Follow The Boys (1944 Film)
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Follow The Boys (1944 Film)
''Follow the Boys'' also known as ''Three Cheers for the Boys'' is a 1944 musical film made by Universal Pictures during World War II as an all-star cast morale booster to entertain the troops abroad and the civilians at home. The film was directed by A. Edward "Eddie" Sutherland and produced by Charles K. Feldman. The movie stars George Raft and Vera Zorina and features Grace McDonald, Charles Grapewin, Regis Toomey and George Macready. At one point in the film, Orson Welles saws Marlene Dietrich in half during a magic show. W.C. Fields, in his first movie since 1941, performs a classic pool playing presentation he first developed in vaudeville four decades earlier in 1903. Making appearances are Walter Abel, Carmen Amaya, The Andrews Sisters, Evelyn Ankers, Louise Beavers, Noah Beery Jr., Turhan Bey, Steve Brodie, Nigel Bruce, Lon Chaney Jr., the Delta Rhythm Boys, Andy Devine, Marlene Dietrich, W. C. Fields, Susanna Foster, Thomas Gomez, Louis Jordan and His Orchestra, ...
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Charles K
Charles is a masculine given name predominantly found in English and French speaking countries. It is from the French form ''Charles'' of the Proto-Germanic name (in runic alphabet) or ''*karilaz'' (in Latin alphabet), whose meaning was "free man". The Old English descendant of this word was '' Ċearl'' or ''Ċeorl'', as the name of King Cearl of Mercia, that disappeared after the Norman conquest of England. The name was notably borne by Charlemagne (Charles the Great), and was at the time Latinized as ''Karolus'' (as in ''Vita Karoli Magni''), later also as '' Carolus''. Some Germanic languages, for example Dutch and German, have retained the word in two separate senses. In the particular case of Dutch, ''Karel'' refers to the given name, whereas the noun ''kerel'' means "a bloke, fellow, man". Etymology The name's etymology is a Common Germanic noun ''*karilaz'' meaning "free man", which survives in English as churl (< Old English ''ċeorl''), which developed its depr ...
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Roy Turk
Roy is a masculine given name and a family surname with varied origin. In Anglo-Norman England, the name derived from the Norman ''roy'', meaning "king", while its Old French cognate, ''rey'' or ''roy'' (modern ''roi''), likewise gave rise to Roy as a variant in the Francophone world. In India, Roy is a variant of the surname ''Rai'',. likewise meaning "king".. It also arose independently in Scotland, an anglicisation from the Scottish Gaelic nickname ''ruadh'', meaning "red". Given name * Roy Acuff (1903–1992), American country music singer and fiddler * Roy Andersen (born 1955), runner * Roy Andersen (South Africa) (born 1948), South African businessman and military officer * Roy Anderson (American football) (born 1980), American football coach * Sir Roy M. Anderson (born 1947), British scientific adviser * Roy Andersson (born 1943), Swedish film director * Roy Andersson (footballer) (born 1949), footballer from Sweden * Roy Chapman Andrews (1884–1960), American natu ...
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The Andrews Sisters
The Andrews Sisters were an American close harmony singing group of the Swing music, swing and boogie-woogie eras. The group consisted of three sisters: contralto LaVerne Sophia Andrews (July 6, 1911 – May 8, 1967), soprano Maxene Anglyn Andrews (January 3, 1916 – October 21, 1995), and mezzo-soprano Patricia "Patty" Marie Andrews (February 16, 1918 – January 30, 2013). The sisters have sold an estimated 80 million records. Their 1941 hit "Boogie Woogie Bugle Boy" can be considered an early example of jump blues. Other songs closely associated with the Andrews Sisters include their first major hit, "Bei Mir Bistu Shein, Bei Mir Bist Du Schön (Means That You're Grand)" (1937), "Beer Barrel Polka (Roll Out the Barrel)" (1939), "Beat Me Daddy, Eight to the Bar" (1940), "Don't Sit Under the Apple Tree (With Anyone Else but Me)" (1942), and "Rum and Coca Cola" (1945), which helped introduce American audiences to calypso music, calypso. The Andrews Sisters' harmonies and songs a ...
