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''Fatal Extravagance'' is a 1721
tragedy Tragedy (from the grc-gre, τραγῳδία, ''tragōidia'', ''tragōidia'') is a genre of drama based on human suffering and, mainly, the terrible or sorrowful events that befall a main character. Traditionally, the intention of tragedy ...
by the British writer Aaron Hill. It was presented by another writer Joseph Mitchell, a friend of Hill, at the
Lincoln's Inn Fields Theatre Lisle's Tennis Court was a building off Portugal Street in Lincoln's Inn Fields in London. Originally built as a real tennis court, it was used as a playhouse during two periods, 1661–1674 and 1695–1705. During the early period, ...
in London. The original cast included
James Quin James Quin (24 February 1693 – 21 January 1766) was an English actor of Irish descent. Life Quin was born in King Street, Covent Garden, London, an illegitimate son of James Quin, an Irish-born barrister, and his partner (whom he apparently n ...
as Bellmour,
Anthony Boheme Anthony Boheme (died 1731) was a British stage actor of the eighteenth century. His year of birth is unknown. From 1720 he was a long-standing part of John Rich's company at the Lincoln's Inn Fields Theatre until his death. He was married to the ...
as Courtney,
John Ogden John Ogden may refer to: *John Ogden (colonist) (1609-1682), an American colonial leader *John Ogden (actor) (died 1732), a British stage actor * John B. Ogden (1812–?), 19th century Arkansas judge *John Ogden (academic), co-founder of Fisk Unive ...
as Bargrave and
Anna Maria Seymour Anna Maria Seymour or Mrs Seymour (c. 1692 – 10 July 1723) was a British actress. Life Seymour is first heard of in 1717 when she appeared at Drury Lane in ''The Scowrers''. She took leading roles in Richard III and Hamlet with Lacy Ryan as w ...
as Louisa. It was printed with the slightly longer title ''The Fatal Extravagance''. Hill was inspired by the recent
South Sea Bubble South is one of the cardinal directions or compass points. The direction is the opposite of north and is perpendicular to both east and west. Etymology The word ''south'' comes from Old English ''sūþ'', from earlier Proto-Germanic ''*sunþaz ...
where speculative investment had led to a massive crash, ruining backers of the company. In the play this takes the former a out-of-control
gambler Gambling (also known as betting or gaming) is the wagering of something of value ("the stakes") on a random event with the intent of winning something else of value, where instances of strategy are discounted. Gambling thus requires three eleme ...
who ends up killing a
creditor A creditor or lender is a party (e.g., person, organization, company, or government) that has a claim on the services of a second party. It is a person or institution to whom money is owed. The first party, in general, has provided some property ...
and planning to commit suicide.Gerrard p.54 In 1793 a version of the play retitled ''The Prodigal'' by
Francis Godolphin Waldron Francis Godolphin Waldron (1744–1818) was an English writer and actor, known also as an editor and bookseller. Life Waldron became a member of David Garrick's company at Drury Lane, and is heard of on 21 October 1769, when he played a part i ...
was staged at the
Haymarket Theatre The Theatre Royal Haymarket (also known as Haymarket Theatre or the Little Theatre) is a West End theatre on Haymarket in the City of Westminster which dates back to 1720, making it the third-oldest London playhouse still in use. Samuel Foote ...
, with a
happy ending A happy ending is an ending of the plot of a work of fiction in which almost everything turns out for the best for the main protagonists and their sidekicks, while the main villains/antagonists are dead/defeated. In storylines where the protagon ...
added.


References


Bibliography

* Burling, William J. ''A Checklist of New Plays and Entertainments on the London Stage, 1700-1737''. Fairleigh Dickinson Univ Press, 1992. * Gerrard, Christine. ''Aaron Hill: The Muses' Projector, 1685-1750''. Oxford University Press, 2003. 1721 plays Plays by Aaron Hill West End plays Tragedy plays {{18thC-play-stub