Folk Singer (album)
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Folk Singer (album)
''Folk Singer'' is the fourth studio album by Muddy Waters, released in January 1964 by Chess Records. The album features Waters on Steel-string guitar, acoustic guitar, backed by Willie Dixon on string bass, Clifton James on drums, and Buddy Guy on acoustic guitar. It is Waters's only all-acoustic album. Numerous reissues of ''Folk Singer'' include bonus tracks from two subsequent sessions, in April 1964 and October 1964. Despite not charting in any country, ''Folk Singer'' received critical acclaim; most reviewers praised its high-quality sound, especially on remastered versions, as well as the instrumentation. In 2003, the album was ranked number 280 on ''Rolling Stone'' magazine's list of The 500 Greatest Albums of All Time, the 500 greatest albums of all time. Background After his successful performance at Newport Jazz Festival and tours through America, Chess Records encouraged Waters to record songs for a new studio album. Before the recording, several musicians had left ...
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Folksinger (album)
''Folksinger'' is an album by folk singer-songwriter Phranc, released in 1985. Phranc's first solo LP fused elements of her punk rock past with acoustic folk music. She covers Bob Dylan's "The Lonesome Death of Hattie Carroll," comments on the image of girl groups ("Everywhere I Go (I Hear the Go Go's)"), and relays the personal tragedy of suicide in "Lifelover." ''Folksinger'' was released on Rhino Records, and was licensed to Island Records in 1990. "Everywhere I Go (I Hear the Go-Go's)" is a bonus track on the Island version. Critical reception AllMusic wrote that "acoustic folk music had yet to be embraced by the punk/new wave underground, making ''Folksinger'' a watershed album." ''Trouser Press'' wrote that "Phranc’s not a timeless melodicist, but her wry lyrical observations and attractive singing make ''Folksinger'' a fine effort." ''The New York Times'' wrote that the songs "tend to be too slight and specific for repeated listening; they don't have the resonances of ...
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James "Pee Wee" Madison
James "Pee Wee" Madison (May 4, 1935 – January 7, 2008) was an American blues guitar player. Early life Born in Osceola, Arkansas, he moved to Chicago in the late 1950s, molding his musicianship on that of Little Walter. His big chance came when he joined the band of Muddy Waters in 1963, replacing guitarist Pat Hare who was incarcerated for killing his girlfriend. Career Starting in 1964, Madison played on most of Muddy Waters' recordings. He played with Muddy Waters' band until the ending of Muddy Waters' world tour in 1973, mostly playing rhythm guitar on an upside-down Fender Mustang. While traveling through Illinois with Muddy Waters on Oct. 26, 1969, Madison was injured in an accident. He spent two days in the hospital recovering from his injuries. The young couple that collided with Muddy waters and his band on U.S. Route 45 were both killed in the accident. Discography With Muddy Waters *''Muddy, Brass & the Blues'' (Chess, 1966) *''Live at Mr. Kelly's'' (Chess, 19 ...
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AllMusic
AllMusic (previously known as All Music Guide and AMG) is an American online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on musicians and bands. Initiated in 1991, the database was first made available on the Internet in 1994. AllMusic is owned by RhythmOne. History AllMusic was launched as ''All Music Guide'' by Michael Erlewine, a "compulsive archivist, noted astrologer, Buddhist scholar and musician". He became interested in using computers for his astrological work in the mid-1970s and founded a software company, Matrix, in 1977. In the early 1990s, as CDs replaced LPs as the dominant format for recorded music, Erlewine purchased what he thought was a CD of early recordings by Little Richard. After buying it he discovered it was a "flaccid latter-day rehash". Frustrated with the labeling, he researched using metadata to create a music guide. In 1990, in Big Rapids, Michigan, he founded ''All Music Guide' ...
