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Folksongs For A Nuclear Village
''Folksongs for a Nuclear Village'' is the sixth studio album by new-age/jazz group Shadowfax, their first for Capitol Records. It won the Grammy Award for Best New Age Album in 1989. "Folksong for a Nuclear Village" was a 1982 dance performance choreographed by Louise Durkee of Seattle in that city. The cover artwork is a piece by Michael McMillen called ''Nel Mezzo Del Cammin Di Nostra Vita'', which is the opening line from The Divine Comedy, meaning, in English, "In the middle of our life's journey." Track listing # "The Firewalker" ( Chuck Greenberg) – 4:54 # "We Used to Laugh" (Greenberg) – 4:07 # "Solar Wind" ( David C. Lewis) – 5:08 # "Behind Green Eyes" (Phil Maggini) – 5:17 # "Lucky Mud" (Stuart Nevitt) – 4:40 # "Madagascar Cafe" (Nevitt, G. E. Stinson) – 3:06 # "Against the Grain" ( Charles Bisharat) – 3:42 # "No Society" (Bisharat) – 4:16 # "Elephant Ego" (Lewis) – 5:00 # "Folksong for a Nuclear Village" (Maggini, Stinson) – 5:13 Personnel * Chu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shadowfax (band)
Shadowfax was a new-age/electronic musical group formed in Chicago in the early 1970s and best known for their albums '' Shadowfax'' and ''Folksongs for a Nuclear Village''. In 1989, they won the Grammy for Best New Age Performance for ''Folksongs for a Nuclear Village''. In 1993, they were nominated for the Grammy for '' Esperanto''. The group formed in 1972 and disbanded after 1995 when Lyricon player and leader Chuck Greenberg died of a heart attack. Having lost their signature sound, Shadowfax's members went on to other projects. The group took its name from Gandalf the Grey's horse Shadowfax in J. R. R. Tolkien's ''The Lord of the Rings''. Members * Chuck Greenberg – lyricon, saxophone, flute (1974-1995) * Armen Chakmakian – keyboards (1990-1995) * David Lewis – keyboards (1984-1990) * G. E. Stinson – guitars (1974-1990) * Charlie Bisharat – electric violin (1986-1990) * Phil Maggini – double bass, bass guitar, vocals (1974-1995) * Stuart Nevitt – drum ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor Saxophone
The tenor saxophone is a medium-sized member of the saxophone family, a group of instruments invented by Adolphe Sax in the 1840s. The tenor and the alto are the two most commonly used saxophones. The tenor is pitched in the key of B (while the alto is pitched in the key of E), and written as a transposing instrument in the treble clef, sounding an octave and a major second lower than the written pitch. Modern tenor saxophones which have a high F key have a range from A2 to E5 (concert) and are therefore pitched one octave below the soprano saxophone. People who play the tenor saxophone are known as "tenor saxophonists", "tenor sax players", or "saxophonists". The tenor saxophone uses a larger mouthpiece, reed and ligature than the alto and soprano saxophones. Visually, it is easily distinguished by the curve in its neck, or its crook, near the mouthpiece. The alto saxophone lacks this and its neck goes straight to the mouthpiece. The tenor saxophone is most recognized for it ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tambourine
The tambourine is a musical instrument in the percussion family consisting of a frame, often of wood or plastic, with pairs of small metal jingles, called "zills". Classically the term tambourine denotes an instrument with a drumhead, though some variants may not have a head. Tambourines are often used with regular percussion sets. They can be mounted, for example on a stand as part of a drum kit (and played with drum sticks), or they can be held in the hand and played by tapping or hitting the instrument. Tambourines come in many shapes with the most common being circular. It is found in many forms of music: Turkish folk music, Greek folk music, Italian folk music, French folk music, classical music, Persian music, samba, gospel music, pop music, country music, and rock music. History The origin of the tambourine is unknown, but it appears in historical writings as early as 1700 BC and was used by ancient musicians in West Africa, the Middle East, Greece and India. The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zither
