and became a worldwide phenomenon. House has had a large effect on pop music, especially dance music. It was incorporated by major international pop artists including Whitney Houston, Janet Jackson ("Together Again (Janet Jackson song), Together Again"), Kylie Minogue, Pet Shop Boys and Madonna ("Vogu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Accelerator (The Future Sound Of London Album)
''Accelerator'' is the debut studio album by British electronic group the Future Sound of London. It was released in April 1992 by the record label Jumpin' & Pumpin'. It includes the hit single "Papua New Guinea". Release ''Accelerator'' was released in the United Kingdom in 1992 by Jumpin' & Pumpin'. Following the commercial success of the single "Papua New Guinea", the album was re-released a year later with two additional remixes. Due to record label difficulties, it could not be released in the United States until 1996, where it contained a further remix. It was re-released, enhanced, in 2001 worldwide, with a bonus CD entitled ''Papua New Guinea Remix Anthology'', which contained both old and new remixes of "Papua New Guinea", several of which had already been released on previous singles by the group. ''Accelerator'' marked the first time that The Future Sound of London worked with artist and frequent collaborator Buggy G. Riphead, who created the album's cover art. Re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Album
An album is a collection of audio recordings issued on compact disc (CD), Phonograph record, vinyl, audio tape, or another medium such as Digital distribution#Music, digital distribution. Albums of recorded sound were developed in the early 20th century as individual Phonograph record#78 rpm disc developments, 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at revolutions per minute, rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the populari ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electronica
Electronica is both a broad group of electronic-based music styles intended for listening rather than strictly for dancing and a music scene that started in the early 1990s in the United Kingdom. In the United States, the term is mostly used to refer to electronic music generally. History Early 1990s: origins and UK scene The original wide-spread use of the term "electronica" derives from the influential English experimental techno label New Electronica, which was one of the leading forces of the early 1990s introducing and supporting dance-based electronic music oriented towards home listening rather than dance-floor play, although the word "electronica" had already begun to be associated with synthesizer generated music as early as 1983, when a "UK Electronica Festival" was first held. At that time electronica became known as "electronic listening music", also becoming more or less synonymous to ambient techno and intelligent techno, and was considered distinct from other em ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Future Sound Of London
The Future Sound of London (often abbreviated FSOL) is a British electronic music duo composed of Garry Cobain and Brian Dougans. They have been described as a "boundary-pushing" electronic act, covering techno, ambient, house music, trip hop, psychedelia, and dub. While keeping an enigmatic image and releasing music under many aliases, the band found commercial success with singles "Papua New Guinea" (1991), "Cascade" (1993), and albums '' Lifeforms'' (1994) and ''Dead Cities'' (1996). In recent years, the duo has become more candid with their fanbase online. History Formation Garry Cobain and Brian Dougans met in the mid-1980s while studying electronics at university in Manchester, England. Dougans had already been making electronic music, working between Glasgow and Manchester, when the pair first began working together in local clubs. In 1988, Dougans embarked on a project for a graphic studio ''Stakker'', which resulted with a single "Stakker Humanoid" that reached ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ambient Music
Ambient music is a genre of music that emphasizes tone and atmosphere over traditional musical structure or rhythm. It may lack net composition, beat, or structured melody.The Ambient Century by Mark Prendergast, Bloomsbury, London, 2003. It uses textural layers of sound that can reward both passive and active listening and encourage a sense of calm or contemplation. The genre is said to evoke an "atmospheric", "visual",Prendergast, M. ''The Ambient Century''. 2001. Bloomsbury, USA or "unobtrusive" quality. Nature soundscapes may be included, and the sounds of acoustic instruments such as the piano, strings and flute may be emulated through a synthesizer. The genre originated in the 1960s and 1970s, when new musical instruments were being introduced to a wider market, such as the synthesizer. It was presaged by Erik Satie's furniture music and styles such as musique concrète, minimal music, and German electronic music, but was prominently named and popularized by British mu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Breakbeat
