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Four By The Beach Boys
''Four by the Beach Boys'' (stylized as ''4-By the Beach Boys'') is the first EP by American rock band the Beach Boys, released September 1964 by Capitol Records. It consists of four selections from the album '' All Summer Long'' (June 1964). "Wendy" and "Little Honda" received enough airplay to enter the ''Billboard'' Hot 100. They peaked at #44 and #65, respectively. ''Four'' remains their only EP released in the United States (discounting the ''Holland'' bonus EP '' Mount Vernon and Fairway''). Track listing All tracks written by Brian Wilson and Mike Love, except "Hushabye" by Doc Pomus and Mort Shuman. Side one #"Wendy" – 2:05 #" Don't Back Down" – 2:00 Side two #"Little Honda" – 2:33 #"Hushabye "Hushabye" is a song that was written by Doc Pomus and Mort Shuman in 1959 for the Brooklyn doo-wop quintet the Mystics. The group's recording of the song was a Top 20 hit. Background In the spring of 1959, the Mystics recorded the modern Sout ..." – 1:53 Reference ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Beach Boys
The Beach Boys are an American Rock music, rock band that formed in Hawthorne, California, in 1961. The group's original lineup consisted of brothers Brian Wilson, Brian, Dennis Wilson, Dennis, and Carl Wilson, their cousin Mike Love, and friend Al Jardine. Distinguished by their vocal harmony, vocal harmonies, adolescent-themed lyrics, and musical ingenuity, they are one of the most influential acts of the rock era. They drew on the music of traditional pop, older pop vocal groups, 1950s rock and roll, and black R&B to create their unique sound. Under Brian's direction, they often incorporated classical music, classical or jazz elements and Recording studio as an instrument, unconventional recording techniques in innovative ways. The Beach Boys began as a garage band, managed by the Wilsons' father Murry Wilson, Murry, with Brian serving as composer, arranger, producer, and ''de facto'' leader. In 1963, they enjoyed their first national hit with "Surfin' U.S.A.", beginning a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mount Vernon And Fairway
''Mount Vernon and Fairway'' (subtitled ''A Fairy Tale'') is an EP by the American rock band the Beach Boys that was included as a bonus record with their 1973 release ''Holland''. It is a 12-minute musical fairy tale, primarily composed by Brian Wilson, assembled by Carl Wilson, and narrated by manager Jack Rieley. Brian provided the voice of the Pied Piper and drew the sleeve cover. Storyline ''Mount Vernon and Fairway'' tells the story of a Pied Piper who lives inside a glowing transistor radio owned by a family of royalty. He introduces magical music to the young princes and princesses, but disappears forever once they stop believing in his existence. Background In the summer of 1972, Wilson joined his bandmates when they temporarily moved base to Holland and recorded the basic tracks for the album of the same name. While living in a Dutch house called "the Flowers" and listening repeatedly to Randy Newman's newest album '' Sail Away'', Wilson was inspired to write a fairy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Beach Boys EPs
''The'' () is a grammatical article in English, denoting persons or things that are already or about to be mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with nouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of the archaic pr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hushabye
"Hushabye" is a song that was written by Doc Pomus and Mort Shuman in 1959 for the Brooklyn doo-wop quintet the Mystics. The group's recording of the song was a Top 20 hit. Background In the spring of 1959, the Mystics recorded the modern South African folk song " Wimoweh" to serve as their debut release on Laurie Records: after Laurie shelved the track as lacking hit potential - the song would in fact become a 1961 #1 hit for the Tokens as "The Lion Sleeps Tonight" - the Mystics were set to record the Doc Pomus/ Mort Shuman composition " Teenager in Love". According to Al Contrera of the Mystics, the day after the Mystics had first heard "Teenage in Love", Laurie Records president Gene Schwarz advised the group that "their song" would instead be given to Dion & the Belmonts who had recorded three Top 40 hits, Schwarz's position being that "Teenager in Love"'s potential to be a smash hit was more likely to be realized via a recording by an established act. ("Teenager in Love" as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Little Honda
"Little Honda" is a song by the American rock band the Beach Boys from their 1964 album '' All Summer Long''. Written by Brian Wilson and Mike Love, it pays tribute to the small Honda motorcycle and its ease of operation, specifically the Honda 50. Immediately following its appearance on ''All Summer Long'', the song was covered by The Hondells, whose recording produced by Gary Usher peaked at No. 9 on the U.S. ''Billboard'' 100. Recording In a 1976 interview, Carl Wilson recounted an anecdote about "Little Honda", Personnel Per Craig Slowinski.Mirror ;The Beach Boys *Al Jardine – backing vocals, electric rhythm guitars, electric bass guitar *Mike Love – lead vocal * Brian Wilson – backing vocals, upright or grand piano, Hammond B3 organ * Carl Wilson – backing vocals, electric lead guitars, electric rhythm guitars *Dennis Wilson – opening voice, backing vocals, drums ;Additional musicians and production staff *Brian Wilson – arranger, producer * Chuck Bri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Don't Back Down (song)
"Don't Back Down" is a song by the American rock band the Beach Boys and the final track on their 1964 album '' All Summer Long''. Written by Brian Wilson and Mike Love, the lyrics describe a group of surfers who "don't back down from that wave", explaining that they "gotta be a little nuts" to show the girls "who's got guts". It was the group's last surfing-themed song until 1968's " Do It Again". In 1990, an earlier version of "Don't Back Down" was included on a reissue CD that compiled '' Little Deuce Coupe'' and ''All Summer Long'', and in 2014, a new stereo mix was featured on the archival release ''Keep an Eye on Summer''. In 1996, punk rock band the Queers recorded a cover version of the song that served as the lead single for their album ''Don't Back Down''. Composition The song, in the key of A-flat, modulates to the key of A during each chorus, and returns to A-flat during the verse. A modulation during the chorus had previously been used by Wilson in songs such as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wendy (song)
