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Franc-Nohain
Maurice Étienne Legrand, who published under the pseudonym Franc-Nohain (; 25 October 187218 October 1934), was a French librettist and poet. He is best known for his libretti for Maurice Ravel's opera '' L'heure espagnole'' and for numerous operettas by Claude Terrasse. Life Maurice Étienne Legrand was born in 1872 in Corbigny; his father was an overseer-agent. He attended the Lycée Janson de Sailly. In the late 1880s he contributed poems to the literary magazine ''Potache-Revue'' (''potache'' being slang for 'schoolkid'), along with André Gide, Léon Blum, Pierre Louÿs, Maurice Quillot and others. Later, he published in the journal ''Le Chat noir''. He also founded ''Le Canard sauvage'' and became the editor of ''L'Écho de Paris''. He also became a lawyer and deputy prefect. His literary pseudonym ''Franc-Nohain'' was derived from the Nohain river, where he had spent many happy hours as a child. With Alfred Jarry and Claude Terrasse he co-founded the Théatre des ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
L'heure Espagnole
''L'heure espagnole'' is a French one-act opera from 1911, described as a ''comédie musicale'', with music by Maurice Ravel to a French libretto by Franc-Nohain, based on Franc-Nohain's 1904 play ('comédie-bouffe') of the same nameStoullig E. '' Les Annales du Théâtre et de la Musique, 30eme edition, 1904.'' Librairie Paul Ollendorff, Paris, 1905.Roland-Manuel, p. 52: When Franc-Nohain heard Ravel play the work through to him for the first time, he apparently looked at his watch and said to Ravel "56 minutes". The opera, set in Spain in the 18th century, is about a clockmaker whose unfaithful wife attempts to make love to several different men while he is away, leading to them hiding in, and eventually getting stuck in, her husband's clocks. The title can be translated literally as "The Spanish Hour", but the word "heure" more importantly means "time" – "Spanish Time", with the connotation "How They Keep Time in Spain". The original play had first been performed at the Théà ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
L'Heure Espagnole
''L'heure espagnole'' is a French one-act opera from 1911, described as a ''comédie musicale'', with music by Maurice Ravel to a French libretto by Franc-Nohain, based on Franc-Nohain's 1904 play ('comédie-bouffe') of the same nameStoullig E. '' Les Annales du Théâtre et de la Musique, 30eme edition, 1904.'' Librairie Paul Ollendorff, Paris, 1905.Roland-Manuel, p. 52: When Franc-Nohain heard Ravel play the work through to him for the first time, he apparently looked at his watch and said to Ravel "56 minutes". The opera, set in Spain in the 18th century, is about a clockmaker whose unfaithful wife attempts to make love to several different men while he is away, leading to them hiding in, and eventually getting stuck in, her husband's clocks. The title can be translated literally as "The Spanish Hour", but the word "heure" more importantly means "time" – "Spanish Time", with the connotation "How They Keep Time in Spain". The original play had first been performed at the Théà ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Un Jardin Sur L'Oronte (opera)
''Un jardin sur l'Oronte'' ("A Garden on the Orontes") is an opera (" lyric drama") in four acts and eight tableaux by Alfred Bachelet to a French libretto adapted by Franc-Nohain from a novel of the same name by Maurice Barrès. The premiere took place on 7 November 1932 at the Palais Garnier in Paris, France. Performance history ''Un jardin sur l'Oronte'' was premiered at the Palais Garnier in Paris on 7 November 1932 with Suzanne Balguerie in the title role. It was conducted by Philippe Gaubert, with sets and costumes designed by and executed by Mouveau, Solatgès and Mathieu, and a choreography by Léo Staats Léo Staats (1877 - 1952) was a French dancer, choreographer and director. Life and career Léo Staats studied ballet with Francis Merante, a dancer at the Paris Opera, and reportedly made his debut in 1887. In 1908 he became Ballet Master at th .... Roles References Sources * * Further reading * * * {{DEFAULTSORT:Jardin sur l'Oronte, Le French- ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jaboune
