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Fates Warning Albums
The Fates are a common motif in European polytheism, most frequently represented as a trio of goddesses. The Fates shape the destiny of each human, often expressed in textile metaphors such as spinning fibers into yarn, or weaving threads on a loom. This trio is composed of sisters who go by the names Clotho, Lachesis, and Atropos (also known as the daughters of Zeus and Themis). These divine figures are often artistically depicted as beautiful maidens with consideration to their serious responsibility: the life of mortals. Poets typically express the Fates as ugly and unwavering, representing the gravity of their role within the mythological and human worlds. Individual Roles The Moirai, meaning "allotted portion" or "share", separated each sister into a different role in order to handle the fates of humans. The Fates were expected to appear within three days of a mortal's birth. Clotho was the first of the three, known as "the spinner", due to the fact that she would weave ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Motif (folkloristics)
The ''Motif-Index of Folk-Literature'' is a six volume catalogue of motifs, granular elements of folklore, composed by American folklorist Stith Thompson (1932–1936, revised and expanded 1955–1958). Often referred to as Thompson's motif-index, the catalogue has been extensively used in folklore studies, where folklorists commonly use it in tandem with the Aarne–Thompson–Uther Index, an index used for folktale type analysis. As standard tools The motif-index and the AT or ATU indices are regarded as standard tools in the study of folklore. For example, folklorist Mary Beth Stein says, "Together with Thompson's six-volume ''Motif-Index of Folk-Literature'', with which it is cross-indexed, ''The Types of Folktale'' constitutes the most important reference work and research tool for comparative folk-tale analysis. Alan Dundes who was an outspoken critic also said substantially the same thing, without confining the application to comparative studies: "he indicesindex consti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Asphodel Meadows
The Asphodel Meadows is a section of the ancient Greek underworld where ordinary souls are sent to live after death. Later depictions The Asphodel Meadows is most probably where the souls of people who lived mediocre lives remain. Its relationship to other places in the Greek afterlife remains uncertain. For later Greek poets the very ancient pre-Homeric association of the asphodel flower with a positive form of afterlife as well as the enlarged role of Elysium as it became the destination of more than just a few lucky heroes, altered the character of the meadows. Greek poets who wrote after Homer's time describe them as untouched, lovely, soft and holy. Such an evolutionary change is quite common: "Like most cultures throughout human history, both ancient and modern, the Greeks held complex and sometimes contradictory views about the afterlife". Some depictions describe it as a land of utter neutrality. That is, while the inhabitants were in life neither good nor evil, so they ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Three Witches
The Three Witches, also known as the Weird Sisters or Wayward Sisters, are characters in William Shakespeare's play ''Macbeth'' (c. 1603–1607). The witches eventually lead Macbeth (Macbeth), Macbeth to his demise, and they hold a striking resemblance to Moirai, the three Fates of classical mythology. Their origin lies in Holinshed's Chronicles, Holinshed's ''Chronicles'' (1587), a history of England, Scotland and Ireland. Other possible sources, aside from Shakespeare, include British folklore, contemporary treatises on witchcraft as James I of England, King James VI of Scotland's ''Daemonologie'', the Witch of Endor from the Bible, the Norns of Norse mythology, and ancient classical myths of the Fates: the Greek Moirai and the Roman Parcae. Shakespeare's witches are prophets who hail Macbeth early in the play, and predict his ascent to kingship. Upon killing the king and gaining the throne of Scotland, Macbeth hears them ambiguously predict his eventual downfall. The witche ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fates Tapestry -460755563
The Fates are a common motif in European polytheism, most frequently represented as a trio of goddesses. The Fates shape the destiny of each human, often expressed in textile metaphors such as spinning fibers into yarn, or weaving threads on a loom. This trio is composed of sisters who go by the names Clotho, Lachesis, and Atropos (also known as the daughters of Zeus and Themis). These divine figures are often artistically depicted as beautiful maidens with consideration to their serious responsibility: the life of mortals. Poets typically express the Fates as ugly and unwavering, representing the gravity of their role within the mythological and human worlds. Individual Roles The Moirai, meaning "allotted portion" or "share", separated each sister into a different role in order to handle the fates of humans. The Fates were expected to appear within three days of a mortal's birth. Clotho was the first of the three, known as "the spinner", due to the fact that she would weave ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jena
Jena () is a German city and the second largest city in Thuringia. Together with the nearby cities of Erfurt and Weimar, it forms the central metropolitan area of Thuringia with approximately 500,000 inhabitants, while the city itself has a population of about 110,000. Jena is a centre of education and research; the Friedrich Schiller University was founded in 1558 and had 18,000 students in 2017 and the Ernst-Abbe-Fachhochschule Jena counts another 5,000 students. Furthermore, there are many institutes of the leading German research societies. Jena was first mentioned in 1182 and stayed a small town until the 19th century, when industry developed. For most of the 20th century, Jena was a world centre of the optical industry around companies such as Carl Zeiss, Schott and Jenoptik (since 1990). As one of only a few medium-sized cities in Germany, it has some high-rise buildings in the city centre, such as the JenTower. These also have their origin in the former Carl Zeiss factor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Black Paintings
