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Forever Alien
''Forever Alien'' is the third studio album by British space rock band Peter Kember, Spectrum, a project led by Peter Kember under the pseudonym Sonic Boom. It was released in August 1997 by Space Age Records. After the band's preceding EP ''Songs for Owsley'' (1996) moved them away from guitar-oriented music and towards electronic music, ''Forever Alien'' furthered this approach considerably, as Kember aimed to create a predominately electronic album that sounded organic and analogue in style. The record is dominated by vintage analogue synthesizers, including the EMS VCS 3 and EMS Synthi AKS. Kember had become fascinated by the synths as he felt they presented him with more musical possibilities than guitars. The resulting album fuses psychedelic music with influences from the 1960s electronic music of the BBC Radiophonic Workshop. "Feels Like I'm Slipping Away" was released as a single. Although ''Forever Alien'' did not chart in either the United Kingdom or United States, it ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Peter Kember
Peter Kember (born 19 November 1965), also known by his stage name Sonic Boom, is an English singer and record producer. He was a founding member, vocalist, guitarist and keyboardist of alternative rock band Spacemen 3, lasting from 1982 until the band's dissolution in 1991. He is now based in Sintra, Portugal. He provided the production on MGMT's second album ''Congratulations,'' Panda Bear's albums ''Tomboy'' and ''Panda Bear Meets the Grim Reaper'', and Beach House's album '' 7''. As a solo artist, Kember has recorded as Spectrum and E.A.R. (Experimental Audio Research), parallel musical projects with recordings under both names occasionally only featuring Kember. He has occasionally performed live under both monikers, most recently in 2008–11 as Spectrum, touring as a band in America and Europe. Kember has played and collaborated with a number of artists, including Stereolab and Yo La Tengo. Music career Influences In discussing music that was important to him, Kember ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Noise (music)
Noise music is a genre of music that is characterised by the expressive use of noise within a musical context. This type of music tends to challenge the distinction that is made in conventional musical practices between musical and non-musical sound. Noise music includes a wide range of musical styles and sound-based creative practices that feature noise as a primary aspect. Noise music can feature acoustically or electronically generated noise, and both traditional and unconventional musical instruments. It may incorporate live machine sounds, non-musical vocal techniques, physically manipulated audio media, processed sound recordings, field recording, computer-generated noise, stochastic process, and other randomly produced electronic signals such as distortion, feedback, static, hiss and hum. There may also be emphasis on high volume levels and lengthy, continuous pieces. More generally noise music may contain aspects such as improvisation, extended technique, cacophony ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
BBC Radiophonic Music
''BBC Radiophonic Music'' is the first compilation of music released by the BBC Radiophonic Workshop. It featured music by three of the Workshop's most prominent composers, John Baker, David Cain, and Delia Derbyshire. The album was originally released by BBC Radio Enterprises in 1968 to coincide with the Workshop's tenth anniversary and later re-released in 1971 on the BBC Records label. In 2002, the compilation was remastered by Mark Ayres, and re-released with two bonus Derbyshire songs; the original composition "Time to Go" and her version of " Happy Birthday". For the 2003 release of '' Music from the BBC Radiophonic Workshop'', the 2002 remasters of this compilation were combined with Ayres' 2002 remasters of the 1975 compilation ''The Radiophonic Workshop'', and the entire set was resequenced. The music on ''BBC Radiophonic Music'' varied between incidental music and signature tunes, which had been used by various BBC programmes, as well as some radio jingles. The sele ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Delia Derbyshire
Delia Ann Derbyshire (5 May 1937 – 3 July 2001) was an English musician and composer of electronic music. She carried out notable work with the BBC Radiophonic Workshop during the 1960s, including her electronic arrangement of the theme music to the British science-fiction television series '' Doctor Who''. She has been referred to as "the unsung heroine of British electronic music" with her Doctor Who theme having influenced musicians including Aphex Twin, the Chemical Brothers and Paul Hartnoll of Orbital. Biography Early life Derbyshire was born in Coventry, daughter of Emma ( Dawson) and Edward Derbyshire.Breege Brennan, Master's Thesis in Computer Music, Dublin, 2008. of Cedars Avenue, Coundon, Coventry.Christine Edge, Morse code musician: How Delia crashed the sound barrier', ''Sunday Mirror'', 12 April 1970, p. 8. Her father was a sheet-metal worker.Article by Kirsten Cubitt "Dial a tune" in The Guardian newspaper, 3 September 1970. She had one sibling, a sister ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vibraphone
The vibraphone is a percussion instrument in the metallophone family. It consists of tuned metal bars and is typically played by using mallets to strike the bars. A person who plays the vibraphone is called a ''vibraphonist,'' ''vibraharpist,'' or ''vibist''. The vibraphone resembles the steel marimba, which it superseded. One of the main differences between the vibraphone and other keyboard percussion instruments is that each bar suspends over a resonator tube containing a flat metal disc. These discs are attached together by a common axle and spin when the motor is turned on. This causes the instrument to produce its namesake tremolo or vibrato effect. The vibraphone also has a sustain pedal similar to a piano. When the pedal is up, the bars produce a muted sound; when the pedal is down, the bars sustain for several seconds or until again muted with the pedal. The vibraphone is commonly used in jazz music, in which it often plays a featured role, and was a defining element ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vocoder
