Flis (opera)
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Flis (opera)
''Flis'' (''Raftsman'') is a Polish-language opera in one act by Stanisław Moniuszko to a libretto by Stanisław Bogusławski. It was premiered in Warsaw on 24 September 1858. Cast *Antoni, a wealthy landowner – bass *Zosia, his daughter – soprano *Franek, young rafter – tenor *Jakub, hairdresser – baritone *Sixth, former soldier – bass *Feliks, rafter – tenor *Rafters, villagers, villagers, children. Performances The opera was given in a concert performance and recorded in the Wielki Theatre of Polish National Opera at the 2019 Chopin and his Europe International Music Festival, marking the 200th anniversary of Moniuszko's birth. Recordings *''Flis'' – Bernard Ładysz (bass), Andrzej Hiolski (baritone), Zdzisław Nikodem (tenor), Bogdan Paprocki (tenor), Halina Słonicka (soprano), Antoni Majak (bass) Chór Filharmonii Narodowej, Orkiestra Filharmonii Narodowej, 1962 Anaklasis 58 minutes *''Flis'' – Ewa Tracz (Zosia), Matheus Pompeu (Franek), Mariusz Go ...
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Flis
Flis may refer to: * Dmitry Flis (born 1984), Russian basketball player * Jesse Flis (born 1933), Canadian politician * Marcin Flis (born 1994), Polish footballer * Sylvester Flis (born 1974), American ice sledge hockey player * Flis (opera) ''Flis'' (''Raftsman'') is a Polish-language opera in one act by Stanisław Moniuszko to a libretto by Stanisław Bogusławski. It was premiered in Warsaw on 24 September 1858. Cast *Antoni, a wealthy landowner – bass *Zosia, his daughter ... See also * FLI (other) {{surname ...
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Chopin And His Europe
Chopin and his Europe is an international music festival organised in Warsaw since 2005 by the Fryderyk Chopin Institute. It presents European music within the context of its links with the life and work of the Polish composer Frédéric Chopin, Fryderyk Chopin. The project is realised as part of the government programme "Fryderyk Chopin Heritage 2010". It is one of the annual cultural events of the summer in Poland, devised by artistic director Stanisław Leszczyński. One important strand to the festival programme is historical performances, presenting works as they were originally heard, on period pianos in the possession of the Fryderyk Chopin Institute: an Erard from 1849, a Pleyel from 1846 and a Graf (a copy of an instrument from c. 1819). The festival is organised in collaboration with the Warsaw National Philharmonic Orchestra, Warsaw Philharmonic, Teatr Wielki – Grand Theatre, Warsaw, Polish National Opera and Polskie Radio, Polish Radio II. Each year, the invited gue ...
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Polish-language Operas
Polish (Polish: ''język polski'', , ''polszczyzna'' or simply ''polski'', ) is a West Slavic language of the Lechitic group written in the Latin script. It is spoken primarily in Poland and serves as the native language of the Poles. In addition to being the official language of Poland, it is also used by the Polish diaspora. There are over 50 million Polish speakers around the world. It ranks as the sixth most-spoken among languages of the European Union. Polish is subdivided into regional dialects and maintains strict T–V distinction pronouns, honorifics, and various forms of formalities when addressing individuals. The traditional 32-letter Polish alphabet has nine additions (''ą'', ''ć'', ''ę'', ''ł'', ''ń'', ''ó'', ''ś'', ''ź'', ''ż'') to the letters of the basic 26-letter Latin alphabet, while removing three (x, q, v). Those three letters are at times included in an extended 35-letter alphabet, although they are not used in native words. The traditional set co ...
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Operas By Stanisław Moniuszko
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of singing: ...
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1858 Operas
Events January–March * January – **Benito Juárez (1806–1872) becomes Liberal President of Mexico. At the same time, conservatives install Félix María Zuloaga (1813–1898) as president. **William I of Prussia becomes regent for his brother, Frederick William IV, who had suffered a stroke. * January 9 ** British forces finally defeat Rajab Ali Khan of Chittagong ** Anson Jones, the last president of the Republic of Texas, commits suicide. * January 14 – Orsini affair: Felice Orsini and his accomplices fail to assassinate Napoleon III in Paris, but their bombs kill eight and wound 142 people. Because of the involvement of French émigrés living in Britain, there is a brief anti-British feeling in France, but the emperor refuses to support it. * January 25 – The ''Wedding March'' by Felix Mendelssohn becomes a popular wedding recessional, after it is played on this day at the marriage of Queen Victoria's daughter Victoria, Princess Royal, to Prince ...
