French Composers
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French Composers
This is an alphabetical list of composers from France. A–B * Eryck Abecassis (born 1956) * Jean-Baptiste Accolay (1833–1900) * Adolphe Adam (1803–1856) * François d'Agincourt (1684–1758) * Léopold Aimon (1779–1866) * Jehan Alain (1911–1940) * Paul Alday (c. 1763 – 1835) * Charles-Valentin Alkan (1813–1888) * Joseph-Henri Altès (1826–1895) * Jean-Claude Amiot (born 1939) * Gilbert Amy (born 1936) * Édouard Ignace Andlauer (1830–1909) * Bernard Andrès (born 1941) * Jean-Henri d'Anglebert (1629–1691) * Jean-Baptiste Arban (1825–1889) * Daniel Auber (1782–1871) * Jacques Aubert (1689–1753) * Louis Aubert (1877–1968) * Olivier Aubert (1763–c.1830) * Tony Aubin (1907–1981) * Edmond Audran (1840–1901) * Georges Auric (1899–1983) * Artus Aux-Cousteaux (c. 1590 – 1656) * Nicolas Bacri (born 1961) * Pierre Baillot (1771–1842) * Claude Balbastre (1724–1799) * Auguste Barbereau (1799–1879) * Jean Barraqué (1928–1973 ...
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Messiaen 1937 4
Olivier Eugène Prosper Charles Messiaen (, ; ; 10 December 1908 â€“ 27 April 1992) was a French composer, organist, and ornithology, ornithologist who was one of the major composers of the 20th-century classical music, 20th century. His music is rhythmically complex; Harmony, harmonically and melody, melodically he employs a system he called ''modes of limited transposition'', which he abstracted from the systems of material generated by his early compositions and improvisations. He wrote music for chamber ensembles and orchestra, vocal music, as well as for solo organ and piano, and also experimented with the use of novel electronic instruments developed in Europe during his lifetime. Messiaen entered the Conservatoire de Paris, Paris Conservatoire at the age of 11 and studied with Paul Dukas, Maurice Emmanuel, Charles-Marie Widor and Marcel Dupré, among others. He was appointed organist at the Église de la Sainte-Trinité, Paris, in 1931, a post held for 61 years until ...
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Jehan Alain
Jehan-Aristide Paul Alain (; 3 February 1911 – 20 June 1940) was a French organist, composer, and soldier. Born into a family of musicians, he learned the organ from his father and a host of other teachers, becoming a composer at 18, and composing until the outbreak of the Second World War 10 years later. His compositional style was influenced by the musical language of the earlier Claude Debussy, as well as his interest in music, dance and philosophy of the far east. At the outbreak of the Second World War, Alain became a dispatch rider in the Eighth Motorised Armour Division of the French Army; he took part in the Battle of Saumur, in which he was killed. His younger brother was composer-organist-pianist-musicologist Olivier Alain and his younger sister was renowned organist Marie-Claire Alain who was also responsible for popularising his works. Biography Alain was born in Saint-Germain-en-Laye in the western suburbs of Paris, into a family of musicians. His father, Albert ...
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Olivier Aubert
Pierre François Olivier Aubert (1763 – c.1830) was a French cellist, guitarist and composer. He mostly abbreviated his name as "P. F. Olivier Aubert". Biography Aubert was born in Amiens. After having received initial musical training in his home town, he studied the cello autodidactically. In 1787 he is first mentioned as a cello teacher in Paris. He played in various musical theatres and opera houses and was a member of the orchestra of the Opéra-Comique for 25 years. After having heard Ferdinando Carulli perform in Paris in 1808, he also turned to the guitar; it is not known whether he had any formal tuition on this instrument. His chief merit is having published two good instruction books for the cello at a time when works of that kind were rare and much needed. Besides solo music for his two instruments, he wrote also chamber music including string quartets. In a pamphlet entitled ''Histoire abrégée de la musique ancienne et moderne'' he expressed his opinion abo ...
