Fatal Extravagance
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Fatal Extravagance
''Fatal Extravagance'' is a 1721 tragedy by the British writer Aaron Hill. It was presented by another writer Joseph Mitchell, a friend of Hill, at the Lincoln's Inn Fields Theatre in London. The original cast included James Quin as Bellmour, Anthony Boheme as Courtney, John Ogden as Bargrave and Anna Maria Seymour as Louisa. It was printed with the slightly longer title ''The Fatal Extravagance''. Hill was inspired by the recent South Sea Bubble where speculative investment had led to a massive crash, ruining backers of the company. In the play this takes the former a out-of-control gambler who ends up killing a creditor and planning to commit suicide.Gerrard p.54 In 1793 a version of the play retitled ''The Prodigal'' by Francis Godolphin Waldron was staged at the Haymarket Theatre, with a happy ending A happy ending is an ending of the plot of a work of fiction in which almost everything turns out for the best for the main protagonists and their sidekicks, while the main v ...
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Aaron Hill (writer)
Aaron Hill (10 February 1685 – 8 February 1750) was an English dramatist and miscellany writer. Biography The son of a country gentleman of Wiltshire, Hill was educated at Westminster School, and afterwards travelled in the East. He was the author of 17 plays, some of them, such as his versions of Voltaire's ''Zaire'' and ''Mérope'', being adaptations. He also wrote poetry, which is of variable quality. Having written some satiric lines on Alexander Pope, he received in return a mention in ''The Dunciad'', which led to a controversy between the two writers. Afterwards a reconciliation took place. He was a friend and correspondent of Samuel Richardson, whose ''Pamela'' he highly praised. In addition to his literary pursuits Hill was involved in many commercial schemes, usually unsuccessful. Hill was the manager of the Theatre Royal, Drury Lane when he was 24 years old, and before being summarily fired for reasons unknown, he staged the premier of George Frideric Handel's ''Ri ...
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Lincoln's Inn Fields Theatre
Lisle's Tennis Court was a building off Portugal Street in Lincoln's Inn Fields in London. Originally built as a real tennis court, it was used as a playhouse during two periods, 1661–1674 and 1695–1705. During the early period, the theatre was called Lincoln's Inn Fields Playhouse, also known as The Duke's Playhouse, The New Theatre or The Opera. The building was demolished and replaced by a purpose-built theatre for a third period, 1714–1728. The tennis court theatre was the first public playhouse in London to feature the moveable scenery that would become a standard feature of Restoration theatres. Historical background The period beginning in England in 1642 and lasting until 1660 is known as the Interregnum, meaning "between kings." At this time, there was no monarch on the throne, and theatre was against the law. Spanning from 1642 to 1649, the English Civil War occurred. This war was an uprising against the current King of England, King Charles ...
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Tragedy
Tragedy (from the grc-gre, τραγῳδία, ''tragōidia'', ''tragōidia'') is a genre of drama based on human suffering and, mainly, the terrible or sorrowful events that befall a main character. Traditionally, the intention of tragedy is to invoke an accompanying catharsis, or a "pain hatawakens pleasure", for the audience. While many cultures have developed forms that provoke this paradoxical response, the term ''tragedy'' often refers to a specific tradition of drama that has played a unique and important role historically in the self-definition of Western civilization. That tradition has been multiple and discontinuous, yet the term has often been used to invoke a powerful effect of cultural identity and historical continuity—"the Greeks and the Elizabethans, in one cultural form; Hellenes and Christians, in a common activity," as Raymond Williams puts it. From its origins in the theatre of ancient Greece 2500 years ago, from which there survives only a fra ...
