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Frances-Marie Uitti
Frances-Marie Uitti (born 1946) is an Americans, American cellist and composer known for her use of extended techniques and performance of contemporary classical music. Tom Service, music criticism, music critic for the ''The Guardian, Guardian'' newspaper, has called her "arguably the world's most influentially experimental cellist." Stephen Brookes wrote in the ''The Washington Post, Washington Post'', "The spectacularly gifted cellist Frances-Marie Uitti has made a career out of demolishing musical boundaries. She has developed new techniques (most famously, playing with two bows simultaneously), collaborated with a who's who of contemporary composers, and pushed the cello into realms of unexpected beauty and expression... Uitti showed why she might be the most interesting cellist on the planet." Music career Born in Chicago, Illinois to Finnish-Americans, Finnish-American parents, Uitti graduated from Berkeley High School in 1964, where she played cello in the school orchestra. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Americans
Americans are the Citizenship of the United States, citizens and United States nationality law, nationals of the United States, United States of America.; ; Although direct citizens and nationals make up the majority of Americans, many Multiple citizenship, dual citizens, expatriates, and green card, permanent residents could also legally claim American nationality. The United States is home to race and ethnicity in the United States, people of many racial and ethnic origins; consequently, culture of the United States, American culture and Law of the United States, law do not equate nationality with Race (human categorization), race or Ethnic group, ethnicity, but with citizenship and an Oath of Allegiance (United States), oath of permanent allegiance. Overview The majority of Americans or their ancestors Immigration to the United States, immigrated to the United States or are descended from people who were Trans Atlantic Slave Trade, brought as Slavery in the United States ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Leslie Parnas
Leslie Parnas (November 11, 1931 – February 1, 2022) was an American classical cellist. A prize winner at several international music competitions, he appeared as a soloist with orchestras around the world and performed and recorded a number of chamber works. His playing has been described as "characterized by a sure technique and an aggressive approach to phrasing". For a number of years, he taught at the Boston University School of Music. Early life Born to Ely and Etta Parnas in St. Louis, Missouri, in 1931, Leslie Parnas was one of several musically gifted siblings. He began taking piano lessons when he was 5 years old, then switched to cello at the age of 8. At 14 he made his solo debut with the St. Louis Symphony Orchestra, and at 16 he traveled to Philadelphia to study at the Curtis Institute of Music, where he was taught by Gregor Piatigorsky from 1948 to 1953. Career From 1954 to 1962, Parnas was the principal cellist of the St. Louis Symphony Orchestra. In the late 1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Luigi Nono (composer)
Luigi Nono (; 29 January 1924 – 8 May 1990) was an Italian avant-garde composer of classical music. Biography Early years Nono, born in Venice, was a member of a wealthy artistic family; his grandfather was a notable painter. Nono began music lessons with Gian Francesco Malipiero at the Venice Conservatory in 1941, where he acquired knowledge of the Renaissance madrigal tradition, amongst other styles. After graduating with a degree in law from the University of Padua, he was given encouragement in composition by Bruno Maderna. Through Maderna, he became acquainted with Hermann Scherchen—then Maderna's conducting teacher—who gave Nono further tutelage and was an early mentor and advocate of his music. Scherchen presented Nono's first acknowledged work, the ''Variazioni canoniche sulla serie dell'op. 41 di A. Schönberg'' in 1950, at the Internationale Ferienkurse für Neue Musik Darmstadt. The ''Variazioni canoniche'', based on the twelve-tone series of Arnold Sc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vinko Globokar
Vinko Globokar (born 7 July 1934) is a French-Slovenian avant-garde composer and trombonist. Globokar's music uses unconventional and extended techniques, places great emphasis on spontaneity and creativity, and often relies on improvisation. His extensive output is largely unknown outside of experimental music circles. As a trombonist, he has premiered works by Luciano Berio, Mauricio Kagel, René Leibowitz, Karlheinz Stockhausen, and Toru Takemitsu, as well as his own compositions. Biography Globokar was born in Anderny, Meurthe-et-Moselle, France. In 1947 he moved to Yugoslavia, where he attended DIC in Ljubljana, Slovenia. Here, he played jazz trombone until 1955, at which point he moved to Paris to study at the Conservatoire de Paris. At the Conservatoire, he studied composition with René Leibowitz (a disciple of Arnold Schoenberg) and trombone with André Lafosse. In 1965, he moved to Berlin and began composition lessons with Luciano Berio, whose ''Sequenza V'' he later ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rodney Sharman
Rodney Sharman (born 24 May 1958) is a Canadian composer and flutist based in Vancouver. His music has been performed in over 30 countries worldwide. He has won several international and national awards, including First Prize in the 1984 CBC Competition for Young Composers. His chamber opera, Elsewhereless, a collaboration with Atom Egoyan, premiered in 1998 and has been staged 35 times internationally. Biography Sharman earned degrees from the University of Victoria School of Music (Victoria, B.C.) and the Staatliche Hochschule für Musik (Freiburg, Germany). In May 1991, he earned a PhD from the State University of New York at Buffalo. Sharman studied under Murray Adaskin, Rudolf Komorous, Brian Ferneyhough, Morton Feldman, David Felder, Frederic Rzewski, Louis Andriessen and Lucas Foss. Sharman was guest composer at the Institute of Sonology (Utrecht, Netherlands) in 1983-84. He taught at Wilfrid Laurier University, the University of British Columbia School of Music, the Schoo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
James Tenney
