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Fierrabras 0461 Michelides
''Fierrabras'', 796, is a three-act German opera with spoken dialogue written by the composer Franz Schubert in 1823, to a libretto by Joseph Kupelwieser, the general manager of the Theater am Kärntnertor (Vienna's Court Opera Theatre). Along with the earlier ''Alfonso und Estrella'', composed in 1822, it marks Schubert's attempt to compose grand Romantic opera in German, departing from the Singspiel tradition. It had to wait until 1897 for a (relatively) complete performance. Composition history and background The commission The Kärntnertor Theater in 1822 commissioned operas from Schubert and Carl Maria von Weber in a drive to increase the number of German operas in repertoire. Schubert fulfilled his commission with ''Fierrabras'', Weber his with ''Euryanthe''. The Italian theatre director Domenico Barbaja, who had taken over the theatre in 1821, at the same time brought Rossini to Vienna to oversee production of several of his operas at the Kärntnertor Theater. Rossini's ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Franz Schubert By Wilhelm August Rieder 1875
{{disambiguation ...
Franz may refer to: People * Franz (given name) * Franz (surname) Places * Franz (crater), a lunar crater * Franz, Ontario, a railway junction and unorganized town in Canada * Franz Lake, in the state of Washington, United States – see Franz Lake National Wildlife Refuge Businesses * Franz Deuticke, a scientific publishing company based in Vienna, Austria * Franz Family Bakeries, a food processing company in Portland, Oregon * Franz-porcelains, a Taiwanese brand of pottery based in San Francisco Other uses * ''Franz'' (film), a 1971 Belgian film * Franz Lisp, a dialect of the Lisp programming language See also * Frantz (other) * Franzen (other) * Frantzen (other) Frantzen or Frantzén is a surname. It may refer to: * Allen Frantzen (born 1947/48), American medievalist * Björn Frantzén (born 1977), Swedish chef and owner of the Frantzén restaurant * Jean-Pierre Frantzen (1890–1957), Luxembourgian gym ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baligant
In ''The Song of Roland'', Baligant is the Emir of Babylon (i.e., Cairo, not the Mesopotamian Babylon), who tries to aid the defense of Zaragoza (sometimes spelled "Saragossa") from Charlemagne. He is sometimes described as a man from ancient times. He is killed in the ensuing battle. He comes to the aid of his vassal King Marsile Marsile (variously spelled Marsilie, Marsilius, Marsilion, Marcilie, Marsille, Marsilies, Marsilun, or Marsiluns) is a character in the French heroic poem ''The Song of Roland''. He is the Muslim king of the Saracens and of Saragossa. He first appe ... (a.k.a. "Marsillion") and brings an immense army to fight Charlemagne. He is often seen as the parallel of Charlemagne, both being old, handsome and skillful with a sword. One might say they were equals, except that Charlemagne had the help of Saint Gabriel. The name ''Baligant'' is likely a folk-etymological rendering of Arabic or Turkish antroponymy. Baligant's banner is a dragon, and he also rides ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cambridge Companions To Music
The Cambridge Companions to Music form a book series published by Cambridge University Press Cambridge University Press is the university press of the University of Cambridge. Granted letters patent by Henry VIII of England, King Henry VIII in 1534, it is the oldest university press A university press is an academic publishing hou .... Each book is a collection of essays on the topic commissioned by the publisher. on Cambridge University Press website, accessed 21 September 2015. Volumes (sortable table) References External links ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Felix Mottl
right Felix Josef von Mottl (between 29 July/29 August 1856 – 2 July 1911) was an Austrian conductor and composer. He was regarded as one of the most brilliant conductors of his day. He composed three operas, of which ''Agnes Bernauer'' (Weimar, 1880) was the most successful, as well as a string quartet and numerous songs and other music. His orchestration of Richard Wagner's "Wesendonck Lieder" is still the most commonly performed version. He was also a teacher, and his pupils included Ernest van Dyck and Wilhelm Petersen. Career Mottl was born in Unter Sankt Veit, today Hietzing, Vienna in 1856. His date of birth has been reported variously as 29 July, 24 August, and 29 August. After early voice training at the Löwenburg Konvikt, a training school for the Imperial Court Chapel, he had a successful career at the Vienna Conservatory. He was soon recognized as a gifted conductor of Wagner's music, assisted Hans Richter in preparing the first complete Ring Cycle at Bayreuth ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Badisches Staatstheater Karlsruhe