Jean Nohain (1900–1981) was a French playwright, lyricist, and screenwriter, and a radio and television producer and presenter. He was the son of the librettist Franc-Nohain and the brother of the actor Claude Dauphin.Oscherwitz & Higgins p.118 Selected filmography * ''Arsene Lupin, Detective'' (1937) * ''The Tale of the Fox'' (1937) * ''Whirlwind of Paris'' (1939) * ''Sing Anyway'' (1940) * ''Radio Surprises'' (1940) * ''Soyez les bienvenus ''Soyez les bienvenus'' or ''L'Autocar en folie'' is a 1953 French comedy film by Pierre-Louis. Plot The leading coach the company of Jean Nohain make a program fails in a small village. The people immobilize the troops to force him to do the ...'' (1953) References Bibliography * Dayna Oscherwitz & MaryEllen Higgins. ''The A to Z of French Cinema''. Scarecrow Press, 2009. External links * Writers from Paris 1900 births 1981 deaths 20th-century French screenwriters French lyricists French children's writers Lycà ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
L'Écho De Paris
''L'Écho de Paris'' was a daily newspaper in Paris from 1884 to 1944. The paper's editorial stance was initially conservative and nationalistic, but it later became close to the French Social Party. Its writers included Octave Mirbeau, Henri de Kérillis, Georges Clemenceau, Henry Bordeaux, François Mitterrand, Jérôme Tharaud, and Jean Tharaud Jean Tharaud (9 May 1877 – 8 April 1952) was a French writer. Tharaud was born in Saint-Junien, Haute-Vienne. As a young man, he had been secretary to Maurice Barrès. He wrote books with his brother, Jérôme Tharaud, for over 50 years. In 19 .... Its editors included Franc-Nohain. Abel Faivre provided illustrations for the publication. The paper merged with ''Le Jour'' in 1933 and changed its name to ''Jour-Écho de Paris''. References Footnotes Sources *René de Livois, ''Histoire de la presse française'', Éditions Spes, Lausanne ; Société française du livre, Paris, 1965. External links * Digitized copies of ''L'É ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean Nohain
Jean Nohain (1900–1981) was a French playwright, lyricist, and screenwriter, and a radio and television producer and presenter. He was the son of the librettist Franc-Nohain and the brother of the actor Claude Dauphin.Oscherwitz & Higgins p.118 Selected filmography * ''Arsene Lupin, Detective'' (1937) * '' The Tale of the Fox'' (1937) * ''Sing Anyway ''Sing Anyway'' (French: ''Chantons quand même'') is a 1940 French musical comedy film directed by Pierre Caron and starring Annie Vernay, Paul Cambo and Marie Bizet.Crisp p.418 The film's art direction was by Jean Douarinou. Cast * Guy Ber ...'' (1940) * '' Radio Surprises'' (1940) * '' Soyez les bienvenus'' (1953) References Bibliography * Dayna Oscherwitz & MaryEllen Higgins. ''The A to Z of French Cinema''. Scarecrow Press, 2009. External links * Writers from Paris 1900 births 1981 deaths 20th-century French screenwriters French lyricists French children's writers Lycée Condorcet alumni Order of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Claude Terrasse
Claude Terrasse (27 January 1867 – 30 June 1923) was a French composer of operettas. Terrasse was born in L'Arbresle, Rhône. He became known by writing the music for the play '' Ubu Roi'' by Alfred Jarry in 1896. In Paris, his brother-in-law, the painter Pierre Bonnard, introduced him to the artistic world and the ''avant-garde'' literature and art of the time. Bonnard also did several portraits of him. In 1890, Terrasse married Andrée Bonnard, sister of the artist Pierre Bonnard. By 1899, they had six children, several of whom appear in Bonnard paintings. Their son Charles Terrasse published a monograph on Bonnard in 1927. Terrasse died in Paris, and was buried in the Montmartre Cemetery. Works * ''Vive la France!'' – ''Trilogie à grand spectacle'' (trilogy of a great spectacle) – libretto by Franc-Nohain – (Theater of the Pantins, Paris; 29 March 1898) * ''La petite femme de Loth'' – Opéra bouffe in 3 acts – libretto by Tristan Bernard (first presented ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Claude Dauphin (actor)