James Tenney (August 10, 1934 – August 24, 2006) was an American composer and music theorist. He made significant early musical contributions to plunderphonics, sound synthesis, algorithmic composition, process music, spectral music, microtonal music, and tuning systems including extended just intonation. His theoretical writings variously concern musical form, texture, timbre, consonance and dissonance, and harmonic perception. Biography James Tenney was born in Silver City, New Mexico, and grew up in Arizona and Colorado. He attended the University of Denver, the Juilliard School of Music, Bennington College (B.A., 1958) and the University of Illinois (M.A., 1961). He studied piano with Eduard Steuermann and composition with Chou Wen-chung, Lionel Nowak, Paul Boepple, Henry Brant, Carl Ruggles, Kenneth Gaburo, John Cage, Harry Partch, and Edgard Varèse. He also studied acoustics, information theory and tape music composition under Lejaren Hiller. In 1961, Tenney completed ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Louis Andriessen
Louis Joseph Andriessen (; 6 June 1939 – 1 July 2021) was a Dutch composer, pianist and academic teacher. Considered the most influential Dutch composer of his generation, he was a central proponent of The Hague school of composition. Although his music was initially dominated by neoclassicism and serialism, his style gradually shifted to a synthesis of American minimalism, jazz and the manner of Stravinsky. Born in Utrecht into a musical family, Andriessen studied with his father, the composer Hendrik Andriessen as well as composers Kees van Baaren and Luciano Berio. Andriessen taught at the Royal Conservatory of The Hague from 1974 to 2012, influencing notable composers. His opera ''La Commedia'', based on Dante's ''Divine Comedy'', won the 2011 Grawemeyer Award for Music Composition and was selected in 2019 by critics at ''The Guardian'' as one of the most outstanding compositions of the 21st century. Life and career Andriessen was born in Utrecht on 6 June 1939 to a musical ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musical Tuning
In music, there are two common meanings for tuning: * Tuning practice, the act of tuning an instrument or voice. * Tuning systems, the various systems of pitches used to tune an instrument, and their theoretical bases. Tuning practice Tuning is the process of adjusting the pitch of one or many tones from musical instruments to establish typical intervals between these tones. Tuning is usually based on a fixed reference, such as A = 440 Hz. The term "''out of tune''" refers to a pitch/tone that is either too high (sharp) or too low (flat) in relation to a given reference pitch. While an instrument might be in tune relative to its own range of notes, it may not be considered 'in tune' if it does not match the chosen reference pitch. Some instruments become 'out of tune' with temperature, humidity, damage, or simply time, and must be readjusted or repaired. Different methods of sound production require different methods of adjustment: * Tuning to a pitch with one's voic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Timbre
In music, timbre ( ), also known as tone color or tone quality (from psychoacoustics), is the perceived sound quality of a musical note, sound or musical tone, tone. Timbre distinguishes different types of sound production, such as choir voices and musical instruments. It also enables listeners to distinguish different instruments in the same category (e.g., an oboe and a clarinet, both Woodwind instrument, woodwind instruments). In simple terms, timbre is what makes a particular musical instrument or human voice have a different sound from another, even when they play or sing the same note. For instance, it is the difference in sound between a guitar and a piano playing the same note at the same volume. Both instruments can sound equally tuned in relation to each other as they play the same note, and while playing at the same amplitude level each instrument will still sound distinctively with its own unique tone color. Experienced musicians are able to distinguish between diff ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harmony
In music, harmony is the process by which individual sounds are joined together or composed into whole units or compositions. Often, the term harmony refers to simultaneously occurring frequencies, pitches ( tones, notes), or chords. However, harmony is generally understood to involve both vertical harmony (chords) and horizontal harmony ( melody). Harmony is a perceptual property of music, and, along with melody, one of the building blocks of Western music. Its perception is based on consonance, a concept whose definition has changed various times throughout Western music. In a physiological approach, consonance is a continuous variable. Consonant pitch relationships are described as sounding more pleasant, euphonious, and beautiful than dissonant relationships which sound unpleasant, discordant, or rough. The study of harmony involves chords and their construction and chord progressions and the principles of connection that govern them. Counterpoint, which refers to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cello
The cello ( ; plural ''celli'' or ''cellos'') or violoncello ( ; ) is a Bow (music), bowed (sometimes pizzicato, plucked and occasionally col legno, hit) string instrument of the violin family. Its four strings are usually intonation (music), tuned in perfect fifths: from low to high, scientific pitch notation, C2, G2, D3 and A3. The viola's four strings are each an octave higher. Music for the cello is generally written in the bass clef, with tenor clef, and treble clef used for higher-range passages. Played by a ''List of cellists, cellist'' or ''violoncellist'', it enjoys a large solo repertoire Cello sonata, with and List of solo cello pieces, without accompaniment, as well as numerous cello concerto, concerti. As a solo instrument, the cello uses its whole range, from bassline, bass to soprano, and in chamber music such as string quartets and the orchestra's string section, it often plays the bass part, where it may be reinforced an octave lower by the double basses. Figure ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bow (music)
In music, a bow is a tensioned stick which has hair (usually horse-tail hair) coated in rosin (to facilitate friction) affixed to it. It is moved across some part (generally some type of strings) of a musical instrument to cause vibration, which the instrument emits as sound. The vast majority of bows are used with string instruments, such as the violin, viola, cello, and bass, although some bows are used with musical saws and other bowed idiophones. Materials and manufacture A bow consists of a specially shaped stick with other material forming a ribbon stretched between its ends, which is used to stroke the string and create sound. Different musical cultures have adopted various designs for the bow. For instance, in some bows a single cord is stretched between the ends of the stick. In the Western tradition of bow making—bows for the instruments of the violin and viol families—a hank of horsehair is normally employed. The manufacture of bows is considered a demanding c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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