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Filippo Acciaiuoli
Filippo Acciaiuoli (1637 – 8 February 1700) was an Italian composer, librettist, theater manager, machine designer, and poet. Acciaiuoli spent much of his youth and early adulthood traveling throughout Europe, the Middle East and Northern Africa. After returning to Rome in his early twenties, he initially studied mathematics at a seminary in Rome but ultimately became interested in theater. He is best known for his work as a librettist for operas such as Jacopo Melani's '' Girello'', which premiered in Rome in 1668, and as the inventor of numerous sophisticated machines that were used in theatrical productions of the day. He also composed one opera, ''Chi è cagion del suo mal pianga se stesso'', which premiered in Rome in 1682. Acciaiuoli was the first business manager of the Teatro Tordinona in Rome and later the manager of the Teatro Capranica. He was also a member of ''l'Academia degli Immobili'' when Ferdinando Tacca developed its Teatro della Pergola. He had a close asso ...
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Composer
A composer is a person who writes music. The term is especially used to indicate composers of Western classical music, or those who are composers by occupation. Many composers are, or were, also skilled performers of music. Etymology and Definition The term is descended from Latin, ''compōnō''; literally "one who puts together". The earliest use of the term in a musical context given by the ''Oxford English Dictionary'' is from Thomas Morley's 1597 ''A Plain and Easy Introduction to Practical Music'', where he says "Some wil be good descanters ..and yet wil be but bad composers". 'Composer' is a loose term that generally refers to any person who writes music. More specifically, it is often used to denote people who are composers by occupation, or those who in the tradition of Western classical music. Writers of exclusively or primarily songs may be called composers, but since the 20th century the terms 'songwriter' or ' singer-songwriter' are more often used, particularl ...
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Alessandro Melani
Alessandro Melani (4 February 1639 – 3 October 1703) was an Italian composer and the brother of composer Jacopo Melani, and castrato singer Atto Melani. Along with Bernardo Pasquini and Alessandro Scarlatti, he was one of the leading composers active in Rome during the 17th century. He is also ranked among the second school of Roman opera composers which began with his brother's 1668 opera '' Il Girello''. He is chiefly remembered today for his large output of liturgical music that he wrote while serving in various musical posts in Rome. Of particular interest is the large number of polychoral motets that he produced and his eight ascribed oratorios. Three published collections of his liturgical music survive today along with numerous solitary motets from other published volumes. A number of original manuscripts also survive. Biography Born in Pistoia, Melani began singing at the Pistoia Cathedral at the age of 11, remaining there for ten years until he became ''maestro di ca ...
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Italian Male Classical Composers
Italian(s) may refer to: * Anything of, from, or related to the people of Italy over the centuries ** Italians, an ethnic group or simply a citizen of the Italian Republic or Italian Kingdom ** Italian language, a Romance language *** Regional Italian, regional variants of the Italian language ** Languages of Italy, languages and dialects spoken in Italy ** Italian culture, cultural features of Italy ** Italian cuisine, traditional foods ** Folklore of Italy, the folklore and urban legends of Italy ** Mythology of Italy, traditional religion and beliefs Other uses * Italian dressing, a vinaigrette-type salad dressing or marinade * Italian or Italian-A, alternative names for the Ping-Pong virus, an extinct computer virus See also * * * Italia (other) * Italic (other) * Italo (other) * The Italian (other) * Italian people (other) Italian people may refer to: * in terms of ethnicity: all ethnic Italians, in and outside of Italy * ...