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Carmen Amaya
Carmen Amaya Amaya (2 November 1913/1915 – 19 November 1963) was a Spanish Romani flamenco dancer and singer, born in the Somorrostro district of Barcelona, Catalonia, Spain. She has been called "the greatest Flamenco dancer ever Clarke, Mary & Crisp, Clement 1981. ''The history of dance''. Orbis, London. p60 and "the most extraordinary personality of all time in flamenco dance."Clarke, Mary & Vaughan, David 1977. ''The encyclopedia of dance & ballet.'' Pitman, London. p316 She was the first female flamenco dancer to master footwork previously reserved for the best male dancers, due to its speed and intensity. She sometimes danced in high-waisted trousers as a symbol of her strong character. Biography She was born to a Spanish Romani family, to José Amaya Amaya (aka "El Chino", "The Chinaman"), a guitar player, and Micaela Amaya Moreno. Carmen was the second of eleven children, although only six (three sisters and two brothers) survived to adulthood. Her date of birth is dis ...
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Walter Abel
Walter Abel (June 6, 1898 – March 26, 1987) was an American film, stage and radio actor. Life Abel was born in St. Paul, Minnesota, the son of Christine (née Becker) and Richard Michael Abel. Abel graduated from the American Academy of Dramatic Arts where he had studied in 1917 and joined a touring company. His brother Alfred died in 1922 from tuberculosis contracted while serving overseas in World War I. Abel was married to concert harpist Marietta Bitter. Career Abel made his film debut in 1918 with a small part in ''Out of a Clear Sky''. He made his Broadway debut in ''Forbidden'' in 1919. In 1924 he appeared in two Eugene O'Neill plays simultaneously: ''Bound East for Cardiff'' at the Provincetown Playhouse and ''Desire Under the Elms'' at the Greenwich Village Theater. His many theatre credits include ''As You Like It'' (1923), William Congreve's ''Love for Love'' (1925), Anton Chekhov's The Seagull (1929-1930), ''Mourning Becomes Electra'' (1929), Kaufman and H ...
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Marlene Dietrich
Marie Magdalene "Marlene" DietrichBorn as Maria Magdalena, not Marie Magdalene, according to Dietrich's biography by her daughter, Maria Riva ; however Dietrich's biography by Charlotte Chandler cites "Marie Magdalene" as her birth name . (, ; 27 December 1901 – 6 May 1992) was a German and American actress and singer whose career spanned from the 1910s to the 1980s. In 1920s Berlin, Dietrich performed on the stage and in silent films. Her performance as Lola-Lola in Josef von Sternberg's ''The Blue Angel'' (1930) brought her international acclaim and a contract with Paramount Pictures. She starred in many Hollywood films, including six iconic roles directed by Sternberg: ''Morocco'' (1930) (her only Academy Award nomination), ''Dishonored'' (1931), '' Shanghai Express'' and ''Blonde Venus'' (both 1932), ''The Scarlet Empress'' (1934) and '' The Devil Is a Woman'' (1935), ''Desire'' (1936) and ''Destry Rides Again'' (1939). She successfully traded on her glamorous persona a ...
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Orson Welles
George Orson Welles (May 6, 1915 – October 10, 1985) was an American actor, director, producer, and screenwriter, known for his innovative work in film, radio and theatre. He is considered to be among the greatest and most influential filmmakers of all time. While in his 20s, Welles directed high-profile stage productions for the Federal Theatre Project, including an adaptation of ''Macbeth'' with an entirely African-American cast and the political musical '' The Cradle Will Rock''. In 1937, he and John Houseman founded the Mercury Theatre, an independent repertory theatre company that presented a series of productions on Broadway through 1941, including ''Caesar'' (1937), an adaptation of William Shakespeare's ''Julius Caesar''. In 1938, his radio anthology series ''The Mercury Theatre on the Air'' gave Welles the platform to find international fame as the director and narrator of a radio adaptation of H. G. Wells's novel ''The War of the Worlds'', which caused s ...
