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Fujiwara Hidesato
, was a ''kuge'' (court noble) of tenth century Heian period Japan. He is famous for his military exploits and courage and is regarded as the common ancestor of numerous clans, including the Ōshū branch of the Fujiwara clan. Hidesato served under Emperor Suzaku, and fought alongside Taira no Sadamori in 940 in suppressing the revolt of Taira no Masakado. His prayer for victory before this battle is commemorated in the Kachiya Festival. Hidesato was then appointed '' Chinjufu-shōgun'' (Defender of the North) and Governor of Shimotsuke Province. He was also nicknamed Tawara Tōda, and according to romance he destroyed a giant centipede in Ōmi Province that plagued the Dragon Palace. Family * Father: Fujiwara no Murao (藤原村雄) * Mother: daughter of Shimatsuke-no-jō no Kashima (下野掾鹿島女) ** Wife: daughter of Minamoto no Michi (源通) of the Board of Chamberlains (侍従). *** Son: Fujiwara no Chitsune (藤原千常) ** Children by unknown mother: *** Son: F ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yoshitoshi Fujiwara No Hidesato
Tsukioka Yoshitoshi ( ja, 月岡 芳年; also named Taiso Yoshitoshi ; 30 April 1839 – 9 June 1892) was a Japanese printmaker. Nussbaum, Louis Frédéric. (2005)"Tsukoka Kōgyō"in ''Japan Encyclopedia,'' p. 1000. Yoshitoshi has widely been recognized as the last great master of the ukiyo-e genre of woodblock printing and painting. He is also regarded as one of the form's greatest innovators. His career spanned two eras – the last years of Edo period Japan, and the first years of modern Japan following the Meiji Restoration. Like many Japanese, Yoshitoshi was interested in new things from the rest of the world, but over time he became increasingly concerned with the loss of many aspects of traditional Japanese culture, among them traditional woodblock printing. By the end of his career, Yoshitoshi was in an almost single-handed struggle against time and technology. As he worked on in the old manner, Japan was adopting Western mass reproduction methods li ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yūki Clan
is a Japanese samurai kin group. Papinot, Jacques Edmond Joseph. (1906). ''Dictionnaire d’histoire et de géographie du Japon''; Papinot, (2003)"Yūki," ''Nobiliare du Japon'', pp. 71–72 retrieved 2013-5-6. History The Yūki claim descent from Fujiwara no Hidesato. Nussbaum, Louis-Frédéric. (2005)"Yūki"in ''Japan Encyclopedia'', p. 1066. The clan is composed of two branches: the Shimōsa Yūki and the Shirakawa Yūki. The split happened during the Nanboku-chō period. One branch supported the Southern Imperial Court, and the other branch the Northern Pretenders. Like many samurai clans, the Yūki developed a code of provincial laws (''bunkoku-hō''). In 1556, Yūki Masakatsu published . The Shirakawa branch was destroyed by Toyotomi Hideyoshi; but the Shimōsa branch survived as ''daimyōs'' of Yūki Domain in Shimōsa Province. The Shimōsa Yūki became part of the Tokugawa clan. The main samurai vassals of the Yūki (''Yūki shi-ten'') included the Tagaya clan, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Provenance
Provenance (from the French ''provenir'', 'to come from/forth') is the chronology of the ownership, custody or location of a historical object. The term was originally mostly used in relation to works of art but is now used in similar senses in a wide range of fields, including archaeology, paleontology, archives, manuscripts, printed books, the circular economy, and science and computing. The primary purpose of tracing the provenance of an object or entity is normally to provide contextual and circumstantial evidence for its original production or discovery, by establishing, as far as practicable, its later history, especially the sequences of its formal ownership, custody and places of storage. The practice has a particular value in helping Authentication, authenticate objects. Comparative techniques, expert opinions and the results of scientific tests may also be used to these ends, but establishing provenance is essentially a matter of documentation. The term dates to the 1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tweezers
Tweezers are small hand tools used for grasping objects too small to be easily handled with the human fingers. Tweezers are thumb-driven forceps most likely derived from tongs used to grab or hold hot objects since the dawn of recorded history. In a scientific or medical context, they are normally referred to as just "forceps", a name that is used together with other grasping surgical instruments that resemble pliers, pincers and scissors-like clamps. Tweezers make use of two third-class levers connected at one fixed end (the fulcrum point of each lever), with the pincers at the others. When used, they are commonly held with one hand in a pen grip between the thumb and index finger (sometimes also the middle finger), with the top end resting on the first dorsal interosseous muscle at the webspace between the thumb and index finger. Spring tension holds the grasping ends apart until finger pressure is applied. This provides an extended pinch and allows the user to easily gra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Openwork
Openwork or open-work is a term in art history, architecture and related fields for any technique that produces decoration by creating holes, piercings, or gaps that go right through a solid material such as metal, wood, stone, pottery, cloth, leather, or ivory. Such techniques have been very widely used in a great number of cultures. The term is rather flexible, and used both for additive techniques that build up the design, as for example most large features in architecture, and those that take a plain material and make cuts or holes in it. Equally techniques such as casting using Molding (process), moulds create the whole design in a single stage, and are common in openwork. Though much openwork relies for its effect on the viewer seeing right through the object, some pieces place a different material behind the openwork as a background. Varieties Techniques or styles that normally use openwork include all the family of lace and cutwork types in textiles, including broderie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tachi