The Badisches Staatstheater Karlsruhe is a theatre and opera house in Karlsruhe, Germany. It has existed in its present form and place at Ettlinger Tor since 1975. Achim Thorwald became the Intendant in summer 2002 and held that post until the end of the 2010/11 season. Peter Spuhler succeeded him at the beginning of the 2011/12 season and continues to serve in that post. The Staatstheater is a ''Dreisparten'' venue, housing three performance genres: musical theatre, ballet and theatre, as well as the studio stage in Karlstraße. The ''Badische Staatskapelle'' (orchestra) and the ''Badische Staatsopernchor'' (opera chorus) are resident companies of the theatre. History City architect Friedrich Weinbrenner constructed the first predecessor of the ''Badisches Staatstheater'' in 1808 near the castle. In 1810, it became the ''Großherzogliches Hoftheater'' (Grand Ducal court theatre). During a performance on 28 February 1847, a fire broke out destroying the building which had been ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grove Music Online
''The New Grove Dictionary of Music and Musicians'' is an encyclopedic dictionary of music and musicians. Along with the German-language ''Die Musik in Geschichte und Gegenwart'', it is one of the largest reference works on the history and theory of music. Earlier editions were published under the titles ''A Dictionary of Music and Musicians'', and ''Grove's Dictionary of Music and Musicians''; the work has gone through several editions since the 19th century and is widely used. In recent years it has been made available as an electronic resource called ''Grove Music Online'', which is now an important part of ''Oxford Music Online''. ''A Dictionary of Music and Musicians'' ''A Dictionary of Music and Musicians'' was first published in London by Macmillan and Co. in four volumes (1879, 1880, 1883, 1889) edited by George Grove with an Appendix edited by J. A. Fuller Maitland in the fourth volume. An Index edited by Mrs. E. Wodehouse was issued as a separate volume in 1890. In ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Musical Times
''The Musical Times'' is an academic journal of classical music edited and produced in the United Kingdom and currently the oldest such journal still being published in the country. It was originally created by Joseph Mainzer in 1842 as ''Mainzer's Musical Times and Singing Circular'', but in 1844 he sold it to Joseph Alfred Novello (who also founded ''The Musical World'' in 1836), and it was published monthly by the Novello and Co. (also owned by Alfred Novello at the time).. It first appeared as ''The Musical Times and Singing Class Circular'', a name which was retained until 1903. From the very beginning, every issue - initially just eight pages - contained a simple piece of choral music (alternating secular and sacred), which choral society members subscribed to collectively for the sake of the music. Its title was shortened to its present name from January 1904. Even during World War II it continued to be published regularly, making it the world's oldest continuously publ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Concert Version
A concert performance or concert version is a performance of a musical theater or opera in concert form, without set design or costumes, and mostly without theatrical interaction between singers. Concert performances are commonly presented in concert halls without a theater stage, but occasionally also in opera houses when a scenic production is deemed too difficult or expensive. During a concert performance in an opera house, the orchestra does not play in the orchestra pit. Frequently, they play on the stage, with the choir (chorus) behind them and the soloists standing in front of them. Concert performances, which cost less to produce and require less rehearsal, have been produced since some of the earliest operas of the 17th century; this mode has become increasingly popular in the 21st century. Since 1960, concert performances have been a part of the annual Salzburg Festival alongside scenic productions. In Theater an der Wien, concert performances have been presented re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theater In Der Josefstadt
