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Figures—Doubles—Prismes
''Figures—Doubles—Prismes'' is a composition for orchestra by French composer Pierre Boulez. His first purely orchestral work, it is an expansion of an earlier piece dating from 1958 titled ''Doubles''. Background In 1957, Igor Markevitch and Georges Auric commissioned Boulez to write a piece for the Société des Concerts Lamoureux. The result was an eight-minute orchestral work that was premiered in Paris on March 16, 1958, and announced as the beginning of a work-in-progress. The piece required a non-traditional seating plan for the players; according to Dominique Jameux, the process of setting up for the performance took roughly twice as long as it took to play the piece. On January 10, 1964, a slightly expanded fragment of the piece, now titled ''Figures—Doubles—Prismes'', was premiered in Basel by the Südwestrundfunk Orchestra, conducted by the composer. This was followed by a premiere of the complete version, with a duration of roughly twenty minutes, on March 13, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pierre Boulez
Pierre Louis Joseph Boulez (; 26 March 1925 – 5 January 2016) was a French composer, conductor and writer, and the founder of several musical institutions. He was one of the dominant figures of post-war Western classical music. Born in Montbrison, Loire, Montbrison in the Loire department of France, the son of an engineer, Boulez studied at the Conservatoire de Paris with Olivier Messiaen, and privately with Andrée Vaurabourg and René Leibowitz. He began his professional career in the late 1940s as music director of the Renaud-Barrault theatre company in Paris. He was a leading figure in avant-garde music, playing an important role in the development of integral serialism (in the 1950s), Aleatoric music, controlled chance music (in the 1960s) and the electronic transformation of instrumental music in real time (from the 1970s onwards). His tendency to revise earlier compositions meant that his body of work was relatively small, but it included pieces regarded by many as lan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Igor Markevitch
Igor Borisovich Markevitch (russian: Игорь Борисович Маркевич, ''Igor Borisovich Markevich'', uk, Ігор Борисович Маркевич, ''Ihor Borysovych Markevych''; 27 July 1912 – 7 March 1983) was a Russian-born composer and conductor who studied and worked in Paris and became a naturalized Italian and French citizen in 1947 and 1982 respectively. He was commissioned in 1929 for a piano concerto by impresario Serge Diaghilev of the Ballet Russe de Monte Carlo. Markevitch settled in Italy during World War II. After the war, he moved to Switzerland. He had an international conducting career from there. He was married twice and had three sons and two daughters. Origin He was born in Kiev, Kiev Governorate, Russian Empire (today Kyiv, Ukraine) to a family of Ukrainian Cossack ''starshyna'' who were ennobled in the 18th century. His great-grandfather Andrey Markevitch was a Secretary of State at the time of Alexander II of Russia, Actual Priv ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Georges Auric
Georges Auric (; 15 February 1899 – 23 July 1983) was a French composer, born in Lodève, Hérault, France. He was considered one of ''Les Six'', a group of artists informally associated with Jean Cocteau and Erik Satie. Before he turned 20 he had orchestrated and written incidental music for several ballets and stage productions. He also had a long and distinguished career as a film composer. Early life and education Georges Auric began his musical career at a young age, performing a piano recital at the Société musicale indépendante at the age of 14. Several songs that he had written were then performed in the following year by Société Nationale de Musique. Along with his early successes professionally, Auric studied music at the Paris Conservatoire, as well as composition with Vincent d'Indy at the Schola Cantorum de Paris and Albert Roussel. Having gained recognition as a child prodigy both in composition and piano performance, he became a protégé of Erik Satie durin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Orchestre Lamoureux
