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Flor Silvestre (album)
''Flor Silvestre'' is a studio album by Mexican singer Flor Silvestre, released in 1959 by Musart Records. It is Flor Silvestre's first Musart album and contains the hit singles she recorded for the label in the late 1950s. The album was reissued several times in its original LP format. In 2008, an abridged version of the album, ''Laguna de pesares'', was released digitally. Background This is Flor Silvestre's first studio album for Musart. Flor had only recorded singles and tracks for soundtrack albums prior to the release of this album. According to the liner notes, Musart took "great care in choosing songs that are most appropriate for the style and tessitura of such a unique singer lor Silvestre.Liner notes from the Musart LP D-481, ''Flor Silvestre''. Track listing Side one Side two Personnel * Mariachi México – accompaniment * Mariachi Zapopan – accompaniment References External links ''Flor Silvestre''at AllMusic AllMusic (previously known as All ...
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Flor Silvestre
Guillermina Jiménez Chabolla (16 August 1930 – 25 November 2020), known professionally as Flor Silvestre, was a Mexican singer and actress. She was one of the most prominent and successful performers of Mexican and Latin American music, and was a star of classic Mexican films during the Golden Age of Mexican cinema. Her more than 70-year career included stage productions, radio programs, records, films, television programs, comics, and rodeo shows. Famed for her melodious voice and unique singing style, hence the nicknames "''La Sentimental''" ("The Sentimental One") and "''La Voz Que Acaricia''" ("The Voice That Caresses"), Flor Silvestre was a notable interpreter of the ranchera, bolero, bolero ranchero, and huapango genres. She recorded more than 300 songs for three labels: Columbia, RCA Víctor, and Musart. In 1945, she was announced as the "''Alma de la Canción Ranchera''" ("Soul of Ranchera Song"), and in 1950, the year in which she emerged as a radio star, she was p ...
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La Flor De La Canela
"La flor de la canela", commonly translated to the English language as "The Cinnamon Flower", is a Creole waltz composed by the Peruvian singer-songwriter Chabuca Granda. The song was first recorded in 1950 by the musica criolla trio Los Morochucos. However, it would be the 1953 version recorded by Los Chamas, another musica criolla ensemble, that would bring the song and Chabuca Granda widespread notability in Spain and Latin America with over 600 versions of the song being available. Since then, the song has become an unofficial anthem for Lima, the capital of Peru. Other versions Notable covers In 2013, Peruvian singer-songwriter Gian Marco recorded a cover which served as the lead single for his album Versiones. His version helped the album be cerfied gold in Perú and became nominated for the Latin Grammy Award for Album of the Year. Gian Marco performed the song at the Latin Grammy Awards that year. In 2016, Panamanian singer Rubén Blades released a salsa version of th ...
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Flor Silvestre Albums
Flor (Spanish and Portuguese for ''flower'') in winemaking, is a film of yeast on the surface of wine, important in the manufacture of some styles of sherry. The flor is formed naturally under certain winemaking conditions, from indigenous yeasts found in the region of Andalucía in southern Spain. Normally in winemaking, it is essential to keep young wines away from exposure to air by sealing them in airtight barrels, to avoid contamination by bacteria and yeasts that tend to spoil it. However, in the manufacture of sherries, the slightly porous oak barrels are deliberately filled only about five-sixths full with the young wine, leaving "the space of two fists" empty to allow the flor yeast to take form and the bung is not completely sealed. The flor favors cooler climates and higher humidity, so the sherries produced in the coastal Sanlúcar de Barrameda and El Puerto de Santa María have a thicker cap of flor than those produced inland in Jerez. The yeast gives the resulting sh ...
