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Footsteps (album)
''Footsteps'' is singer-songwriter Chris de Burgh's seventeenth album, released in 2008. This album includes two songs penned by de Burgh and cover versions of thirteen other songs that inspired and influenced him throughout his career. The cover versions include well-known songs by bands and artists like the Beatles, Bob Dylan, Toto and Pete Seeger. In 2011, de Burgh released a follow-up album, ''Footsteps 2''. The album was released in Germany, Switzerland, Austria, Poland, Russia and Ukraine on November 21, 2008, and in the UK in April 2009. Track listing #"First Steps" (Chris de Burgh) – 1:09 #" Turn, Turn, Turn" (Pete Seeger) – 3:29 #"The Long and Winding Road" (John Lennon, Paul McCartney) – 3:34 #"Africa" (David Paich, Jeff Porcaro) – 4:15 #" Without You" (Peter Ham, Thomas Evans) – 3:21 #"Where Have All the Flowers Gone?" (Pete Seeger) – 3:43 #" Sealed with a Kiss" (Gary Geld) – 2:36 #" Blackbird" (John Lennon, Paul McCartney) – 2:24 #"We Can Work It Ou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Album
An album is a collection of audio recordings issued on compact disc (CD), Phonograph record, vinyl, audio tape, or another medium such as Digital distribution#Music, digital distribution. Albums of recorded sound were developed in the early 20th century as individual Phonograph record#78 rpm disc developments, 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at revolutions per minute, rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the populari ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Africa (Toto Song)
"Africa" is a song by American rock band Toto, the tenth and final track on their fourth studio album ''Toto IV'' (1982). It was released as a single in the US through Columbia Records in October 1982, the album's third single overall and second in Europe. The song was written by band members David Paich and Jeff Porcaro, produced by the band, and mixed by Grammy-winning engineer Elliot Scheiner. Critics praised its composition and Toto's performances. The song reached number one on the United States' ''Billboard'' Hot 100 chart, the band's only ''Billboard'' number one, and number one on the Canadian charts. It also peaked in the top ten in the United Kingdom, Ireland, Netherlands, Australia, New Zealand, and Switzerland. The song was accompanied by a music video, which premiered in 1983, and was directed by Steve Barron, who collaborated previously with the group for " Rosanna". The video features Toto in a library, as they perform and showcase various aspects of African cult ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mitchell Parish
Mitchell Parish (born Michael Hyman Pashelinsky; July 10, 1900 – March 31, 1993) was an American lyricist, notably as a writer of songs for stage and screen. Biography Parish was born to a Jewish family in Lithuania, Russian Empire in July 1900 His family emigrated to the United States, arriving on February 3, 1901, aboard the '' SS Dresden'' when he was less than a year old. They settled first in Louisiana where his paternal grandmother had relatives, but later moved to New York City, where he grew up on the Lower East Side of Manhattan and received his education in the public schools. He attended Columbia University and N.Y.U. and was a member of Phi Beta Kappa. He eventually abandoned the notion of practicing law to become a songwriter. He served his apprenticeship as a writer of special material for vaudeville acts, and later established himself as a writer of songs for stage, screen and numerous musical revues. By the late 1920s, Parish was a well-regarded Tin Pan Alley ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bo Chatmon
Armenter (or Armentia) Chatmon (March 21, 1893 or January 1894 – September 21, 1964), known as Bo Carter, was an early American blues musician. He was a member of the Mississippi Sheiks in concerts and on a few of their recordings. He also managed that group, which included his brothers Lonnie Chatmon on fiddle and, occasionally, Sam Chatmon on bass, and their friend Walter Vinson on guitar and lead vocals. Career Since the 1960s, Carter has become best known for his bawdy songs, such as "Let Me Roll Your Lemon", "Banana in Your Fruit Basket", "Pin in Your Cushion", "Your Biscuits Are Big Enough for Me", "Please Warm My Wiener" and "My Pencil Won't Write No More". However, his output was not limited to dirty blues. In 1928, he recorded the original version of "Corrine, Corrina", which later became a hit for Big Joe Turner and has become a standard in various musical genres. Carter and his brothers (including the pianist Harry Chatmon, who also made recordings) first lear ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Corrine, Corrina
"Corrine, Corrina" (sometimes "Corrina, Corrina") is a 12-bar country blues song in the AAB form. "Corrine, Corrina" was first recorded by Bo Carter ( Brunswick 7080, December 1928). However, it was not copyrighted until 1932 by Armenter "Bo Carter" Chatmon and his publishers, Mitchell Parish and J. Mayo Williams. The song is familiar for its opening verse: The Mississippi Sheiks, as the Jackson Blue Boys with Papa Charlie McCoy on vocals, recorded the same song in 1930; this time as "Sweet Alberta" ( Columbia 14397-D), substituting the words ''Sweet Alberta'' for ''Corrine, Corrina''. "Corrine, Corrina" has been recorded in a number of musical styles, including blues, jazz, rock and roll, Cajun, and Western swing. The title of the song varies from recording to recording, most often with the variant "Corrina, Corrina". History "Corrine, Corrina" may have traditional roots, however, earlier songs are different musically and lyrically. One of the earliest is the commercial shee ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
All Along The Watchtower
