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Francisco Fellove
Francisco Fellove Valdés (October 7, 1923 – February 15, 2013), also known as El Gran Fellove (The Great Fellove), was a Cuban songwriter and singer. A prolific composer of the '' feeling'' generation, he is well known for his particular style of scat singing known as chua chua. He is the author of the famous guaracha-pregón "Mango mangüé", recorded by Machito and Celia Cruz among others. He was the cousin of conga drummer Carlos "Patato" Valdés. Life and career Fellove was born on October 7, 1923, in the neighbourhood of Colón, Havana, Cuba. He started his musical career as a songwriter, primarily of guarachas, but also of boleros such as "Dos caminos", which he wrote for Olga Guillot. Together with other authors of boleros, sones, canciones and guarachas, he became part of the so-called filin movement, where the descarga format began to develop. Soon, several of his guarachas became very popular, especially "Para que tú lo bailes", "Sea como sea" and "Mango mangu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Havana
Havana (; Spanish: ''La Habana'' ) is the capital and largest city of Cuba. The heart of the La Habana Province, Havana is the country's main port and commercial center.Cuba ''''. . The city has a population of 2.3million inhabitants, and it spans a total of – making it the largest city by area, the most populous city, and the [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guaracha
The guaracha () is a genre of music that originated in Cuba, of rapid tempo and comic or picaresque lyrics. The word had been used in this sense at least since the late 18th and early 19th century. Guarachas were played and sung in musical theatres and in low-class dance salons. They became an integral part of bufo comic theatre in the mid-19th century. During the later 19th and the early 20th century the guaracha was a favourite musical form in the brothels of Havana. The guaracha survives today in the repertoires of some trova musicians, conjuntos and Cuban-style big bands. Early uses of the word Though the word may be historically of Spanish origin, its use in this context is of indigenous Cuban origin. These are excerpts from reference sources, in date order: A Latin American carol "Convidando esta la noche" dates from at least the mid 17th century and both mentions and is a guaracha. It was composed or collected by Juan Garcia de Zespedes, 1620-1678, Puebla, Mexico. This i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johnny Pacheco
Juan Pablo Knipping Pacheco (25 March 1935 – 15 February 2021), known as Johnny Pacheco, was a Dominican musician, arranger, composer, bandleader, and record producer who in the 1970s became one of the leading exponents of salsa as well in the late 1950s called the pachanga, a blend of Cuban rhythms and Dominican merengue, which propelled him to worldwide fame and had an important role in the evolution of Latin music. As the founder and musical director of Fania Records, Pacheco became a leading figure in the New York salsa scene in the 1960s and 1970s. He popularized the use of the term "salsa" and established the Fania All-Stars to showcase the leading artists of the genre. Pacheco was a nine-time Grammy nominee and was awarded the Latin Grammy Lifetime Achievement Award by the Latin Recording Academy in 2005. Early life and family Juan Pablo Pacheco Knipping was born on 25 March 1935 in Santiago de los Caballeros, a city in the Dominican Republic. He inherited his pass ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tito Puente
Ernest Anthony Puente Jr. (April 20, 1923 – June 1, 2000), commonly known as Tito Puente, was an American musician, songwriter, bandleader, and record producer of Puerto Rican descent. He is best known for dance-oriented mambo and Latin jazz compositions from his 50-year career. His most famous song is "Oye Como Va". Puente and his music have appeared in films including ''The Mambo Kings'' and Fernando Trueba's ''Calle 54''. He guest-starred on television shows, including ''Sesame Street'' and ''The Simpsons'' two-part episode " Who Shot Mr. Burns?". Early life Tito Puente was born on April 20, 1923, at Harlem Hospital Center in the New York borough of Manhattan, the son of Ernest and Felicia Puente, Puerto Ricans living in New York City's Spanish Harlem. His family moved frequently, but he spent the majority of his childhood in Spanish Harlem. Puente's father was the foreman at a razorblade factory. As a child, he was described as hyperactive, and after neighbors complaine ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Sonora Matancera