Breakbeat is a broad type of electronic music that tends to use drum breaks sampled from early recordings of funk, jazz, and R&B. Breakbeats have been used in styles such as hip hop, jungle, drum and bass, big beat, breakbeat hardcore, and UK garage styles (including 2-step, breakstep and dubstep). Etymology The origin of the word "breakbeat" is the fact that the drum loops that were sampled occurred during a "break" in the music - for example the '' Amen break'' (a drum solo from " Amen, Brother" by The Winstons) or the '' Think Break'' (from "Think (About It)" by Lyn Collins). History 1970s—1980s: Classic breaks and hip hop production Beginning in 1973 and continuing through the late 1970s and early 1980s, hip hop turntablists, such as DJ Kool Herc began using several funk breaks in a row, using drum breaks from jazz-funk tracks such as James Brown's "Funky Drummer" and The Winstons' "Amen Brother", to form the rhythmic base for hip hop songs. DJ Kool Herc's breaks st ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trip Hop
Trip hop (sometimes used synonymously with "downtempo") is a musical genre that originated in the early 1990s in the United Kingdom, especially Bristol. It has been described as a psychedelic music, psychedelic fusion of hip hop music, hip hop and electronica with slow tempos and an atmospheric sound, often incorporating elements of jazz, soul music, soul, funk, reggae, dub music, dub, Contemporary R&B, R&B, and other forms of electronic dance music, electronic music, as well as sample (music), sampling from movie soundtracks and other eclectic sources. The style emerged as a more experimental music, experimental variant of breakbeat from the Bristol sound scene of the late 1980s and early 1990s, incorporating influences from jazz, soul, funk, dub, and hip hop music, rap music. It was pioneered by acts like Massive Attack, Tricky (musician), Tricky, and Portishead (band), Portishead. The term was first coined in a 1994 ''Mixmag'' piece about American producer DJ Shadow. Trip ho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Phats & Small
Phats & Small are a British electronic dance music duo formed in Brighton, in 1998, and composed of Jason "Phats" Hayward and Russell Small. They are best known for their single " Turn Around", which became an international hit in 1999. Musical career Phats & Small appeared on the scene in 1998 with " Turn Around", a track that featured sampled Toney Lee's "Reach Up" and Change's " The Glow of Love". The song debuted at number three in the UK Singles Chart, before climbing to number two, with career sales of this hit amassing them £5,000 in total due to their recording contract. Singer Ben Ofoedu appears in the video for the track miming to the vocals. Future releases featured his voice but "Turn Around" featured Lee's voice. However, Ofoedu has been known to perform the track live. In 1999, they also released their first album, '' Now Phats What I Small Music'', a play on their name and the compilation series ''Now That's What I Call Music!''. Ofoedu sang on two tracks, "Fee ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stakker Humanoid
"Stakker Humanoid" is an 1988 track by Humanoid released in 1988 on the London-based label Westside Records. It is described by ''The Guardian'' as "the first truly credible UK acid techno record to break into the mainstream." History The project behind the track started out with Stakker, a collaborative project by the video artists Mark McClean and Colin Scott. They needed music to support their video and contacted Brian Dougans. They sent a demo video tape containing graphics and some music to Morgan Khan who (although he didn't appreciate the video) invited Brian Dougans to record two demos at his Dance Studios in Ealing London. The sample "Humanoid", taken from the video game '' Berzerk'', provided the name of the track. The track was originally called "Humanoid" to be put out by Stakker through Morgan Khan's label Westside Records, though Morgan released it as "Stakker Humanoid" by 'Humanoid' to avoid copyright issues. A dispute had arisen between Brian Dougans and Colin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Garry Cobain
Garry Cobain (sometimes styled as Gaz Cobain) (born 16 May 1967) is a British electronic musician, and one half of the Future Sound of London. Background Cobain was born on 16 May 1967 in Bedford. He left Bedford for Manchester in his late teens to study at a time when alternative music in that part of Britain was taking off; the dance music scene in particular was becoming more and more popular, not just in Manchester but all over the country and in the States too. Cobain, drawn to the city by bands like The Chameleons and The Smiths, embraced this atmosphere and joined a band he had seen rehearsing in a studio and stayed with them for a year; after his spell with that band he met Brian Dougans. Music After meeting Dougans they both started discussing their shared interest in electronic music and began to work together on small projects; Cobain then left the college to build his own studio on an Enterprise Allowance Course and he and Dougans began to release tracks under aliases ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