A is a type of traditionally made Japanese sword (''nihonto'') worn by the samurai class of feudal Japan. ''Tachi'' and ''katana'' generally differ in length, degree of curvature, and how they were worn when sheathed, the latter depending on the location of the ''mei'' (銘), or signature, on the tang. The ''tachi'' style of swords preceded the development of the ''katana'', which was not mentioned by name until near the end of the twelfth century. ''Tachi'' were the mainstream Japanese swords of the Kotō period between 900 and 1596. Even after the Muromachi period (1336–1573), when ''katana'' became the mainstream, ''tachi'' were often worn by high-ranking samurai. History The production of swords in Japan is divided into specific time periods: * ''Jōkotō'' (ancient swords, until around 900) * ''Kotō'' (old swords from around 900–1596) * ''Shintō'' (new swords 1596–1780) * ''Shinshintō'' (new new swords 1781–1876) * ''Gendaitō'' (modern or contemporary sw ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ise Shrine
The , located in Ise, Mie Prefecture of Japan, is a Shinto shrine dedicated to the sun goddess Amaterasu. Officially known simply as , Ise Jingū is a shrine complex composed of many Shinto shrines centered on two main shrines, and . The Inner Shrine, Naikū (also officially known as "Kōtai Jingū"), is located in the town of Uji-tachi, south of central Ise, and is dedicated to the worship of Amaterasu, where she is believed to dwell. The shrine buildings are made of solid cypress wood and use no nails but instead joined wood. The Outer Shrine, ''Gekū'' (also officially known as "Toyouke Daijingū"), is located about six kilometers from Naikū and dedicated to Toyouke-Ōmikami, the god of agriculture, rice harvest and industry. Besides Naikū and Gekū, there are an additional 123 Shinto shrines in Ise City and the surrounding areas, 91 of them connected to Naikū and 32 to Gekū. Purportedly the home of the Sacred Mirror, the shrine is one of Shinto's holiest and most import ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edo Period
The or is the period between 1603 and 1867 in the history of Japan, when Japan was under the rule of the Tokugawa shogunate and the country's 300 regional '' daimyo''. Emerging from the chaos of the Sengoku period, the Edo period was characterized by economic growth, strict social order, isolationist foreign policies, a stable population, perpetual peace, and popular enjoyment of arts and culture. The period derives its name from Edo (now Tokyo), where on March 24, 1603, the shogunate was officially established by Tokugawa Ieyasu. The period came to an end with the Meiji Restoration and the Boshin War, which restored imperial rule to Japan. Consolidation of the shogunate The Edo period or Tokugawa period is the period between 1603 and 1867 in the history of Japan, when Japan was under the rule of the Tokugawa shogunate and the country's regional '' daimyo''. A revolution took place from the time of the Kamakura shogunate, which existed with the Tennō's court, to the Tok ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Emaki
or is an illustrated horizontal narration system of painted handscrolls that dates back to Nara-period (710–794 CE) Japan. Initially copying their much older Chinese counterparts in style, during the succeeding Heian (794–1185) and Kamakura periods (1185–1333), Japanese developed their own distinct style. The term therefore refers only to Japanese painted narrative scrolls. As in the Chinese and Korean scrolls, combine calligraphy and illustrations and are painted, drawn or stamped on long rolls of paper or silk sometimes measuring several metres. The reader unwinds each scroll little by little, revealing the story as seen fit. are therefore a narrative genre similar to the book, developing romantic or epic stories, or illustrating religious texts and legends. Fully anchored in the style, these Japanese works are above all an everyday art, centered on the human being and the sensations conveyed by the artist. Although the very first 8th-century were copies of Chin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
My Lord Bag Of Rice
My or MY may refer to: Arts and entertainment * My (radio station), a Malaysian radio station * Little My, a fictional character in the Moomins universe * ''My'' (album), by Edyta Górniak * ''My'' (EP), by Cho Mi-yeon Business * Marketing year, variable period * Model year, product identifier Transport * Motoryacht * Motor Yacht, a name prefix for merchant vessels * Midwest Airlines (Egypt), IATA airline designation * MAXjet Airways, United States, defunct IATA airline designation Other uses * ''My'', the genitive form of the English pronoun ''I'' * Malaysia, ISO 3166-1 country code ** .my, the country-code top level domain (ccTLD) * Burmese language Burmese ( my, မြန်မာဘာသာ, MLCTS: ''mranmabhasa'', IPA: ) is a Sino-Tibetan language spoken in Myanmar (also known as Burma), where it is an official language, lingua franca, and the native language of the Burmans, the coun ... (ISO 639 alpha-2) * Megalithic Yard, a hypothesised, prehis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dragon King
The Dragon King, also known as the Dragon God, is a Chinese water and weather god. He is regarded as the dispenser of rain, commanding over all bodies of water. He is the collective personification of the ancient concept of the '' lóng'' in Chinese culture. There are also the cosmological "Dragon Kings of the Four Seas" (; ''Sihai Longwang''). Besides being a water deity, the Dragon God frequently also serves as a territorial tutelary deity, similarly to Tudigong "Lord of the Earth" and Houtu "Queen of the Earth". Singular Dragon King The Dragon King has been regarded as holding dominion over all bodies of water, and the dispenser of rain, in rituals practiced into the modern era in China. One of his epithets is Dragon King of Wells and Springs. Rainmaking rituals Dragon processions have been held on the fifth and sixth moon of the lunar calendar all over China, especially on the 13th day of the sixth moon, held to be the Dragon King's birthday, as ritualized supplicat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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