Claude Dauphin (19 August 1903 – 16 November 1978) was a French actor. He appeared in more than 130 films between 1930 and 1978. Biography He was born in Corbeil-Essonnes, Essonne. His father was Maurice Étienne Legrand, a poet who wrote as Franc-Nohain, and who was the librettist for Maurice Ravel's opera '' L'heure espagnole''. His elder brother was the writer Jean Nohain. Dauphin's debut on film came in ''La Vagabonde'' (1930). He debuted on stage in ''Chapeau Chinois'' (1930) in Paris. Private life Dauphin married three times: first to Rosine Derean, then to the actress Maria Mauban with whom he had a child, Jean-Claude Dauphin, also an actor. Eventually, in 1955, Dauphin married American actress Norma Eberhardt. The couple divided their time between Paris, Los Angeles, New York City and Ocean Township, New Jersey. They remained together until Dauphin's death in Paris in 1978. Selected filmography * '' A Tale of the Fox'' (1930) - Monkey (voice) * ''Tout s'arra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Un Jardin Sur L'Oronte
''Un jardin sur l'Oronte'' (''A Garden on the Orontes'') is a novel by Maurice Barrès, which was first published in 1922 by Plon-Nourrit. Barrès purportedly transcribed in it a story which an Irish archaeologist had translated to him from a manuscript one evening of June 1914, at a ''café'' in Hama by the Orontes River. The tale of love of "a Christian and a Sarrasin" is set in the crusading era of the Middle Ages. The publication triggered what would be called ''la querelle de l'Oronte'' (the Orontes Quarrel): as worded by Jane F. Fulcher, "despite the widely known conservatism of Barrès, the novel created a scandal, particularly in the Catholic press, which perceived its sensuality as an outrage to religious morality." After Barrès' death, the work onto which Barrès "claimed to have projected a Wagnerian conception" was adapted into an opera of the same name with a libretto by Franc-Nohain Maurice Étienne Legrand, who published under the pseudonym Franc-Nohain (; 25 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alfred Jarry
Alfred Jarry (; 8 September 1873 – 1 November 1907) was a French symbolist writer who is best known for his play ''Ubu Roi'' (1896). He also coined the term and philosophical concept of 'pataphysics. Jarry was born in Laval, Mayenne, France, and his mother was from Brittany. He was associated with the Symbolist movement. His play ''Ubu Roi'' is often cited as a forerunner of Dada and the Surrealist and Futurist movements of the 1920s and 1930s. He wrote in a variety of hybrid genres and styles, prefiguring the postmodern, including novels, poems, short plays and opéras bouffes, absurdist essays and speculative journalism. His texts are considered examples of absurdist literature and postmodern philosophy. Biography and works His father Anselme Jarry (1837–1895) was a salesman who descended into alcoholism; his mother Caroline, née Quernest (1842–1893), was interested in music and literature, but her family had a streak of insanity, and her mother and brother were ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maurice Barrès
Auguste-Maurice Barrès (; 19 August 1862 – 4 December 1923) was a French novelist, journalist and politician. Spending some time in Italy, he became a figure in French literature with the release of his work '' The Cult of the Self'' in 1888. In politics, he was first elected to the Chamber of Deputies in 1889 as a Boulangist and would play a prominent political role for the rest of his life. Barrès was associated in his literary works with Symbolism, a movement which had equivalence with British Aestheticism and Italian Decadentism; indeed he was a close associate of Gabriele d'Annunzio representing the latter. As the name of his trilogy suggests, his works glorified a humanistic love of the self and he also flirted with occult mysticisms in his youth. The Dreyfus affair saw an ideological shift from a liberal individualism rooted in the French Revolution to a more organic and traditional concept of the nation. He also became a leading anti-Dreyfusard popularising the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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