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Fitting Room
A changing-room, locker-room, (usually in a sports, theater, or staff context) or changeroom (regional use) is a room or area designated for changing one's clothes. Changing-rooms are provided in a semi-public situation to enable people to change clothes with varying degrees of privacy. A fitting room, or dressing room, is a room where people try on clothes, such as in a department store. Separate changing-rooms may be provided for men and women, or there may be a non-gender-specific open space with individual cubicles or stalls, as with unisex public toilets. Many changing rooms include toilets, sinks and showers. Sometimes a changing room exists as a small portion of a restroom/washroom. For example, the men's and women's washrooms in Toronto's Dundas Square (which includes a water play area) each include a change area which is a blank counter space at the end of a row of sinks. In this case, the facility is primarily a washroom, and its use as a changing room is minimal, ...
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HK 堅尼地城 Kennedy Town 士美非路市政大廈 Smithfield Municipal Services Building 更衣室 Changing Room Sept-2011
Hong Kong ( (US) or (UK); , ), officially the Hong Kong Special Administrative Region of the People's Republic of China (abbr. Hong Kong SAR or HKSAR), is a List of cities in China, city and Special administrative regions of China, special administrative region of China on the eastern Pearl River Delta in South China. With 7.5 million residents of various nationalities in a territory, Hong Kong is one of the List of countries and dependencies by population density, most densely populated places in the world. Hong Kong is also a major global financial centre and one of the Global city, most developed cities in the world. Hong Kong was established as a British Hong Kong, colony of the British Empire after the Qing dynasty, Qing Empire ceded Hong Kong Island from Bao'an County, Xin'an County at the end of the First Opium War in 1841 then again in 1842.. The colony expanded to the Kowloon Peninsula in 1860 after the Second Opium War and was further extended when Britain obtaine ...
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Cabinet (room)
A cabinet (also known by other terms) was a private room in the houses and palaces of early modern Europe serving as a study or retreat, usually for a man. The cabinet would be furnished with books and works of art, and sited adjacent to his bedchamber, the equivalent of the Italian Renaissance ''studiolo''. In the Late Medieval period, such newly perceived requirements for privacy had been served by the solar of the English gentry house, and a similar, less secular purpose had been served by a private oratory. Such a room might be used as a study or office, or just a sitting room. Heating the main rooms in large palaces or mansions in the winter was difficult, and small rooms were more comfortable. They also offered more privacy from servants, other household members, and visitors. Typically such a room would be for the use of a single individual, so that a house might have at least two (his and hers) and often more. Names varied: cabinet, closet, study (from the Italian ''stud ...
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Boudoir
A boudoir (; ) is a woman's private sitting room or salon in a furnished residence, usually between the dining room and the bedroom, but can also refer to a woman's private bedroom. The term derives from the French verb ''bouder'' (to sulk or pout) or adjective ''boudeur'' (sulking)—the room was originally a space for sulking in, or one to put away or withdraw to. Architecture A cognate of the English "bower", historically, the boudoir formed part of the private suite of rooms of a "lady" or upper-class woman, for bathing and dressing, adjacent to her bedchamber, being the female equivalent of the male cabinet. In later periods, the boudoir was used as a private drawing room, and was used for other activities, such as embroidery or spending time with one's romantic partner. English-language usage varies between countries, and is now largely historical. In the United Kingdom, in the period when the term was most often used (Victorian era and early 20th century), a boud ...
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Les Trois Frères
''The Three Brothers'' (french: Les Trois Frères) is a 1995 French comedy film written, directed by and starring Didier Bourdon and Bernard Campan alongside their Les Inconnus partner Pascal Légitimus. The film won the award for Best Debut at the César Awards in 1996. Plot Three brothers meet each other for the first time after their mother's death. Believing that they will inherit her fortune, they quickly spend their money. However, when the inheritance does not transpire, the brothers become closer as they try to work out what to do. Casting * Didier Bourdon : Didier Latour * Bernard Campan : Bernard Latour * Pascal Légitimus : Pascal Latour * Antoine du Merle : Michael Rossignol * Anne Jacquemin : Marie * Marine Jolivet : Christine Rossignol * Annick Alane : Geneviève Rougemont * Pierre Meyrand : Charles-Henri Rougemont * Isabelle Gruault : Marie-Ange Rougemont * Marie-Christine Adam : Sandra * Bernard Farcy : Monsieur Steven * Élie Semoun : Brice * Henr ...
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The Cameraman
''The Cameraman'' is a 1928 American silent romantic comedy film directed by Edward Sedgwick and an uncredited Buster Keaton. The picture stars Keaton and Marceline Day. ''The Cameraman'' was Keaton's first film with Metro-Goldwyn-Mayer. It is considered by fans and critics to be Keaton still in top form, and it was added to the National Film Registry in 2005 as being deemed "culturally, historically, or aesthetically significant." Within a little over a year, however, MGM would take away Keaton's creative control over his pictures, thereby causing drastic and long-lasting harm to his career. Keaton was later to call the move to MGM "the worst mistake of my career." Plot Buster, a sidewalk tintype portrait photographer in New York City, develops a crush on Sally, a secretary who works for MGM Newsreels. To be near her, he purchases an old film camera, emptying his bank account, and attempts to get a job as one of MGM's cameramen. Harold, an MGM cameraman who has designs on Sall ...