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Fabio Biondi
Fabio Biondi (born 15 March 1961) is an Italian violinist and conductor. He is a specialist in Baroque and early music. Biography Born in Palermo, Sicily, Biondi had a late start, having never even held a violin till age 11, but by the following year he had advanced so quickly that he played a concerto with the RAI Symphony Orchestra.Cosic, Miriam (17-18 October 1999). "Baroque con brio", ''The Weekend Australian'', Review, p. 19 When he was 16, he performed Johann Sebastian Bach's violin concertos at the Musikverein in Vienna. Since then, he has performed with a number of baroque ensembles including La Capella Reial, Musica Antiqua Wien, Seminario Musicale, La Chapelle Royale and Les Musiciens du Louvre. In 1990 Biondi founded Europa Galante, an Italian ensemble specializing in baroque music, that he directs. Biondi's recordings include Antonio Vivaldi's ''Il cimento dell'armonia e dell'inventione'' including '' The Four Seasons'' and the opera '' Bajazet'', Arcangelo Corell ...
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Podlaska Opera And Orchestra
Podlaska Opera and Orchestra in Białystok ( pl, Opera i Filharmonia Podlaska – Europejskie Centrum Sztuki im. Stanisława Moniuszki w Białymstoku) is a cultural institution in Białystok, capital of Podlaskie Voivodeship Podlaskie Voivodeship or Podlasie Province ( pl, Województwo podlaskie, ) is a voivodeship (province) in northeastern Poland. The name of the province and its territory correspond to the historic region of Podlachia. The capital and largest cit ... of Poland. It is the largest artistic institution in north-eastern Poland and the most modern cultural center in this part of Europe. History The beginnings of the Symphony Orchestra of the Podlaskie Opera and Philharmonic date back to 1954, when the State Symphony Orchestra was established in Bialystok. The orchestra's musicians did not have their own headquarters at that time - rehearsals and concerts were held, among others at the Aleksandr Węgierki Drama Theatre or Guest Palace in Bialystok. After twenty ...
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Bernard Ładysz
Bernard Ładysz (24 July 192225 July 2020) was a Polish bass-baritone and actor. He performed internationally at major opera houses and festivals, known for the title roles of Mozart's ''Don Giovanni'' and Mussorgsky's ''Boris Godunov''. His recordings include ''Lucia di Lammermoor'' alongside Maria Callas. He took part in the world premieres of Krzysztof Penderecki's opera '' The Devils of Loudon'' at the Hamburg State Opera and the bass solo in his '' St Luke Passion'' at the Salzburg Festival. As an actor, he played in several films such as '' The Promised Land'' in 1974. Life Born in Wilno, Poland (now Vilnius, Lithuania), Ładysz began to study voice in Wilno in 1940. The following year, he became a sergeant of the Polish Home Army, who took part in the 1944 Operation Tempest. When Wilno was taken by the Red Army, he, among many others, was conscripted to military under the condition of giving an oath to the Soviet Union. Those who refused were sent to various Gulag labor ...
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Grand Theatre, Warsaw
The Grand Theatre in Warsaw ( pl, Teatr Wielki w Warszawie), known in full as the Grand Theatre–National Opera, is a theatre and opera complex situated on the historic Theatre Square in central Warsaw, Poland. The Warsaw Grand Theatre is home to the Polish National Ballet and is one of the largest theatrical venues in the world, with a seating capacity of over 2,000. The Warsaw Grand Theatre was inaugurated on 24 February 1833 with a production of Rossini's ''The Barber of Seville''. After the building's bombing and near-complete destruction in World War II, it was rebuilt and reopened on 19 November 1965 after having been closed for over twenty years. The original building was designed in a neoclassical style by architects Antonio Corazzi and Chrystian Piotr Aigner, and later restored by Bohdan Pniewski. History From 1833 The Theatre was built on Theatre Square between 1825 and 1833, replacing the former building of Marywil, from Polish classicist designs by the Italian a ...
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Opera
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as '' Singspiel'' and '' Opéra comique''. In traditional number opera, singers employ two styles of ...
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Baritone
A baritone is a type of classical male singing voice whose vocal range lies between the bass and the tenor voice-types. The term originates from the Greek (), meaning "heavy sounding". Composers typically write music for this voice in the range from the second F below middle C to the F above middle C (i.e. F2–F4) in choral music, and from the second A below middle C to the A above middle C (A2 to A4) in operatic music, but the range can extend at either end. Subtypes of baritone include the baryton-Martin baritone (light baritone), lyric baritone, ''Kavalierbariton'', Verdi baritone, dramatic baritone, ''baryton-noble'' baritone, and the bass-baritone. History The first use of the term "baritone" emerged as ''baritonans'', late in the 15th century, usually in French sacred polyphonic music. At this early stage it was frequently used as the lowest of the voices (including the bass), but in 17th-century Italy the term was all-encompassing and used to describe the averag ...
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Tenor
A tenor is a type of classical music, classical male singing human voice, voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word ''wikt:teneo#Latin, tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the [tenor was the] structurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that ...
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