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James Quin
James Quin (24 February 1693 – 21 January 1766) was an English actor of Irish descent. Life Quin was born in King Street, Covent Garden, London, an illegitimate son of James Quin, an Irish-born barrister, and his partner (whom he apparently never lawfully married) Mrs. Grinsell. He was the grandson of Mark Quin, Lord Mayor of Dublin in 1667–8. William Whitshed, Lord Chief Justice of Ireland, was his first cousin. He was educated in Dublin, and probably spent some time at Trinity College, Dublin. His grandfather, the Lord Mayor of Dublin, who caused a sensation by committing suicide in Christ Church Cathedral, Dublin in 1674, supposedly because of his wife's infidelity, was one of the richest men in Dublin. James unsuccessfully claimed a share of the family fortune,Sturgeon, Sinéad "Quin, James" ''Dictionary of Irish Biography'' but he could not prove that his parents had been lawfully married, since his mother had a previous husband who was still alive. Soon after his fathe ...
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Anthony Boheme
Anthony Boheme (died 1731) was a British stage actor of the eighteenth century. His year of birth is unknown. From 1720 he was a long-standing part of John Rich's company at the Lincoln's Inn Fields Theatre until his death. He was married to the actress Anna Maria Seymour.Highfill Burnim & Langhans p.185-188 Selected roles * Lord Cobham in ''Sir Walter Raleigh'' (1719) * French Bishop in ''Henry IV of France'' (1719) * Jaspar in ''The Half-Pay Officers'' (1720) * Aspar in '' The Imperial Captives'' (1720) * Nicanor in '' Antiochus'' (1721) * Haly in ''The Fair Captive'' (1721) * Lord Gracebubble in '' The Chimera'' (1721) * Courtney in ''Fatal Extravagance'' (1721) * Weighty in '' The Compromise'' (1722) * O'Brien in ''Hibernia Freed'' (1722) * Danaus in '' Love and Duty'' (1722) * Eteocles in ''The Fatal Legacy'' (1723) * Herod in ''Mariamne'' (1723) * Edwin in ''Edwin'' (1724) * Paulinus in ''The Roman Maid'' (1724) * Belisarius in ''Belisarius'' (1724) * Wiseman in ''The Bath U ...
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John Ogden (actor)
John Ogden (died 1732) was a British stage actor of the eighteenth century. He spent his entire stage career with John Rich's company at the Lincoln's Inn Fields Theatre which he joined in 1715. He was adept at playing both comedy and tragedy. During his time on the stage he had several runs in with the law and was arrested and sent to Newgate Prison for speaking "treasonable words". Presumably an opponent of the Hanoverian Succession, he was charged in January 1723 with resisting arrest, drawing his sword and threatening anybody who didn't support the Jacobite pretender James III. After serving three months he was released and returned to the theatre.Johanson p.410 Selected roles * Sir Jasper Manly in ''The Cobbler of Preston'' (1716) * Butler in '' Woman Is a Riddle'' (1716) * Lucilius in ''Scipio Africanus'' (1718) * Freeman in ''A Bold Stroke for a Wife'' (1718) * Petruchio in '' The Traitor'' (1718) * Wade in ''Sir Walter Raleigh'' (1719) * Duke of Bouillon in ''Henry IV of ...
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Anna Maria Seymour
Anna Maria Seymour or Mrs Seymour (c. 1692 – 10 July 1723) was a British actress. Life Seymour is first heard of in 1717 when she appeared at Drury Lane in ''The Scowrers''. She took leading roles in Richard III and Hamlet with Lacy Ryan as well as appearing with James Quin in ''Othello'' and with him as Lady Macbeth. In 1718-19 she moved to John Rich's theatre at Lincoln's Inn Fields to take leading roles. Her most noted role was as ''Marianne'' in Elijah Fenton's play of the same name. Her final appearance was with her future husband on 7 June 1723. She married Anthony Boheme Anthony Boheme (died 1731) was a British stage actor of the eighteenth century. His year of birth is unknown. From 1720 he was a long-standing part of John Rich's company at the Lincoln's Inn Fields Theatre until his death. He was married to the ... who was also a leading actor in 1723 and she was said to have been lost to the profession. However the marriage did not last the year as she died in ...