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George Macready
George Peabody Macready Jr. (August 29, 1899 – July 2, 1973) was an American stage, film, and television actor often cast in roles as polished villains. Early life Macready was born in Providence, Rhode Island on August 29, 1899. He graduated from the local Classical High School in 1917 and from Brown University in 1921, where he was a member of Delta Phi fraternity and won a letter as the football team manager. While in college, Macready sustained a permanent scar on his right cheek after being thrust through the windshield of a Ford Model T when the vehicle skidded on an icy road and hit a telephone pole. He was stitched up by a veterinarian, but he caught scarlet fever during the ordeal. Macready first worked in a bank in Providence and then briefly for a newspaper in New York City before he turned to stage acting. He claimed to have been descended from the 19th-century Shakespearean actor William Macready. Acting career Theatre Macready made his Broadway debut in 1926, ...
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Regis Toomey
John Francis Regis Toomey (August 13, 1898October 12, 1991) was an American film and television actor. Early life Born in Pittsburgh, Pennsylvania, he was one of four children of Francis X. and Mary Ellen Toomey, and attended Peabody High School. He initially pondered a law career, but acting won out and he established himself as a musical stage performer. Career Educated in dramatics at the University of Pittsburgh, where he became a brother of Sigma Chi, Toomey began as a stock actor and eventually made it to Broadway. Toomey was a singer on stage until throat problems (acute laryngitis) while touring in Europe stopped that aspect of his career. In 1929, he appeared in his first films, starting out as a leading man, but finding more success as a character actor, ''sans'' his toupee. In 1941, Toomey appeared in ''You're in the Army Now'', in which Jane Wyman and he had the longest screen kiss in cinema history: 3 minutes and 5 seconds. In 1956, Toomey was cast as the Re ...
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Charles Grapewin
Charles Ellsworth Grapewin (December 20, 1869 – February 2, 1956) was an American vaudeville and circus performer, a writer, and a stage and film actor. He worked in over 100 motion pictures during the silent and sound eras, most notably portraying Uncle Henry in Metro-Goldwyn-Mayer's '' The Wizard of Oz'' (1939), "Grandpa" William James Joad in ''The Grapes of Wrath'' (1940), Jeeter Lester in '' Tobacco Road'' (1941), and California Joe in ''They Died With Their Boots On'' (1941)."Charles Grapewin Is Dead at 86"
'''', February 3, 1956. Retrieved January 22, 2014.


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Born in < ...
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Grace McDonald
Grace McDonald Green (June 15, 1918 – October 30, 1999) was an American actress who appeared in films in the early 1940s, mostly B movies. Born in New York City, she and her brother Ray McDonald had their Broadway debut in 1937 in ''Babes in Arms'' as part of the dance team and singing ''I Wish I Were in Love Again''. Other Broadway plays in which she performed included ''One for the Money'' (1939), ''Very Warm for May'' (1939), and ''The More the Merrier'' (1941). McDonald's work in ''Babes in Arms'' led to a film contract with Universal Pictures. She made her screen debut in 1940's ''Dancing on a Dime'',(4 October 1940)Screen Debut, ''Milwaukee Journal''(27 January 1943)Theater Gossip ''Evening Independent'' and appeared in ''Give Out, Sisters'' (1942), ''It Ain't Hay'' (1943), ''Destiny'' (1944), ''See My Lawyer'' (1945), and '' Strictly in the Groove'' in 1942. McDonald also performed in vaudeville. During World War II, she participated in publicity campaigns related to ...
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Musical Film
Musical film is a film genre in which songs by the characters are interwoven into the narrative, sometimes accompanied by dancing. The songs usually advance the plot or develop the film's characters, but in some cases, they serve merely as breaks in the storyline, often as elaborate "production numbers". The musical film was a natural development of the stage musical after the emergence of sound film technology. Typically, the biggest difference between film and stage musicals is the use of lavish background scenery and locations that would be impractical in a theater. Musical films characteristically contain elements reminiscent of theater; performers often treat their song and dance numbers as if a live audience were watching. In a sense, the viewer becomes the diegetic audience, as the performer looks directly into the camera and performs to it. With the advent of sound in the late 1920s, musicals gained popularity with the public and are exemplified by the films of Busby Ber ...
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