Zithers (; , from the Greek word ''cithara'') are a class of stringed instruments. Historically, the name has been applied to any instrument of the psaltery family, or to an instrument consisting of many strings stretched across a thin, flat body. This article describes the latter variety. Zithers are typically played by strumming or plucking the strings with the fingers or a plectrum. In the Hornbostel–Sachs classification system, the term refers to a larger family of similarly shaped instruments that also includes the hammered dulcimer family and piano and a few rare bowed instruments like the bowed psaltery, bowed dulcimer, and streichmelodion. Like an acoustic guitar or lute, a zither's body serves as a resonating chamber (sound box), but, unlike guitars and lutes, a zither lacks a distinctly separate neck assembly. The number of strings varies, from one to more than fifty. In modern common usage the term "zither" refers to three specific instruments: the concert zithe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Boobam
The boobam is a percussion instrument of the membranophone family consisting of an array of tubes with membranes stretched on one end, the other end open. The tuning depends partly on the tension on the membrane and partly on the length of the tube. History In 1948 Harry Partch, an American composer, developed a system of music that depended on the building of various instruments that could play non-tempered scales. Some of them were based on Greek models and some on more primitive instruments like marimbas. Musician David "Buck" Wheat and his roommate in Sausalito, California, Bill Loughborough, a musician and electronic engineer, assisted Partch in the development of his instruments. Around 1955-1956 Partch designed and built an instrument he called the "boo", short for "bamboo marimba". This instrument, a lamellophone, consisted of sections of bamboo with one end closed, and a tongue cut in the side, tuned to the same pitch as the resonating chamber of the stopped bamboo sect ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Caxixi
A caxixi () is a percussion instrument consisting of a closed basket with a flat bottom filled with seeds or other small particles. The round bottom is traditionally cut from a dried gourd. The caxixi is an indirectly struck idiophone. Like the maraca, it is sounded by shaking. Variations in sound are produced by varying the angle at which the caxixi is shaken, determining whether the contents strike the reed basket (softer sound) or the hard bottom (louder, sharper sound). It is found across Africa and South America, but mainly in Brazil and Cuba, used in staging the ritual. In Brazil, the smaller-sized caxixi began to be played alongside the berimbau The berimbau () is a single-string percussion instrument, a musical bow, originally from Africa, that is now commonly used in Brazil. The berimbau would eventually be incorporated into the practice of the Afro-Brazilian martial art ''capoeira'' .... The larger sized caxixi were first used on recordings by Airto Moreira, but i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Timbales
Timbales () or pailas are shallow single-headed drums with metal casing. They are shallower than single-headed tom-toms and usually tuned much higher, especially for their size.Orovio, Helio 1981. ''Diccionario de la música cubana: biográfico y técnico''. Entries for ''Paila criolla''; ''Timbal criollo''. They were developed as an alternative to classical timpani in Cuba in the early 20th century and later spread across Latin America and the United States. Timbales are struck with wooden sticks on the heads and shells, although bare hands are sometimes used. The player (called a ''timbalero'') uses a variety of stick strokes, rim shots, and rolls to produce a wide range of percussive expression during solos and at transitional sections of music, and usually plays the shells (or auxiliary percussion such as a cowbell or cymbal) to keep time in other parts of the song. The shells and the typical pattern played on them are referred to as ''cáscara''. Common stroke patterns incl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gong
A gongFrom Indonesian and ms, gong; jv, ꦒꦺꦴꦁ ; zh, c=鑼, p=luó; ja, , dora; km, គង ; th, ฆ้อง ; vi, cồng chiêng; as, কাঁহ is a percussion instrument originating in East Asia and Southeast Asia. Gongs are a flat, circular metal disc that is typically struck with a mallet. They can be small or large in size, and tuned or can require tuning. The earliest mention of gongs can be found in sixth century Chinese records, which mentioned the instrument to have come from a country between Tibet and Burma. The term ''gong'' ( jv, ꦒꦺꦴꦁ) originated in the Indonesian island of Java. Scientific and archaeological research has established that Burma, China, Java and Annam were the four main gong manufacturing centres of the ancient world. The gong found its way into the Western World in the 18th century, when it was also used in the percussion section of a Western-style symphony orchestra. A form of bronze cauldron gong known as a resting ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roland Octapad
