Four Wangs
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Four Wangs
The Four Wangs () were four Chinese landscape painters in the 17th century, all with the surname Wang. They are best known for their accomplishments in ''shan shui'' painting. The painters They were Wang Shimin (1592–1680), Wang Jian (1598–1677), Wang Hui (1632–1717) and Wang Yuanqi (1642–1715).Cihai: Ci hai bian ji wei yuan hui (辞海编辑委员会). Ci hai (辞海). Shanghai: Shanghai ci shu chu ban she (上海辞书出版社), 1979 Page 757. They were members of the group known as the Six Masters of the early Qing period. Philosophy The Four Wangs represented the so-called "orthodox school" of painting at the time. The school was based on the teachings of Dong Qichang (1555–1636). It was “orthodox” in the Confucian sense that it had continuing traditional modes, as they were in contrast to the "Individualist" painters such as Bada Shanren and Shitao. See also *Four Masters of the Yuan Dynasty *Four Masters of the Ming Dynasty References ...
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China
China, officially the People's Republic of China (PRC), is a country in East Asia. It is the world's most populous country, with a population exceeding 1.4 billion, slightly ahead of India. China spans the equivalent of five time zones and borders fourteen countries by land, the most of any country in the world, tied with Russia. Covering an area of approximately , it is the world's third largest country by total land area. The country consists of 22 provinces, five autonomous regions, four municipalities, and two Special Administrative Regions (Hong Kong and Macau). The national capital is Beijing, and the most populous city and financial center is Shanghai. Modern Chinese trace their origins to a cradle of civilization in the fertile basin of the Yellow River in the North China Plain. The semi-legendary Xia dynasty in the 21st century BCE and the well-attested Shang and Zhou dynasties developed a bureaucratic political system to serve hereditary monarchies, or dyna ...
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Landscape Art
Landscape painting, also known as landscape art, is the depiction of natural scenery such as mountains, valleys, trees, rivers, and forests, especially where the main subject is a wide view—with its elements arranged into a coherent composition. In other works, landscape backgrounds for figures can still form an important part of the work. Sky is almost always included in the view, and weather is often an element of the composition. Detailed landscapes as a distinct subject are not found in all artistic traditions, and develop when there is already a sophisticated tradition of representing other subjects. Two main traditions spring from Western painting and Chinese art, going back well over a thousand years in both cases. The recognition of a spiritual element in landscape art is present from its beginnings in East Asian art, drawing on Daoism and other philosophical traditions, but in the West only becomes explicit with Romanticism. Landscape views in art may be entirely ...
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Wang (surname)
Wang () is the pinyin romanization of Chinese, romanization of the common Chinese surnames (''Wáng'') and (''Wāng''). It is currently the list of common Chinese surnames, most common surname in mainland China, as well as the most common surname in the world, with more than 107 million worldwide.
[Public Security Bureau Statistics: 'Wang' Found China's #1 'Big Family', Includes 92.88m People]." 24 Apr 2007. Accessed 27 Mar 2012.
Wáng () was listed as 8th on the famous Song Dynasty list of the ''Hundred Family Surnames.'' Wāng () was 104th of the ''Hundred Family Surnames''; it is currently the list of common Chinese surnames, 58th-most-common surname in mainland China. Wang is also a surname in several European countries.


Romanizations

is also romanized as Wong (surname), Wong in Hong Kong, ...
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Shan Shui
''Shan shui'' (; pronounced ) refers to a style of traditional Chinese painting that involves or depicts scenery or natural landscapes, using a brush and ink rather than more conventional paints. Mountains, rivers and waterfalls are common subjects of ''shan shui'' paintings. History ''Shan shui'' painting first began to develop in the 5th century, in the Liu Song dynasty.''Textual Evidence for the Secular Arts of China in the Period from Liu Sung through Sui'' (1967) by Alexander Soper It was later characterized by a group of landscape painters such as Zhang Zeduan, most of them already famous, who produced large-scale landscape paintings. These landscape paintings usually centered on mountains. Mountains had long been seen as sacred places in China, which were viewed as the homes of immortals and thus, close to the heavens. Philosophical interest in nature, or in mystical connotations of naturalism, could also have contributed to the rise of landscape painting. The art o ...
