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Full-Empty
''Full-Empty'' is the fourth album by American alternative rock band Judybats, released in 1994 by Sire Records. It was the band's final album for Sire and the last to feature all three original core members Jeff Heiskell, Johnny Sughrue and Ed Winters. Background Heiskell had intended for the album to be produced by Mitchell Froom and even sent him a demo tape of new songs, but was told by the Judybats' manager that attempts to reach Froom had been fruitless. Instead, the band opted to work with producer Paul Mahern, both because "he was cheap" and "was also supposed to have some kind of indie cachet at that time." While recording ''Full-Empty'', Heiskell eventually received a phone call from Froom, who said he liked the songs and expressed interest in working with the band, only to be told they were already working with Mahern. Promotion The band promoted the album by appearing on ''Late Night With Conan O'Brien'' on October 4, 1994, performing "Sorry Counts". Track listin ...
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Judybats Albums
The Judybats (sometimes stylized as merely Judybats or JudyBats) were an American alternative rock band from Knoxville, Tennessee, United States, active primarily in the late 1980s and early to mid 1990s. The band released three successful singles that charted on the ''Billboard (magazine), Billboard'' Alternative Airplay, Modern Rock Tracks chart: "Native Son", "Saturday" and "Being Simple", the latter of which peaked at No. 7. Background The band was formed in 1988 in Knoxville, Tennessee. Frontman Jeff Heiskell and guitarist Ed Winters were neighbors and had been composing folk songs together. The duo later met bassist Tim Stutz at a local bar called Hawkeye's Corner. Stutz, guitarist Johnny Sughrue and drummer Terry Casper had known each other since high school and had been playing music together as a trio. Peggy Hambright, who was Stutz's and Sughrue's roommate at the time, joined the band, contributing keyboards, violin and vocals. The Judybats played locally to large audien ...
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Judybats
The Judybats (sometimes stylized as merely Judybats or JudyBats) were an American alternative rock band from Knoxville, Tennessee, United States, active primarily in the late 1980s and early to mid 1990s. The band released three successful singles that charted on the '' Billboard'' Modern Rock Tracks chart: "Native Son", "Saturday" and "Being Simple", the latter of which peaked at No. 7. Background The band was formed in 1988 in Knoxville, Tennessee. Frontman Jeff Heiskell and guitarist Ed Winters were neighbors and had been composing folk songs together. The duo later met bassist Tim Stutz at a local bar called Hawkeye's Corner. Stutz, guitarist Johnny Sughrue and drummer Terry Casper had known each other since high school and had been playing music together as a trio. Peggy Hambright, who was Stutz's and Sughrue's roommate at the time, joined the band, contributing keyboards, violin and vocals. The Judybats played locally to large audiences before signing to Sire Records in 199 ...
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The Judybats
The Judybats (sometimes stylized as merely Judybats or JudyBats) were an American alternative rock band from Knoxville, Tennessee, United States, active primarily in the late 1980s and early to mid 1990s. The band released three successful singles that charted on the ''Billboard'' Modern Rock Tracks chart: "Native Son", "Saturday" and "Being Simple", the latter of which peaked at No. 7. Background The band was formed in 1988 in Knoxville, Tennessee. Frontman Jeff Heiskell and guitarist Ed Winters were neighbors and had been composing folk songs together. The duo later met bassist Tim Stutz at a local bar called Hawkeye's Corner. Stutz, guitarist Johnny Sughrue and drummer Terry Casper had known each other since high school and had been playing music together as a trio. Peggy Hambright, who was Stutz's and Sughrue's roommate at the time, joined the band, contributing keyboards, violin and vocals. The Judybats played locally to large audiences before signing to Sire Records in 1990. ...
