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Funérailles De Jean Leclant - Haie Et église
''Funérailles'' is the 7th and one of the most famous pieces in ''Harmonies poétiques et religieuses'' (''Poetic and Religious Harmonies''), a collection of piano pieces by Franz Liszt. It was an elegy written in October 1849 in response to the crushing of the Hungarian Revolution of 1848 by the Habsburgs. ''Funérailles'' has been recorded by pianists such as György Cziffra, Claudio Arrau, Vladimir Horowitz, Arthur Rubinstein, John Ogdon, Martha Argerich, Evgeny Kissin, Sviatoslav Richter, Arnaldo Cohen, Arcadi Volodos, Sergio Fiorentino, Awadagin Pratt and Krystian Zimerman. Composition The piece is composed of four distinct sections, with three main themes repeating throughout. The first section, labeled "Introduzione," is a dark and gloomy adagio movement whose opening bars evoke the sound of muffled bells from across a dreary battlefield. Its forlorn right-hand chords are offset by thundering, sforzando left-hand tremolos, which are interrupted and calmed into submissio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sergio Fiorentino
Sergio Fiorentino (22 December 1927 – 22 August 1998) was a 20th-century Italian classical pianist whose sporadic performing career spanned five decades. There is quite a bit of footage of his playing that survives, in addition to audio recordings. Recently, a complete concert recorded on video in 1994 has surfaced. Music career Fiorentino was born in Naples and studied at the Conservatorio San Pietro a Majella in Naples under Luigi Finizio and Paolo Denza, earned his diploma in 1946 and attended a master class of Carlo Zecchi in Salzburg in 1948. His debut was at Carnegie Recital Hall, New York in 1953. The following year, while on tour in Argentina and Uruguay, he was in a near-fatal plane accident, forcing him to cut back on concert performances. This led to him becoming a teacher at Naples Conservatory, where he had once been a student. In the late 1950s he made a new start in concert performances, both in his native country and in England. Many of his recordings wer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
László Teleki
Count László Teleki IV de Szék (11 February 1811 – 8 May 1861) was a Hungarian writer and statesman. He is remembered as the author of the drama ''Kegyencz'' ("The Favourite", 1841). In older books in English he is given the name "Ladislas Teleky". Teleki was born in Pest to László Teleki III and Johanna Mészáros. On his father's death in 1821 he was raised by his elder half-brother József Teleki (1790–1855). Throughout the 1830s he travelled through Europe. On returning to Hungary he became a politician, first in Transylvania (where his brother became governor) and then in the National Assembly, with a particular concern for the equitable representation of different nationalities within the Empire. In 1848 came news of the revolution in Paris, and he travelled to Paris as envoy. The failure of the Hungarian revolution led to his banishment, and in 1851 he was sentenced to death ''in absentia''. During the 1850s he lived in Switzerland and did what he could to a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Felix Lichnowsky
Felix (von) Lichnowsky, ''fully'' Felix Maria Vincenz Andreas ''Fürst'' von Lichnowsky, ''Graf'' von Werdenberg ( es, link=no, Félix Lichnowsky; 5 April 1814 – 19 September 1848) was a son of the historian Eduard Lichnowsky who had written a history of the Habsburg family. Lichnowsky was born in Vienna. He entered the Prussian army in 1834 in Neustadt (now Prudnik), but left it in 1838 to enter the service of the Spanish pretender Don Carlos, where he received the rank of brigadier general. He fought a duel with the Spanish General Montenegro and was severely wounded, but recovered. In 1847, he was elected by Ratibor (now Racibórz) to Prussia's United Diet, and was elected to the national parliament in 1848 where he took his seat on the right. Here he put to use his substantial oratorical skills, though frequently using them to dazzle rather than enlighten, and his demeaning characterizations of the left earned him a poor reputation in those quarters. When the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Habsburg
The House of Habsburg (), alternatively spelled Hapsburg in Englishgerman: Haus Habsburg, ; es, Casa de Habsburgo; hu, Habsburg család, it, Casa di Asburgo, nl, Huis van Habsburg, pl, dom Habsburgów, pt, Casa de Habsburgo, la, Domus Habsburg, french: Maison des Habsbourg and also known as the House of Austriagerman: link=no, Haus Österreich, ; es, link=no, Casa de Austria; nl, Huis van Oostenrijk, pl, dom Austrii, la, Domus Austriæ, french: Maison d'Autriche; hu, Ausztria Háza; it, Casa d'Austria; pt, Casa da Áustria is one of the most prominent and important dynasties in European history. The house takes its name from Habsburg Castle, a fortress built in the 1020s in present-day Switzerland by Radbot of Klettgau, who named his fortress Habsburg. His grandson Otto II, Count of Habsburg, Otto II was the first to take the fortress name as his own, adding "Count of Habsburg" to his title. In 1273, Count Radbot's seventh-generation descendant Rudolph I of German ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Polonaise In A-flat Major, Op
The polonaise (, ; pl, polonez ) is a dance of Polish origin, one of the five Polish national dances in time. Its name is French for "Polish" adjective feminine/"Polish woman"/"girl". The original Polish name of the dance is Chodzony, meaning "the walking dance". It is one of the most ancient Polish dances representing Polish cultural dance tradition. Polonaise dance influenced European ballrooms, folk music and European classical music. The polonaise has a rhythm quite close to that of the Swedish semiquaver or sixteenth-note polska, and the two dances have a common origin. Polska dance was introduced to Sweden during the period of the Vasa dynasty when king Vasa introduced it from Poland to Sweden that's why its name simply mean Poland; "polska" is a Polish word for Poland. The polonaise is a very popular dance uninterruptedly danced in Poland till today. It is the dance danced as an opening dance in all major official balls, events, at the final year of the high scho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frédéric Chopin