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Louis Aubert
Louis François Marie Aubert (19 February 1877 – 9 January 1968) was a French composer. Biography Born in Paramé, Ille-et-Vilaine, Louis Aubert was a child prodigy. His parents, recognizing their son's musical talent, sent him to Paris to receive an education at an early age. He became recognised for his voice, primarily for his renditions of the ''Pie Jesu'' from Gabriel Fauré's Requiem at the Église de la Madeleine. The young Aubert met Fauré at the Paris Conservatoire, and he regularly attended at his composition classes, which greatly influenced his development. Aubert became an excellent pianist. In 1911, he premiered Maurice Ravel's ''Valses nobles et sentimentales'', which were written for and dedicated to him. He also worked as a piano and composition teacher, both privately and on the faculty of the Conservatoire de Paris. He counted among his students Henry Barraud, Jean-Marie Beaudet, Jean Berger, Marinus Flipse, and Georges Savaria. He composed music for the ...
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Jacques Aubert
Jacques Aubert (30 September 1689 – 19 May 1753), also known as Jacques Aubert le Vieux (Jacques Aubert the Elder), was a French composer and violinist of the Baroque period. From 1727 to 1746, he was a member of the Vingt-quatre Violons du Roy; from 1728 to 1752, he was the first violinist with the Paris Opera orchestra; and from 1729 to 1740, he frequently and successfully appeared as a soloist with the Concert Spirituel, performing, among other works, concertos for violin and orchestra of his own composition."Aubert family"
Grove Music online.


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Aubert was born in Paris and ...
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Daniel Auber
Daniel-François-Esprit Auber (; 29 January 178212 May 1871) was a French composer and director of the Paris Conservatoire. Born into an artistic family, Auber was at first an amateur composer before he took up writing operas professionally when the family's fortunes failed in 1820. He soon established a professional partnership with the librettist Eugène Scribe that lasted for 41 years and produced 39 operas, most of them commercial and critical successes. He is mostly associated with opéra-comique and composed 35 works in that genre. With Scribe he wrote the first French grand opera, ''La Muette de Portici'' (The Dumb Woman of Portici) in 1828, which paved the way for the large-scale works of Giacomo Meyerbeer. Auber held two important official musical posts. From 1842 to 1871 he was director of France's premier music academy, the Paris Conservatoire, which he expanded and modernised. From 1852 until the fall of the Second Empire in 1870 he was director of the imperial chap ...
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Jean-Baptiste Arban
Joseph Jean-Baptiste Laurent Arban (28 February 1825 – 8 April 1889) was a cornetist, conductor, composer, pedagogue and the first famed virtuoso of the '' cornet à piston'' or valved cornet. He was influenced by Niccolò Paganini's virtuosic technique on the violin and successfully proved that the cornet was a true solo instrument by developing virtuoso technique on the instrument. Life Arban was born in Lyon, France, one of ten children of Simon Arban, artificier. An older brother was the balloonist Francisque Arban. He studied trumpet with François Dauverné at the Paris Conservatoire from 1841 to 1845. After graduating from the Conservatory with honors, Arban began to master the cornet. He was appointed professor of saxhorn at the École Militaire in 1857, and became professor of cornet at the Conservatoire in 1869, where Merri Franquin was among his students. In 1864, he published his influential '' Grande méthode complète pour cornet à pistons et de saxhorn''. In 18 ...
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Jean-Henri D'Anglebert
Jean-Henri d'Anglebert ( baptized 1 April 1629 – 23 April 1691) was a French composer, harpsichordist and organist. He was one of the foremost keyboard composers of his day. Life D'Anglebert's father Claude Henry known as AnglebertJean constructed himself a new name, to suggest nobility, using his surname (Henry) as a second given name, and his father's nickname, Anglebert, to suggest land ownership was an affluent shoemaker in Bar-le-Duc. Nothing is known about the composer's early years and musical education. Since he at one time composed a tombeau for Jacques Champion de Chambonnières, it is possible that Chambonnières was his teacher—or at any rate a friend for whom D'Anglebert had much respect. The earliest surviving manuscript with D'Anglebert's music dates from 1650–1659. It also contains music by Louis Couperin and Chambonnières, and possibly originated in their immediate circle; thus already by the mid-1650s D'Anglebert must have been closely associated with th ...