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Pain Makes You Beautiful
''Pain Makes You Beautiful'' is the third album by the American band the Judybats, released in 1993 by Sire Records. The album contains the band's most successful single, "Being Simple", which peaked at No. 7 on the ''Billboard (magazine), Billboard'' Alternative Airplay, Modern Rock Tracks chart. The band supported the album with a North American tour. Production ''Pain Makes You Beautiful'' saw a significant lineup change for the band, with the departure of keyboardist Peggy Hambright and bassist Timothy Stutz and the arrival of bassist Paul Noe and drummer Dave Kenkins. Recorded live in the studio, the album was produced by Kevin Moloney, who helped the band to shorten and rearrange their songs. The recording studio, Long View Farm Studios, was a country barn, built above horse stables. Many of the songs' lyrics were inspired by the lives of frontman Jeff Heiskell and his friends. In 2023, Heiskell stated that he loved Moloney's production on the album, which introduced more "o ...
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Robin Gibb
Robin Hugh Gibb (22 December 1949 – 20 May 2012) was a British singer and songwriter. He gained worldwide fame as a member of the Bee Gees pop group with elder brother Barry and fraternal twin brother Maurice. Robin Gibb also had his own successful solo career. Their youngest brother Andy was also a singer. Gibb was born in Douglas on the Isle of Man to English parents, Hugh and Barbara Gibb; the family later moved to Manchester for three years (where Andy was born) before settling in Redcliffe, just north of Brisbane, Australia. Gibb began his career as part of the family trio (Barry-Maurice-Robin). When the group found their first success, they returned to England, where they achieved worldwide fame. In 2002, the Bee Gees were appointed as CBEs for their "contribution to music". However, investiture at Buckingham Palace was delayed until 2004. With record sales estimated in excess of 200 million, the Bee Gees became one of the most successful pop groups of all time ...
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Stephen Marcussen
Stephen Marcussen is the founder and chief mastering engineer at Marcussen Mastering in Hollywood, California, United States. He has been mastering music since 1979. Biography Marcussen's introduction to music recording happened in 1976 when, at the age of 19, he was offered a janitor position at Studio 55, record producer Richard Perry's Los Angeles recording studio. At Studio 55, Marcussen received an education in all facets of music recording and sound production. By the end of his Studio 55 tenure, he had earned his first album credits as an assistant engineer, working on The Manhattan Transfer's ''Pastiche'', Boz Scaggs's ''Middle Man'', and The Pointer Sisters's ''Special Things''. Marcussen began his mastering career in 1979 at a newly opened mastering facility, Precision Lacquer (later renamed "Precision Mastering"), in Los Angeles. He spent almost 20 years (1979 – February 1999) at Precision Lacquer/Mastering mastering albums for artists that included Stevie Wonder, ...
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Mass Giorgini
Massimiliano Adelmo Giorgini (born 1968) is an American bassist and record producer who rose to fame when several of the bands he produced experienced huge gains in popularity during the pop-punk boom of the mid-'90s. Among these bands was Giorgini's own Squirtgun, which received minor MTV rotation and several soundtrack appearances in major films in the 1990s. Mass Giorgini is also a linguistics scholar specializing in forensic literary analysis and is the son of renowned Italian artist Aldo Giorgini. Music career Giorgini has played bass guitar, alto and tenor saxophones, and sung backing vocals for a number of punk rock bands including Screeching Weasel, Common Rider, Squirtgun, Rattail Grenadier, The Mopes, Teeth and the Man, Torture the Artist, and Sweet Black And Blue. As a composer, Giorgini has written songs primarily for his band Squirtgun, but in addition has lent writing assistance to several bands he has produced. His songwriting work also appears in the films ...
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Vibraphone
The vibraphone is a percussion instrument in the metallophone family. It consists of tuned metal bars and is typically played by using mallets to strike the bars. A person who plays the vibraphone is called a ''vibraphonist,'' ''vibraharpist,'' or ''vibist''. The vibraphone resembles the steel marimba, which it superseded. One of the main differences between the vibraphone and other keyboard percussion instruments is that each bar suspends over a resonator tube containing a flat metal disc. These discs are attached together by a common axle and spin when the motor is turned on. This causes the instrument to produce its namesake tremolo or vibrato effect. The vibraphone also has a sustain pedal similar to a piano. When the pedal is up, the bars produce a muted sound; when the pedal is down, the bars sustain for several seconds or until again muted with the pedal. The vibraphone is commonly used in jazz music, in which it often plays a featured role, and was a defining element ...