Roland Octapad is a range of MIDI electronic drum percussion controllers produced by the Roland Corporation. Roland Pad-8 The first model, introduced in 1985, was the Pad-8. Originally to be called MPC-8 (MIDI Percussion Controller 8), but was renamed Pad-8 to avoid legal implications with MPC Electronics. It was an influential device at that time, allowing drummers and percussionists the opportunity to trigger virtually any MIDI sound source without the need of a full electronic drum set. Features The Pad 8 Consists of eight individual pads (divided in two rows of four pads) and six external pad trigger ports. The controlled had no internal sound source and limited memory for four user patches. A unique initialization procedure, when powered on, would load a "patch preset" and configure the Pad-8 to work with either the Roland's TR-909 or TR-707/TR-727. The Pad 8 could only transmit on a single MIDI channel (channel 10 on power up), however each of the 14 pads is assigned a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
E-mu SP-12
E-mu SP-12 12 also known as the “sampling drum computer” was designed in 1985 and widely released in 1986 by E-mu Systems. Although the SP-12 was quickly superseded by the more powerful SP-1200, the SP-12 is often regarded as the first commercially successful drum machine and sampler combo. History The E-mu SP-12 was the spiritual successor to E-mu's Drumulator and was originally going to be produced under the name Drumulator II, however shortly before the sampler went into production its name was changed to SP-12. The name SP-12 stands for sampling percussion at twelve bits, demonstrating the power of the sampler. The E-mu SP-12 is credited with helping usher in the era of digital sampling by being one of the first digital samplers in production, which allowed musicians to take digital sampling in a completely different direction. Originally the sole purpose of digital sampling was to allow producers to implement a desired sound into a keyboard so it would be able to be repl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drum
The drum is a member of the percussion group of musical instruments. In the Hornbostel-Sachs classification system, it is a membranophone. Drums consist of at least one membrane, called a drumhead or drum skin, that is stretched over a shell and struck, either directly with the player's hands, or with a percussion mallet, to produce sound. There is usually a resonant head on the underside of the drum. Other techniques have been used to cause drums to make sound, such as the thumb roll. Drums are the world's oldest and most ubiquitous musical instruments, and the basic design has remained virtually unchanged for thousands of years. Drums may be played individually, with the player using a single drum, and some drums such as the djembe are almost always played in this way. Others are normally played in a set of two or more, all played by the one player, such as bongo drums and timpani. A number of different drums together with cymbals form the basic modern drum kit. Uses ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cymbal
A cymbal is a common percussion instrument. Often used in pairs, cymbals consist of thin, normally round plates of various alloys. The majority of cymbals are of indefinite pitch, although small disc-shaped cymbals based on ancient designs sound a definite note (such as crotales). Cymbals are used in many ensembles ranging from the orchestra, percussion ensembles, jazz bands, heavy metal bands, and marching groups. Drum kits usually incorporate at least a crash, ride, or crash/ride, and a pair of hi-hat cymbals. A player of cymbals is known as a cymbalist. Etymology and names The word cymbal is derived from the Latin ''cymbalum'', which is the latinisation of the Greek word ''kymbalon'', "cymbal", which in turn derives from ''kymbē'', "cup, bowl". In orchestral scores, cymbals may be indicated by the French ''cymbales''; German ''Becken'', ''Schellbecken'', ''Teller'', or ''Tschinellen''; Italian ''piatti'' or ''cinelli''; and Spanish ''platillos''. Many of these deri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