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Got My Mojo Working
"Got My Mojo Working" is a blues song written by Preston "Red" Foster and first recorded by R&B singer Ann Cole in 1956. Foster's lyrics describe several amulets or talismans, called ''mojo'', which are associated with hoodoo, an early African-American folk-magic belief system. In 1957, Muddy Waters adapted the song with some different lyrics and a new musical arrangement. It was a feature of his performances throughout his career, with a live version recorded in 1960 identified as the best known. Waters' rendition has received several awards and otherwise recognized by various organizations and publications. As a blues standard, it has been recorded by numerous blues and other artists. Origins The song was written by Preston "Red" Foster, an African-American musician unrelated to the actor of the same name. Music publisher and executive Sol Rabinowitz described Foster as "one of the shyest human beings I've ever met", and a judge in the early 1970s described him as "a Black ...
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Trouble No More (song)
"Trouble No More" is an upbeat blues song first recorded by Muddy Waters in 1955. It is a variation on "Someday Baby Blues", recorded by Sleepy John Estes in 1935. The Allman Brothers Band recorded both studio and live versions of the song in the late 1960s and 1970s. Background Several blues musicians have interpreted and recorded variations on "Some Baby Blues". "Muddy Waters calls his 'Trouble No More' and Big Maceo titled his 'Worried Life Blues'. Be that as it may... they all derive from Sleepy John Estes' 1935 classic 'Someday Baby Blues'." As he did with " Rollin' Stone", "Rollin' and Tumblin'", "Walkin' Blues", and "Baby Please Don't Go", Waters took an older country blues and made it into a Chicago blues. Waters also modified the lyrics, using "Someday baby, you ain't gonna trouble, poor me anymore" instead of Estes' "Someday baby, you ain't gonna worry, my mind anymore" (Estes' 1938 version "New Someday Baby" uses "trouble" in place of "worry;" Bob Dylan's 2006 " Som ...
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Five Long Years
"Five Long Years" is a song written and recorded by blues vocalist and pianist Eddie Boyd in 1952. Called one of the "few postwar blues standards hat hasretained universal appeal", Boyd's "Five Long Years" reached number one on the ''Billboard'' R&B chart. Numerous blues and other artists have recorded interpretations of the song. Original song "Five Long Years" is a moderate-tempo twelve-bar blues notated in 12/8 time in the key of C. It tells of "the history of the metal worker who, for five years, worked hard in a factory and who gave his check every Friday night to his girlfriend, who nevertheless dumped him". Backing Boyd on vocal and piano are Ernest Cotton on tenor sax, L. C. McKinley on guitar, Alfred Elkins on bass, and Percy Walker on drums. "Five Long Years" was revisited by Boyd several times during his career, with additional studio and live recordings. Recognition and legacy In 2011, Eddie Boyd's original "Five Long Years" was inducted into the Blues Founda ...
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Rollin' Stone (Muddy Waters Song)
"Rollin' Stone" is a blues song recorded by Muddy Waters in 1950. It is his interpretation of "Catfish Blues", a Delta blues that dates back to 1920s Mississippi. "Still a Fool", recorded by Muddy Waters a year later using the same arrangement and melody, reached number nine on the Billboard R&B chart. "Rollin' Stone" has been recorded by a variety of artists. Earlier songs In 1928, Jim Jackson recorded "Kansas City Blues Parts 3 and 4", a follow-up to his highly successful "Jim Jackson's Kansas City Blues Parts 1 and 2". Jackson's lyrics included: Several other early songs also explored variations on the catfish and/or fishing theme. In 1941, Tommy McClennan and his sometime partner Robert Petway each recorded versions of the song. Petway's was the first to be titled "Catfish Blues" and is sometimes cited as the basis for Muddy Waters' "Rollin' Stone". However, according to one biographer "They'd been singing "Catfish Blues" for years in the Delta, but it never sounded ...
