|
François Ruhlmann
François Ruhlmann (11 January 1868 – 8 June 1948) was a Belgian conductor. Life and career Born in Brussels, Ruhlmann was a pupil of Joseph Dupont in his native city. As a child he sang in the chorus at the Théâtre Royal de la Monnaie, and at 7 played the oboe in the orchestra. Ruhlmann's first conducting engagement was at the Théâtre des Arts in Rouen in 1892. This was followed by further work in Liège and Antwerp, before a return to the Théâtre Royal de la Monnaie in 1898. François Ruhlmann began his career at the Opéra-Comique, Paris on 6 September 1905 (with '' Carmen''), then at the death of Alexandre Luigini became principal conductor in 1906 (retiring from the position in 1914). Although mobilised in 1914, he returned occasionally during the war to conduct. From 1911 he conducted at the theatre of the Casino of Aix-les-Bains. Later he championed works by Dukas, Debussy, Fauré and Ravel at the Concerts Populaires in Brussels. In 1920 Ruhlmann tried to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
François Ruhlmann Par Charles Gir
François () is a French masculine given name and surname, equivalent to the English name Francis. People with the given name * Francis I of France, King of France (), known as "the Father and Restorer of Letters" * Francis II of France, King of France and King consort of Scots (), known as the husband of Mary Stuart, Queen of Scots * François Amoudruz (1926–2020), French resistance fighter * François-Marie Arouet (better known as Voltaire; 1694–1778), French Enlightenment writer, historian, and philosopher *François Aubry (other), several people * François Baby (other), several people * François Beauchemin (born 1980), Canadian ice hockey player for the Anaheim Duck *François Blanc (1806–1877), French entrepreneur and operator of casinos *François Boucher (other), several people *François Caron (other), several people * François Cevert (1944–1973), French racing driver * François Chau (born 1959), Cambodian American actor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Snegurochka (opera)
''The Snow Maiden'' (subtitle: A Spring Fairy Tale) ( rus, Снегурочка–весенняя сказка, Snegúrochka–vesénnyaya skázka, italic=yes ) is an opera in four acts with a prologue by Nikolai Rimsky-Korsakov, composed during 1880–1881. The Russian libretto, by the composer, is based on the like-named play by Alexander Ostrovsky (which had premiered in 1873 with incidental music by Tchaikovsky). The first performance of Rimsky-Korsakov's opera took place at the Mariinsky Theatre, Saint Petersburg on 29 January 1882 ( OS; 10 February NS) conducted by Eduard Nápravník. By 1898 it was revised in the edition known today. It remained the composer's own favorite work. Analysis The story deals with the opposition of eternal forces of nature and involves the interactions of mythological characters (Frost, Spring, Wood-Sprite), real people (Kupava, Mizgir'), and those in-between, i.e., half-mythical, half-real (Snow Maiden, Lel’, Berendey). The comp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Il Trovatore
''Il trovatore'' ('The Troubadour') is an opera in four acts by Giuseppe Verdi to an Italian libretto largely written by Salvadore Cammarano, based on the play ''El trovador'' (1836) by Antonio García Gutiérrez. It was García Gutiérrez's most successful play, one which Verdi scholar Julian Budden describes as "a high flown, sprawling melodrama flamboyantly defiant of the Aristotelian unities, packed with all manner of fantastic and bizarre incident." The premiere took place at the Teatro Apollo in Rome on 19 January 1853, where it "began a victorious march throughout the operatic world," a success due to Verdi's work over the previous three years. It began with his January 1850 approach to Cammarano with the idea of ''Il trovatore''. There followed, slowly and with interruptions, the preparation of the libretto, first by Cammarano until his death in mid-1852 and then with the young librettist Leone Emanuele Bardare, which gave the composer the opportunity to propose signifi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Faust (opera)
''Faust'' is an opera in five acts by Charles Gounod to a French libretto by Jules Barbier and Michel Carré from Carré's play ''Faust et Marguerite'', in turn loosely based on Johann Wolfgang von Goethe's ''Faust, Part One''. It debuted at the Théâtre Lyrique on the Boulevard du Temple in Paris on 19 March 1859, with influential sets designed by Charles-Antoine Cambon and Joseph Thierry, Jean Émile Daran, Édouard Desplechin, and Philippe Chaperon. Performance history The original version of Faust employed spoken dialogue, and it was in this form that the work was first performed. The manager of the Théâtre Lyrique, Léon Carvalho cast his wife Caroline Miolan-Carvalho as Marguerite and there were various changes during production, including the removal and contraction of several numbers. The tenor Hector Gruyer was originally cast as Faust but was found to be inadequate during rehearsals, being eventually replaced by a principal of the Opéra-Comique, Joseph-Théodore ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rigoletto
''Rigoletto'' is an opera in three acts by Giuseppe Verdi. The Italian libretto was written by Francesco Maria Piave based on the 1832 play ''Le roi s'amuse'' by Victor Hugo. Despite serious initial problems with the Austrian censors who had control over northern Italian theatres at the time, the opera had a triumphant premiere at La Fenice in Venice on 11 March 1851. The work, Verdi's sixteenth in the genre, is widely considered to be the first of the operatic masterpieces of Verdi's middle-to-late career. Its tragic story revolves around the licentious Duchy of Mantua, Duke of Mantua, his hunch-backed court jester Rigoletto, and Rigoletto's daughter Gilda. The opera's original title, ''La maledizione'' (The Curse), refers to a curse placed on both the Duke and Rigoletto by a courtier whose daughter the Duke has seduced with Rigoletto's encouragement. The curse comes to fruition when Gilda falls in love with the Duke and sacrifices her life to save him from the assassin hired by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pathé Records