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Bernard Andrès
Bernard (''Bernhard'') is a French and West Germanic masculine given name. It is also a surname. The name is attested from at least the 9th century. West Germanic ''Bernhard'' is composed from the two elements ''bern'' "bear" and ''hard'' "brave, hardy". Its native Old English reflex was ''Beornheard'', which was replaced by the French form ''Bernard'' that was brought to England after the Norman Conquest. The name ''Bernhard'' was notably popular among Old Frisian speakers. Its wider use was popularized due to Saint Bernhard of Clairvaux (canonized in 1174). Bernard is the second most common surname in France. Geographical distribution As of 2014, 42.2% of all known bearers of the surname ''Bernard'' were residents of France (frequency 1:392), 12.5% of the United States (1:7,203), 7.0% of Haiti (1:382), 6.6% of Tanzania (1:1,961), 4.8% of Canada (1:1,896), 3.6% of Nigeria (1:12,221), 2.7% of Burundi (1:894), 1.9% of Belgium (1:1,500), 1.6% of Rwanda (1:1,745), 1.2% of Germany ( ...
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Édouard Ignace Andlauer
Édouard Ignace Andlauer (15 December 1830 – 14 December 1909) was a French composer and organist. Life Andlauer was born in Andlau (Alsace) where his father was a schoolteacher. From a very early age, he showed aptitudes for music. After receiving his first musical instruction in his father's home, he took organ lessons from Joseph Wackenthaler, organist of the Cathédrale Notre-Dame de Strasbourg, and piano lessons with Conrad Berg. His musical talent developed rapidly and he entered the Royal Conservatory of Brussels, directed by François-Joseph Fétis, as student of Jacques-Nicolas Lemmens, and Charles Auguste de Bériot. He won the first prize for harmony and organ.. At the end of his studies, on 1 September 1848 at the age of just 18, he obtained, in competition, the vacant position of organist at St. George's Church, Haguenau. In addition to his position as organist, he headed the ''Société chorale'' from 1857 to 1861. A distinguished teacher, Andlauer trained ma ...
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Gilbert Amy
Gilbert Amy (born 29 August 1936) is a French composer and conductor. Career Born in Paris, Amy entered the Conservatoire de Paris in 1954, where he was taught and influenced by Olivier Messiaen and Darius Milhaud and studied piano with Yvonne Loriod and fugue with Simone Plé-Caussade. His first composition (''Œil de fumée'') dates from 1955. In 1957 he met Pierre Boulez, under whose direction he composed his Piano Sonata. A year later Boulez commissioned from him a work called ''Mouvements'', which was performed in Darmstadt by the Orchestre du Domaine musical. From 1958 to 1961 he attended the Darmstädter Ferienkurse given by Karlheinz Stockhausen. In 1962 Jean-Louis Barrault named him adjunct music director of the Odéon Theater in Paris. At the same time he undertook a career as conductor in Europe and Argentina. Between 1967 and 1973 he was the director of the Domaine Musical, succeeding Pierre Boulez. From 1973 to 1975 he was music advisor to ORTF and worked to "refor ...
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Jean-Claude Amiot
Jean-Claude Amiot (born 18 October 1939 in Vichy) is a French composer, music professor and conductor. Amiot studied at Music conservatory in Le Mans as a violinist, later taking piano lessons. From 1955 he studied in Lyon with César Geoffray. From 1963 he attended the ''Scola Cantorum'' in Paris under Edmond Pendelton. In 1964 Amiot moved to New York City where he worked with Dimitris Mitropoulos, Leonard Bernstein and Leopold Stokowski who encouraged him to pursue his career in music. On returning to France in 1968, Amiot became director of the Mâcon branch of the Ecole Nationale de Musique, and, from 1983, director of the Conservatoire national de région of Clermont-Ferrand, a post held until his retirement in 2000. Works Amiot has written over a hundred works, including those noted below. Other notable compositions include the choral symphony ''1789, pour la Révolution'' (1989), performed before an audience of 80000 at the peak of the Puy-de-Dôme. Orchestral ...
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