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American Folk Blues Festival
The American Folk Blues Festival was a music festival that toured Europe as an annual event for several years beginning in 1962. It introduced audiences in Europe, including the UK, to leading blues performers of the day such as Muddy Waters, Howlin' Wolf, John Lee Hooker and Sonny Boy Williamson, most of whom had never previously performed outside the US. The tours attracted substantial media coverage, including TV shows, and contributed to the growth of the audience for blues music in Europe. Background German jazz publicist Joachim-Ernst Berendt first had the idea of bringing original African-American blues performers to Europe. Jazz and rock and roll had become very popular, and both genres drew influences directly back to the blues. Berendt thought that European audiences would flock to concert halls to see them in person. Promoters Horst Lippmann and Fritz Rau brought this idea to reality. By contacting Willie Dixon, an influential blues composer and bassist from Chicago, ...
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Mobile Fidelity Sound Lab
Mobile Fidelity Sound Lab (MFSL or MoFi) is a record label specializing in the production of audiophile issues. The company produces reissued vinyl LP records, compact discs, and Super Audio CDs and other formats. History Recording engineer Brad Miller (1939–1998) released the first recordings on the Mobile Fidelity label in March 1958, a recording of a Southern Pacific steam locomotive. Later LPs included other steam trains, environmental sounds and orchestral music, and a few pop and orchestral recordings. In 1977 Mobile Fidelity Sound Labs was founded and began releasing Original Master Recording LPs, using a half-speed mastering process. In November 1999, Mobile Fidelity Sound Lab shut down after the bankruptcy of M. S. Distributing. In 2001 MFSL's assets were acquired by Jim Davis of Music Direct. Products LPs In 1977, Mobile Fidelity began to produce a line of records known as "Original Master Recording" vinyl LPs. These albums were previously released by other ...
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Folk Music
Folk music is a music genre that includes traditional folk music and the contemporary genre that evolved from the former during the 20th-century folk revival. Some types of folk music may be called world music. Traditional folk music has been defined in several ways: as music transmitted orally, music with unknown composers, music that is played on traditional instruments, music about cultural or national identity, music that changes between generations (folk process), music associated with a people's folklore, or music performed by custom over a long period of time. It has been contrasted with commercial and classical styles. The term originated in the 19th century, but folk music extends beyond that. Starting in the mid-20th century, a new form of popular folk music evolved from traditional folk music. This process and period is called the (second) folk revival and reached a zenith in the 1960s. This form of music is sometimes called contemporary folk music or folk rev ...
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Electric Blues
Electric blues refers to any type of blues music distinguished by the use of electric amplifier, amplification for musical instruments. The guitar was the first instrument to be popularly amplified and used by early pioneers T-Bone Walker in the late 1930s and John Lee Hooker and Muddy Waters in the 1940s. Their styles developed into West Coast blues, Detroit blues, and post-World War II Chicago blues, which differed from earlier, predominantly acoustic-style blues. By the early 1950s, Little Walter was a featured soloist on Richter-tuned harmonica, blues harmonica using a small hand-held microphone fed into a guitar amplifier. Although it took a little longer, the electric bass guitar gradually replaced the stand-up bass by the early 1960s. Electric organs and especially keyboards later became widely used in electric blues. Early regional styles The blues, like jazz, probably began to be amplified in the late 1930s.V. Bogdanov, C. Woodstra, S. T. Erlewine, ''All music guide ...
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Louisiana
Louisiana , group=pronunciation (French: ''La Louisiane'') is a state in the Deep South and South Central regions of the United States. It is the 20th-smallest by area and the 25th most populous of the 50 U.S. states. Louisiana is bordered by the state of Texas to the west, Arkansas to the north, Mississippi to the east, and the Gulf of Mexico to the south. A large part of its eastern boundary is demarcated by the Mississippi River. Louisiana is the only U.S. state with political subdivisions termed parishes, which are equivalent to counties, making it one of only two U.S. states not subdivided into counties (the other being Alaska and its boroughs). The state's capital is Baton Rouge, and its largest city is New Orleans, with a population of roughly 383,000 people. Some Louisiana urban environments have a multicultural, multilingual heritage, being so strongly influenced by a mixture of 18th century Louisiana French, Dominican Creole, Spanish, French Canadian, Acadi ...
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