"Wendy" is a song written by Brian Wilson and Mike Love for the American rock band the Beach Boys. It was released on their 1964 album '' All Summer Long'' and was also featured on their EP, '' Four by The Beach Boys''. Composition "Wendy" was originally credited to just Brian Wilson. Mike Love's name was added as a result of a lawsuit filed by him against Wilson in the 1990s. In a 2007 interview, Wilson commented of the song, The opening chords are whole notes played on electric guitar and bass. The song begins with a minor i chord in the key of D minor, moves to a major IV, comes back to the minor i, and then moves to a major VI chord, a IV in the key of F. The song then modulates to the key of F major (the relative major of D minor) through a substituted plagal cadence, using a I-ii progression to solidify the new tonic of F. The verse begins with another I-IV-I progression, ending on an IV chord in the first line. The second line begins the same as the first, but mov ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mort Shuman
Mortimer Shuman (12 November 1938 – 2 November 1991) was an American singer, pianist and songwriter, best known as co-writer of many 1960s rock and roll hits, including "Viva Las Vegas". He also wrote and sang many songs in French, such as "Le Lac Majeur", "Papa-Tango-Charly", "Sha Mi Sha", "Un Été de Porcelaine", and "Brooklyn by the Sea" which became hits in France. Life and career Shuman was born in Brooklyn, New York, United States, of Polish Jewish immigrants and went to Abraham Lincoln High School, subsequently studying music at the New York Conservatory. He became a fan of R&B music and after he met Doc Pomus the two teamed up to compose for Aldon Music at offices in New York City's Brill Building. Their songwriting collaboration saw Pomus write the lyrics and Shuman the melody, although occasionally each worked on both. Their compositions would be recorded by artists such as Dion, The Flamingos, Andy Williams, Bobby Darin, Fabian, Ajda Pekkan, The Drifters, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Doc Pomus
Jerome Solon Felder (June 27, 1925 – March 14, 1991), known professionally as Doc Pomus, was an American blues singer and songwriter. He is best known as the co-writer of many rock and roll hits. Pomus was inducted into the Rock and Roll Hall of Fame as a non-performer in 1992, the Songwriters Hall of Fame (1992), and the Blues Hall of Fame (2012). Early life Born Jerome Solon Felder in 1925 in Williamsburg, Brooklyn, New York, he was the son of Jewish immigrants. He attended Brooklyn College from 1943 to 1945. Felder became a fan of the blues after hearing a Big Joe Turner record, "Piney Brown Blues". Having contracted polio as a boy, he walked with the aid of crutches. Later, due to post-polio syndrome exacerbated by an accident, Felder relied on a wheelchair. His brother is New York attorney Raoul Felder. Career Using the stage name Doc Pomus, teenager Felder began performing as a blues singer. His stage name was not inspired by anyone in particular; he just thought it ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mike Love
Michael Edward Love (born March 15, 1941) is an American singer and songwriter who co-founded the Beach Boys with his cousins Brian, Dennis, and Carl Wilson and their friend Al Jardine. Characterized by his nasal tenor and occasional bass-baritone singing, Love has been one of the band's vocalists and lyricists for their entire career, contributing to each of their studio albums and serving as their frontman for live performances. During the mid-1960s, he was one of Brian's main collaborators, co-writing hit records such as " Fun, Fun, Fun" (1964), " I Get Around" (1964), "Help Me, Rhonda" (1965), "California Girls" (1965), and "Good Vibrations" (1966). Drawing inspiration from Chuck Berry and Felice and Boudleaux Bryant, Love's lyrics primarily reflected the youth culture of surfing, cars, and romance, which helped fashion pop culture's perception of the "California Dream". Love also had a significant role in the Beach Boys' vocal arrangements – particularly the doo-wop ele ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Holland (album)
''Holland'' is the 19th studio album by American rock music, rock band the Beach Boys, released January 8, 1973 on Brother Records, Brother/Reprise Records, Reprise. It is their first album recorded without Bruce Johnston since 1965, their second with Blondie Chaplin and Ricky Fataar, and their final studio album created under the ''de facto'' leadership of Carl Wilson and manager Jack Rieley. The LP was originally packaged with a bonus EP, ''Mount Vernon and Fairway'', which consisted of a 12-minute fairy tale written and produced by Brian Wilson, Brian and Carl Wilson. Per its title, ''Holland'' was recorded over the summer of 1972 at a barn in Baambrugge, near Amsterdam, where the band members and their entourage had decamped for several months in the pursuit of creative inspiration. Recording the album was an unprecedented and extremely costly venture, as the group had commissioned their engineers to renovate the barn, which had housed an existing studio, using components fro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
United Western Recorders
United Western Recorders was a two-building recording studio complex in Hollywood that was one of the most successful independent recording studios of the 1960s. The complex merged neighboring studios United Recording Corp. on 6050 Sunset Boulevard and Western Studio on 6000 Sunset Boulevard. In 1984, United Western Recorders was renamed and succeeded by Ocean Way Recording. Starting in 1999, the complex was divided into two establishments: Ocean Way Recording (now United Recording Studios) at 6050 Sunset and Cello Studios (now EastWest Studios) at 6000 Sunset. Some of the biggest hits of the 1960s were recorded at United Western. According to the book ''Temples of Sound'', "No other studio has won more technical excellence awards, and no studio has garnered as many Best Engineered Grammys". Western's Studio 3 is considered iconic for its use by Brian Wilson for the Beach Boys' albums ''Pet Sounds'' (1966) and ''Smile'' (unreleased). Structure The complex's two buildings, U ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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