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Filippo Villani
Filippo Villani (fl. end of the 14th and the beginning of the 15th century) was a chronicler of Florence. Son of the chronicler Matteo Villani, he extended the original '' Nuova Cronica'' of his uncle Giovanni Villani down to 1364. Career Filippo Villani held a chair of jurisprudence in the Studio at Florence in 1361. He was also appointed chancellor of the medieval commune of Perugia in 1377, and would remain in office for the next six years. In his old age, he spent his time in Florence as public reader of the ''Divine Comedy'' by the Florentine Dante Alighieri. Accepting this job in 1392, he was given an annual stipend of 150 gold florins.Selby, 245. Work Villani's chronicles were approved by the Chancellor of Florence, Coluccio Salutati, who made corrections to the work and added commentary.Selby, 243. The second edition of Villani's histories came out in either 1395 or 1396. Filippo Villani's portion includes details of the lives of many Florentine artists and musicians, i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Matteo Villani (chronicler)
Matteo Villani (1283–1363) was an Italian historian. Born in Florence, Villani was the brother of the historian Giovanni. He worked for a company called Buonaccorsi, of which he was the representative in Naples. After the death of his brother, he continued his work writing eleven books of the ''Nuova Cronica''. Critics praised his commitment to seek sources and to read up on the facts; of particular importance it was the part related to the plague of 1348, which emerges between the clichés of the genre, an existential reflection on life. He died in a plague epidemic, in 1363. His work was briefly continued by his son Filippo Filippo is an Italian male given name, which is the equivalent of the English name Philip, from the Greek ''Philippos'', meaning "amante dei cavalli".''Behind the Name''"Given Name Philip" Retrieved on 23 January 2016. The female variant is Filip ....AAVV. ''La peste nera: dati di una realtà, elementi di una interpretazione: Atti del XXX Convegno storico ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nuova Cronica
The ''Nuova Cronica'' (also: ''Nova Cronica'') or '' New Chronicles'' is a 14th-century history of Florence created in a year-by-year linear format and written by the Italian banker and official Giovanni Villani (c. 1276 or 1280–1348). The idea came to him after attending the first Jubilee in the city of Rome, in 1300, where he realized that Rome's many historical achievements were well-known, and he desired to lay out a history of the origins of his own city of Florence.Bartlett, 36. In his ''Cronica'', Villani described in detail the many building projects of the city, statistical information on population, ordinances, commerce and trade, education, and religious facilities. He also described several disasters such as famines, floods, fires, and the pandemic of the Black Death in 1348, which would take his own life.Benedictow, 69. Villani's work on the ''Nuova Cronica'' was continued by his brother Matteo (from April 1348 until July 1363) and his nephew Filippo (until ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Villani
Giovanni Villani (; 1276 or 1280 – 1348)Bartlett (1992), 35. was an Italian banker, official, diplomat and chronicler from Florence who wrote the ''Nuova Cronica'' (''New Chronicles'') on the history of Florence. He was a leading statesman of Florence but later gained an unsavoury reputation and served time in prison as a result of the bankruptcy of a trading and banking company he worked for. His interest in and elaboration of economic details, statistical information, and political and psychological insight mark him as a more modern chronicler of late medieval Europe.Bartlett (1992), 35–36. His ''Cronica'' is viewed as the first introduction of statistics as a positive element in history. However, historian Kenneth R. Bartlett notes that, in contrast to his Renaissance-era successors, "his reliance on such elements as divine providence links Villani closely with the medieval vernacular chronicle tradition."Bartlett (1992), 36. In recurring themes made implicit through s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Medieval Commune
Medieval communes in the European Middle Ages had sworn allegiances of mutual defense (both physical defense and of traditional freedoms) among the citizens of a town or city. These took many forms and varied widely in organization and makeup. Communes are first recorded in the late 11th and early 12th centuries, thereafter becoming a widespread phenomenon. They had greater development in central-northern Italy, where they became city-states based on partial democracy. At the same time in Germany they became free cities, independent from local nobility. Etymology The English and French word "commune" ( it, comune) appears in Latin records in various forms. They come from Medieval Latin , plural form of (that which is common, community, state), substantive noun from (common). Ultimately, the Proto-Indo-European root is ''*mey-'' (to change, exchange). When autonomy was won through violent uprising and overthrow, the commune was often called (a conspiracy) ( it, cospirazione ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Perugia
Perugia (, , ; lat, Perusia) is the capital city of Umbria in central Italy, crossed by the River Tiber, and of the province of Perugia. The city is located about north of Rome and southeast of Florence. It covers a high hilltop and part of the valleys around the area. The region of Umbria is bordered by Tuscany, Lazio, and Marche. The history of Perugia goes back to the Etruscan period; Perugia was one of the main Etruscan cities. The city is also known as the University, universities town, with the University of Perugia founded in 1308 (about 34,000 students), the University for Foreigners Perugia, University for Foreigners (5,000 students), and some smaller colleges such as the Academy of Fine Arts "Pietro Vannucci" ( it, Accademia di Belle Arti "Pietro Vannucci") public athenaeum founded in 1573, the Perugia University Institute of Linguistic Mediation for translators and interpreters, the Music Conservatory of Perugia, founded in 1788, and other institutes. Perugia ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Divine Comedy