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South Sea Bubble
South is one of the cardinal directions or compass points. The direction is the opposite of north and is perpendicular to both east and west. Etymology The word ''south'' comes from Old English ''sūþ'', from earlier Proto-Germanic ''*sunþaz'' ("south"), possibly related to the same Proto-Indo-European root that the word ''sun'' derived from. Some languages describe south in the same way, from the fact that it is the direction of the sun at noon (in the Northern Hemisphere), like Latin meridies 'noon, south' (from medius 'middle' + dies 'day', cf English meridional), while others describe south as the right-hand side of the rising sun, like Biblical Hebrew תֵּימָן teiman 'south' from יָמִין yamin 'right', Aramaic תַּימנַא taymna from יָמִין yamin 'right' and Syriac ܬܰܝܡܢܳܐ taymna from ܝܰܡܝܺܢܳܐ yamina (hence the name of Yemen, the land to the south/right of the Levant). Navigation By convention, the ''bottom or down-facing side'' of ...
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Gambler
Gambling (also known as betting or gaming) is the wagering of something of value ("the stakes") on a random event with the intent of winning something else of value, where instances of strategy are discounted. Gambling thus requires three elements to be present: consideration (an amount wagered), risk (chance), and a prize. The outcome of the wager is often immediate, such as a single roll of dice, a spin of a roulette wheel, or a horse crossing the finish line, but longer time frames are also common, allowing wagers on the outcome of a future sports contest or even an entire sports season. The term "gaming" in this context typically refers to instances in which the activity has been specifically permitted by law. The two words are not mutually exclusive; ''i.e.'', a "gaming" company offers (legal) "gambling" activities to the public and may be regulated by one of many gaming control boards, for example, the Nevada Gaming Control Board. However, this distinction is not universal ...
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Creditor
A creditor or lender is a party (e.g., person, organization, company, or government) that has a claim on the services of a second party. It is a person or institution to whom money is owed. The first party, in general, has provided some property or service to the second party under the assumption (usually enforced by contract) that the second party will return an equivalent property and service. The second party is frequently called a debtor or borrower. The first party is called the creditor, which is the lender of property, service, or money. Creditors can be broadly divided into two categories: secured and unsecured. *A secured creditor has a security or charge over some or all of the debtor's assets, to provide reassurance (thus to ''secure'' him) of ultimate repayment of the debt owed to him. This could be by way of, for example, a mortgage, where the property represents the security. *An unsecured creditor does not have a charge over the debtor's assets. The term creditor ...
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Francis Godolphin Waldron
Francis Godolphin Waldron (1744–1818) was an English writer and actor, known also as an editor and bookseller. Life Waldron became a member of David Garrick's company at Drury Lane, and is heard of on 21 October 1769, when he played a part in ''A New Way to Pay Old Debts''. On 12 March 1771 he was Dicky in ''The Constant Couple'' by George Farquhar. He made little progress as an actor, but Garrick gave him charge of the theatrical fund which he established in 1766, and he was at various times manager of the Windsor, Richmond, and other country theatres. Waldron sold the Windsor theatre, which amounted to a shed, to the manager Henry Thornton in 1791. On 25 April 1772 Waldron was the original Sir Samuel Mortgage in George Downing's ''Humours of the Turf''. On 17 May 1773 he took a benefit, as the original Metre, a parish clerk, in his own ''Maid of Kent'' (published 1778), a comedy based on a story in ''The Spectator'' (No. 123). On 12 May 1775, for his benefit and that of a M ...
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Haymarket Theatre
The Theatre Royal Haymarket (also known as Haymarket Theatre or the Little Theatre) is a West End theatre on Haymarket in the City of Westminster which dates back to 1720, making it the third-oldest London playhouse still in use. Samuel Foote acquired the lease in 1747, and in 1766 he gained a royal patent to play legitimate drama (meaning spoken drama, as opposed to opera, concerts or plays with music) in the summer months. The original building was a little further north in the same street. It has been at its current location since 1821, when it was redesigned by John Nash. It is a Grade I listed building, with a seating capacity of 888. The freehold of the theatre is owned by the Crown Estate. The Haymarket has been the site of a significant innovation in theatre. In 1873, it was the venue for the first scheduled matinée performance, establishing a custom soon followed in theatres everywhere. Its managers have included Benjamin Nottingham Webster, John Baldwin Buckstone, S ...
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