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17th-century Italian Composers
The 17th century lasted from January 1, 1601 (Roman numerals, MDCI), to December 31, 1700 (Roman numerals, MDCC). It falls into the early modern period of Europe and in that continent (whose impact on the world was increasing) was characterized by the Baroque cultural movement, the latter part of the Spanish Golden Age, the Dutch Golden Age, the French ''Grand Siècle'' dominated by Louis XIV, the Scientific Revolution, the world's first public company and megacorporation known as the Dutch East India Company, and according to some historians, the General Crisis. From the mid-17th century, European politics were increasingly dominated by the Kingdom of France of Louis XIV, where royal power was solidified domestically in the civil war of the Fronde. The semi-feudal territorial French nobility was weakened and subjugated to the power of an absolute monarchy through the reinvention of the Palace of Versailles from a hunting lodge to a gilded prison, in which a greatly expanded royal ...
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1700 Deaths
Seventeen or 17 may refer to: *17 (number), the natural number following 16 and preceding 18 * one of the years 17 BC, AD 17, 1917, 2017 Literature Magazines * ''Seventeen'' (American magazine), an American magazine * ''Seventeen'' (Japanese magazine), a Japanese magazine Novels * ''Seventeen'' (Tarkington novel), a 1916 novel by Booth Tarkington *''Seventeen'' (''Sebuntiin''), a 1961 novel by Kenzaburō Ōe * ''Seventeen'' (Serafin novel), a 2004 novel by Shan Serafin Stage and screen Film * ''Seventeen'' (1916 film), an American silent comedy film *''Number Seventeen'', a 1932 film directed by Alfred Hitchcock * ''Seventeen'' (1940 film), an American comedy film *''Eric Soya's '17''' (Danish: ''Sytten''), a 1965 Danish comedy film * ''Seventeen'' (1985 film), a documentary film * ''17 Again'' (film), a 2009 film whose working title was ''17'' * ''Seventeen'' (2019 film), a Spanish drama film Television * ''Seventeen'' (TV drama), a 1994 UK dramatic short starring Christi ...
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1637 Births
Events January–March * January 5 – Pierre Corneille's tragicomedy '' Le Cid'' is first performed, in Paris, France. * January 16 – The siege of Nagpur ends in what is now the Maharashtra state of India, as Kok Shah, the King of Deogarh, surrenders his kingdom to the Mughal Empire. * January 23 – John Maurice, Prince of Nassau-Siegen arrives from the Netherlands to become the Governor of Dutch Brazil, and extends the range of the colony over the next six years. * January 28 – The Manchu armies of China complete their invasion of northern Korea with the surrender of King Injo of the Joseon Kingdom. * February 3 – Tulip mania collapses in the Dutch Republic. * February 15 – Ferdinand III becomes Holy Roman Emperor upon the death of his father, Ferdinand II, although his formal coronation does not take place until later in the year. * February 18 – Eighty Years' War – Battle off Lizard Point: Off the coast of Cornwall, ...
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New Grove Dictionary Of Opera
''The New Grove Dictionary of Opera'' is an encyclopedia of opera, considered to be one of the best general reference sources on the subject. It is the largest work on opera in English, and in its printed form, amounts to 5,448 pages in four volumes. First published in 1992 by Macmillan Reference, London, it was edited by Stanley Sadie with contributions from over 1,300 scholars. There are 11,000 articles in total, covering over 2,900 composers and 1800 operas. Appendices including an index of role names and an index of incipits of arias, ensembles, and opera pieces. The dictionary is available online, together with ''The New Grove Dictionary of Music and Musicians''. References *William Salaman, "Review: The New Grove Dictionary of Opera", ''British Journal of Music Education'' (1999), 16: 97-110 Cambridge University Pres*John Simon, "Review: The New Grove Dictionary of Opera, 4 vols.", ''National Review'', April 26, 199* * *Charles Rosen, "Review: The New Grove Dictionary of O ...