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Wang Shimin
Wáng Shímǐn (; c. 1592–1680) was a Chinese landscape painter during the late Ming Dynasty and early Qing Dynasty (1644–1911). Born in the Jiangsu province, Wang grew up in an artistic, scholarly environment. His grandfather was a prime minister in the late Ming dynasty, and his father was a Hanlin Academy editor for the court, who had studied with Tung Ch'i-ch'ang. After learning painting and calligraphy at a young age, Wang worked as a government official. However he fell ill due to exhaustion on a trip to Nanking in 1630. Wang returned to his homeland and immersed himself in art, creating numerous works. Wang's works place him in an elevated group known as the Four Wangs, also part of the Six Masters of the early Qing period. Wang painted ''After Wang Wei's "Snow Over Rivers and Mountains"'', which can be viewed at the National Palace Museum, Taipei. Wang was the grandfather and tutor of Wang Yuanqi (; 1642–1715), who was also a notable landscape painter and a ...
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Wang Jian (17th-century Painter)
Wang Jian (); c. 1598–1677 was a Chinese landscape painter during the Ming dynasty (1368–1644) and Qing dynasty (1636–1912). Wang was born in Taicang in the Jiangsu province. His style name was Xuanzhao () and his pseudonyms were 'Xiangbi' () and 'Ranxiang anzhu' ().Cihai: Page 1196. Wang's precise color style of painting was influenced by Dong Yuan. His own works stand out, and he is a member of the Four Wangs and Six Masters of the early Qing period The Six Masters of the early Qing period () were a group of major Chinese artists who worked in the 17th and early 18th centuries during the Qing dynasty. Also known as orthodox masters, they continued the tradition of the scholar-painter, followi .... Notes References * Ci hai bian ji wei yuan hui (). Ci hai (). Shanghai: Shanghai ci shu chu ban she (), 1979. * External linksLandscapes Clear and Radiant: The Art of Wang Hui (1632-1717) an exhibition catalog from The Metropolitan Museum of Art (fully available online as ...
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Wang Hui (Qing Dynasty)
Wang Hui (; 1632–1717) was a Chinese landscape painter, one of the Four Wangs. He, and the three other Wangs, dominated orthodox art in China throughout the late Ming and early Qing periods. Of the Four Wangs, Wang Hui is considered the best-known today. Beijing, Shanghai and Taipei museums loaned works for "Landscapes Clear and Radiant: The Art of Wang Hui (1632-1717)" in 2008 at the Metropolitan Museum of Art in New York. Biography Wang Hui followed in the footprints of his great grandfathers, grandfather, father and uncles and learned painting at a very early age. He was later taught by two contemporary masters, Zhang Ke and Wang Shimin Wáng Shímǐn (; c. 1592–1680) was a Chinese landscape painter during the late Ming Dynasty and early Qing Dynasty (1644–1911). Born in the Jiangsu province, Wang grew up in an artistic, scholarly environment. His grandfather was ..., who taught him to work in the tradition of copying famous Chinese paintings. This is mos ...
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Wang Yuanqi
Wang Yuanqi (; pinyin: Wáng Yuánqí; 1642–1715) was a Chinese painter of the Qing dynasty. Wang was born in Taicang in the Jiangsu province and tutored in painting by his grandfather Wang Shimin (1592–1680). His style name was 'Mao-ching' and his sobriquet was 'Lu-t'ai'. Wang is a member of the Six Masters of the early Qing period, also known as the 'Four Wangs, a Wu and a Yun'. They are also often regarded as the principal figures of the 'Orthodox School' of Chinese landscape painting. Wang Yuanqi was two years old when the New Qing Dynasty was founded (1644). He rose to prominence as a court official and eventually was appointed curator of the imperial collection during the reign of the Kangxi Emperor. He remained a court official throughout his long career and died at age 73 in 1715. His landscapes followed the model of the Yuan Dynasty artists who broke away from the Northern Song tradition of rendering landscapes "real enough to walk through" to more personal abstrac ...