The Orchestre Lamoureux () officially known as the Société des Nouveaux-Concerts and also known as the Concerts Lamoureux) is an orchestral concert society which once gave weekly concerts by its own orchestra, founded in Paris by Charles Lamoureux in 1881. It has played an important role in French musical life, including giving the premieres of Emmanuel Chabrier's ''España'' (1883), Gabriel Fauré's ''Pavane'' (1888), Claude Debussy's ''Nocturnes'' (1900 and 1901) and '' La mer'' (1905), Maurice Ravel's '' Menuet antique'' (1930) and Piano Concerto in G major (1932). Principal conductors *Charles Lamoureux (1881–1897) *Camille Chevillard (1897–1923) *Paul Paray (1923–1928) * Albert Wolff (1928–1934) *Eugène Bigot (1935–1950) *Jean Martinon (1951–1957) *Igor Markevitch (1957–1961) *Jean-Baptiste Mari *Jean Claude Bernède (1979–1991) *Valentin Kojin (1991–1993) *Yutaka Sado (1993–2011) *Fayçal Karoui Fayçal Karo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dominique Jameux
Dominique Jameux (24 December 1939 – 2 July 2015) was a French musicologist, radio producer and writer. Biography Dominique Jameux collaborated with the ' created by on France Culture and hosted ''La Musique prend la parole''. He later joined France Musique, where he became a producer. He hosted ''Le Matin des musiciens'' between 1978 and 1991, as well as programs such as ''Le Fauteuil de Monsieur Dimanche'' and ''Histoires de musique''. Dominique Jameux founded and directed the magazine ''Musique en jeu'', devoted to music of the twentieth century, which appeared every quarter between 1970 and 1978. He dedicated works to Richard Strauss and Alban Berg, which appeared in the series ''Solfèges'' of the Éditions du Seuil. In 1984, Fayard published his biography of Pierre Boulez. In 2009, he evoked his professional activity in ''Radio''. Awards The (SCAM) prize was awarded to Dominique Jameux in 1994 for the whole of his radio work. In 2006, he was made a Chevalier of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Southwest German Radio Symphony Orchestra
The Southwest German Radio Symphony Orchestra (also known in English as the SWR Baden-Baden Freiburg Symphony Orchestra and in German as the Sinfonieorchester des Südwestrundfunks) was a German radio orchestra located in the German cities of Baden-Baden and Freiburg. History The first incarnation of the orchestra occurred in 1946, initially with members of the discontinued spa orchestra of the city as the core of players. The revival of the spa orchestra two years later forced the reorganization of the radio orchestra. Subsequently, Hans Rosbaud was hired as the orchestra's first chief conductor. Rosbaud was already well known as a champion of modern music, and Heinrich Strobel, the music director in charge of the orchestra, shared this sympathy with contemporary music. Thus the orchestra had as its focus performances of modern music. The orchestra was first sponsored by '' Südwestfunk'' (SWF), a public broadcasting corporation headquartered in Baden-Baden. In 1998 SWF merged ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tempo (journal)
''Tempo'' is a quarterly peer-reviewed academic journal that specialises in music of the 20th century and contemporary music. It was established in 1939 as the 'house magazine' of the music publisher Boosey & Hawkes. ''Tempo'' was the brain-child of Arnold Schoenberg's pupil Erwin Stein, who worked for Boosey & Hawkes as a music editor. The journal's first editor was Ernest Chapman and it was intended to be a bi-monthly publication. Issues 1 to 4 appeared from January to July 1939; but owing to the outbreak of World War II there was a hiatus in publication until August 1941, when issue 5 appeared, and another until February 1944, when regular publication resumed with issue 6 on a roughly quarterly basis. Meanwhile, the New York City office of Boosey & Hawkes set up a separate American edition which produced six issues in 1940–1942 (numbered 1–6, independent of the UK numbering) and an unnumbered 'wartime edition' in February 1944. In 1946, the journal was enlarged and r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Residentie Orchestra
Het Residentie Orkest (literal translation, ''The Residence Orchestra''; known also in English as ''Residentie Orkest The Hague'') is a Dutch orchestra based in The Hague. The orchestra is currently resident at the Amare performing arts centre in The Hague. History Henri Viotta founded the orchestra in 1904. Its early home was the ''Gebouw voor Kunsten en Wetenschappen'' (K & W). The orchestra received its first acclaim during the 1911 Richard Strauss Festival, in which the composer himself conducted some of his works. The orchestra soon attracted other composers such as Igor Stravinsky, Max Reger, Maurice Ravel, and Paul Hindemith. In 1915, the Residentie Orchestra took over the summertime performances of the Kurzaal Concerts in Scheveningen from the Orchestre Lamoureux. The orchestra's second chief conductor was the composer and conductor Peter van Anrooy, from 1917 until his resignation in 1935. Frits Schuurman became the next chief conductor, holding the post through World ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rituel In Memoriam Bruno Maderna