Pathé Records was an international record company and label and producer of phonographs, based in France, and active from the 1890s through the 1930s. Early years The Pathé record business was founded by brothers Charles and Émile Pathé, then owners of a successful bistro in Paris. In the mid-1890s, they began selling Edison and Columbia phonographs and accompanying cylinder records. Shortly thereafter, the brothers designed and sold their own phonographs. These incorporated elements of other brands. Soon after, they also started marketing pre-recorded cylinder records. By 1896 the Pathé brothers had offices and recording studios not only in Paris, but also in London, Milan, and St. Petersburg. Pathé cylinders and discs In 1894, the Pathé brothers started selling their own phonographs. The earliest Pathé offerings were phonograph cylinders. Pathé manufactured cylinder records until approximately 1914. In addition to standard size cylinder records (), Pathé produc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antoine Mariotte
Antoine Mariotte (22 December 187530 November 1944) was a French composer, conductor and music administrator. Biography Mariotte was born in Avignon (Vaucluse) in 1875. After studies at the School of Saint-Michel in Saint-Étienne, he entered naval school aged 15. In 1894, while serving on the frigate ''Iphigénie'', he wrote to a friend that he missed music and if he had the means he would go to the Conservatoire de Paris. While still split between the life of a sailor and musician, he worked away on harmony. He took part in campaigns on board the ''Forfait'' in the South China Sea, then on the ''Vinh-Long'', where he witnessed the closing stages of the Sino-Japanese War. He brought back sketches that became the suite ''Kakémonos'', initially written for the piano, but later orchestrated and performed at the Concerts Poulet on 29 January 1923 (''Panorama, Geishas, Temple au Crépuscule, Fête''). In the Far East he read the Oscar Wilde play '' Salome'', and decided to s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Vida Breve (opera)
''La vida breve '' (Spanish ''Life is Short'' or ''The Brief Life'') is an opera in two acts and four scenes by Manuel de Falla to an original Spanish libretto by Carlos Fernández-Shaw. Local (Andalusian) dialect is used. It was written between August 1904 and March 1905, but not produced until 1913. The first performance was given (in a French translation by Paul Millet) at the Casino Municipal in Nice on 1 April 1913.Ronald Crichton: "La vida breve", ''Grove Music Online'' ed. L. Macy (Accessed June 18, 2009)(subscription access)/ref> Paris and Madrid performances followed, later in 1913 and in 1914 respectively. Claude Debussy played a major role in influencing Falla to transform it from the number opera it was at its Nice premiere to an opera with a more continuous musical texture and more mature orchestration. This revision was first heard at the Paris premiere at the Opéra-Comique in December 1913, and is the standard version. Only an hour long, the complete opera is s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thérèse (opera)
''Thérèse'' is an opera in two acts by Jules Massenet to a French libretto by Jules Claretie. While ''Thérèse'' remains among Massenet's lesser-known works, the piece has spawned a number of revivals and recordings. First performed in Monte Carlo in 1907, it has a running time of approximately 70 minutes. Notable recordings of the work include a 1970s Richard Bonynge version for Decca, featuring Huguette Tourangeau in the title role, as well as a 2013 version by Alain Altinoglu. Performance history ''Thérèse'' was first performed at the Opéra de Monte-Carlo on 7 February 1907, featuring Lucy Arbell in the title role, Edmond Clément as Armand de Clerval and Hector Dufranne as André Thorel. For the Paris premiere at the Opéra-Comique in 1911, Arbell and Clément repeated their roles, while the off-stage harpsichord in the minuet was played by Louis Diémer; the work on this occasion was paired in a double-bill with the premiere of Ravel's ''L'heure espagnole''. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
L’heure Espagnole
''L'heure espagnole'' is a French one-act opera from 1911, described as a ''comédie musicale'', with music by Maurice Ravel to a French libretto by Franc-Nohain, based on Franc-Nohain's 1904 play ('comédie-bouffe') of the same nameStoullig E. ''Les Annales du Théâtre et de la Musique, 30eme edition, 1904.'' Librairie Paul Ollendorff, Paris, 1905.Roland-Manuel, p. 52: When Franc-Nohain heard Ravel play the work through to him for the first time, he apparently looked at his watch and said to Ravel "56 minutes". The opera, set in Spain in the 18th century, is about a clockmaker whose unfaithful wife attempts to make love to several different men while he is away, leading to them hiding in, and eventually getting stuck in, her husband's clocks. The title can be translated literally as "The Spanish Hour", but the word "heure" more importantly means "time" – "Spanish Time", with the connotation "How They Keep Time in Spain". The original play had first been performed at the Thé ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
