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Father Time
Father Time is a personification of time, in particular the progression of history and the approach of death. In recent centuries, he is usually depicted as an elderly bearded man, sometimes with wings, dressed in a robe and carrying a scythe and an hourglass or other timekeeping device. As an image, the origins of "Father Time" are varied. The ancient Greeks themselves began to associate ''Chronos Protogenos'' with the god Cronos, who had the attribute of a harvester's sickle. The Romans equated Cronos with Saturn, who also had a sickle, and was treated as an old man, often with a crutch. The wings and hourglass were early Renaissance additions and he eventually became a companion of the Grim Reaper, personification of Death, often taking his scythe. He may have as an attribute a snake with its tail in its mouth, an ancient Egyptian symbol of eternity. New Year Around New Year's Eve, the media (in particular editorial cartoons) use the convenient trope of Father Time as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baby New Year
The Baby New Year is a personification of the start of the New Year commonly seen in editorial cartoons. He symbolizes the "birth" of the next year and the "passing" of the prior year; in other words, a "rebirth". Baby New Year's purpose varies by myth, but he generally performs some sort of ceremonial duty over the course of his year such as chronicling the year's events or presiding over the year as a symbol. History Early known instances of having babies as parts of new years traditions date back to ancient greece. Modern use was popularized at the beginning of the 20th century. Legend The myth most associated with him is that he is a baby at the beginning of his year, but Baby New Year quickly ages until he is elderly (like Father Time, with whom he is often associated) at the end of his year. Very rarely is the Baby New Year depicted as any age other than a baby or as a very old man. Some stories, especially those with depictions of years past, will have him bear a stron ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trope (literature)
A literary trope is an artistic effect realized with figurative language – word, phrase, image – such as a rhetorical figure. In editorial practice, a ''trope'' is "a substitution of a word or phrase by a less literal word or phrase". Semantic change has expanded the definition of the literary term ''trope'' to also describe a writer's usage of commonly recurring or overused literary techniques and rhetorical devices (characters and situations), motifs, and clichés in a work of creative literature. Origins The term ''trope'' derives from the Greek (), 'a turn, a change', related to the root of the verb (), 'to turn, to direct, to alter, to change'; this means that the term is used metaphorically to denote, among other things, metaphorical language. Tropes and their classification were an important field in classical rhetoric. The study of tropes has been taken up again in modern criticism, especially in deconstruction. Tropological criticism (not to be confused with t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Louvre
The Louvre ( ), or the Louvre Museum ( ), is a national art museum in Paris, France, and one of the most famous museums in the world. It is located on the Rive Droite, Right Bank of the Seine in the city's 1st arrondissement of Paris, 1st arrondissement (district or ward) and home to some of the most Western canon, canonical works of Art of Europe, Western art, including the ''Mona Lisa,'' ''Venus de Milo,'' and ''Winged Victory''. The museum is housed in the Louvre Palace, originally built in the late 12th to 13th century under Philip II of France, Philip II. Remnants of the Medieval Louvre fortress are visible in the basement of the museum. Due to urban expansion, the fortress eventually lost its defensive function, and in 1546 Francis I of France, Francis I converted it into the primary residence of the French kings. The building was redesigned and extended many times to form the present Louvre Palace. In 1682, Louis XIV chose the Palace of Versailles for his househ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Peter Paul Rubens
Sir Peter Paul Rubens ( ; ; 28 June 1577 – 30 May 1640) was a Flemish painting, Flemish artist and diplomat. He is considered the most influential artist of the Flemish Baroque painting, Flemish Baroque tradition. Rubens' highly charged compositions reference erudite aspects of classical and Christian history. His unique and immensely popular Baroque style emphasised movement, colour, and sensuality, which followed the immediate, dramatic artistic style promoted in the Counter-Reformation. Rubens was a painter producing altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. He was also a prolific designer of cartoons for the Flemish tapestry workshops and of Book frontispiece, frontispieces for the publishers in Antwerp. Rubens was born and raised in the Holy Roman Empire (modern-day Germany) to parents who were refugees from Antwerp in the Duchy of Brabant in the Southern Netherlands (modern-day Belgium) and moved to Antwerp at ab ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marie De' Medici Cycle
The Marie de' Medici Cycle is a series of twenty-four paintings by Peter Paul Rubens commissioned by Marie de' Medici, widow of Henry IV of France, for the Luxembourg Palace in Paris. Rubens received the commission in the autumn of 1621. After negotiating the terms of the contract in early 1622, the project was to be completed within two years, coinciding with the marriage of Marie's daughter, Henrietta Maria. Twenty-one of the paintings depict Marie's own struggles and triumphs in life. The remaining three are portraits of herself and her parents. The paintings now hang in the Louvre in Paris. Commission Much speculation exists on the exact circumstances under which Marie de' Medici decided to commission Rubens to paint "such a grandiose project, conceived in truly heroic proportions".Saward, p. 2. John Coolidge suggests the cycle may have even been commissioned to rival another famous series of Rubens, ''The Constantine Tapestries'', which he designed in his studio at the sam ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baillieu Library