''Rituel in memoriam Bruno Maderna'' (1974–75) is a composition for orchestra in eight groups by Pierre Boulez. Biographer Dominique Jameux wrote that the piece has "obvious audience appeal", and that it represented a desire to establish "immediate, almost physical contact with the public". Jameux also noted that ''Rituel'' represents one of the few examples of repetitive music written by Boulez. Author Jonathan Goldman wrote that, of Boulez's works, ''Rituel'' is the one that "most evokes... the sound worlds of non-Western musical ensembles, be they Indonesian, African or South American." History ''Rituel'', commissioned by BBC London, was written a year after the death of Boulez's friend and fellow composer/conductor Bruno Maderna in December 1973. It was first performed in London on 2 April 1975 by the BBC Symphony Orchestra conducted by Boulez. Following the premiere, Boulez revised the score, removing optional, "open" features due to concerns regarding the ability of a large ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Répons
''Répons'' is a composition by French composer Pierre Boulez for a large chamber orchestra with six percussion soloists and live electronics. The six soloists play harp, cimbalom, vibraphone, glockenspiel/xylophone, and two pianos. It was premiered on 18 October 1981 at the Donaueschingen Festival. The composer expanded it until its completion in 1985. The work is dedicated to "on his 80th birthday". ''Répons'' was the first significant work to come out of Boulez's endeavors at IRCAM, an institute in Paris devoted to making technological advances in electronic music. It has been celebrated for its integration of the electronic and the acoustic. Its title, ''Répons'', reflects the fact that the composition is constructed on various types of ''responses'': the acoustic sounds and electronic responses to them as well as the medieval idea of responsorial mirroring between players and speakers in different parts of the concert hall. Tom Service of ''The Guardian'' has called it "Bou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cleveland Symphony
The Cleveland Orchestra, based in Cleveland, is one of the five American orchestras informally referred to as the " Big Five". Founded in 1918 by the pianist and impresario Adella Prentiss Hughes, the orchestra plays most of its concerts at Severance Hall. As of 2021, the incumbent music director is Franz Welser-Möst. In October 2020 ''The New York Times'' called it "America's finest rchestra still", and in 2012 ''Gramophone Magazine'' ranked the Cleveland Orchestra number 7 on its list of the world's greatest orchestras. History Founding and early history (1918–1945) The Cleveland Orchestra was founded in 1918 by music-aficionado Adella Prentiss Hughes, businessman John L. Severance, Father John Powers, music critic Archie Bell, and Russian-American violinist and conductor Nikolai Sokoloff, who would become the Orchestra’s first music director. A former pianist, Hughes served as a local music promoter and sponsored a series of “Symphony Orchestra Concerts” designed t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul Griffiths (writer)
Paul Anthony Griffiths (born 1947) is a British music critic, novelist and librettist. He is particularly noted for his writings on modern classical music and for having written the libretti for two 20th century operas, Tan Dun's ''Marco Polo'' and Elliott Carter's ''What Next?''. Career Paul Griffiths was born on 24 November 1947 in the Welsh town of Bridgend to Fred and Jeanne Griffiths. He received his BA and MSc in biochemistry from University of Oxford, and from 1971 worked as a freelance music critic. He joined the editorial staff of ''The New Grove Dictionary of Music and Musicians'' in 1973 and in 1982 became the chief music critic for ''The Times'', a post which he held for ten years. From 1992 to 1996, he was a music critic for ''The New Yorker'', and from 1997 to 2005, for ''The New York Times''. A collection of his musical criticism for these and other periodicals was published in 2005 as ''The substance of things heard: writings about music'', Volume 31 of ''Eas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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