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Frank Sinatra And The 3 Flashes
The Hoboken Four was a musical quartet formed in 1935, uniting a trio of Italian-American musicians who called themselves the 3 Flashes with aspiring singer Frank Sinatra. The trio had been based in Hoboken, New Jersey, before meeting Sinatra in 1934, after which Sinatra drove them and their instruments to gigs outside the city and occasionally performed with them. Following their winning performance on the ''Major Bowes Amateur Hour'' on September 8, 1935, the newly-formed quartet embarked on a seven-month tour of the central and western United States and Canada with one of Major Bowes' touring companies. Tensions between the quartet members escalated, however, to the point that Sinatra was regularly beaten by the other members, and he quit the tour halfway through. He returned to Hoboken to pursue a solo career, while the rest of the group disbanded after the tour ended. History The original trio was composed of three Italian Americans who were childhood friends on Sixth Stree ...
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The Hoboken Four On The Major Bowes Amateur Hour
''The'' () is a grammatical Article (grammar), article in English language, English, denoting persons or things already mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the Most common words in English, most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with pronouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant s ...
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Cole Porter
Cole Albert Porter (June 9, 1891 – October 15, 1964) was an American composer and songwriter. Many of his songs became standards noted for their witty, urbane lyrics, and many of his scores found success on Broadway and in film. Born to a wealthy family in Indiana, Porter defied his grandfather's wishes for him to practice law and took up music as a profession. Classically trained, he was drawn to musical theatre. After a slow start, he began to achieve success in the 1920s, and by the 1930s he was one of the major songwriters for the Broadway musical stage. Unlike many successful Broadway composers, Porter wrote the lyrics as well as the music for his songs. After a serious horseback riding accident in 1937, Porter was left disabled and in constant pain, but he continued to work. His shows of the early 1940s did not contain the lasting hits of his best work of the 1920s and 1930s, but in 1948 he made a triumphant comeback with his most successful musical, ''Kiss Me, Kate ...
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Musical Groups Established In 1935
Musical is the adjective of music. Musical may also refer to: * Musical theatre, a performance art that combines songs, spoken dialogue, acting and dance * Musical film and television, a genre of film and television that incorporates into the narrative songs sung by the characters * MusicAL, an Albanian television channel * Musical isomorphism, the canonical isomorphism between the tangent and cotangent bundles See also * Lists of musicals * Music (other) * Musica (other) * Musicality Musicality (''music -al -ity'') is "sensitivity to, knowledge of, or talent for music" or "the quality or state of being musical", and is used to refer to specific if vaguely defined qualities in pieces and/or genres of music, such as melodiousnes ...
, the ability to perceive music or to create music * {{Music disambiguation ...
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Library Of Congress
The Library of Congress (LOC) is the research library that officially serves the United States Congress and is the ''de facto'' national library of the United States. It is the oldest federal cultural institution in the country. The library is housed in three buildings on Capitol Hill in Washington, D.C.; it also maintains a conservation center in Culpeper, Virginia. The library's functions are overseen by the Librarian of Congress, and its buildings are maintained by the Architect of the Capitol. The Library of Congress is one of the largest libraries in the world. Its "collections are universal, not limited by subject, format, or national boundary, and include research materials from all parts of the world and in more than 470 languages." Congress moved to Washington, D.C., in 1800 after holding sessions for eleven years in the temporary national capitals in New York City and Philadelphia. In both cities, members of the U.S. Congress had access to the sizable collection ...
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Keansburg, New Jersey
Keansburg (, Felzenberg, Alvin''Governor Tom Kean: From the New Jersey Statehouse to the 9-11 Commission'' p. 5. Rutgers University Press, 2006. . Accessed July 25, 2012. "In 1884, after congressman and future U.S. senator John Kean, Tom Kean's great-uncle, obtained a post office for a growing Monmouth County community in his district, the village named itself Keansburg in his honor. By the time it incorporated as a borough in 1917, local residents had taken to pronouncing it ''Keensburg''.") is a borough in Monmouth County, in the U.S. state of New Jersey. At the 2020 United States census, its population was 9,755, a drop of 350 from the 2010 census enumeration of 10,105,DP-1 - Profile of General Po ...
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A Fine Romance (song)
"A Fine Romance" is a popular song composed by Jerome Kern with lyrics by Dorothy Fields, published in 1936. The song was written for the musical film Musical film is a film genre in which songs by the characters are interwoven into the narrative, sometimes accompanied by dancing. The songs usually advance the plot or develop the film's characters, but in some cases, they serve merely as breaks ..., ''Swing Time (1936 film), Swing Time'', where it was co-introduced by Fred Astaire and Ginger Rogers. Astaire recorded a solo version of the song on July 28, 1936 for Brunswick records (catalog 7716) and it topped the charts of the day for five weeks. Billie Holiday recorded the song for Vocalion Records on September 29, 1936 and this too reached the charts of the day as did versions by Henry King (musician), Henry King and Guy Lombardo. In Hollywood, Louis Armstrong and Ella Fitzgerald recorded their version of the song in the summer of 1957. In 1963, Fitzgerald included a solo ...