La Sonora Matancera is a Cuban band that played Latin American urban popular dance music. Founded in 1924 and led for more than five decades by guitarist, vocalist, composer, and producer Rogelio Martínez, musicologists consider it an icon of this type of music. Notable singers to have sung and recorded with the band include Bienvenido Granda,''FIU Libraries. Florida International University/The Díaz Ayala Cuban and Latin American Popular Music Encyclopedic Discography of Cuban Music, Sección 04 M.'' Chronology of personnel changes and recordings based on the two-volume book ''Historia de la Sonora Matancera'' by Dr. Héctor Ramírez Bedoya. Discography compiled with the assistance of Ramírez Bedoya, Carlos Deiby Velásquez, Humberto Corredor, and Osvaldo Oganes. Data assembled by Dr. Cristóbal Díaz Ayala.Ramírez Bedoya, http://sonoramatancera.com/s-m/artistas-grabaron-con-la-sm.html.Ramírez Bedoya, http://sonoramatancera.com/s-m/historia.html. Daniel Santos, Myrta Sil ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charlie Parker
Charles Parker Jr. (August 29, 1920 – March 12, 1955), nicknamed "Bird" or "Yardbird", was an American jazz saxophonist, band leader and composer. Parker was a highly influential soloist and leading figure in the development of bebop, a form of jazz characterized by fast tempos, virtuosic technique, and advanced harmonies. Parker was an extremely brilliant virtuoso and introduced revolutionary rhythmic and harmonic ideas into jazz, including rapid passing chords, new variants of altered chords, and chord substitutions. Primarily a player of the alto saxophone, Parker's tone ranged from clean and penetrating to sweet and somber. Parker acquired the nickname "Yardbird" early in his career on the road with Jay McShann. This, and the shortened form "Bird", continued to be used for the rest of his life, inspiring the titles of a number of Parker compositions, such as "Yardbird Suite", "Ornithology", "Bird Gets the Worm", and "Bird of Paradise". Parker was an icon for the hipster ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Miguelito Valdés
Miguelito Valdés (September 6, 1912 – November 9, 1978), also known as Mr. Babalú, was a renowned Cuban singer. His performances were characterized by a strong voice and a particular sense of ''cubanismo''. Life Miguelito Valdés was born as Miguel Ángel Eugenio Lázaro Zacarías Izquierdo Valdés Hernández on September 6, 1912 in Havana. His father was Spanish and his mother was Mexican from Yucatán. He was born in Belén (in Old Havana), and moved to another barrio, Cayo Hueso (in Centro Habana), when his father died. In his youth he worked as an auto mechanic and was a good amateur boxer. In 1934 he won the Amateur Championship of Cuba at his weight. One of his closest friends from his days in the barrio was Chano Pozo, and in his singing style he has been called "as black a white guy as you would meet in Havana". In 1936 he married Vera Eskildsen, an aristocrate from Panama City with whom he had a son, Juan Miguel Valdés Eskildsen. In 1968 he lived in Palm Springs, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Descarga
A descarga (literally ''discharge'' in Spanish) is an improvised jam session consisting of variations on Cuban music themes, primarily son montuno, but also guajira, bolero, guaracha and rumba. The genre is strongly influenced by jazz and it was developed in Havana during the 1950s. Important figures in the emergence of the genre were Cachao, Julio Gutiérrez, Bebo Valdés, Peruchín and Niño Rivera in Cuba, and Tito Puente, Machito and Mario Bauzá in New York. Originally, descargas were promoted by record companies such as Panart, Maype and Gema under the label Cuban jam sessions. From the 1960s, the descarga format was usually adapted by large salsa ensembles, most notably the Fania All-Stars. History Origins: son, filin and jazz During the 1940s, the term ''descarga'' was commonly used in the music scenes of Cuba to refer to performances of jazz-influenced boleros in an improvised manner. This was part of the so-called filin (''feeling'') movement spearheaded by arti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Canción