The Theater in der Josefstadt is a theater in Vienna in the eighth district of Josefstadt. It was founded in 1788 and is the oldest still performing theater in Vienna. It is often referred to colloquially as simply ''Die Josefstadt''. Following remodeling and rebuilding in 1822 — celebrated by the performance of the overture '' Die Weihe des Hauses'' ('Consecration of the House') by Beethoven — opera was staged there including Meyerbeer and Wagner. From 1858 onwards the theatre gave up opera and instead concentrated on straight theatre and comedy. Major figures in musical and theatrical history connected with the house *Ludwig van Beethoven and Richard Wagner conducted there. *Johann Nestroy and Ferdinand Raimund were connected to the theater as actors and poets. *Johann Strauss I performed in the Sträußelsälen. *In 1814, Ferdinand Raimund had his Vienna debut as Franz Moor in ''Die Räuber'' by Friedrich Schiller. *In 1822, '' Die Weihe des Hauses'' composed and direct ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fierrabras 0461 Michelides
''Fierrabras'', 796, is a three-act German opera with spoken dialogue written by the composer Franz Schubert in 1823, to a libretto by Joseph Kupelwieser, the general manager of the Theater am Kärntnertor (Vienna's Court Opera Theatre). Along with the earlier ''Alfonso und Estrella'', composed in 1822, it marks Schubert's attempt to compose grand Romantic opera in German, departing from the Singspiel tradition. It had to wait until 1897 for a (relatively) complete performance. Composition history and background The commission The Kärntnertor Theater in 1822 commissioned operas from Schubert and Carl Maria von Weber in a drive to increase the number of German operas in repertoire. Schubert fulfilled his commission with ''Fierrabras'', Weber his with ''Euryanthe''. The Italian theatre director Domenico Barbaja, who had taken over the theatre in 1821, at the same time brought Rossini to Vienna to oversee production of several of his operas at the Kärntnertor Theater. Rossini's ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Peter Branscombe
Peter John Branscombe (7 December 1929 in Sittingbourne, Kent – 31 December 2008 in St Andrews, Scotland) was an English academic in German studies, a musicologist, and a writer on Austrian cultural history. Career Branscombe attended Dulwich College where he showed talent as cricket player. Having served his military service in Vienna, Austria, he studied literature at Worcester College, Oxford. There, he became acquainted with notable Austrian émigrés such as the composer Egon Wellesz and the musicologist Otto Erich Deutsch. In 1959 Branscombe joined the University of St Andrews' faculty of German Studies, a post he kept until the end of his life. In 1979, he founded St Andrews' Institute for Austrian Studies, the only such research facility in the United Kingdom. His interests included the popular theatre of the Biedermeier and the Viennese suburban theatre with authors like Raimund and Nestroy. He wrote works on Joseph Haydn, Mozart and Schubert. Over many years, he wro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eva Badura-Skoda
Eva Badura-Skoda (née Halfar; 15 January 1929 – 8 January 2021) was a German-born Austrian musicologist. Biography Born in Munich, Eva Halfar studied at the Vienna Conservatory and took courses in musicology, philosophy, and art history at the universities of Heidelberg, Vienna (Erich Schenk), and Innsbruck (Ph.D., 1953, with the thesis ''Studien zur Geschichte des Musikunterrichtes in Österreich im 16., 17. und 18. Jahrhundert''). In 1951 she married Paul Badura-Skoda, with whom she collaborated on the volumes ''Mozart-Interpretation'' (Vienna, 1957; English transl., 1961; 2nd edition, rev., 1996) and ''Bach-Interpretation'' (Laaber, 1990; English transl., 1992). The couple had four children, including the pianist Michael Badura-Skoda (1964–2001); they separated later. In 1962 and 1963 she led summer seminars at the Salzburg Mozarteum. In 1964 she was the Brittingham visiting professor at the University of Wisconsin, where she served as professor of musicology from 196 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