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Rhodes Piano
The Rhodes piano (also known as the Fender Rhodes piano) is an electric piano invented by Harold Rhodes, which became popular in the 1970s. Like a conventional piano, the Rhodes generates sound with keys and hammers, but instead of strings, the hammers strike thin metal tines, which vibrate next to an electromagnetic pickup. The signal is then sent through a cable to an external keyboard amplifier and speaker. The instrument evolved from Rhodes's attempt to manufacture pianos while teaching recovering soldiers during World War II. Development continued after the war and into the following decade. In 1959, Fender began marketing the Piano Bass, a cut-down version; the full-size instrument did not appear until after Fender's sale to CBS in 1965. CBS oversaw mass production of the Rhodes piano in the 1970s, and it was used extensively through the decade, particularly in jazz, pop, and soul music. It was less used in the 1980s because of competition with polyphonic and digita ...
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Dobro
Dobro is an American brand of resonator guitars, currently owned by Gibson and manufactured by its subsidiary Epiphone. The term "dobro" is also used as a generic term for any wood-bodied, single-cone resonator guitar. The Dobro was originally a guitar manufacturing company founded by the Dopyera brothers with the name "Dobro Manufacturing Company". Their guitar design, with a single outward-facing resonator cone, was introduced to compete with the patented inward-facing tricone and biscuit designs produced by the National String Instrument Corporation. The Dobro name appeared on other instruments, notably electric lap steel guitars and solid body electric guitars and on other resonator instruments such as Safari resonator mandolins. History The roots of the Dobro story can be traced to the 1920s when Slovak immigrant and instrument repairman/inventor John Dopyera and musician George Beauchamp were searching for more volume for his guitars. Dopyera built an ampliphonic (or ...
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Baritone Guitar
The baritone guitar is a guitar with a longer scale length, typically a larger body, and heavier internal bracing, so it can be tuned to a lower pitch. Gretsch, Fender, Gibson, Ibanez, ESP Guitars, PRS Guitars, Music Man, Danelectro, Schecter, Jerry Jones Guitars, Burns London and many other companies have produced electric baritone guitars since the 1960s, although always in small numbers due to low popularity. Tacoma, Santa Cruz, Taylor, Martin, Alvarez Guitars and others have made acoustic baritone guitars. Use The baritone-tuned guitar was uncommon until the Danelectro Company introduced an electric baritone guitar in the late 1950s. The electric baritone found some popularity in surf music and film scores, particularly "spaghetti Westerns." "Tic-tac bass" is a method of playing, in which a muted baritone guitar doubles the part played by the bass guitar or double bass. The method is commonly used in country music. Tuning and string gauges A standard guitar's standa ...
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Steel Guitar
A steel guitar ( haw, kīkākila) is any guitar played while moving a steel bar or similar hard object against plucked strings. The bar itself is called a "steel" and is the source of the name "steel guitar". The instrument differs from a conventional guitar in that it is played without using frets; conceptually, it is somewhat akin to playing a guitar with one finger (the bar). Known for its portamento capabilities, gliding smoothly over every pitch between notes, the instrument can produce a sinuous crying sound and deep vibrato emulating the human singing voice. Typically, the strings are plucked (not strummed) by the fingers of the dominant hand, while the steel tone bar is pressed lightly against the strings and moved by the opposite hand. The idea of creating music with a slide of some type has been traced back to early African instruments, but the modern steel guitar was conceived and popularized in the Hawaiian Islands. The Hawaiians began playing a conventional guitar i ...
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