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Venice
Venice ( ; it, Venezia ; vec, Venesia or ) is a city in northeastern Italy and the capital of the Veneto Regions of Italy, region. It is built on a group of 118 small islands that are separated by canals and linked by over 400 bridges. The islands are in the shallow Venetian Lagoon, an enclosed bay lying between the mouths of the Po River, Po and the Piave River, Piave rivers (more exactly between the Brenta (river), Brenta and the Sile (river), Sile). In 2020, around 258,685 people resided in greater Venice or the ''Comune di Venezia'', of whom around 55,000 live in the historical island city of Venice (''centro storico'') and the rest on the mainland (''terraferma''). Together with the cities of Padua, Italy, Padua and Treviso, Italy, Treviso, Venice is included in the Padua-Treviso-Venice Metropolitan Area (PATREVE), which is considered a statistical metropolitan area, with a total population of 2.6 million. The name is derived from the ancient Adri ...
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Marc'Antonio Ziani
Marc'Antonio Ziani (c. 1653 – 22 January 1715) was an Italian composer living in Vienna. Ziani was born in Venice. He probably studied with his uncle, the organist Pietro Andrea Ziani. From 1686 to 1691 Ziani was ''maestro di cappella'' to Duke Ferdinando Carlo di Gonzaga in Mantua, but simultaneously developed his career as an opera composer in Venice. In 1700 Ziani was appointed vice ''Hofkapellmeister'' to Leopold I in Vienna, and on 1 January 1712 Charles VI promoted him to ''Hofkapellmeister''. He was succeeded by Johann Fux.Eleanor Selfridge-Field ''Venetian instrumental music from Gabrieli to Vivaldi'' 1994 p. 173 He died in Vienna. Recordings *''Alma Redemptoris Mater'', in ''Stabat Mater: Sances, Bertali, Schmelzer''. Carlos Mena & Ricercar Consort, Philippe Pierlot Philippe Pierlot (born 1958) is a Belgian viola da gamba player and a conductor in historically informed performance. He is also an academic teacher at the royal conservatories of The Hague and Brusse ...
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Aurelio Aureli
Aurelio Aureli (Venice, before 1652 – id. after 1708) was an Italian librettist. Life Little is known about Aureli's life. He began his operatic career in 1652 with ''L'Erginda''. Until 1687, he worked as a librettist mainly in Venice, except for a brief trip to Vienna. In Venice he was a member of the ''Accademia degli Imperfetti'' and perhaps also of the ''Accademia degli Incogniti''. From 1688 to 1694 he was, however, in the service of the Duke of Parma, during which time he wrote a dozen plays, almost all of which were subsequently set to music by the court composer Bernardo Sabadini. The last librettos were written in Venice and other cities of the Republic. Work His works include over 50 libretti, including: * ''Erismena'' (1655), set to music by Francesco Cavalli * ''Le fortune di Rodope e Damira'', Pietro Andrea Ziani, Venise (1657); * ''Il Perseo'', set to music by , Venise, Teatro ai SS. Giovanni e Paolo, (1665); * diverse versioni de ''L'Eliogabalo'', set to mus ...
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Opera
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as '' Singspiel'' and '' Opéra comique''. In traditional number opera, singers employ two styles of ...
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Don Giovanni
''Don Giovanni'' (; K. 527; Vienna (1788) title: , literally ''The Rake Punished, or Don Giovanni'') is an opera in two acts with music by Wolfgang Amadeus Mozart to an Italian libretto by Lorenzo Da Ponte. Its subject is a centuries-old Spanish legend about a libertine as told by playwright Tirso de Molina in his 1630 play '' El burlador de Sevilla y convidado de piedra''. It is a ''dramma giocoso'' blending comedy, melodrama and supernatural elements (although the composer entered it into his catalogue simply as ''opera buffa''). It was premiered by the Prague Italian opera at the National Theater (of Bohemia), now called the Estates Theatre, on 29 October 1787. ''Don Giovanni'' is regarded as one of the greatest operas of all time and has proved a fruitful subject for commentary in its own right; critic Fiona Maddocks has described it as one of Mozart's "trio of masterpieces with librettos by Da Ponte". Composition and premiere The opera was commissioned after the succes ...
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