Fruity Killer Tune
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Fruity Killer Tune
''Fruity Killer Tune'' is the third album from the J-pop group Melon Kinenbi. It contains only two of their more recent singles as well as one completely new track and a remix. In addition, fans were invited to vote on thirteen more songs that would appear on the album, making it an effective "Best of", containing many re-released singles and B-sides The A-side and B-side are the two sides of phonograph records and cassettes; these terms have often been printed on the labels of two-sided music recordings. The A-side usually features a recording that its artist, producer, or record company ... not previously released on an album. ''Fruity Killer Tune'' was released on December 6, 2006, more than two years after the group's second album. Track listing # #* 1st place in vote # #* 7th place in vote # #* 6th place in vote # #* 2nd place in vote # #* 8th place in vote # #* 11th place in vote # #* 12th place in vote # #* 5th place in vote # #* 3rd place in vote # #* 13 ...
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Melon Kinenbi
were an all-girl Japanese pop group within Hello! Project. They were formed after they successfully passed the 2nd Morning Musume & Michiyo Heike Imotobun Audition. Melon Kinenbi is the oldest group in the history of Hello! Project not to have changed any of its members since its formation. The band occasionally worked as dancers for other Hello! Project artists; they can, for instance, be seen in the music video for Maki Goto's single "Yaruki! It's Easy". The entire group officially graduated from the Hello! Project on March 31, 2009, along with the rest of the Elder Club. After their graduation, they collaborated with other Japanese punk-rock groups for several limited-release indie singles, and released their 4th album ''Melon's Not Dead''. Two days after the album release and just after their 10-year anniversary, the group announced that they would disband following their final tour activities in May 2010. The group performed together for the last time on May 3, at Nakano S ...
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Denwa Matteimasu
is the third single by Japanese girl group Melon Kinenbi. Its highest position on the Oricon , established in 1999, is the holding company at the head of a Japanese corporate group that supplies statistics and information on music and the music industry in Japan and Western music. It started as, which was founded by Sōkō Koike in Nov ... weekly chart was #53. Track listing # # # External linksDenwa Matteimasu at the Up-Front Works release list (Zetima)Japanese) 2001 singles Zetima Records singles Song recordings produced by Tsunku 2001 songs {{2000s-Japan-single-stub ...
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Melon Kinenbi Albums
A melon is any of various plants of the family Cucurbitaceae with sweet, edible, and fleshy fruit. The word "melon" can refer to either the plant or specifically to the fruit. Botanically, a melon is a kind of berry, specifically a "pepo". The word ''melon'' derives from Latin ', which is the latinization of the Greek (''mēlopepōn''), meaning "melon",. itself a compound of (''mēlon''), "apple, treefruit (''of any kind'')" and (''pepōn''), amongst others "a kind of gourd or melon". Many different cultivars have been produced, particularly of cantaloupes. History Melons originated in Africa or in the hot valleys of Southwest Asia, especially Iran and India, from where they gradually began to appear in Europe toward the end of the Western Roman Empire. Melons are known to have been grown by the ancient Egyptians. However, recent discoveries of melon seeds dated between 1350 and 1120 BCE in Nuragic sacred wells have shown that melons were first brought to Europe by t ...
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2006 Albums
The following is a list of albums, EPs, and mixtapes released in 2006. These albums are (1) original, i.e. excluding reissues, remasters, and compilations of previously released recordings, and (2) notable, defined as having received significant coverage from reliable sources independent of the subject. For additional information about bands formed, reformed, disbanded, or on hiatus, for deaths of musicians, and for links to musical awards, see 2006 in music. First quarter January February March Second quarter April May June Third quarter July August September Fourth quarter October November December References {{DEFAULTSORT:2006 albums Albums 2006 File:2006 Events Collage V1.png, From top left, clockwise: The 2006 Winter Olympics open in Turin; Twitter is founded and launched by Jack Dorsey; The Nintendo Wii is released; Montenegro 2006 Montenegrin independence referendum, votes to declare ...
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Kōsui (Melon Kinenbi Song)
is the seventh single by Japanese girl group Melon Kinenbi. It was released on October 23, 2002, and its highest position on the Oricon , established in 1999, is the holding company at the head of a Japanese corporate group that supplies statistics and information on music and the music industry in Japan and Western music. It started as, which was founded by Sōkō Koike in Nov ... weekly chart was #12. Track listing # # # External linksKōsui at the Up-Front Works release list (Zetima)(Japanese) 2002 singles Zetima Records singles Juice=Juice songs {{2000s-Japan-single-stub ...