The Baillieu Library is the largest of the eleven branches which constitute the University of Melbourne Library, intended to support education and research in the arts, humanities and social sciences. It is located on the west side of the University's inner city Parkville campus, near the corner of Grattan Street and Royal Parade. The building, designed by John Scarborough and opened in 1959, is named after the Baillieu family, who funded the library through the William Lawrence Baillieu Trust. History The Baillieu Library was Australia's first purpose-built university library. It is named after the Baillieu family, who made a significant contribution towards the building of the library through the William Lawrence Baillieu Trust. John Francis Deighton Scarborough, a lecturer in architecture at the University, was commissioned to design the Baillieu Library in 1945. Scarborough also designed the extension to the Old Quadrangle library in 1948. Drawings for the new Library were ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hieronymus Bosch
Hieronymus Bosch (; ; born Jheronimus van Aken ; – 9 August 1516) was a Dutch people, Dutch painter from Duchy of Brabant, Brabant. He is one of the most notable representatives of the Early Netherlandish painting school. His work, generally oil on oak wood, mainly contains fantastic art, fantastic illustrations of religious concepts and narratives. Within his lifetime, his work was collected in the Netherlands, Austria, and Spain, and widely copied, especially his macabre and nightmarish depictions of hell. Little is known of Bosch's life, though there are some records. He spent most of it in the town of 's-Hertogenbosch, where he was born in his grandfather's house. The roots of his forefathers are in Nijmegen and Aachen (which is visible in his surname: Van Aken). His pessimistic fantastical style cast a wide influence on northern art of the 16th century, with Pieter Bruegel the Elder being his best-known follower. Today, Bosch is seen as a highly individualistic pain ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gillis Coignet
Gillis Coignet, Congnet or Quiniet (c. 1542 – 1599) was a Flemish Renaissance painter, who was strongly influenced by the Italian style. He painted historical and mythological subjects of an easel size, but was more successful in landscapes, in candlelight subjects, and moonlight.Gillis Coignet (I) at the He was a , which probably influenced his moves from to |
Royal Collection Trust
The Royal Collection of the British royal family is the largest private art collection in the world. Spread among 13 occupied and historic royal residences in the United Kingdom, the collection is owned by King Charles III and overseen by the Royal Collection Trust. The British monarch owns some of the collection in right of the Crown and some as a private individual. It is made up of more than one million objects, including 7,000 paintings, more than 150,000 works on paper, this including 30,000 watercolours and drawings, and about 450,000 photographs, as well as around 700,000 works of art, including tapestries, furniture, ceramics, textiles, carriages, weapons, armour, jewellery, clocks, musical instruments, tableware, plants, manuscripts, books, and sculptures. Some of the buildings which house the collection, such as Hampton Court Palace, are open to the public and not lived in by the royal family, whilst others, such as Windsor Castle and Kensington Palace, are both ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Annibale Carracci
Annibale Carracci ( , , ; November 3, 1560 – July 15, 1609) was an Italian painter and instructor, active in Bologna and later in Rome. Along with his brother Agostino Carracci, Agostino and cousin Ludovico Carracci, Ludovico (with whom the Carracci, he also worked collectively), Annibale was one of the progenitors, if not founders of a leading strand of the Baroque art, Baroque style, borrowing from styles from both north and south of their native city, and aspiring for a return to classical monumentality, but adding a more vital dynamism. Painters working under Annibale at the gallery of the Palazzo Farnese would be highly influential in Roman painting for decades. Early career Annibale Carracci was born in Bologna, and in all likelihood was first apprenticed within his family. In 1582, Annibale, his brother Agostino Carracci, Agostino and his cousin Ludovico Carracci opened a painters' studio, initially called by some the ''Academy of the Desiderosi'' (desirous of fame an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
National Gallery
The National Gallery is an art museum in Trafalgar Square in the City of Westminster, in Central London, England. Founded in 1824, it houses a collection of more than 2,300 paintings dating from the mid-13th century to 1900. The current director of the National Gallery is Gabriele Finaldi. The National Gallery is an exempt charity, and a non-departmental public body of the Department for Culture, Media and Sport. Its collection belongs to the government on behalf of the British public, and entry to the main collection is free of charge. Unlike comparable museums in continental Europe, the National Gallery was not formed by nationalising an existing royal or princely art collection. It came into being when the British government bought 38 paintings from the heirs of John Julius Angerstein in 1824. After that initial purchase, the gallery was shaped mainly by its early directors, especially Charles Lock Eastlake, and by private donations, which now account for two-third ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Agnolo Bronzino
Agnolo di Cosimo (; 17 November 150323 November 1572), usually known as Bronzino ( ) or Agnolo Bronzino, was an Italians, Italian Mannerism, Mannerist painter from Florence. His sobriquet, ''Bronzino'', may refer to his relatively dark skin or reddish hair. He lived all his life in Florence, and from his late 30s was kept busy as the court painter of Cosimo I de' Medici, Grand Duke of Tuscany. He was mainly a portraitist, but also painted many religious subjects, and a few allegorical subjects, which include what is probably his best-known work, ''Venus, Cupid, Folly and Time'', c. 1544–45, now in London. Many portraits of the Medicis exist in several versions with varying degrees of participation by Bronzino himself, as Cosimo was a pioneer of the copied portrait sent as a diplomatic gift. He trained with Pontormo, the leading Florentine painter of the first generation of Mannerism, and his style was greatly influenced by him, but his elegant and somewhat elongated figures al ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