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Six Masters Of The Early Qing Period
The Six Masters of the early Qing period () were a group of major Chinese artists who worked in the 17th and early 18th centuries during the Qing dynasty. Also known as orthodox masters, they continued the tradition of the scholar-painter, following the injunctions of the artist-critic Dong Qichang late in the Ming Dynasty. The Six Masters included the flower painter Yun Shouping and the landscapists Wu Li as well as the Four Wangs: Wang Shimin, Wang Jian, Wang Yuanqi, and Wang Hui.Cihai: Ci hai bian ji wei yuan hui (辞海编辑委员会). Ci hai (辞海). Shanghai: Shanghai ci shu chu ban she (上海辞书出版社), 1979 Page 958. The works of the Six Masters are generally conservative, cautious, subtle, and complex, in contrast to the vigorous and vivid painting of their "individualist" contemporaries. One of the most famous works produced by a member of the group is the ''White Clouds over Xiao and Xiang'', a hanging scroll after Zhao Mengfu by Wang Jian, made in ...
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Dong Qichang
Dong Qichang (; courtesy name Xuanzai (玄宰); 1555–1636), was a Chinese painter, calligrapher, politician, and art theorist of the later period of the Ming dynasty. Life as a scholar and calligrapher Dong Qichang was a native of Hua Ting (located in modern-day Shanghai), the son of a teacher and somewhat precocious as a child. At 12 he passed the prefectural Civil service entrance examination and won a coveted spot at the prefectural Government school. He first took the imperial civil service exam at seventeen, but placed second to a cousin because his calligraphy was clumsy. This led him to train until he became a noted calligrapher. Once this occurred he rose up the ranks of the imperial service passing the highest level at the age of 35. He rose to an official position with the Ministry of Rites. His positions in the bureaucracy were not without controversy. In 1605 he was giving the exam when the candidates demonstrated against him causing his temporary retirement. In ot ...
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Bada Shanren
Bada Shanren (; 1626 – 1705), born Zhu Da (), was a Chinese Buddhist monk, calligrapher, and painter of the ink wash painting style. He was of royal descent, being a direct offspring of the Ming dynasty prince Zhu Quan who had a feudal establishment in Nanchang (present-day Jiangxi province). His master lineage's accession was revoked following the last Ning Lineage King Zhu Chenhao's rebellion in 1521, but the rest of the lineage was allowed to retain their status in Jiangxi. Art historians have named him as a brilliant painter of the period. Life and work Bada Shanren, a purported child prodigy born to a disabled father, began painting and writing poetry in his early childhood. About the year 1644, when the Ming emperor committed suicide and the Manchu army from the north attacked Beijing, the young Han Chinese man sought refuge in a vihara. Because he was a Ming prince, the dynastic upheaval created a great amount of uncertainty for his position in society. As years p ...
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Shitao
Shitao or Shi Tao (; other department Yuan Ji (), 1642 – 1707), born into the Ming dynasty imperial clan as Zhu Ruoji (朱若極), was a Chinese Buddhist monk, calligrapher, and landscape painter during the early Qing dynasty. Born in the Quanzhou County in Guangxi province, Shitao was a member of the royal house descended from the elder brother of Zhu Yuanzhang. He narrowly avoided catastrophe in 1644 when the Ming dynasty fell to invading Manchus and civil rebellion. Having escaped by chance from the fate to which his lineage would have assigned him, he assumed the name Yuanji Shitao no later than 1651 when he became a Buddhist monk. He moved from Wuchang, where he began his religious instruction, to Anhui in the 1660s. Throughout the 1680s he lived in Nanjing and Yangzhou, and in 1690 he moved to Beijing to find patronage for his promotion within the monastic system. Frustrated by his failure to find a patron, Shitao converted to Daoism in 1693 and returned to Yangzhou whe ...
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