"All Along the Watchtower" is a song by American singer-songwriter Bob Dylan from his eighth studio album, ''John Wesley Harding'' (1967). The song was written by Dylan and produced by Bob Johnston. The song's lyrics, which in its original version contain 12 lines, feature a conversation between a joker and a thief. The song has been subject to various interpretations; some reviewers have noted that it echoes lines in the Book of Isaiah, Chapter 21, verses 5–9. Dylan has released several different live performances, and versions of the song are included on some of his subsequent greatest hits compilations. Covered by numerous artists, "All Along the Watchtower" is strongly identified with the interpretation Jimi Hendrix recorded with the Jimi Hendrix Experience for their third studio album, ''Electric Ladyland'' (1968). The Hendrix version, released six months after Dylan's original recording, became a Top 20 single in 1968, received a Grammy Hall of Fame award in 2001, and w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
We Can Work It Out
"We Can Work It Out" is a song by the English rock band the Beatles, written by Paul McCartney and John Lennon. It was first issued as a double A-side single with "Day Tripper" in December 1965. It also appeared on the 1966 US release '' Yesterday and Today''. The release marked the first time in Britain that both tracks on an artist's single were promoted as joint A-sides. The song was recorded during the sessions for the band's ''Rubber Soul'' album. The single was number 1 in Britain (where it won the Ivor Novello Award for the top-selling A-side of 1965), the United States, Australia, Canada and Ireland. In the UK, it was the seventh highest selling single of the 1960s. "We Can Work It Out" is a comparatively rare example of a Lennon–McCartney collaboration from this period in the Beatles' career, in that it recalls the level of collaboration the two songwriters had shared when writing the group's hit singles of 1963. This song, " A Day in the Life", "Baby, You're a Rich Ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Blackbird (Beatles Song)
"Blackbird" is a song by the English rock band the Beatles from their 1968 double album ''The Beatles'' (also known as "the White Album"). It was written by Paul McCartney and credited to Lennon–McCartney, and performed as a solo piece by McCartney. When discussing the song, McCartney has said that the lyrics were inspired by hearing the call of a blackbird in Rishikesh, India, and by racial tension in the Southern United States. Origins McCartney explained on '' Chaos and Creation at Abbey Road'', aired in 2005, that the guitar accompaniment for "Blackbird" was inspired by Johann Sebastian Bach's ''Bourrée in E minor'', a well-known lute piece, often played on the classical guitar. As teenagers, he and George Harrison tried to learn ''Bourrée'' as a "show off" piece. The ''Bourrée'' is distinguished by melody and bass notes played simultaneously on the upper and lower strings. McCartney adapted a segment of the ''Bourrée'' (reharmonised into the original's relative maj ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Where Have All The Flowers Gone?
"Where Have All the Flowers Gone?" is a modern folk-style song. Inspired lyrically by the traditional Cossack folk song "Koloda-Duda", Pete Seeger borrowed an Irish melody and the first three verses in 1955 and published it in ''Sing Out!'' magazine. Additional verses were added in May 1960 by Joe Hickerson, who turned it into a circular song. Its rhetorical "where?" and meditation on death place the song in the '' ubi sunt'' tradition. In 2010, the ''New Statesman'' listed it as one of the "Top 20 Political Songs". The 1964 release of the song as a Columbia Records Hall of Fame series 45 single, 13-33088, by Pete Seeger was inducted into the Grammy Hall of Fame in 2002 in the Folk category. Composition Seeger found inspiration for the song in October 1955 while he was on a plane bound for a concert at Oberlin College, one of the few venues which would hire him during the McCarthy era. Leafing through his notebook he saw the passage, "Where are the flowers, the girls have plucked ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tom Evans (musician)
Thomas Evans (5 June 1947 – 19 November 1983) was a British musician and songwriter, most notable for his work with the band Badfinger. He co-wrote the song " Without You". The Iveys In July 1967, the Iveys (Pete Ham, Ron Griffiths, Mike Gibbins and Dave Jenkins) went to Liverpool at the suggestion of their manager, Bill Collins, to recruit a replacement for Dave Jenkins, their rhythm guitarist and frontman. They discovered Tommy Evans singing with Them Calderstones and invited him to London to audition for the band. He eventually accepted and joined the Iveys in August 1967. His first gig with the Iveys was on 20 August 1967 at the Starlite Ballroom in Crawley. On 23 July 1968, the Iveys were signed to the Beatles' Apple Records label. Their debut worldwide single release was " Maybe Tomorrow" which was a Tom Evans composition, written for his girlfriend in Liverpool, Leslie Sandton, who he used to date when he was a member of Them Calderstones. On 15 November 1968, " May ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pete Ham
Peter William Ham (27 April 1947 – 24 April 1975) was a Welsh singer, songwriter and guitarist best known as a lead vocalist of and composer for the 1970s rock band Badfinger, whose hit songs include " No Matter What", " Day After Day" and "Baby Blue". He also co-wrote the ballad " Without You", a worldwide number-one hit for Harry Nilsson that has become a standard covered by hundreds of artists. Ham was granted two Ivor Novello Awards related to the song in 1973. Ham died by suicide in 1975 at the age of 27, when he became depressed while embroiled in band-related issues, such as label and management problems, as well as a lack of funds. The emotional scar his death left on Badfinger eventually led to the suicide of former bandmate Tom Evans in 1983. Early life Ham was born in Swansea, Wales. He formed a local rock group called The Panthers circa 1961. This group would undergo several name and line-up changes before it became The Iveys in 1965. The band was relocated to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