The ''Divine Comedy'' ( it, Divina Commedia ) is an Italian narrative poem by Dante Alighieri, begun 1308 and completed in around 1321, shortly before the author's death. It is widely considered the pre-eminent work in Italian literature and one of the greatest works of world literature. The poem's imaginative vision of the afterlife is representative of the medieval worldview as it existed in the Western Church by the 14th century. It helped establish the Tuscan language, in which it is written, as the standardized Italian language. It is divided into three parts: ''Inferno'', ''Purgatorio'', and '' Paradiso''. The narrative takes as its literal subject the state of the soul after death and presents an image of divine justice meted out as due punishment or reward, and describes Dante's travels through Hell, Purgatory, and Heaven. Allegorically, the poem represents the soul's journey towards God, beginning with the recognition and rejection of sin (''Inferno''), followed ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dante Alighieri
Dante Alighieri (; – 14 September 1321), probably baptized Durante di Alighiero degli Alighieri and often referred to as Dante (, ), was an Italian poet, writer and philosopher. His ''Divine Comedy'', originally called (modern Italian: ''Commedia'') and later christened by Giovanni Boccaccio, is widely considered one of the most important poems of the Middle Ages and the greatest literary work in the Italian language. Dante is known for establishing the use of the vernacular in literature at a time when most poetry was written in Latin, which was accessible only to the most educated readers. His ''De vulgari eloquentia'' (''On Eloquence in the Vernacular'') was one of the first scholarly defenses of the vernacular. His use of the Florentine dialect for works such as '' The New Life'' (1295) and ''Divine Comedy'' helped establish the modern-day standardized Italian language. His work set a precedent that important Italian writers such as Petrarch and Boccaccio would later ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Italian Coin Florin
The Florence, Florentine florin was a gold coin struck from 1252 to 1533 with no significant change in its design or metal content standard during that time. It had 54 grain (measure), grains (3.499 grams, 0.113 troy ounce) of nominally pure or 'fine' gold with a purchasing power difficult to estimate (and variable) but ranging according to social grouping and perspective from approximately 140 to 1,000 modern US dollars. The name of the coin comes from the ''Giglio bottonato'' (:it:Giglio bottonato, it), the floral emblem of the city, which is represented at the head of the coin. History The ''fiorino d'oro'' (gold florin) was used in the Republic of Florence and was the first European gold coin struck in sufficient quantities since the 7th century to play a significant commercial role. The florin was recognized across large parts of Europe. The territorial usage of the ''lira'' and the florin often overlapped, where the lira was used for smaller transactions (wages, food purch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chancellor Of Florence
The Chancellor of Florence held the most important position in the bureaucracy of the Florentine Republic. Though the chancellor was not officially a member of the Republic's elected political government, unlike the gonfaloniere or the nine members of the signoria, the role was roughly equivalent to the head of the civil service in some countries today, and its holder could still wield considerable political influence. Holders included some of the most famous scholars, political thinkers and humanists of the Renaissance. Partial list * Coluccio Salutati (appointed 1375) * Leonardo Bruni (appointed 1410) * Carlo Marsuppini, known as Carlo Aretino, (1444 - 1453) * Poggio Bracciolini (1453-1459) * Benedetto Accolti (appointed 1459) * Bartolomeo Scala (1465-1497) * Niccolò Machiavelli Niccolò di Bernardo dei Machiavelli ( , , ; 3 May 1469 – 21 June 1527), occasionally rendered in English as Nicholas Machiavel ( , ; see below), was an Italian diplomat, author, philosopher a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Coluccio Salutati
Coluccio Salutati (16 February 1331 – 4 May 1406) was an Italian humanist and notary, and one of the most important political and cultural leaders of Renaissance Florence; as chancellor of the Republic and its most prominent voice, he was effectively the permanent secretary of state in the generation before the rise of the Medici. Early career Salutati was born in Stignano, a tiny commune near Buggiano (today's province of Pistoia, Tuscany). After studies in Bologna, where his father lived in exile after a Ghibelline coup in Buggiano, the family returned to Buggiano, which had become more securely part of the Republic of Florence. There he worked as notary and pursued his literary studies, coming into contact with the Florentine humanists Boccaccio and Francesco Nelli. The refined and masterful classical Latin of his letters to Florentine scholars earned him the admiring nickname of "Ape of Cicero", In 1367 Coluccio was appointed chancellor of Todi in the Papal States. Papal s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giotto
Giotto di Bondone (; – January 8, 1337), known mononymously as Giotto ( , ) and Latinised as Giottus, was an Italian painter and architect from Florence during the Late Middle Ages. He worked during the Gothic/Proto-Renaissance period. Giotto's contemporary, the banker and chronicler Giovanni Villani, wrote that Giotto was "the most sovereign master of painting in his time, who drew all his figures and their postures according to nature" and of his publicly recognized "talent and excellence".Bartlett, Kenneth R. (1992). ''The Civilization of the Italian Renaissance''. Toronto: D.C. Heath and Company. (Paperback). p. 37. Giorgio Vasari described Giotto as making a decisive break with the prevalent Byzantine style and as initiating "the great art of painting as we know it today, introducing the technique of drawing accurately from life, which had been neglected for more than two hundred years".Giorgio Vasari, ''Lives of the Artists'', trans. George Bull, Penguin Classics, (196 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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