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Fred Sullivan
Frederic Sullivan ( – ) was an English people, English actor and singer. He is best remembered as the creator of the role of the Learned Judge in Gilbert and Sullivan's ''Trial by Jury'', providing a model for the comic roles in the later Savoy Operas composed by his brother Arthur Sullivan. By 1870, Sullivan had abandoned architecture for a career on stage. In 1871, he first performed the role of Mr. Cox in a revival of his brother's first comic opera, ''Cox and Box'', and later that year created the role of Apollo in the first Gilbert and Sullivan opera, ''Thespis (opera), Thespis''. He then remained with the Gaiety Theatre, London, Gaiety Theatre company, playing in Jacques Offenbach pieces, among others. In 1874 he played in comic operas on tour and in other London theatres. In 1875, he created the role of the Learned Judge in ''Trial by Jury'', also playing in the accompanying Offenbach piece,'' La Périchole'', and earning enthusiastic reviews. He then toured in ''T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fred Sullivan
Frederic Sullivan ( – ) was an English people, English actor and singer. He is best remembered as the creator of the role of the Learned Judge in Gilbert and Sullivan's ''Trial by Jury'', providing a model for the comic roles in the later Savoy Operas composed by his brother Arthur Sullivan. By 1870, Sullivan had abandoned architecture for a career on stage. In 1871, he first performed the role of Mr. Cox in a revival of his brother's first comic opera, ''Cox and Box'', and later that year created the role of Apollo in the first Gilbert and Sullivan opera, ''Thespis (opera), Thespis''. He then remained with the Gaiety Theatre, London, Gaiety Theatre company, playing in Jacques Offenbach pieces, among others. In 1874 he played in comic operas on tour and in other London theatres. In 1875, he created the role of the Learned Judge in ''Trial by Jury'', also playing in the accompanying Offenbach piece,'' La Périchole'', and earning enthusiastic reviews. He then toured in ''T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lambeth
Lambeth () is a district in South London, England, in the London Borough of Lambeth, historically in the County of Surrey. It is situated south of Charing Cross. The population of the London Borough of Lambeth was 303,086 in 2011. The area experienced some slight growth in the medieval period as part of the manor of Lambeth Palace. By the Victorian era the area had seen significant development as London expanded, with dense industrial, commercial and residential buildings located adjacent to one another. The changes brought by World War II altered much of the fabric of Lambeth. Subsequent development in the late 20th and early 21st centuries has seen an increase in the number of high-rise buildings. The area is home to the International Maritime Organization. Lambeth is home to one of the largest Lusophone, Portuguese-speaking communities in the UK, and is the second most commonly spoken language in Lambeth after English language, English. History Medieval The origins of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Weston's Music Hall
Weston's Music Hall was a music hall and theatre that opened on 16 November 1857 at 242-245 High Holborn in London, England. In 1906, the theatre became known as the Holborn Empire. History Early years The theatre was constructed on the site of the ''Six Cans and Punch Bowl Tavern''. Edward Weston, nephew of the previous licensee of the pub, bought the former Holborn National Schoolrooms immediately behind the pub and rebuilt it as a music hall in six months. This purpose built hall was his response to the success of Charles Morton's Canterbury Music Hall in Lambeth. In 1861, Morton struck back by opening the Oxford Music Hall, nearby in Oxford Street; a development Weston opposed on the grounds there were already too many music halls in the area.Weston's Music Hall, at Arthur Lloyd music hall history 31 Mar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Les Deux Aveugles
''Les deux aveugles'' (, ''The Two Blind Men'' or ''The Blind Beggars'') is an 1855 one-act French ''bouffonerie musicale'' (operetta) by Jacques Offenbach.Lamb 1992, p. 1143. The libretto was written by Jules Moinaux and was a condensation of his 3-act ''Les musiciens ambulants''. The half-hour long piece is a comic sketch about two (supposedly) blind beggars, consisting of an overture and four numbers. Offenbach was bold in making light of the disabled poor, but he believed that his patrons would see the humour of the piece. Most Parisians had been pestered by beggars on Parisian street corners, and Offenbach's blind beggars were con men, rather than deserving outcasts of society. The little piece was an instant hit, praised for its catchy dance tunes, and it soon spread Offenbach's name and music around the world. Performance history ''Les deux aveugles'' premiered on the opening night of the Bouffes-Parisiens on 5 July 1855 at the company's first theatre, the tiny Salle ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Selina Dolaro
Selina Simmons Belasco Dolaro (20 August 1849 – 23 January 1889) was an English singer, actress, theatre manager and writer of the late Victorian era. During her career in operetta and other forms of musical theatre, she managed several of her own opera companies and directed the Royalty Theatre in London. She is best remembered as a producer of the original production of ''Trial by Jury'' by Gilbert and Sullivan. Dolaro sang the title role in the opera ''Carmen'' in the first English language version of that opera with the Carl Rosa Opera Company. She also wrote plays and novels. Early life Dolaro was born in London to Jewish parents, Benjamin Simmons, a violinist and conductor, and Julia (''née'' Lewis).Siegel, Michele"Selina Dolaro" ''Jewish Women: A Comprehensive Historical Encyclopedia'', 1 March 2009, Jewish Women's Archive, accessed 12 January 2010 She received early music lessons from her father's colleagues, and she attended the Paris Conservatory as a teenager ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard D'Oyly Carte
