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Focale
The ''focale'' (plural ''focalia''), also known as a ''sudarium'' ("sweat cloth"), was a woolen or linen scarf worn by ancient Roman military personnel. It protected the neck from chafing by the armor. The ''focale'' is depicted widely in military scenes from Roman art, such as the relief sculpture on the Arch of Septimius Severus in the Roman Forum and Trajan's Column. It is shown loosely knotted in the front, but is sometimes visible with the ends tucked inside the cuirass. In Latin literature, ''focale'' is a general word for a scarf or wrapping for the throat. A ''focale'' was one of the gifts that might be given for the December festival of Saturnalia, according to Martial. In one of his satires, Horace lists ''focalia'' among the "badges of illness" ''(insignia morbi)''. In describing the correct attire for public speaking, Quintilian advises against wearing a ''focale'', unless required by poor health. Although a ''sudarium'' often is used as a handkerchief, it can be worn ...
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Focale Scarf
The ''focale'' (plural ''focalia''), also known as a ''sudarium'' ("sweat cloth"), was a woolen or linen scarf worn by ancient Roman military personnel. It protected the neck from chafing by the armor. The ''focale'' is depicted widely in military scenes from Roman art, such as the relief sculpture on the Arch of Septimius Severus in the Roman Forum and Trajan's Column. It is shown loosely knotted in the front, but is sometimes visible with the ends tucked inside the cuirass. In Latin literature, ''focale'' is a general word for a scarf or wrapping for the throat. A ''focale'' was one of the gifts that might be given for the December festival of Saturnalia, according to Martial. In one of his satires, Horace lists ''focalia'' among the "badges of illness" ''(insignia morbi)''. In describing the correct attire for public speaking, Quintilian advises against wearing a ''focale'', unless required by poor health. Although a ''sudarium'' often is used as a handkerchief, it can be worn ...
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Scarf
A scarf, plural ''scarves'', is a piece of fabric worn around the neck or head for warmth, sun protection, cleanliness, fashion, religious reasons, or used to show the support for a sports club or team. They can be made in a variety of different materials such as wool, linen, silk or cotton. It is a common type of neckwear. History Scarves have been worn since ancient times. In 1350BC Ancient Egypt, Queen Nefertiti is said to have worn a tightly-woven headscarf, and the Statue of Ashurnasirpal II from the 9th century BC features the emperor wearing a shawl. In Ancient Rome, the garment was used to keep clean rather than warm. It was called a focale or ''sudarium'' (sudarium from the Latin for "sweat cloth"), and was used to wipe the sweat from the neck and face in hot weather. They were originally worn by men around their neck or tied to their belt. Historians believe that during the reign of the Chinese Emperor Cheng, scarves made of cloth were used to identify officers ...
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Sudra (headdress)
Sudra ( Jewish Babylonian Aramaic square script: , ) is a rectangular piece of cloth sometimes worn as a scarf or headdress as part of ancient Jewish tradition. Over time it held many different functions and today is sometimes understood to be of great cultural or religious significance to Jews. Etymology The English ''sudra'' derives from the Aramaic ''swdrʾ'' spelled in the Syriac script and in the Jewish Babylonian Aramaic square script. It in turn derives from the a doublet of the pre- Augustan deriving from the adjective from and the suffix meant to denote purpose in this case. The Babylonian Talmud presents what Jastrow calls a " playful etymology" of the term as a contraction of a section of Psalm 25:14. History The exact historical origins of wearing a piece of cloth wrapped around one's head are, at the moment, unclear. Some of the earliest examples can be found in artworks from ancient Mesopotamia, like statues of statues of Gudea wearing a turban-like garmen ...