Frédéric François Chopin (born Fryderyk Franciszek Chopin; 1 March 181017 October 1849) was a Polish composer and virtuoso pianist of the Romantic period, who wrote primarily for solo piano. He has maintained worldwide renown as a leading musician of his era, one whose "poetic genius was based on a professional technique that was without equal in his generation". Chopin was born in Żelazowa Wola in the Duchy of Warsaw and grew up in Warsaw, which in 1815 became part of Congress Poland. A child prodigy, he completed his musical education and composed his earlier works in Warsaw before leaving Poland at the age of 20, less than a month before the outbreak of the November 1830 Uprising. At 21, he settled in Paris. Thereafterin the last 18 years of his lifehe gave only 30 public performances, preferring the more intimate atmosphere of the salon. He supported himself by selling his compositions and by giving piano lessons, for which he was in high demand. Chopin formed a fr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Staccatissimo
Staccato (; Italian for "detached") is a form of musical articulation. In modern notation, it signifies a note of shortened duration, separated from the note that may follow by silence. It has been described by theorists and has appeared in music since at least 1676. Notation In 20th-century music, a dot placed above or below a note indicates that it should be played staccato, and a wedge is used for the more emphatic staccatissimo. However, before 1850, dots, dashes, and wedges were all likely to have the same meaning, even though some theorists from as early as the 1750s distinguished different degrees of staccato through the use of dots and dashes, with the dash indicating a shorter, sharper note, and the dot a longer, lighter one. A number of signs came to be used in the late 19th and early 20th centuries to discriminate more subtle nuances of staccato. These signs involve various combinations of dots, vertical and horizontal dashes, vertical and horizontal wedges, and t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fortissimo
In music, the dynamics of a piece is the variation in loudness between notes or phrases. Dynamics are indicated by specific musical notation, often in some detail. However, dynamics markings still require interpretation by the performer depending on the musical context: for instance, the ''forte'' marking (meaning loud) in one part of a piece might have quite different objective loudness in another piece or even a different section of the same piece. The execution of dynamics also extends beyond loudness to include changes in timbre and sometimes tempo rubato. Purpose and interpretation Dynamics are one of the expressive elements of music. Used effectively, dynamics help musicians sustain variety and interest in a musical performance, and communicate a particular emotional state or feeling. Dynamic markings are always relative. never indicates a precise level of loudness; it merely indicates that music in a passage so marked should be considerably quieter than . There are m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ostinato
In music, an ostinato (; derived from Italian word for ''stubborn'', compare English ''obstinate'') is a motif or phrase that persistently repeats in the same musical voice, frequently in the same pitch. Well-known ostinato-based pieces include classical compositions such as Ravel's '' Boléro'' and the ''Carol of the Bells'', and popular songs such as Donna Summer and Giorgio Moroder's "I Feel Love" (1977), Henry Mancini's theme from ''Peter Gunn'' (1959), The Who's "Baba O'Riley" (1971), and The Verve's " Bitter Sweet Symphony" (1997). Both ''ostinatos'' and ''ostinati'' are accepted English plural forms, the latter reflecting the word's Italian etymology. The repeating idea may be a rhythmic pattern, part of a tune, or a complete melody in itself. Kamien, Roger (1258). ''Music: An Appreciation'', p. 611. . Strictly speaking, ostinati should have exact repetition, but in common usage, the term covers repetition with variation and development, such as the alteration of an os ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Glossary Of Musical Terminology
A variety of musical terms are likely to be encountered in printed scores, music reviews, and program notes. Most of the terms are Italian, in accordance with the Italian origins of many European musical conventions. Sometimes, the special musical meanings of these phrases differ from the original or current Italian meanings. Most of the other terms are taken from French and German, indicated by ''Fr.'' and ''Ger.'', respectively. Unless specified, the terms are Italian or English. The list can never be complete: some terms are common, and others are used only occasionally, and new ones are coined from time to time. Some composers prefer terms from their own language rather than the standard terms listed here. 0–9 ; 1′ : "sifflet" or one foot organ stop ; I : usually for orchestral string instruments, used to indicate that the player should play the passage on the highest-pitched, thinnest string ; ′ : Tierce organ stop ; 2′ : two feet – pipe org ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tremolo
In music, ''tremolo'' (), or ''tremolando'' (), is a trembling effect. There are two types of tremolo. The first is a rapid reiteration: * Of a single Musical note, note, particularly used on String instrument#Bowing, bowed string instruments, by rapidly moving the bow back and forth; plucked strings such as on a harp, where it is called ''wikt:bisbigliando, bisbigliando'' () or "whispering". Tremolo picking, on traditionally plucked string instruments including guitar and mandolin, is the rapid articulation of single notes or a group of notes with a plectrum (pick) or with fingers. Tremolo playing sustains notes that would otherwise rapidly decay (fade to silence). * Between two notes or chords in alternation, an imitation (not to be confused with a trill (music), trill) of the preceding that is more common on keyboard instruments. Mallet instruments such as the marimba are capable of either method. * A drum roll, roll on any percussion instrument, whether tuned or untuned. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