A vocoder (, a portmanteau of ''voice'' and ''encoder'') is a category of speech coding that analyzes and synthesizes the human voice signal for audio data compression, multiplexing, voice encryption or voice transformation. The vocoder was invented in 1938 by Homer Dudley at Bell Labs as a means of synthesizing human speech. This work was developed into the channel vocoder which was used as a voice codec for telecommunications for speech coding to conserve bandwidth in transmission. By encrypting the control signals, voice transmission can be secured against interception. Its primary use in this fashion is for secure radio communication. The advantage of this method of encryption is that none of the original signal is sent, only envelopes of the bandpass filters. The receiving unit needs to be set up in the same filter configuration to re-synthesize a version of the original signal spectrum. The vocoder has also been used extensively as an electronic musical instrument. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Serge Modular
The Serge synthesizer ( Serge Modular or Serge Modular Music System) is an analogue modular synthesizer system originally developed by Serge Tcherepnin, Rich Gold and Randy Cohen at CalArts in late 1972. The first 20 Serge systems (then called "Tcherepnins") were built in 1973 in Tcherepnin's home. Tcherepnin was a professor at CalArts at the time, and desired to create something like the exclusively expensive Buchla modular synthesizers "for the people that would be both inexpensive and powerful." After building prototypes, Tcherepnin went on to develop kits for students to affordably build their own modular synthesizer, production taking place unofficially on a second floor CalArts balcony. This led to Tcherepnin leaving CalArts in order to produce kits commercially, starting in 1974. After leaving CalArts, Serge had a small factory on Western Avenue in Hollywood. He relocated to a three-story Victorian house on Haight Street in 1980. While the synthesizers were inexpensive c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theremin
The theremin (; originally known as the ætherphone/etherphone, thereminophone or termenvox/thereminvox) is an electronic musical instrument controlled without physical contact by the performer (who is known as a thereminist). It is named after its inventor, Leon Theremin, who patented the device in 1928. The instrument's controlling section usually consists of two metal antenna (radio), antennas which sense the relative position of the thereminist's hands and control oscillation, oscillators for frequency with one hand, and amplitude (Loudness, volume) with the other. The electric signals from the theremin are amplifier, amplified and sent to a loudspeaker. The sound of the instrument is often associated with wikt:eerie, eerie situations. The theremin has been used in movie soundtracks such as Miklós Rózsa's ''Spellbound (1945 film), Spellbound'' and ''The Lost Weekend (film), The Lost Weekend'', Bernard Herrmann's ''The Day the Earth Stood Still (soundtrack), The Day the E ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
OSC OSCar
The OSCar was a synthesizer manufactured by the Oxford Synthesiser Company from 1983 to 1985. It was ahead of its time in several ways and its later versions were among the few mono-synths of its time to have MIDI. Around 2000 were made. History When synthesizer manufacturer Electronic Dream Plant folded in 1982, Chris Huggett went on to form the Oxford Synthesiser Company. The OSCar synthesizer was launched in 1983. Chris Huggett designed the electronics while independent product designer Anthony Harrison-Griffin was responsible for the unique look and build of the OSCar. Design and features Harrison-Griffin's use of distinctive black rubberized components to protect the controls and main casing became one of the instrument's most distinctive visual features. He even built a dummy 3-pin mains socket into the ends to safely store the plug. While the basic structure of the OSCar is the common subtractive synthesis model, it has many unusual features and design quirks. T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Analogue Synthesiser
An analog (or analogue) synthesizer is a synthesizer that uses analog circuits and analog signals to generate sound electronically. The earliest analog synthesizers in the 1920s and 1930s, such as the Trautonium, were built with a variety of vacuum-tube (thermionic valve) and electro-mechanical technologies. After the 1960s, analog synthesizers were built using operational amplifier (op-amp) integrated circuits, and used potentiometers (pots, or variable resistors) to adjust the sound parameters. Analog synthesizers also use low-pass filters and high-pass filters to modify the sound. While 1960s-era analog synthesizers such as the Moog used a number of independent electronic modules connected by patch cables, later analog synthesizers such as the Minimoog integrated them into single units, eliminating patch cords in favour of integrated signal routing systems. History 1900–1920 The earliest mention of a "synthetic harmoniser" using electricity appears to be in 1906, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Modular Synthesiser
Modular synthesizers are synthesizers composed of separate modules for different functions. The modules can be connected together by the user to create a patch. The outputs from the modules may include audio signals, analog control voltages, or digital signals for logic or timing conditions. Typical modules are voltage-controlled oscillators, voltage-controlled filters, voltage-controlled amplifiers and envelope generators. History The first modular synthesizer was developed by German engineer Harald Bode in the late 1950s. The 1960s saw the introduction of the Moog synthesizer and the Buchla Modular Electronic Music System, created around the same period. The Moog was composed of separate modules which created and shaped sounds, such as envelopes, noise generators, filters, and sequencers, connected by patch cords. The Japanese company Roland released the Roland System 100 in 1975, followed by the System 700 in 1976 and the System 100m in 1979. In the late 1970s, mod ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Canada
Canada is a country in North America. Its ten provinces and three territories extend from the Atlantic Ocean to the Pacific Ocean and northward into the Arctic Ocean, covering over , making it the world's second-largest country by total area. Its southern and western border with the United States, stretching , is the world's longest binational land border. Canada's capital is Ottawa, and its three largest metropolitan areas are Toronto, Montreal, and Vancouver. Indigenous peoples have continuously inhabited what is now Canada for thousands of years. Beginning in the 16th century, British and French expeditions explored and later settled along the Atlantic coast. As a consequence of various armed conflicts, France ceded nearly all of its colonies in North America in 1763. In 1867, with the union of three British North American colonies through Confederation, Canada was formed as a federal dominion of four provinces. This began an accretion of provinces an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