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018 Conrad Cichorius, Die Reliefs Der Traianssäule, Tafel XVIII
Eighteen or 18 may refer to: * 18 (number), the natural number following 17 and preceding 19 * one of the years 18 BC, AD 18, 1918, 2018 Film, television and entertainment * ''18'' (film), a 1993 Taiwanese experimental film based on the short story ''God's Dice'' * ''Eighteen'' (film), a 2005 Canadian dramatic feature film * 18 (British Board of Film Classification), a film rating in the United Kingdom, also used in Ireland by the Irish Film Classification Office * 18 (''Dragon Ball''), a character in the ''Dragon Ball'' franchise * "Eighteen", a 2006 episode of the animated television series ''12 oz. Mouse'' Music Albums * ''18'' (Moby album), 2002 * ''18'' (Nana Kitade album), 2005 * '' 18...'', 2009 debut album by G.E.M. Songs * "18" (5 Seconds of Summer song), from their 2014 eponymous debut album * "18" (One Direction song), from their 2014 studio album ''Four'' * "18", by Anarbor from their 2013 studio album ''Burnout'' * "I'm Eighteen", by Alice Cooper commonly re ...
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Cesare Vecellio
Cesare Vecellio (c. 1521 – c. 1601) was an Italian engraver and painter of the Renaissance, active in Venice. He was the cousin of the painter Titian. Like Titian, he was born in Cadore in the Veneto. He accompanied Titian to Augsburg in 1548, and seems to have worked as his assistant. Many of Cesare's pictures were ascribed, perhaps knowingly, to Titian. In the Milan Pinacoteca there is a small ''Trinity'' by Cesare. He died in Venice. The crude woodcuts for book assembling contemporary fashion from across the world, ''De gli Habiti Antichi e Modérni di Diversi Parti di Mondo'' published in Venice in 1590 by Cesare as if they were his works, may in fact belong to Christopher Krieger from Nuremberg. They depict the garb, sometimes fanciful and imagined, of individuals, men and women, from Tsars to Tribeswomen from the Arabian Desert to Muscovite nobles to Arabian nobles to Inca nobles.
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Necktie
A necktie, or simply a tie, is a piece of cloth worn for decorative purposes around the neck, resting under the shirt collar and knotted at the throat, and often draped down the chest. Variants include the ascot, bow, bolo, zipper tie, cravat, and knit. The modern necktie, ascot, and bow tie are descended from the cravat. Neckties are generally unsized but may be available in a longer size. In some cultures, men and boys wear neckties as part of office attire or formal wear. Women wear them less often. Neckties can also be part of a uniform. Neckties are traditionally worn with the top shirt button fastened, and the tie knot resting between the collar points. History Origins The necktie that spread from Europe traces back to Croatian mercenaries serving in France during the Thirty Years' War (1618–1648). These mercenaries from the Military Frontier, wearing their traditional small, knotted neckerchiefs, aroused the interest of the Parisians. Because of the differe ...
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Near East
The ''Near East''; he, המזרח הקרוב; arc, ܕܢܚܐ ܩܪܒ; fa, خاور نزدیک, Xāvar-e nazdik; tr, Yakın Doğu is a geographical term which roughly encompasses a transcontinental region in Western Asia, that was once the historical Fertile Crescent, and later the Levant region. It also comprises Turkey (both Anatolia and East Thrace) and Egypt (mostly located in North Africa, with the Sinai Peninsula being in Asia). Despite having varying definitions within different academic circles, the term was originally applied to the maximum extent of the Ottoman Empire. According to the National Geographic Society, the terms ''Near East'' and ''Middle East'' denote the same territories and are "generally accepted as comprising the countries of the Arabian Peninsula, Cyprus, Egypt, Iraq, Iran, Israel, Jordan, Lebanon, Palestinian territories, Syria, and Turkey". In 1997, the Food and Agriculture Organization of the United Nations, Food and Agriculture Organization (FAO) ...
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Jan Bremmer
Jan N. Bremmer (born 18 December 1944) is a Dutch academic and historian. He served as a professor of Religious Studies and Theology at the University of Groningen. He specializes in history of ancient religion, especially ancient Greek religion and early Christianity. Early life Jan N. Bremmer was born during the World War II in 1944 in Groningen, Netherlands. Though he became a liberal protestant later in life, he was brought up in an orthodox Calvinist family. His father Rolf Hendrik Bremmer was a Calvinist minister and a church historian, and his mother Lucy Lindeboom also came from a family of Calvinist ministers. His maternal great-grandfather Lucas Lindeboom (1845–1933) was a professor at the Kampen Theological College. Bremmer studied Classics and Spanish at the Vrije Universiteit Amsterdam (1962–1970) and the University of Bristol (1969–1970). During 1970–1972, he did his military service with the Dutch Military Intelligence. He married Christine, a British c ...