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The Way You Look Tonight
"The Way You Look To-night" is a song from the film ''Swing Time'' that was performed by Fred Astaire and composed by Jerome Kern with lyrics written by Dorothy Fields. It won the Academy Award for Best Original Song in 1936. Fields remarked, "The first time Jerry played that melody for me I went out and started to cry. The release absolutely killed me. I couldn't stop, it was so beautiful." In the movie, Astaire sang "The Way You Look To-night" to Ginger Rogers while she was washing her hair in an adjacent room. Astaire's recording was a top seller in 1936. Other versions that year were by Guy Lombardo and Teddy Wilson with Billie Holiday. Composition and publication The song was sung by Fred Astaire in the 1936 film ''Swing Time'' in the key of D major, but it is typically performed in E-flat major with a modulation to G-flat major. It was first copyrighted on March 17, 1936 as "Way (The) you look to-night; song from I won't dance", and was unpublished ("I Won't Dance" was a ...
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Vaudeville
Vaudeville (; ) is a theatrical genre of variety entertainment born in France at the end of the 19th century. A vaudeville was originally a comedy without psychological or moral intentions, based on a comical situation: a dramatic composition or light poetry, interspersed with songs or ballets. It became popular in the United States and Canada from the early 1880s until the early 1930s, but the idea of vaudeville's theatre changed radically from its French antecedent. In some ways analogous to music hall from Victorian Britain, a typical North American vaudeville performance was made up of a series of separate, unrelated acts grouped together on a common bill. Types of acts have included popular and classical musicians, singers, dancers, comedians, trained animals, magicians, ventriloquists, strongmen, female and male impersonators, acrobats, clowns, illustrated songs, jugglers, one-act plays or scenes from plays, athletes, lecturing celebrities, minstrels, and movies. A ...
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Sinatra At The Sands
''Sinatra at the Sands'' is a live album by Frank Sinatra accompanied by Count Basie and his orchestra, and conducted and arranged by Quincy Jones, recorded live in the Copa Room of the former Sands Hotel and Casino in Las Vegas in 1966. It was Sinatra's first live album to be commercially released, and contains many definitive readings of the songs that are most readily associated with Sinatra. Sinatra and Basie had previously collaborated on 1962's '' Sinatra-Basie'' and 1964's ''It Might As Well Be Swing'', with both albums released on Sinatra's Reprise label. The album was remixed and remastered and released in DVD-Audio in high-resolution stereo and multi-channel surround in 2003. An alternate version of the same show with a slightly different track list was released in November 2006 as part of the box set '' Sinatra: Vegas''. The album is certified gold by the Recording Industry Association of America. In 2000 it was voted number 461 in Colin Larkin's ''All Time Top 1000 ...
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Reprise Records
Reprise Records is an American record label founded in 1960 by Frank Sinatra. It is owned by Warner Music Group, and operates through Warner Records, one of its flagship labels. Artists currently signed to Reprise Records include Enya, Michael Bublé, Eric Clapton, Stevie Nicks, Neil Young, Deftones, Mastodon (band), Mastodon, Lindsey Buckingham, Josh Groban, Disturbed (band), Disturbed, Idina Menzel, My Chemical Romance, Gerard Way, Green Day, Dwight Yoakam, and Never Shout Never. Company history Beginnings Reprise Records was formed in 1960 by Frank Sinatra in order to allow more artistic freedom for his own recordings. Soon thereafter, he garnered the nickname "The Chairman of the Board". Because of dissatisfaction with Capitol Records, and after trying to buy Norman Granz's Verve Records, the first album Sinatra released on Reprise was ''Ring-a-Ding-Ding!'' As CEO of Reprise, Sinatra recruited several artists for the fledgling label, such as fellow Rat Pack members Dean Ma ...
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Radio City Music Hall
Radio City Music Hall is an entertainment venue and Theater (structure), theater at 1260 Sixth Avenue (Manhattan), Avenue of the Americas, within Rockefeller Center, in the Midtown Manhattan neighborhood of New York City. Nicknamed "The Showplace of the Nation", it is the headquarters for the Rockettes. Radio City Music Hall was designed by Edward Durell Stone and Donald Deskey in the Art Deco style. Radio City Music Hall was built on a plot of land that was originally intended for a Metropolitan Opera House, although plans for the opera house were canceled in 1929. It opened on December 27, 1932, as part of the construction of Rockefeller Center. The 5,960-seat Music Hall was the larger of two venues built for Rockefeller Center's "Radio City" section, the other being Center Theatre (New York City), Center Theatre; the "Radio City" name later came to apply only to the Music Hall. It was largely successful until the 1970s, when declining patronage nearly drove the theater to bank ...
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Blackface
Blackface is a form of theatrical makeup used predominantly by non-Black people to portray a caricature of a Black person. In the United States, the practice became common during the 19th century and contributed to the spread of racial stereotypes such as the "happy-go-lucky darky on the plantation" or the " dandified coon". By the middle of the century, blackface minstrel shows had become a distinctive American artform, translating formal works such as opera into popular terms for a general audience. Early in the 20th century, blackface branched off from the minstrel show and became a form in its own right. In the United States, blackface declined in popularity beginning in the 1940s and into the civil rights movement of the 1950s and 1960s,Clark, Alexis.How the History of Blackface Is Rooted in Racism. ''History''. A&E Television Networks, LLC. 2019. and was generally considered highly offensive, disrespectful, and racist by the turn of the 21st century, though the practice ...
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