The ''Black Paintings'' (Spanish: ''Pinturas negras'') is the name given to a group of 14 paintings by Francisco Goya from the later years of his life, likely between 1819 and 1823. They portray intense, haunting themes, reflective of both his fear of insanity and his bleak outlook on humanity. In 1819, at the age of 72, Goya moved into a two-story house outside Madrid that was called '' Quinta del Sordo'' (''Deaf Man's Villa''). Although the house had been named after the previous owner, who was deaf, Goya too was nearly deaf at the time as a result of an unknown illness he had suffered when he was 46. The paintings originally were painted as murals on the walls of the house, later being "hacked off" the walls and attached to canvas by owner Baron Frédéric Émile d'Erlanger. They are now in the Museo del Prado in Madrid. After the Napoleonic Wars and the internal turmoil of the changing Spanish government, Goya developed an embittered attitude toward mankind. He had an acute ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francisco Goya
Francisco José de Goya y Lucientes (; ; 30 March 174616 April 1828) was a Spanish romantic painter and printmaker. He is considered the most important Spanish artist of the late 18th and early 19th centuries. His paintings, drawings, and engravings reflected contemporary historical upheavals and influenced important 19th- and 20th-century painters. Goya is often referred to as the last of the Old Masters and the first of the moderns. Goya was born to a middle-class family in 1746, in Fuendetodos in Aragon. He studied painting from age 14 under José Luzán y Martinez and moved to Madrid to study with Anton Raphael Mengs. He married Josefa Bayeu in 1773. Their life was characterised by a series of pregnancies and miscarriages, and only one child, a son, survived into adulthood. Goya became a court painter to the Spanish Crown in 1786 and this early portion of his career is marked by portraits of the Spanish aristocracy and royalty, and Rococo-style tapestry cartoons desig ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Atropos O Las Parcas
Atropos (; grc, Ἄτροπος "without turn") or Aisa, in Greek mythology, was one of the three Moirai, goddesses of fate and destiny. Her Roman equivalent was Morta. Atropos was the oldest of the Three Fates, and was known as "the Inflexible One." It was Atropos who chose the manner of death and ended the life of mortals by cutting their threads. She worked along with her two sisters, Clotho, who spun the thread, and Lachesis, who measured the length. Atropos has been featured in several stories such as Atalanta and Achilles. Origin Her origin, along with the other two fates, is uncertain, although some called them the daughters of the night. It is clear, however, that at a certain period they ceased to be only concerned with death and also became those powers who decided what may happen to individuals. Although Zeus was the chief Greek god and their father, he was still subject to the decisions of the Fates, and thus the executor of destiny, rather than its source. Acco ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Lithuanian Gods And Mythological Figures
The list of Lithuanian gods is reconstructed based on scarce written sources and late folklore. Lithuania converted to Christianity in 1387, but elements of Lithuanian mythology survived into the 19th century. The earliest written sources, authored by foreigners and Christians, only briefly mention the Lithuanian gods. Beginning in the 16th century, the pagan religion received more attention from authors, but often their accounts were confused, contradictory, and heavily influenced by various religious agendas. Collection and recording of folklore began in the 19th century, by which time the pagan mythology had become fragmented and mixed with Christian traditions. The cults of old deities transformed into folklore (individual tales, myths, songs, etc.) without associated rituals. Because of such difficulties obtaining data, there is no accepted list of Lithuanian gods. Different authors present wildly contradictory reconstructions of the Lithuanian pantheon. Names from folklore m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Norse Mythology
Norse, Nordic, or Scandinavian mythology is the body of myths belonging to the North Germanic peoples, stemming from Old Norse religion and continuing after the Christianization of Scandinavia, and into the Nordic folklore of the modern period. The northernmost extension of Germanic mythology and stemming from Proto-Germanic folklore, Norse mythology consists of tales of various deities, beings, and heroes derived from numerous sources from both before and after the pagan period, including medieval manuscripts, archaeological representations, and folk tradition. The source texts mention numerous gods such as the thunder-god Thor, the raven-flanked god Odin, the goddess Freyja, and numerous other deities. Most of the surviving mythology centers on the plights of the gods and their interaction with several other beings, such as humanity and the jötnar, beings who may be friends, lovers, foes, or family members of the gods. The cosmos in Norse mythology consists of Nine Worl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Norns
The Norns ( non, norn , plural: ) are deities in Norse mythology responsible for shaping the course of human destinies.'' Nordisk familjebok'' (1907) In the ''Völuspá'', the three primary Norns Urðr (Wyrd), Verðandi, and Skuld draw water from their sacred well to nourish the tree at the center of the cosmos and prevent it from rot.The article Nornor' in '' Nordisk familjebok'' (1913). These three Norns are described as powerful maiden giantesses ( Jotuns) whose arrival from Jötunheimr ended the golden age of the gods. The Norns are also described as maidens of Mögþrasir in the ''Vafþrúðnismál''. Beside the three Norns tending Yggdrasill, pre-Christian Scandinavians attested to Norns who visit a newborn child in order to determine the person's future. These Norns could be malevolent or benevolent: the former causing tragic events in the world while the latter were kind and protective. Etymology The origin of the name ''norn'' is uncertain; it may derive from a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Deities And Fairies Of Fate In Slavic Mythology
Rozhanitsy, narecnitsy, and sudzhenitsy are invisible spirits or deities of fate in the pre-Christian religion of the Slavs. Related to pregnancy, motherhood, marriage and female ancestors. Often quoted together with Rod. They are usually mentioned three together, but sometimes up to 9 together, of which one was a "queen" or singular.''The Mythology of All Races'' (1918), Vol. III, Section "Slavic", Part I: The GeniiChapter IV: Genii of Fate, pp. 249-252/ref> They are related to Dola, but it is not known on what terms. In Poland they were worshipped as zorze (auroras). Names and meaning In different regions of the Slavs and languages they were named differently: * Croatian: rodjenice, rojenice, roženice, sudice, sudjenice, sujenice * Slovene: rodjenice, rojenice, sudice, sojenice, sujenice * Bulgarian: sudženici, narŭčnici, orisnici, urisnici, uresici * Czech and Slovak: rodjenice, sudjenice, sudičky * Polish: rodzanice, narecznice, sudiczki * Romanian: ursitoare * Serbia ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
_-_geograph.org.uk_-_246182.jpg "Click for more on -> Three Witches")