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Silent Film
A silent film is a film with no synchronized recorded sound (or more generally, no audible dialogue). Though silent films convey narrative and emotion visually, various plot elements (such as a setting or era) or key lines of dialogue may, when necessary, be conveyed by the use of title cards. The term "silent film" is something of a misnomer, as these films were almost always accompanied by live sounds. During the silent era that existed from the mid-1890s to the late 1920s, a pianist, theater organist—or even, in large cities, a small orchestra—would often play music to accompany the films. Pianists and organists would play either from sheet music, or improvisation. Sometimes a person would even narrate the inter-title cards for the audience. Though at the time the technology to synchronize sound with the film did not exist, music was seen as an essential part of the viewing experience. "Silent film" is typically used as a historical term to describe an era of cinema pri ...
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Buster Keaton
Joseph Frank "Buster" Keaton (October 4, 1895 – February 1, 1966) was an American actor, comedian, and filmmaker. He is best known for his silent film work, in which his trademark was physical comedy accompanied by a stoic, deadpan expression that earned him the nickname "The Great Stone Face". Critic Roger Ebert wrote of Keaton's "extraordinary period from 1920 to 1929" when he "worked without interruption" as having made him "the greatest actor-director in the history of the movies". In 1996, ''Entertainment Weekly'' recognized Keaton as the seventh-greatest film director, and in 1999 the American Film Institute ranked him as the 21st-greatest male star of classic Hollywood cinema. Working with independent producer Joseph M. Schenck and filmmaker Edward F. Cline, Keaton made a series of successful two-reel comedies in the early 1920s, including ''One Week'' (1920), '' The Playhouse'' (1921), '' Cops'' (1922), and ''The Electric House'' (1922). He then moved to feature-leng ...
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Jeanne Paquin
Jeanne Paquin () (1869–1936) was a leading French fashion designer, known for her resolutely modern and innovative designs. She was the first major female couturier and one of the pioneers of the modern fashion business. Early life Jeanne Paquin was born Jeanne Marie Charlotte Beckers in 1869. Her father was a physician. She was one of five children. Sent out to work as a young teenager, Jeanne trained as a dressmaker at Rouff (a Paris couture house established in 1884 and located on Boulevard Haussmann). She quickly rose through to ranks becoming première, in charge of the atelier. In 1891, Jeanne Marie Charlotte Beckers married Isidore René Jacob, who was also known as Paquin. Isidore owned Paquin Lalanne et cie, a couture house which had grown out of a menswear shop in the 1840s. The couple renamed the company Paquin and set about building the business. The House of Paquin under Jeanne In 1891, Jeanne and Isidore Paquin opened their Maison de Couture at 3 Rue de la ...
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Henri Gervex
Henri Gervex (Paris 10 December 1852 – 7 June 1929 Paris) was a French painter who studied painting under Alexandre Cabanel, Pierre-Nicolas Brisset, and Eugène Fromentin. Biography Early years He was the son of Joséphine Peltier and Félix Nicolas Gervex, a piano maker. When he was 15, a friend of the family helped him get admitted to the atelier of Pierre-Nicolas Brisset. Three years later, he served in the 152nd Battalion of the National Guard. In 1871 he was accepted into the École des Beaux-Arts in the studio of Alexandre Cabanel, where he studied for five years along with Jean-Louis Forain, Fernand Cormon, and Eugène Damas, a landscape painter. He also apprenticed himself to the Orientalist painter Eugène Fromentin. Debut His early work belonged almost exclusively to the mythological genre, which served as an excuse for the painting of the nude, but not always in the best of taste. His ''Rolla'' of 1878, based on a poem by Alfred de Musset, was rejected by the jury o ...
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Au Bonheur Des Dames
''Au Bonheur des Dames'' (; ''The Ladies' Delight'' or ''The Ladies' Paradise'') is the eleventh novel in the '' Rougon-Macquart'' series by Émile Zola. It was first serialized in the periodical ''Gil Blas'' from December 17, 1882 to March 1, 1883; and published in novel form by Charpentier in 1883. The novel is set in the world of the department store, an innovative development in mid-nineteenth century retail sales. Zola models his store after Le Bon Marché, which consolidated under one roof many of the goods hitherto sold in separate shops. The narrative details many of Le Bon Marché's innovations, including its mail-order business, its system of commissions, its in-house staff commissary, and its methods of receiving and retailing goods. ''Au Bonheur des Dames'' is a sequel to ''Pot-Bouille''. Like its predecessor, ''Au Bonheur des Dames'' focuses on Octave Mouret, who at the end of the previous novel married Caroline Hédouin, the owner of a small silk shop. Now a widower, ...
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