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Eros
In Greek mythology, Eros (, ; grc, Ἔρως, Érōs, Love, Desire) is the Greek god of love and sex. His Roman counterpart was Cupid ("desire").''Larousse Desk Reference Encyclopedia'', The Book People, Haydock, 1995, p. 215. In the earliest account, he is a primordial god, while in later accounts he is described as one of the children of Aphrodite and Ares and, with some of his siblings, was one of the Erotes, a group of winged love gods. Etymology The Greek , meaning 'desire', comes from 'to desire, love', of uncertain etymology. R. S. P. Beekes has suggested a Pre-Greek origin. Cult and depiction Eros appears in ancient Greek sources under several different guises. In the earliest sources (the cosmogonies, the earliest philosophers, and texts referring to the mystery religions), he is one of the primordial gods involved in the coming into being of the cosmos. In later sources, however, Eros is represented as the son of Aphrodite, whose mischievous interventions ...
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Nikutai Wa Shōjiki Na Eros
is the fourteenth single by Japanese girl group Melon Kinenbi. It was released on February 9, 2005, and its highest position on the Oricon weekly chart was #21. This was the last of Melon Kinenbi's singles to be produced by Tsunku , known professionally as , is a Japanese singer, record producer, and songwriter. He is the lead singer of the rock band Sharam Q. As a songwriter, Tsunku is the primary producer for Morning Musume and other Hello! Project acts, such as Coconut ..., before fellow Sharam Q member Taisei took over. Track listing # # # External linksNikutai wa Shōjiki na Erosat the Up-Front Works release list (Japanese) 2005 singles 2005 songs Melon Kinenbi songs Song recordings produced by Tsunku Zetima Records singles Dance-pop songs {{2000s-Japan-single-stub ...
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Amai Anata No Aji
is the debut single of Japanese girl group Melon Kinenbi. It was used as the ending theme of the TBS show ''" Majutsu-shi Ōfen Revenge"''. Its highest position on the Oricon , established in 1999, is the holding company at the head of a Japanese corporate group that supplies statistics and information on music and the music industry in Japan and Western music. It started as, which was founded by Sōkō Koike in Nov ... weekly chart was #60. Track listings CD # # # External linksAmai Anata no Aji at the Up-Front Works release list (Zetima)(Japanese) 2000 singles Zetima Records singles Song recordings produced by Tsunku Songs written by Tsunku 2000 songs {{2000s-Japan-single-stub ...
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Kawaii Kare
is the eleventh single by Japanese girl group Melon Kinenbi. It was released on December 3, 2003. Chart position Its highest position on the Oricon , established in 1999, is the holding company at the head of a Japanese corporate group that supplies statistics and information on music and the music industry in Japan and Western music. It started as, which was founded by Sōkō Koike in Nov ... weekly chart was No. 14. Track listing # # # External linksKawaii Kareat the Up-Front Works release list (Japanese) 2003 singles 2003 songs Melon Kinenbi songs Zetima Records singles {{2000s-Japan-single-stub ...
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Mi Da Ra Matenrō
is the tenth single by Japanese girl group Melon Kinenbi. It was released on September 10, 2003, and its highest position on the Oricon , established in 1999, is the holding company at the head of a Japanese corporate group that supplies statistics and information on music and the music industry in Japan and Western music. It started as, which was founded by Sōkō Koike in Nov ... weekly chart was #15. Track listing # # # External linksMi Da Ra Matenrōat the Up-Front Works release list (Japanese) 2003 singles 2003 songs Melon Kinenbi songs Song recordings produced by Tsunku Zetima Records singles {{2000s-Japan-single-stub ...
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Saa! Koibito Ni Narō
is the fifth single by Japanese girl group Melon Kinenbi. It was released on February 14, 2002, and its highest position on the Oricon , established in 1999, is the holding company at the head of a Japanese corporate group that supplies statistics and information on music and the music industry in Japan and Western music. It started as, which was founded by Sōkō Koike in Nov ... weekly chart was #20. It served as the ending theme for ''Aidoru wo Sagase!''. Track listing Personnel * Melon Kinenbi – vocals * Suzuki Daichi Hideyuki – programmer, guitar * Hiroshi Yamazaki – bass * Masato Omiya – percussion * Atsushi Shindo – vocals External linksSaa! Koibito ni Narō at the Up-Front Works release list (Zetima)(Japanese) 2002 singles 2002 songs Melon Kinenbi songs Song recordings produced by Tsunku Zetima Records singles {{2000s-Japan-single-stub ...
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J-pop
J-pop ( ja, ジェイポップ, ''jeipoppu''; often stylized as J-POP; an abbreviated form of "Japanese popular music"), natively also known simply as , is the name for a form of popular music that entered the musical mainstream of Japan in the 1990s. Modern J-pop has its roots in traditional music of Japan, and significantly in 1960s pop and rock music. J-pop replaced ''kayōkyoku'' ("Lyric Singing Music", a term for Japanese popular music from the 1920s to the 1980s) in the Japanese music scene. J-rock bands such as Happy End fused the Beatles and Beach Boys-style rock with Japanese music in the 1960s1970s. J-country had popularity during the international popularity of Westerns in the 1960s1970s as well, and it still has appeal due to the work of musicians like Charlie Nagatani and venues including Little Texas, Tokyo. J-rap became mainstream with producer Nujabes and his work on ''Samurai Champloo'', Japanese pop culture is often seen with anime in hip hop. Other trends ...
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