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1959 Albums
Events January * January 1 - Cuba: Fulgencio Batista flees Havana when the forces of Fidel Castro advance. * January 2 - Lunar probe Luna 1 was the first man-made object to attain escape velocity from Earth. It reached the vicinity of Earth's Moon, and was also the first spacecraft to be placed in heliocentric orbit. * January 3 ** The three southernmost atolls of the Maldive archipelago (Addu Atoll, Huvadhu Atoll and Fuvahmulah island) declare independence. ** Alaska is admitted as the 49th U.S. state. * January 4 ** In Cuba, rebel troops led by Che Guevara and Camilo Cienfuegos enter the city of Havana. ** Léopoldville riots: At least 49 people are killed during clashes between the police and participants of a meeting of the ABAKO Party in Léopoldville in the Belgian Congo. * January 6 ** Fidel Castro arrives in Havana. ** The International Maritime Organization is inaugurated. * January 7 – The United States recognizes the new Cuban government of Fidel Castro. * J ...
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AllMusic
AllMusic (previously known as All Music Guide and AMG) is an American online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on musicians and bands. Initiated in 1991, the database was first made available on the Internet in 1994. AllMusic is owned by RhythmOne. History AllMusic was launched as ''All Music Guide'' by Michael Erlewine, a "compulsive archivist, noted astrologer, Buddhist scholar and musician". He became interested in using computers for his astrological work in the mid-1970s and founded a software company, Matrix, in 1977. In the early 1990s, as CDs replaced LPs as the dominant format for recorded music, Erlewine purchased what he thought was a CD of early recordings by Little Richard. After buying it he discovered it was a "flaccid latter-day rehash". Frustrated with the labeling, he researched using metadata to create a music guide. In 1990, in Big Rapids, Michigan, he founded ''All Music Guide' ...
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David Záizar
David Záizar was a Mexican mariachi singer and actor who appeared in many Mexican films. He was active begging in the 1940s and until his death in 1982, due to a respiratory infection. What earned him the title of "Rey del Falsete" or "King of the Falsetto" was the fact that he displaced Miguel Aceves Mejía, who had the title until Záizar's appearance on the ranchera music scene. Initially, he joined forces with his brother, Juan Záizar, with whom he formed a duo. Prior to this, they had both been working on individual projects, especially Juan, who was a renowned composer and singer. They had only sung together for very special occasions, like their tribute to honor the famous ranchera composer, also from Jalisco, Pepe Guízar. Out of this union came the famous duo, "Los Hermanos Záizar" (the Záizar brothers). Like most Mexican folk songs, the majority of those interpreted by David that we have left today are about lost loves, unfaithful women, Mexico and its people, and se ...
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José Ángel Espinoza
José Ángel Espinoza Aragón (2 October 1919 – 6 November 2015), also known as ''Ferrusquilla'', was a Mexican singer-songwriter and film actor. He was the father of actress Angélica Aragón. There is a statue of him along Olas Altas Promenade in Mazatlán, Mexico. He also was a composer affiliated to the SACM (Society of Authors and Composers of Mexico). Selected filmography *''¡Ya tengo a mi hijo!'' (1946) – Gitano (uncredited) *''A media luz'' (1947) *''The Private Affairs of Bel Ami'' (1947) – Vendedor de paraguas (uncredited) *''El casado casa quiere'' (1948) – José Conejo *''Hijos de la mala vida'' (1949) *''Midnight'' (1949) – Profesor Florentino Mendizábal *''The Perez Family'' (1949) – Narrator *''Carta Brava'' (1949) – Gilberto *''Las puertas del presidio'' (1949) – Zeferino Martínez 'El Ciengramos' *''La liga de las muchachas'' (1950) – Mario *''Mariachis'' (1950) *''Quinto patio'' (1950) – Javier *''Pata de palo'' (1950) – Ferruco *''La t ...
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Chabuca Granda
María Isabel Granda Larco (3 September 1920 – 8 March 1983), better known as Chabuca Granda, was a Peruvian singer and composer. She created and interpreted a vast number of Criollo waltzes with Afro-Peruvian rhythms. Granda's "La flor de la canela", "José Antonio", "El Puente de los Suspiros", and "Fina estampa" helped the singer receive international recognition. She has influenced various Peruvian artists such as Susana Baca, Eva Ayllón, Gian Marco and Juan Diego Flórez. In 2017, her work was declared a ''Cultural Heritage of the Nation'' and in 2019, the Peruvian government posthumously awarded her the highest national honor, the Order of the Sun. Life and career Granda was born on 3 September 1920, in a copper mining area in the region of Apurímac. She began singing at 12 years old, in the school choir at the exclusive girls' school Colegio Sophianum, in San Isidro, an affluent neighborhood of Lima, Peru. At this age she sang as a soprano (an operation later gave ...