''Canción'' ("song") is a popular genre of Latin American music, particularly in Cuba, where many of the compositions originate.Orovio, Helio 2004. ''Cuban music from A to Z''. p42 Its roots lie in Spanish popular song forms, including tiranas, polos and boleros; also in Italian light operetta, French romanza, and the slow waltz. Initially, even when written by the creole population of Cuba, who opposed the ruling hierarchy, the music retained its European style of "intricate melodies, and dark, enigmatic and elaborate lyrics". Later, in the latter part of the nineteenth century, the canción came under the influence of the trovador movement. This resulted in the lyrical expression of the feelings and aspirations of the population. The accompaniment of the guitar followed naturally, and the canción gradually fused with other forms of Cuban (and therefore Latin American) music such as the bolero.Leon, Argeliers 1964. ''Musica folklorica cubana''. Biblioteca Nacional Jose Marti, La ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Olga Guillot
Olga Guillot (October 9, 1922 – July 12, 2010) was a Cuban singer who was known as the "Queen of Bolero". She was a native of Santiago de Cuba. Biography Daughter of Catalan-Jewish immigrants who moved to Cuba, her father was a tailor and her mother was a seamstress. Olga Guillot was born in Santiago de Cuba, and her family moved to Havana when she was five years old. As a teenager, she and her sister, Ana Luisa, performed as the "Duo Hermanitas Guillot." It wasn't until 1945 that her talent as a bolero singer was discovered, when Facundo Rivero, an influential man in the Cuban music scene of the era, heard her sing for the first time and helped her make her professional singing debut at a famous Havana night club. Soon after, Guillot met Miguelito Valdés, who took her to New York City, where Guillot was able to record her first album with the Decca label. She gained recognition in the United States with her version in Spanish of "Stormy Weather" in 1946. Guillot traveled to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guarachas
The guaracha () is a genre of music that originated in Cuba, of rapid tempo and comic or picaresque lyrics. The word had been used in this sense at least since the late 18th and early 19th century. Guarachas were played and sung in Cuban musical theatre, musical theatres and in low-class dance salons. They became an integral part of Music of Cuba#Bufo theatre, bufo comic theatre in the mid-19th century. During the later 19th and the early 20th century the guaracha was a favourite musical form in the brothels of Havana. The guaracha survives today in the repertoires of some trova musicians, conjuntos and Cuban-style big bands. Early uses of the word Though the word may be historically of Spanish origin, its use in this context is of indigenous Cuban origin. These are excerpts from reference sources, in date order: A Latin American carol "Convidando esta la noche" dates from at least the mid 17th century and both mentions and is a guaracha. It was composed or collected by Juan Gar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carlos "Patato" Valdés
Carlos may refer to: Places ;Canada * Carlos, Alberta, a locality ;United States * Carlos, Indiana, an unincorporated community * Carlos, Maryland, a place in Allegany County * Carlos, Minnesota, a small city * Carlos, West Virginia ;Elsewhere * Carlos (crater), Montes Apenninus, LQ12, Moon; a lunar crater near Mons Hadley People * Carlos (given name), including a list of name holders * Carlos (surname), including a list of name holders Sportspeople * Carlos (Timorese footballer) (born 1986) * Carlos (footballer, born 1995), Brazilian footballer * Carlos (footballer, born 1985), Brazilian footballer Others * Carlos (Calusa) (died 1567), king or paramount chief of the Calusa people of Southwest Florida * Carlos (DJ) (born 1966), British DJ * Carlos (singer) (1943—2008), French entertainer * Carlos the Jackal, a Venezuelan terrorist *Carlos (DJ) (born 2010) Guyanese DJ Arts and entertainment * ''Carlos'' (miniseries), 2010 biopic about the terrorist Carlos the Jackal * ''C ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