Richard D'Oyly Carte (; 3 May 1844 – 3 April 1901) was an English talent agent, theatrical impresario, composer, and hotelier during the latter half of the Victorian era. He built two of London's theatres and a hotel empire, while also establishing an opera company that ran continuously for over a hundred years and a management agency representing some of the most important artists of the day. Carte started his career working for his father, Richard Carte, in the music publishing and musical instrument manufacturing business. As a young man he conducted and composed music, but he soon turned to promoting the entertainment careers of others through his management agency. Carte believed that a school of wholesome, well-crafted, family-friendly, English comic opera could be as popular as the risqué French works dominating the London musical stage in the 1870s. To that end he brought together the dramatist W. S. Gilbert and composer Arthur Sullivan and nurtured their collaboration ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Temple (opera Singer)
Richard Barker Cobb Temple (2 March 1846 – 19 October 1912) was an English opera singer, actor and stage director, best known for his performances in the bass-baritone roles in the famous series of Gilbert and Sullivan comic operas. After an opera career in London and throughout Britain beginning in 1869, Temple joined the D'Oyly Carte Opera Company in 1877. There, he created most of the bass-baritone roles in the Savoy Operas, as follows: Sir Marmaduke in ''The Sorcerer'' (1877), Dick Deadeye in ''H.M.S. Pinafore'' (1878), the Pirate King in the London production of ''The Pirates of Penzance'' (1880), Colonel Calverley in ''Patience'' (1881), Arac in ''Princess Ida'' (1884), the title character in ''The Mikado'', Sir Roderic in ''Ruddigore'' and Sergeant Meryll in ''The Yeomen of the Guard'' (1888). He also played the baritone roles of Strephon in the original production of ''Iolanthe'' (1882), and Giuseppe in the New York production of ''The Gondoliers'' (1890). During the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alhambra Theatre
The Alhambra was a popular theatre and music hall located on the east side of Leicester Square, in the West End of London. It was built originally as the Royal Panopticon of Science and Arts opening on 18 March 1854. It was closed after two years and reopened as the Alhambra. The building was demolished in 1936. The name was also adopted by many other British music hall theatres located elsewhere; in Bradford, in Hull and in Glasgow etc. The name comes from association with the Moorish splendour of the Alhambra palace in Granada, Spain. History Origins The Alhambra was originally known as the Royal Panopticon and was a landmark building at 23–27 Leicester Square, completed in 1854 by T. Hayter Lewis as a venue for showcasing the finest in the arts and for scientific demonstrations and popular education. This lasted for two years, and then the decision to add a circus ring was taken. When it reopened on 3 April 1858 it was renamed the Alhambra. The 1858 building conversion to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Royalty Theatre
The Royalty Theatre was a small London theatre situated at 73 Dean Street, Soho. Established by the actress Frances Maria Kelly in 1840, it opened as Miss Kelly's Theatre and Dramatic School and finally closed to the public in 1938.Royalty Theatre at the Arthur Lloyd site accessed 23 March 2007 The architect was . The theatre's opening was ill-fated, and it was little used for a decade. It changed its name twice and was used by an opera company, amateur drama companies and for French pieces. In 1861, it was renamed the New Royalty Theatre, and the next year it was leased by Mrs Charles Selby, who enlarged it from 20 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Reece
Robert Reece (2 May 1838 – 8 July 1891) was a British comic playwright and librettist active in the Victorian era. He wrote many successful musical burlesques, comic operas, farces and adaptations from the French, including the English-language adaptation of the operetta ''Les cloches de Corneville'', which became the longest-running piece of musical theatre in history up to that time. He sometimes collaborated with Henry Brougham Farnie or others. Early life and career Reece was born in the island of Barbados, West Indies. His father, Robert Reece (1808–1874), was a barrister of the Inner Temple. Reece matriculated from Balliol College, Oxford in 1857 and received his B.A. in 1860 and his M.A. in 1864. He was admitted a student at the Inner Temple in 1860 but was not called to the bar. For a short time he was a medical student. Between 1861 and 1863, he was an extra clerk in the office of the ecclesiastical commissioners, and from 1864 to 1868 an extra temporary clerk ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Victorian Burlesque
Victorian burlesque, sometimes known as travesty or extravaganza, is a genre of theatrical entertainment that was popular in Victorian era, Victorian England and in the New York theatre of the mid-19th century. It is a form of parody music, parody in which a well-known opera or piece of classical theatre or ballet is adapted into a broad comic play, usually a musical play, usually risqué in style, mocking the theatrical and musical conventions and styles of the original work, and often quoting or pastiche, pastiching text or music from the original work. Victorian burlesque is one of several forms of burlesque. Like ballad opera, burlesques featured musical scores drawing on a wide range of music, from popular contemporary songs to operatic arias, although later burlesques, from the 1880s, sometimes featured original scores. Dance played an important part, and great attention was paid to the staging, costumes and other spectacular elements of stagecraft, as many of the pieces we ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Technical Drawing
Technical drawing, drafting or drawing, is the act and Academic discipline, discipline of composing Plan (drawing), drawings that Visual communication, visually communicate how something functions or is constructed. Technical drawing is essential for communicating ideas in Manufacturing, industry and engineering. To make the drawings easier to understand, people use familiar symbols, Perspective (graphical), perspectives, units of measurement, notation systems, visual styles, and page layout. Together, such Convention (norm), conventions constitute a visual language and help to ensure that the drawing is unambiguous and relatively easy to understand. Many of the symbols and principles of technical drawing are codified in an international standard called ISO 128. The need for precise communication in the preparation of a functional document distinguishes technical drawing from the expressive drawing of the visual arts. Artistic drawings are subjectively interpreted; their meanin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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