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José Alfredo Jiménez
José Alfredo Jiménez Sandoval (; 19 January 1926 – 23 November 1973) was a Mexican singer-songwriter of rancheras, whose songs are considered the basis of modern Mexican music. Biography Jiménez was born in Dolores Hidalgo, Guanajuato, Mexico. He was discovered in 1948 by the singer Miguel Aceves Mejía and according to him he did not play an instrument and did not even know the Spanish word for "waltz" or what keys his songs were in. One day in 1948, Miguel Aceves Mejía and some friends arrived for dinner to a restaurant called La Sirena, in Santa Maria de la Rivera. The clerk came to him and asked: “Don Miguel. I'm a waiter because of necessity, but I compose songs. Would you like to hear some? Maybe you like them”. The waiter was José Alfredo Jiménez. Miguel asked him to look for him at the Radio Station XEW, where he had an audition called ''Amanecer Ranchero'' together with the Mariachi Vargas and Rubén Fuentes. A few days later, José Alfredo arrived to th ...
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Ranchera
Ranchera () or canción ranchera is a genre of traditional music of Mexico. It dates to before the years of the Mexican Revolution. Rancheras today are played in virtually all regional Mexican music styles. Drawing on rural traditional folk music, the ranchera developed as a symbol of a new national consciousness in reaction to the aristocratic tastes of the period. The classic "rancheras" songs usually talk about life in Mexico not only in rural areas, but also portray life in Mexico at the time of the bandits. That said, it refers to romanticizing canteens,charros "Mexican cowboy", firearms, love affairs and duels. Definitions The word ''ranchera'' was derived from the word ''rancho'' because the songs originated on the ranches and in the countryside of rural Mexico. Traditional themes in rancheras are about love, patriotism or nature. Rhythms can have a meter in (in slow tempo: '' ranchera lenta'' and faster tempo: ''ranchera marcha''), (''ranchera valseada''), or (' ...
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Tomás Méndez
Tomás Méndez (born Tomás Méndez Sosa; July 25, 1927 – June 19, 1995) was a Mexican composer and singer of Mexican music and ranchera music. He was born in Fresnillo, Zacatecas, Mexico. He obtained his first success in 1954 with the Mexican music song "Gorrioncillo pecho amarillo" and continued in the same year with the huapangos like "Cucurrucucú paloma" and "Desafío". He died in Mexico City on June 19, 1995. The song "Cucurrucucú paloma" was played in many movie pictures like '' The Last Sunset'', '' Happy Together'', ''Talk to Her'' and '' The Five Year Engagement'' and has also been performed by notable singers such as Harry Belafonte, Perry Como, Lola Beltrán and Caetano Veloso. Songs *"Pobre Leña de Pirul" *"Gorrioncillo pecho amarillo" *"Cucurrucucú paloma "Cucurrucucú paloma" (Spanish for ''Coo-coo dove'') is a Mexican huapango-style song written by Tomás Méndez in 1954. The title is an onomatopeic reference to the characteristic call of the mourning ...
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Tessitura
In music, tessitura (, pl. ''tessiture'', "texture"; ) is the most acceptable and comfortable vocal range for a given singer or less frequently, musical instrument, the range in which a given type of voice presents its best-sounding (or characteristic) timbre. This broad definition is often interpreted to refer specifically to the pitch range that most frequently occurs within a given part of a musical piece. Hence, in musical notation, ''tessitura'' is the ambitus, or a narrower part of it, in which that particular vocal (or less often instrumental) part lies—whether high or low, etc. However, the tessitura of a part or voice is not decided by the extremes of its range, but rather by the share of this total range which is most used. Hence, it is referred to as the "heart" of a range. For example, throughout the entirety of Wagner's ''Ring'', the music written for the tenor role of Siegfried ranges from C to C, but the tessitura is described as high because the phrases are mos ...
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