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Papyri
Papyrus ( ) is a material similar to thick paper that was used in ancient times as a writing surface. It was made from the pith of the papyrus plant, ''Cyperus papyrus'', a wetland sedge. ''Papyrus'' (plural: ''papyri'') can also refer to a document written on sheets of such material, joined side by side and rolled up into a scroll, an early form of a book. Papyrus is first known to have been used in Egypt (at least as far back as the First Dynasty), as the papyrus plant was once abundant across the Nile Delta. It was also used throughout the Mediterranean region. Apart from a writing material, ancient Egyptians employed papyrus in the construction of other artifacts, such as reed boats, mats, rope, sandals, and baskets. History Papyrus was first manufactured in Egypt as far back as the fourth millennium BCE.H. Idris Bell and T.C. Skeat, 1935"Papyrus and its uses"(British Museum pamphlet). The earliest archaeological evidence of papyrus was excavated in 2012 and 2013 ...
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Vision Of Dorotheus
''The Vision of Dorotheus'' or ''Dorotheos'' ( grc, Όρασις Δωροθέου, Órasis Dorothéou) is an autobiographical Homeric Greek poem, composed in 343 lines of dactylic hexameter and attributed to "Dorotheus, son of Quintus the Poet". The poem chronicles a vision, wherein the author is transported to the Kingdom of Heaven and finds himself in its military hierarchy. He is conscripted into and deserts his post, only to receive punishment, be forgiven, and rediscover his Christian faith. The poem, penned sometime in the 4th-century, depicts the Kingdom of Heaven in an Imperial fashion; Christ is enthroned as a Roman emperor, surrounded by angels bearing Roman military and official titles (such as ''domestikos'', '' praipositos'', ''primikerios'', and ''ostiarios''), with the military structures of the Kingdom of Heaven modelled on those of Rome.; ''The Vision of Dorotheus'' survives as one of the earliest examples of Christian hexametric poetry. While the ''Visions po ...
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Orarion
The Orarion (Greek: ; Slavonic: орарь, ''orar'') is the distinguishing vestment of the deacon and subdeacon in the Eastern Orthodox Church, Oriental Orthodox Churches and Eastern Catholic Churches. It is a narrow stole, usually four to five inches (127 mm) wide and of various lengths, made of brocade, often decorated with crosses (three, five or seven) embroidered or appliquéd along its length. It is usually trimmed with decorative banding around the edges and fringe at the two ends. Deacon The deacon wears the orarion over his left shoulder with the front portion draped over his left forearm. He will take this portion in his right hand when leading litanies or drawing attention to a particular liturgical action. This single orarion is the oldest form, as illustrated in traditional and older iconography. Archdeacons and protodeacons are awarded the much longer double orarion, which is worn over the left shoulder, wrapped around the chest and back, and brought b ...
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Synthesis (clothing)
The ''synthesis'' (Greek for something "put together"), probably synonymous with ''cenatoria'', "dinner clothes" (from Latin ''cena'', "dinner"), was a garment or outfit worn in ancient Rome for dining or special occasions such as the Saturnalia. It seems to have been worn by both men and women, and was particularly a fashion of the mid-1st to early 2nd century AD. More is known about the etiquette of wearing the ''synthesis'' than its appearance. It is mentioned mainly by Martial, who also uses the word ''cenatoria''. This attire was characteristically colorful, but lacking further description in ancient literature or a secure identification of the ''synthesis'' in art, scholars have viewed it variously as an ensemble or suit, or a single garment that was a sort of robe or tunic- mantle combination. The ''synthesis'' was part of the urbanite's wardrobe, and fashionable Romans might own several. The garment might be conspicuously expensive, and Martial mentions one of his friends gi ...
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